kodansha

Attack on Titan: Junior High, Vol. 2

February 6, 2015 by Ash Brown

Creator: Saki Nakagawa
U.S. publisher: Kodansha
ISBN: 9781612629186
Released: November 2014
Original release: 2013-2014

I was actually a little surprised by how much I ended up liking the first omnibus of Attack on Titan: Junior High. Created by Saki Nakagawa with input from Hajime Isayama (both of whom actually attended the same design school, though that fact is more of a coincidence than anything else), Attack on Titan: Junior High is specifically a parody spinoff of Isayama’s immensely popular manga series Attack on Titan. More generally, the series is also a parody of just about any manga with a school setting. Attack on Titan: Junior High is an odd mix of Attack on Titan and contemporary school life that actually manages to work much of the time. The second Attack on Titan: Junior High omnibus, released by Kodansha Comics in 2014, collects the third and fourth volumes of the series’ original Japanese edition, published in 2013 and 2014 respectively. Kodansha was kind enough to send me a review copy of Attack on Titan: Junior high, Omnibus 2 which, because I enjoyed the first omnibus, I was particularly happy to see.

Life isn’t easy for the human students of Attack Junior High. Not only do they have to worry about the normal sorts of challenges encountered at school–getting a passing grade in class, surviving the ire of upperclassmen, daring to ask another student on a date, ensuring their clubs aren’t suspended, and so on–they also have to worry about the rest of the student body, the Titans. It doesn’t help that Attack Junior High’s principal just so happens to be a Titan as well, meaning most of the administration looks the other way as the Titans terrorize the much smaller students, the victims of bullying and stolen lunches. But then there’s the beloved teacher Mr. Erwin Smith who on the surface seems to favor the Titans when in actuality he harbors a deep-seated hatred so intense that it rivals Eren’s. Considering Eren’s single-minded commitment to taking on and taking out all of the Titans, this is rather impressive.

There is no denying that Attack on Titan: Junior High is an utterly ridiculous manga series. In general, I think that overall I probably enjoyed the first omnibus slightly more. The novelty of the spinoff has worn off some, but the second omnibus still managed to make me laugh on multiple occasions. I do find that the series works best for me when it is directly riffing on the original Attack on Titan manga and its fandom rather than playing around with more generic story tropes. Granted, from time to time those parodies can be entertaining, as well. But ultimately Attack on Titan: Junior High tends to be rather uneven with its humor. Sometimes the manga can be absolutely hilarious, but just as often the attempts at comedy just aren’t very funny. Unsurprisingly, many of the jokes in the series require readers to already be very familiar with Attack on Titan to really appreciate them, but it’s those readers for whom the series is intended to begin with.

Attack on Titan: Junior High and its style of humor certainly will not appeal to everyone. It’s not particularly clever and much of the manga can only be enjoyed by readers who are already predisposed towards random, absurd, and frequently nonsensical comedy. The English translation and localization of Attack on Titan: Junior High is fairly loose in sections, adding a few jokes here and there and freely changing pop culture references to ones that will likely be more recognizable to Western audiences. I’m not sure how funny or effective some of the changes will be in a few years’ time since they often refer to recent events, but for now they are amusing. The best gags are those where Nakagawa takes the characters of Attack on Titan and emphasizes and distorts their personality quirks to extremes. One of the most appealing things about the original Attack on Titan is its ensemble cast, and that is true of Attack on Titan: Junior High as well. Fortunately, that’s something that doesn’t rely on timeliness.

Thank you to Kodansha for providing a copy of Attack on Titan: Junior High, Omnibus 1 for review.

Attack on Titan: No Regrets, Vol. 2

December 12, 2014 by Ash Brown

Creator: Hikaru Suruga
Original story: Gun Snark
U.S. publisher: Kodansha
ISBN: 9781612629438
Released: October 2014
Original release: 2014

Attack on Titan: No Regrets, Volume 2 is the final volume of Hikaru Suruga’s manga adaptation of the A Choice with No Regrets visual novel written by Gun Snark. No Regrets is one of the many spinoffs and adaptations of Hajime Isayama’s immensely popular Attack on Titan manga series. It focuses on the backstory of one of Attack on Titan‘s most beloved characters, Levi, and how he became an exceptionally skilled and valued member of the Survey Corps. The second volume of the No Regrets manga was originally released in Japan in 2014, as was Kodansha Comics’ English-language edition. The volume also includes two short, largely comedic, No Regrets side stories as well as a special interview between Isayama and Suruga discussing the story and characters of the Attack on Titan franchise. I rather enjoyed the first volume of No Regrets and so was looking forward to reading the conclusion of the series.

At one point they were considered to be some of the most notorious criminals in the Underground, but now Levi, Isabel, and Furlan have been coerced into joining the Survey Corps, which may very well be a death sentence. Initially they weren’t well-liked by their fellow soldiers, and the three of them weren’t particularly happy with their situation, either. But during their first expedition outside of the walls, Levi and his crew leave quite an impression by handily dispatching an abnormal Titan with seeming ease. Levi and the others still don’t fit in with the rest of the Survey Corps members, but at least their remarkable skills, especially Levi’s, are recognized and admired. The extra attention they receive after defeating the Titan isn’t exactly welcome, though–Furlan is trying to coordinate a covert mission that will either lead to the three criminals’ ultimate freedom or to their deaths. They have been hired by a high-ranking political figure to steal back incriminating documents from Erwin, one of the Survey Corps’ most promising young leaders, and to end his life in the process.

What I particularly liked about the first volume of No Regrets was that it expanded the setting of Attack on Titan in addition to providing valuable background information about Levi, Erwin, and their relationship to each other. Sadly, the second volume doesn’t add much more that is new; I felt like I had already seen many of the scenes play out before and it was very clear how some of the events were going to end. The second volume of No Regrets spends a fair amount of time explaining the long-distance scouting formation, for example. While it’s noteworthy that No Regrets shows the first time that the maneuver is ever attempted, anyone familiar with Attack on Titan should already be quite aware of how the formation functions and its importance. Likewise, as is to be expected, encounters with Titans never tend to go well. Because in many ways No Regrets serves as a prequel to Attack on Titan, the deaths of major characters in the series are not at all surprising and lose some of their impact as a result.

More than anyone else’s, No Regrets is Levi’s story, but Erwin plays a pivotal role in it as well. Both of the men are exceptionally charismatic leaders, although Erwin is the only one of the two who actually seeks that role. Levi doesn’t want to be responsible for the lives of others while Erwin is willing to shoulder the weight of the sacrifices made in the fight against the Titans. He is extremely intelligent and talented and able to make tough decision. Even at the cost of individual lives, Erwin voluntarily employs dubious methods if he believes that the results will increase the odds of humanity’s survival. His almost fanatical drive and obsession contrasts sharply with Levi’s more reserved and internally focused nature. As is known will happen, eventually Erwin wins Levi over to his cause and gives him a firm direction and purpose, but this foregone conclusion does seem to occur rather abruptly. Still, the exploration of Levi and Erwin’s respective personalities and motivations in No Regrets is probably what the series does best and is what the manga brings to Attack on Titan as a whole.

Manga! Manga!: The World of Japanese Comics

December 10, 2014 by Ash Brown

Author: Frederik L. Schodt
Publisher: Kodansha
ISBN: 9781568364766
Released: January 2013
Original release: 1983
Awards: Japan Cartoonists Association Award

Initially released in 1983 and then again in 1986 in a slightly updated and revised edition, Frederik L. Schodt’s groundbreaking Manga! Manga!: The World of Japanese Comics was one of the first, and remains one of the best, surveys of the history of manga and the manga industry available in English. Written and published at a time when manga was virtually unknown to the average comics reader in the West and when only a very few examples of manga had been translated, Schodt was hoping to provide an introduction to the art form, garner interest in manga, and share his love and excitement for the medium. Manga! Manga! was received very well both in Japan where it earned special recognition from the Japan Cartoonists Association as well as in markets focused on English-reading audiences. Although Schodt would follow up Manga! Manga! with his work Dreamland Japan: Writings on Modern Manga in 1996, his initial foray is considered a classic in its subject area and is still well worth reading.

Manga! Manga! opens with a forward by Osamu Tezuka, who Schodt personally knew and worked with. From there Schodt takes over with the first chapter “A Thousand Million Manga,” providing an overview of manga and its readership in Japan. “A Thousand Years of Manga” addresses the history of manga, tracing its origins and development from 12th-century narrative art traditions through its more contemporary influences. “The Spirit of Japan” looks at the portrayal of the bushidō ethic in manga, ranging from historical fiction to the yakuza and sports genres, while “Flowers and Dreams” reveals the significance of comics created for and by girls and women. Other genres, such as salaryman, specialty career-oriented manga, and mahjong manga are explored in the chapter “The Economic Animal at Work and at Play.” Subjects like censorship, violence, and eroticism are the focus of “Regulations versus Fantasy.” Schodt closes his research with a chapters specifically devoted “The Comic Industry” and “The Future.” (Granted, that future is now in many cases the past, but the chapter is still illuminating.)

The editions of Manga! Manga! printed after 1997 also have a short introduction by Schodt but otherwise are nearly identical content-wise to those that were published earlier. In addition to Schodt’s main text, Manga! Manga! also includes an index divided by general subject, creators, and title as well as a bibliography of both English-language and Japanese-language resources. As is appropriate for a work about manga, Schodt incorporates artwork and photographs throughout the volume–rare is the page which isn’t accompanied by some sort of visual component. Particularly noteworthy is the inclusion of translated excerpts selected from four manga: Osamu Tezuka’s Phoenix, Reiji Matsumoto’s Ghost Warrior, Riyoko Ikeda’s The Rose of Versailles, and Keiji Nakazawa’s Barefoot Gen. These examples are among some of the earliest manga in translation readily available to a general English-language audience. Brief biographies of the four mangaka are provided as well.

Manga! Manga! is a fantastic work. Even decades after it was first published it remains an informative and valuable study. And, as I have come to expect, Schodt’s writing is very approachable and easy to read. Manga! Manga! explores the history of manga within the context of Japanese culture and history, ultimately showing that the two cannot be completely separated. Manga and its development reflect, is influenced by, and emphasizes the changing state of Japanese culture, politics, and social mores. It is an art form and a source of entertainment, but it can also be used for educational and informational purposes and even as propaganda. Schodt outlines the importance of manga in Manga! Manga!, both culturally and historically, and what it has to offer to Japan and to the world at large. Manga! Manga! is very highly recommended to anyone interested in learning more about manga, its history, its creators, or the manga industry as a whole.

Vinland Saga, Vol. 5

November 22, 2014 by Ash Brown

Creator: Makoto Yukimura
U.S. publisher: Kodansha
ISBN: 9781612624242
Released: October 2014
Original release: 2010-2011
Awards: Japan Media Arts Award, Kodansha Manga Award

Makoto Yukimura’s award-winning manga Vinland Saga, an epic and thoroughly researched work of historical fiction, has quickly become one of my favorite series currently being released in English. I was very happy when Kodansha Comics initially licensed Vinland Saga, but with each new volume that is published my excitement increases. The English-language edition of Vinland Saga is being printed as a series of hardcover omnibuses, each containing two volumes of the manga as originally released in Japan. The fifth omnibus, published by Kodansha in 2014, collects the ninth and tenth volumes of the Japanese edition of the series which were published in 2010 and 2011 respectively. It also includes a section of questions and answers exclusive to the English-language edition in which Yukimura discusses some of the inspirations for and creative processes behind Vinland Saga. I already enjoy Vinland Saga immensely, but greatly appreciate of this sort of bonus material.

Ever since his father was killed in front of his eyes, Thorfinn has devoted his life to one thing–seeking revenge against Askeladd, the man he holds responsible for his father’s death. But when Askeladd takes King Sweyn’s head and doesn’t survive the resulting skirmish, suddenly Thorfinn is left directionless and without purpose. Despondent and empty, he ends up a slave on an expansive wheat farm in Denmark. There he really only goes through the motions of living, suffering silently under the humiliation, discrimination, and torment inflicted by the farm hands and hired guards. It’s not until Einar arrives at the farm that Thorfinn is slowly drawn out of his despondency. Of the two, Einar is much more lively and still chafes at his enslavement. And, unlike Thorfinn, he actually knows a thing or two about farming. As difficult as it will be to achieve, those are skills that could conceivably help them earn back their freedom.

The amount of research and historic detail that Yukimura has put into both the artwork and the narrative of Vinland Saga has always been impressive, and that hasn’t changed with the fifth omnibus. Vinland Saga incorporates the politics and social structures of the time period directly into the story in a very engaging way, making them critical issues that the characters must deal with and which greatly impact their lives. At this point in the series, the manga has largely moved from the battlefield to the wheat field, but it still retains its intensity. Farming, like war, is also a life and death struggle which requires men and women to submit themselves to arduous and unforgiving tasks for the smallest chance of survival. The main difference is that raising crops is a creative act while battle is a destructive one. It seem appropriate then that Thorfinn’s labouring in the fields might actually help to bring him some healing, especially since in his past he was part of a force that would raze farms and villages when needed or convenient.

Much of the fifth omnibus of Vinland Saga is devoted to Thorfinn and Einar and the system of slavery that they are now a part of. A great deal of focus is given to Thorfinn and his psychological development in particular. In addition to historical accuracy, Yukimura also excels at creating realistically complex and well-defined characters in Vinland Saga who change and are affected by the events around them. And in some cases, they are the ones to bring great change to the world in which they exist. One of the characters that has transformed the most is Canute, the younger son of King Sweyn. Out of the entire omnibus, only two chapters show what has become of him, but they leave a tremendous impact. Once a seemingly weak and timid young man he has shown incredible fortitude and strength. Where Thorfinn has lost his purpose, Canute has found his. Canute’s ambitions and his willingness to do anything it takes to forge his kingdom will have far-reaching implications.

No. 6, Vol. 9

November 7, 2014 by Ash Brown

Creator: Hinoki Kino
Original story: Atsuko Asano
U.S. publisher: Kodansha
ISBN: 9781612627946
Released: October 2014
Original release: 2014

Released both in Japan and in English in 2014, No. 6, Volume 9 is the final volume of Hinoki Kino’s manga series No. 6, an adaptation of a series of science fiction novels written by Atsuko Asano. The manga adaptation felt a little hurried at first, but the series’ pacing, characterization, and world-building continued to improve with each new volume. I have very much been enjoying the No. 6 manga. My introduction to No. 6 was actually through the eleven-episode anime series from 2011, directed by Kenji Nagasaki. I largely enjoyed the anime, but was disappointed with its extraordinarily rushed ending. One of the reasons why I was particularly happy when Kodansha Comics licensed the No. 6 manga for an English-language release was that I was hoping for a more satisfying conclusion to the story. Though there are some similarities between the two (including the same character designs), the manga and the anime adaptations are different interpretations of Asano’s original No. 6, each with their own merits. I was definitely curious to see how Kino would end the series.

Shion and Rat have failed in their mission to rescue Safu from the Correctional Facility, barely managing to flee with their own lives. To make matters worse, Rat has been critically injured–shot in the chest while trying to protect Shion during their escape. Shion was able to give Rat first aid, but the other young man is in desperate need of proper medical attention. However, the facilities that could save Rat’s life don’t exist within West Block. No. 6, the city that Rat wishes above all else to destroy, holds his only hope, and it is now in chaos. The citizenship is dangerously close to revolt and fear is sweeping across the populace. Some of the turmoil was cause by Shion and Rat during their attack on the Correctional Facility, but there are also others within No. 6 itself who are seeking revenge against the state, fanning the flames of discontent. Rat and Shion have so far been able to survive, but their fight is far from over. Shion doesn’t even have time to grieve for Safu if he wants to prevent losing more of the people he loves dearly.

Because I started reading the No. 6 manga in part because I had seen the anime, at times it’s difficult for me not to compare the two. And as previously mentioned, I was particularly interested in how Kino would end the series. I’m not certain how it compares to Asano’s original novels, but the manga’s conclusion is much more comprehensive than the anime’s. (Actually, I can make some more sense out of the anime now that I have read the manga.) The last few volumes have been increasingly intense. The sudden relaxation of all of that tension in No. 6, Volume 9 is very disconcerting, and even a little anticlimactic, as the immediate danger passes. However, the Correctional Facility has been destroyed and the wall between No. 6 and West Block has begun to fall. There may be a temporary lull in which people momentarily feel safe, but peace will be a long time in coming as resentment and hatred still exist and pose a threat. Taking this into consideration, Kino’s ending allows for that and, while the ending is complete, there is a sense that the world of No. 6 and the struggle continues beyond the page.

Although No. 6, Volume 9, mostly provides a satisfying conclusion to the manga series, at times it does feel like it’s only really scratching the surface of a much more complicated and detailed story. However, all of the major plot threads are addressed and resolved, including the revelation of the meaning behind the parasitic bees and the explanation of the secret experiments being carried out in No. 6. Granted, it does take an infodump or two to fit it all into the last volume, but they work and their inclusion actually makes a fair amount of sense within the context of the narrative. Where Kino’s No. 6 really excels though is with the evolution and development of Rat and Shion. They begin the series with straightforward personalities that become increasingly layered and complex as the manga progresses. Shion is benevolent but also frightening; Rat’s apparent strength hides his frailty. Their roles in their relationship with each other have reversed several times throughout the series and continue to shift and change all the way to its end. I came to care about Shion and Rat immensely and am very glad to finally have a much more thorough ending to their story.

No. 6, Vol. 8

September 5, 2014 by Ash Brown

Creator: Hinoki Kino
Original story: Atsuko Asano
U.S. publisher: Kodansha
ISBN: 9781612625782
Released: August 2014
Original release: 2013

Hinoki Kino’s manga series No. 6 is an adaptation of Atsuko Asano’s No. 6 science fiction novels. I’ve wanted to read the original series ever since I watched the No. 6 anime adaptation, but I am quite aware of how unlikely it is that the novels will be licensed any time soon, if ever. Still, I was very pleased when Kodansha Comics announced that Kino’s manga adaptation would be officially translated into English. No. 6, Volume 8 was originally released in 2013 while Kodansha’s edition was published in 2014. The English-language edition is actually based on the Japanese special edition of the volume, which means that it contains a bonus story as well as some additional material. Of particular note is a sixteen-page color illustration gallery which will most likely be limited to the first printing of No. 6, Volume 8 (at least in color). This is the first time that color pages have been included in the English-language version of No. 6; it’s Kodansha’s way of thanking readers for the strong support that they have shown the series.

Rat and Shion have been able to successfully infiltrate No. 6’s Correctional Facility, but it hasn’t been easy. The two young men have faced off with the building’s security forces and survived, but not without injury and not without taking the lives of some of those who would do them harm. It’s been a traumatizing experience for both Shion and Rat, but they are determined to complete their mission at whatever cost. Shion’s goal is to rescue his close friend Safu, who has been arrested and is being held within the Correctional Facility; Rat aspires to completely destroy No. 6 and anything and anyone associated with it. Sadly, Shion’s reunion with Safu isn’t all that he hoped for and now that Rat and Shion have reached the most secure and heavily guarded areas of the Correctional Facility they must find a way to escape–something that will prove to be even more dangerous than their initial assault on the building. With time quickly running out, it will be all that they can do just to survive.

Even though I am already familiar with the story of No. 6 it is still astounding and incredibly heart-wrenching to see just how much Shion has changed over the course of the series. And it’s not change without cause. He has seen and been put through terrible, horrifying things. Some harsh truths and decisions have been forced upon him while other choices have been entirely his own, either consciously or subconsciously. Glimmers of who Shion once was can still be seen–even when in utter despair he can somehow find beauty in life and in other people–but it’s likely only a matter of time before reality completely breaks him. Over the last few volumes he has been slipping further and further away; by this point in the series Shion’s mental state is extremely precarious. He is desperately trying, and failing, to process and make sense of everything that has happened. Tragically, Shion is no longer even capable of saving himself. It’s only when Rat’s life is in mortal danger that Shion is temporarily torn away from his inner turmoil and crisis.

No. 6, Volume 8 focuses almost entirely on the escape from the Correctional Facility. Kino’s action sequences have improved immensely since the beginning of the series, which is especially important for a volume which relies so heavily on them. Kino has started using some very interesting and effective angles of perspective, which adds to the dynamic nature of Rat and Shion’s flight. While there isn’t much plot advancement in the eighth volume of No. 6, there are still some crucial and defining character moments for both Rat and Shion. The changes that Shion has been going through have had a tremendous impact on Rat and as a result he is struggling, too. Although there is excitement and drama to be found within the story itself, it’s ultimately the characters and their evolution as the series steadily progresses that make No. 6 so gripping. With only one more volume to go there is still plenty that could happen, but no matter which direction No. 6 takes Rat and Shion will never be the same.

The World of the Shining Prince: Court Life in Ancient Japan

August 20, 2014 by Ash Brown

Author: Ivan Morris
Publisher: Kodansha
ISBN: 9781568360294
Released: June 1994
Original release: 1964

Several years ago I read the entirety of The Tale of Genji, a novel written by Murasaki Shikibu in the eleventh century. It was a pretty big undertaking, but absolutely worth it. I love the novel. Ever since finishing The Tale of Genji for the first time, I’ve been meaning to read Ivan Morris’ The World of the Shining Prince: Court Life in Ancient Japan. The volume takes its title from the hero of The Tale of Genji who is referred to as the shining prince due to his exquisite visage and exceptional character. In many ways, The World of the Shining Prince serves as a companion to The Tale of Genji as Morris explores the historical reality of the aristocracy of Heian-era Japan. The World of the Shining Prince was originally published in 1964. Beginning in 1994, later editions of the work also include an introduction by Barbara Ruch. I recently read and was rather impressed by another of Morris’ works, The Nobility of Failure: Tragic Heroes in the History of Japan, and so was looking forward to reading The World of the Shining Prince even more.

In addition to the introductions, preface, appendices, bibliography, and topical index, The World of the Shining Prince examines a number of different aspects of tenth-century Japan, Heian court society, and The Tale of Genji within it ten chapters. Morris begins with a broad overview of the era in the first chapter, “The Heian Period.” Though the Heian Period lasted from 782 to 1167, The World of the Shining Prince largely, but not exclusively, focuses on the 900s. The next chapter, “The Setting” looks at Heian architecture, city planning, and geography. From there Morris delves into more detailed analysis of Heian culture in the chapters “Politics and Society,” “Religions,” and “Superstitions.” Next, attention is specifically turned to the Heian nobility and aristocracy. “The Good People and Their Lives” details day-to-day activities, amusements, and ceremonies while “The Cult of Beauty” looks at the particular aesthetics of the era. The eighth chapter, “The Women of Heian and their Relations with Men” outlines household and family structures as well as the place of romantic liaisons. The World of the Shining Prince concludes with chapters devoted to Murasaki Shikibu and to The Tale of Genji itself.

Although written more than five decades ago, The World of the Shining Prince has held up remarkably well. Admittedly, it is nearly impossible to write a completely objective cultural study–Morris’ analysis is informed and influenced by his own cultural subjectivity. In the half-century since The World of the Shining Prince was written, Western thought and scholarly approaches to cultural analysis have also changed. (For example, as Ruch mentions in her introduction, views on gender politics and the relationship between religion and superstition has shifted over the years.) The World of the Shining Prince is a product of its time, but that doesn’t at all diminish its value as a resource on Heian-era Japan, and more specifically on Japanese court life in the tenth century. Additionally, the volume is written with a general audience in mind. It is quite approachable, even for the average reader, and is engagingly written. Granted, the subject mater of The World of the Shining Prince is fascinating to being with.

Although Morris does provide some important general context within which he situates The World of the Shining Prince, the volume’s scope is relatively narrow, concentrating on a very specific part of Heian society. However, this specificity also allows him to explore that subject from several different perspectives. Information about the Heian Period is somewhat limited, especially in regards to the lower classes, which is another reason that The World of the Shining Prince is so focused on the era’s nobility. The Tale of Genji is a major source for Morris’ study of the Heian-era Japan, as are other works of contemporary literature–The Pillow Book of Sei Shōnagon especially features prominently–as well as diaries and court records from the time period. The World of the Shining Prince is an extremely informative and absorbing work. It’s more than just a companion to The Tale of Genji and reaches beyond its literary connections. The volume should appeal to anyone interested in learning more about classical Japanese history.

Vinland Saga, Vol. 4

August 9, 2014 by Ash Brown

Creator: Makoto Yukimura
U.S. publisher: Kodansha
ISBN: 9781612624235
Released: July 2014
Original release: 2009
Awards: Japan Media Arts Award, Kodansha Manga Award

Makoto Yukimura’s award-winning Vinland Saga has quickly become one of the manga releases that I most look forward to each time a new volume is published every few months. The series is thoroughly researched historical fiction with fantastic artwork and incredibly engaging story and characters. I was happy when Kodansha Comics picked up the license, but as the series gets better and better with each passing volume my excitement for the manga grows along with it. Kodansha’s edition of Vinland Saga was the publisher’s first foray into a deluxe release. Each omnibus collects two of the original volumes, retaining the color pages, in a nice hardcover format. Vinland Saga, Omnibus 4, published by Kodansha in 2014, contains the seventh and eighth volumes of the Japanese edition of the series, both of which were released in 2009. The fourth omnibus, like the third, also includes an exclusive question and answer segment with Yukimura about the series which I’ve really been enjoying.

Defying all expectations, Prince Canute has survived his father’s attempt to have him killed in battle and has taken his destiny into his own hands. At one point a gentle young man considered weak by the Viking mercenaries and soldiers, Canute is now resolved to wrest the crown from his father, King Sweyn. He is prepared to use force and any other means necessary in order to gain control of the realm. This change of heart has earned Canute an impressive array of followers who are willing to fight and die for him as he challenges Denmark’s king. Thorkell and his men are known and respected as great warriors to be feared on the battlefield. Most of Askeladd’s troop has been slain, but Askeladd himself is a skilled fighter with an even greater talent for strategy and manipulation. The aid of both men will give Canute distinct advantages in the approaching confrontation, but its conclusion is far from certain. Sweyn has strong men who are loyal to him as well in addition to the recognized power to rule over the masses. He isn’t about to let the throne slip away so easily.

I continue to be extremely impressed by the characterization in Vinland Saga. The main characters and even the supporting cast all have a tremendous amount of depth. They are complex, with both human failings and strengths, well-developed personalities, and believable motivations. Nothing is as simple as good or bad. Instead the characters are portrayed as real people with complicated pasts that have made them who they are. Up until this point Sweyn has been somewhat of an enigma, a dark shadow hanging over Canute and the territories which he has conquered. But in Vinland Saga, Omnibus 4 he, too, is revealed to be much more nuanced of a character than when he was first introduced. Much like Canute, Sweyn’s actions are informed and driven by his beliefs and his desire to create a prosperous realm. He is a formidable ruler with significant influence, but he is also a man and a tired one at that. Kingship has taken its toll. Sweyn also serves as an example showing that even a person with righteous intentions can become corrupt, a lesson that Canute would do well to take to heart.

Compared to previous installments of Vinland Saga, the fourth omnibus in the series focuses less on all-out battle and more on the political strategies and maneuverings going on behind the scenes. However, the intensity of the series remains and when fights do break out they make an impact. They are incredibly bold and dynamic. Yukimura’s action scenes are epic and extremely well choreographed, but what makes them so effective is the emotional investment of the characters. Askeladd in particular is especially compelling. He has been able to channel his hatred and desire for revenge, controlling those around him with immense skill, but it hasn’t been without personal sacrifice. Askeladd himself is also the target of revenge–Thorfinn holds him responsible for the death of his father. Thorfinn and Askeladd’s relationship is extraordinarily complex. Askeladd doesn’t blame the younger man for seeking his demise. In his own way he actually tries to teach Thorfinn, drawing from his own past experiences. But this omnibus makes it tragically clear that Thorfinn is so obsessed with his quest for revenge that he has thought very little beyond it.

Say I Love You, Vols 1 and 2

July 12, 2014 by Anna N

Say I Love You Volume 1 by Kanae Hazuki

Say I Love You has a premise that is shared among plenty of shoujo series, as it details an improbable romance between a misfit girl and the most popular boy in school, but it has interesting combination of humor and some grittier than usual plot points, resulting an a series that is more entertaining for being slightly quirky.

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Mei Tachibana goes throughout life without having any friends. She doesn’t say much to her classmates, and it is easy to understand why, since she’s been singled out as a target for bullies from an early age. Yamato Kurosawa is extremely handsome, and is one of the most popular boys at school. He’s pleasant, but not very interested in girls who are overly interested in him. Mei captures his attention when one of his friends trips her. Later on, his friend grabs the hem of her skirt and she responds with a silent but deadly roundhouse kick, nailing Kurosawa in the face. Yamato laughs as he’s recovering from the blow and proclaims that Mei is interesting. Yamato asks Mei to be friends and while she doesn’t respond, she calls Yamato later when she is in trouble with no one else to turn to.

Mei decides that even though Yamato is a “nonsensical guy” she’s beginning to trust him a little bit. Her classmates begin to treat her differently when they notice Yamato saying “Hi” to her at school. Gradually they start to get to know each other better, through a series of slight misadventures where Yamato proves himself as steadfast and emotionally intelligent. Mei continues to be feisty and a bit withdrawn, but her lack of caring what other people think comes into play when she defends a girl named Asami after hearing the other girls gossip about her. One of the things I like about this series is that it doesn’t focus only on the slowly developing romance between Mei and Yamato. The first volume shifts over to showing how Asami and Nakanishi get together, with some surprisingly insightful advice from Mei prompting Nakanishi to actually express his feelings.

The art in the first volume is a bit rough. The poses of the characters are stiff, the proportions are sometimes a bit wonky even by manga standards, and the paneling and backgrounds aren’t that interesting or detailed. But I found myself charmed anyway, just because Hazuki draws such cute faces! The art is something I’d expect to improve a bit as the series continued, and I thought that towards the end of the first volume and start of the second it was starting to look a bit smoother.

Say I Love You Volume 2 by Kanae Hazuki

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One of the things that makes Say I Love You a little different from many of the other shoujo series that are translated into English, is that it is a bit more forthright when dealing with issues centering around sex. Asami is bullied because she has a well-developed figure. Aiko has a jealous crush on Yamato, and tries to drive off Mei by pointing out that she’s already slept with him. In some shoujo series this revelation would result in Mei and Yamato being kept apart for a couple chapters at least, but Mei asks him if it is true shortly after she finds out. Yamato explains the circumstances behind his encounter with Aiko as something that he regrets, and they are able to move on.

I enjoyed the bit of backstory Hazuki introduces to explain Mei and Yamato’s personalities. He has direct experience with bullying, when one of his friends was harassed so much that he transferred schools. Mei’s withdrawn nature is a bit more understandable when we see her relationship with her overprotective father, who tragically died young.

Mei slowly begins to transform a bit, growing her hair longer and meeting Yamato’s friend Kakeru, who unlike Yamato uses his popularity to sleep around with as many girls as possible. Aiko convinces him to make a pass at Mei, with predictably disastrous results. Mei abruptly leaves the restaurant, leaving food behind and Yamato immediately knows that Kakeru made a pass at her because her habit is to clean her plate every time she eats at a restaurant. Instead of Kakeru immediately becoming a sleazy villain, the next chapter explores more of his world, and the unending and undemanding devotion of his childhood friend Chiharu who actually appreciates him for reasons that go beyond his superficial popularity.

Overall, I really enjoyed the structure of the plot in Say I Love You, since the extended cast seems to be just as interesting as the main couple. With Kimi Ni Todoke wrapping up, I think Say I Love You would appeal to readers wanting something a little bit similar, but different enough to still be interesting. I bought these volumes on my kindle, and I can see myself investing in more e-book versions of this title as it comes out, for sure.

No. 6, Vol. 7

June 20, 2014 by Ash Brown

Creator: Hinoki Kino
Original story: Atsuko Asano
U.S. publisher: Kodansha
ISBN: 9781612625539
Released: June 2014
Original release: 2013

I have been following Hinoki Kino’s manga adaptation of Atsuko Asano’s science fiction novel series No. 6 since its beginning. The manga got off to a bit of an unsteady start, but it quickly improved its pacing and setting development, each passing volume becoming stronger and building on those that came before it. No. 6, Volume 7 was initially published in Japan in 2013 while Kodansha Comics’ English translation, which includes a bonus story from Japan’s special edition, was released in 2014. I haven’t read Asano’s original novels (sadly, they have yet to be licensed in English) so I can’t directly compare the manga series, but I have seen the anime adaptation. In fact, it was because I liked the characters from the anime so well that I sought out another interpretation of their story. Though both the anime and the manga began around the same time, the anime was completed in 2011 while the ninth and final volume of the manga was released in 2014. The anime and manga share many similarities with each other, but in the end they are their own works.

Rat and Shion’s daring plan to infiltrate the city of No. 6’s Correctional Facility has so far been surprisingly successful and, with a little outside help, they have been able to penetrate the building’s first line of defenses. Gaining access to the Correctional Facility and surmounting the initial challenges preventing the rescue of Shion’s close friend Safu is only the beginning; even with their unexpected luck, things will prove to be much more difficult for Rat and Shion as they continue on their mission and press on farther into the Facility’s interior. Considering that Safu was once counted among No. 6’s elites, Shion is convinced that she must be being held captive in the most secure, upper levels of the Correctional Facility. At best, he and Rat have mere minutes before their intrusion is discovered. After that there is no knowing what they will have to face and they were working with very limited information to begin with. Both Shion and Rat anticipated that the rescue attempt would be extremely dangerous, and at this point there is no turning back.

Since I have seen the anime adaptation of No. 6 and am therefore familiar with many of the important plot points found in the manga, I can’t say that I was particularly surprised by some of the major developments in No. 6, Volume 7. That being said, there are still some incredibly shocking moments which can be attributed to the strength of the underlying story as a whole. Especially potent and devastating is the evolution of Shion’s character over the course of the series. In the last few volumes in particular he has changed so much it seems that Rat’s fears are starting to come true–at times he is no longer even recognizable as Shion anymore. He has become a different person. Gone is the innocent and optimistic young man who was so quick to see the good in people. In his place is a person within whom hatred is growing and whose sense of justice has taken a dramatic and dangerous turn, not only for those around him, but for himself as well.

Taking into account everything that Shion has been through so far, it’s not unexpected that he and his outlook on the world has changed. His own life and the lives of those he holds dearest have been repeatedly threatened. He has personally witnessed the poverty and despair of the residents of West Block as well as the horrors of the Manhunt. Shion has seen senseless violence and death. He has learned about the atrocities committed in the name of No. 6, and yet he still doesn’t know everything. Rat and Shion gained access to the Correctional Facility in order to rescue Safu, but in the process they discover even more of the city’s dark secrets. The truths behind No. 6, its establishment, and its continued existence are not pleasant ones. It’s a so-called perfect society, but the leadership is more than willing to turn on its own citizens in order to maintain that perfection. Shion is trying to come to terms with all of this and to protect the people that he cares about and loves, but in doing so he may very well lose himself entirely.

Attack on Titan: No Regrets, Vol. 1

June 18, 2014 by Ash Brown

Creator: Hikaru Suruga
Original story: Gun Snark
U.S. publisher: Kodansha
ISBN: 9781612629414
Released: June 2014
Original release: 2014

I think it’s probably safe at this point to call Hajime Isayama’s manga series Attack on Titan a worldwide phenomenon. It has spawned successful anime adaptations as well as multiple manga spinoffs, a series of novels, and games, among other media. Most of those have been, or soon will be, released in English, too. When it comes to the side manga, I was especially curious about Attack on Titan: No Regrets because so far it has been the only explicitly shoujo offering to be included as part of the franchise. (I was therefore very happy to receive a review copy.) The short manga series in an adaptation by Hikaru Suruga of a Nitroplus visual novel written by Gun Snark and supervised by Isayama himself. The first volume of No Regrets was released in Japan, and then soon after in English by Kodansha Comics, in 2014. Kodansha’s English-language release also collects the story’s prologue chapter, which was included as part of Japan’s special edition of Attack on Titan: No Regrets, Volume 1.

Behind Wall Sheena lies the royal capital and the surrounding city where those who are lucky enough are able to live in luxury. But below it all is the Underground, where outcasts and criminals live in slum-like conditions. It’s there that Levi and his two comrades Isabel and Furlan call home, but they swear to one another that one day they will leave their criminal pasts and the Underground behind and live up above. Their chance comes in the form of Erwin, a young, talented, and devoted Survey Corps squad leader. Levi’s exceptional vertical maneuvering skills have caught Erwin’s attention and after some effort he has caught Levi as well. Erwin offers Levi and his crew a choice: join the Survey Corps themselves, lending their natural strengths to humanity’s fight against the Titans, or submit to the Military Police to answer for their many crimes. The decision isn’t a difficult one to make, but being forced to join the Survey Corps against their will doesn’t sit at all well with Levi; he plans to have his revenge against Erwin.

Arguably, Erwin and Levi are two of Attack on Titan‘s most beloved characters. (Not to mention one of the pairings that I’ve most frequently seen shipped.) There’s a certain intensity to their relationship in the original series–it’s obvious that they share a history and a past with each other–which means exploring their origins and how that bond developed in No Regrets makes a good deal of sense. Personally, I’ve always found Levi and Erwin to be particularly interesting characters, making No Regrets a welcome addition to the Attack on Titan canon. In the first volume of No Regrets their relationship is a volatile and antagonistic one. It’s an extremely important element of the series, but the manga also explores who they are as individuals, which is just as crucial. Each in their own way, both Levi and Erwin are intimidating and formidable men. Erwin may actually be the more terrifying of the two–he’s cool, calm, collected, and incredibly calculating–but Levi’s more obvious aggressiveness and propensity towards violence also leaves an impression.

In addition to focusing on Erwin and Levi, No Regrets features cameos from a few of the other key players from the original Attack on Titan and also introduces new characters, most notably Furlan and Isabel. Granted, seeing as this is still Attack on Titan and that No Regrets already has a considerable death count, there’s certainly no guarantee of their survival. All of the main characters in No Regrets, and to some extent the series’ side and background characters as well, have very distinct personalities which are exhibited through their facial expressions, body language, and individual manners of speech. Suruga’s artwork in No Regrets takes its cues from Isayama’s original series but in general is much cleaner and consistent. Story-wise, the series exhibits an excellent balance between political intrigue and action, including fantastically dynamic vertical maneuvering sequences. For the most part No Regrets stands fairly well on its own, although those familiar with Attack on Titan will get the most out of it. I quite enjoyed the first volume of No Regrets and look forward to reading the rest of the series.

Thank you to Kodansha for providing a copy of Attack on Titan: No Regrets, Volume 1 for review.

No. 6, Vol. 6

May 9, 2014 by Ash Brown

Creator: Hinoki Kino
Original story: Atsuko Asano
U.S. publisher: Kodansha
ISBN: 9781612623603
Released: April 2014
Original release: 2013

I was rather pleased when Kodansha Comics licensed Hinoki Kino’s manga adaptation of Atsuko Asano’s No. 6. The original No. 6 was a nine-volume series of science fiction novels written between by 2003 and 2011. (Sadly, they haven’t officially been translated into English.) Also in 2011, two adaptations of No. 6 began–Kino’s manga series, which also ended up being nine volumes long, and an eleven-episode anime series directed by Kenji Nagasaki. The anime was actually my introduction to No. 6. Parts of the anime’s original ending frustrated me a great deal, but I was so taken with the characters and setting that I wanted to explore another interpretation of the story. No. 6, Volume 6 was originally published in Japan in 2013 while the English-language edition of the volume was released in 2014. The series has now passed its halfway point and is approaching its climax. The fifth volume ended in the middle of a critical scene, so I was particularly anxious to read the sixth.

The Security Bureau of the city of No. 6 has arrested Shion’s close childhood friend Safu and is currently holding her within the Correctional Facility. Shion is willing to do almost anything he can to rescue her, but he won’t be able to do it on his own no matter how hard he tries. Instead, he must rely on those he has met in West Block, a large population of refugees living outside the city walls. Rat has devised a daring plan to infiltrate the Correctional Facility. Shion and Rat allow themselves to be rounded up during the Manhunt–an effort by No. 6 to forcibly control and instill fear into those living in West Block–and are thereby able to gain access to the least secured area of the facility. If they hope to proceed any further they will have to depend on outside help and bribery; nothing is free in West Block, especially when those who give their aid may very well lose their lives for doing so. Everyone involved in the rescue have their own motives and agendas against the holy city of No. 6 so, at least for the time being, they are comrades.

No. 6, Volume 6 is a particularly important volume in the series for several reason: more of No. 6’s dark secrets are uncovered, a part of Rat’s past and the reason behind his hatred for the city is revealed, and the characters, specifically Shion but also Rat, have reached a crucial turning point in their development. All three of these things are interrelated and tied closely together. Shion grew up living an extremely privileged life in the supposedly perfect and pristine No. 6. However, the Manhunt and his experiences in West Block have shown him the terrible things that the city is capable of. Shion’s innocence is shattered further when he discovers that even the foundation of No. 6 was based on the blood of others. This history and Rat’s connection to it is something that up until this point in the series Rat has kept hidden from Shion, partly because he tends to distrust and close himself off from other people, but also because he was trying to protect the other young man. However, these are terrible truths that Shion must now face and come to terms with.

Seeing Shion begin to really change in the previous volume was heartbreaking, but here in No. 6, Volume 6 the difference between who Shion is now and who he was before is terrifying. The violence he is willing to commit with such eerie calm is chilling. His mother, still inside the city, is understandably worried about her son and his survival. However Rat, who is with him, is less concerned with Shion’s physical safety and more concerned about the potential loss of Shion’s personality and his very self. It’s almost as if the two of them have changed roles. Never before has Rat appeared so vulnerable or exhibited such kindness. He fears for Shion and is afraid of who Shion is becoming. At one point in the sixth volume the question is asked “Who do you want so much that it kills you?” In many ways, that question is the crux of No. 6. Rat is changing. Shion is changing. For the better and for the worse. For themselves and for each other. As a result the dynamics of their relationship is also evolving. They may or may not survive their confrontation with No. 6; tragically, even if they do, it is likely that they will be so different that little of their past lives and selves will remain intact.

Vinland Saga, Vol. 3

May 3, 2014 by Ash Brown

Creator: Makoto Yukimura
U.S. publisher: Kodansha
ISBN: 9781612624228
Released: April 2014
Original release: 2007-2008
Awards: Japan Media Arts Award, Kodansha Manga Award

Vinland Saga, an award-winning manga series by Makoto Yukimura, is a title that I’ve been wishing for a release in English for years. Thanks to Kodansha Comics, it’s finally available, and in a deluxe hardcover edition no less. I couldn’t be happier. If I loved the first omnibus, I loved the second omnibus even more. Vinland Saga has easily become one of my favorite manga series currently being released in English. The third Vinland Saga omnibus, published by Kodansha in 2014, collects the fifth and sixth volumes of the original Japanese edition, released in 2007 and 2008 respectively. Vinland Saga, Omnibus 3 also includes a brief section of questions answered by Yukimura about the series which is exclusive to the English release. Vinland Saga is Kodansha’s first foray into deluxe manga releases and features color pages as well as a slightly larger trim size than most of its other manga which allows Yukimura’s artwork to present itself as strongly as his storytelling skills. Vinland Saga is an excellent series and has won both a Japan Media Arts Award as well as a Kodansha Manga Award.

The Danish invasion of England is steadily progressing. The English forces are preparing to surrender, which doesn’t sit well at all with Thorkell the Tall. A Viking mercenary fighting on the side of the English with an insatiable thirst for battle, he would much rather see the war continue indefinitely. One way he can encourage the conflict to continue is by taking Canute, the son of Denmark’s King Sweyn and second in line to the throne, captive. Canute is currently being escorted by Askeladd and his band of mercenaries. They initially escaped Thorkell’s pursuit by fleeing to Wales. Askeladd planned to rejoin with the main Danish force, but to do so required traveling through English-controlled territory. To make their situation even worse, winter and a heavy snowstorm forced them to halt their march in a small English village. Their presence behind enemy lines is discovered far sooner than they had wished or expected. Askeladd and his men are once again faced with confronting Thorkell and his mercenaries in bloody battle.

The struggle for the control of Canute and his fate is pivotal to the story of Vinland Saga. It also provides a phenomenal opportunity for battle sequences and they are brutal. Yukimura doesn’t hold back or spare any details, depicting broken bones, severed limbs, crushed skulls, blood and gore as needed or required. Askeladd’s plans are falling apart around him and his men are beginning to lose confidence in their leader. Already in disarray, they are in an extremely bad position when Thorkell and his band catch up with them. The battle as a whole is intense, but then comes the fight between Thorkell and Thorfinn. Their confrontation in the second omnibus was impressive to begin with, but their duel in the third is even more so. Thorfinn is skilled, quick, small, and volatile while Thorkell is a literal giant of a man who primarily relies on his strength. Their fight is incredible to watch unfold. Thorfinn holds his own against Thorkell surprisingly well, but Thorkell’s physical feats are astounding.

The battles and duels in Vinland Saga are well-executed and thrilling, but just as important to the series is the development of the story and of the characters. Particularly astonishing in Vinland Saga, Omnibus 3 is the remarkable growth of Canute. Up until this point he has seemed sheltered and coddled; he abhors the senseless violence around him which makes the others view him as weak. However, Canute is all too aware of his unfortunate situation. Askeladd and Thorkell are surprised to discover that Canute carries very little value as a hostage, nor will his survival necessarily be appreciated by the king. Ultimately, it is up to Canute himself to take control of his own destiny. His true strength is revealed and it is utterly magnificent. This marks a turning point not only for Canute but for the entirety of Vinland Saga. Yukimura mixes historical fiction with meticulously researched historical fact and the results are extraordinarily engaging. Vinland Saga is the epic that I’ve been waiting for and I can’t wait to read more.

Vinland Saga, Vol 2

April 22, 2014 by Anna N

Vinland Saga Volume 2 by Makoto Yukimura

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It says a lot about the quality of writing in Vinland Saga that the most memorable moments in the manga for me aren’t the Viking battle scenes but instead quiet moments that reveal more about the characters in the story. The clash of wills between determined young warrior Thorfinn and the conniving Askeladd becomes even more intriguing with the plot development in this volume. The story opens with a bit of a flashback to Thorfinn’s early adventures in infiltration for Askeladd, when he is taken in by an English family who he ends up having to betray. Thorfinn attempts to tell them to run before the Viking invasion is about to crush their village, and his concern turns to resignation as he sees the destruction coming at the hands of the Vikings.

Thorfinn has an encounter with a crazed Viking commander named Thorkell. Thorkell’s glee in battle contrasts with Askeladd’s more cerebral and cynical approach. Thorfinn is defeated, but Thorkell cheerfully waves goodbye with the stumps of the fingers that Thorfinn sliced off, saying of the fight “I enjoyed our battle! We should do it again!” The name of Thorfinn’s father still functions as an element of protection, because Thors was such a legendary warrior that Thorfinn’s Viking opponents are immediately curious about his capabilities.

Askeladd has his own agenda to execute as his band begins to march across the English countryside. They encounter the timid Prince Canute, and Askeladd strikes an unusual bargain with the Welsh. There’s an element of impending doom referenced multiple times, as Askeladd references a prophesied end of the world. The clash of religions between Christianity and paganism is also explored, as is the absolute brutality of the Vikings as they plunder a village in the winter. Yukimura’s art is always strong, and I appreciate the clarity of the battle scenes, as well as the attention to detail with the characters’ emotions as they react to the events on their journey.

While Thorfinn fits in with the traditional model of a hero, I’m finding myself more intrigued by Askeladd, simply because he’s such an unreliable narrator. I’m not sure if his stated reasons for acting are the truth, which creates quite a bit of dramatic tension in the story. The deluxe production for these volumes is always a treat, and I’m looking forward to the next volume of this saga continuing.

Attack on Titan: Junior High, Vol. 1

March 19, 2014 by Ash Brown

Creator: Saki Nakagawa
U.S. publisher: Kodansha
ISBN: 9781612629162
Released: March 2014
Original release: 2013

Attack on Titan: Junior High is one of several spin-off series inspired by Hajime Isayama’s hit manga Attack on Titan. Saki Nakagawa was selected to work on an Attack on Titan series after entering a manga contest. (Coincidentally, both Nakagawa and Isayama attended the same design school.) Although Nakagawa is the writer and artist for Attack on Titan: Junior High, Isayama has had some input into the series’ development. In fact, he was the one who suggested creating a manga along the lines of Tsutomu Nihei’s parody series Blame! Academy. And so Attack on Titan: Junior High was born–a comedy manga that somehow manages to combine Attack on Titan with contemporary Japanese school life. The manga began serialization in 2012 in Japan and the first two volumes were collected in 2013. Kodansha Comics is releasing Attack on Titan: Junior High in an omnibus edition. The first omnibus, collecting the first two Japanese volumes, was published in 2014 and Kodansha was kind enough to send me a review copy.

It has been five years since Eren was traumatized from an encounter with a Titan. Now that he’s in junior high he finally has the opportunity to seek revenge–both humans and titans are counted among the students and teachers of Attack Junior High. Of course Eren has other pressing matters to attend to even while his hatred of Titans remains at the forefront of his mind: making allies out of his classmates (which he’s not particularly good at), surviving epic games of dodgeball and choosing the perfect after-school club (which are both more dangerous than they might first appear), not to mention trying to stay on the upperclassmen’s good sides (which can actually be rather difficult). On top of all of that, Eren is a member of class four, a group of first years who all have their own quirks and issues to deal with. All together they’re a bunch of weirdos, but none of the other classes at Attack Junior High are much better. It’s really saying something when the Titans are the most normal ones at the school.

To really appreciate Attack on Titan: Junior High requires familiarity with the original Attack on Titan series and to some extent familiarity with Attack on Titan fandom as well. Some of Attack on Titan: Junior High will be funny, or at least amusing, even to those who haven’t read Attack on Titan, but the manga works best when it is directly parodying the original series and using it as its framework. All of Attack on Titan‘s most well-loved and reviled characters make an appearance in Attack on Titan: Junior High with some of their personality traits taken to a comedic extreme (although some were fairly over-the-top to begin with): Eren is a single-minded fanatic; Mikasa is overprotective of him to a fault; Sasha thinks about nothing but food; Jean is an arrogant ass; Hange succumbs to fits of ecstasy at the mere thought of Titans; Levi is obsessed with cleanliness, and so on. These characteristics were true of the original cast, too, but Nakagawa has stretched them to their limits in Attack on Titan: Junior High.

Nakagawa is clearly a fan of the original Attack on Titan series and is having a lot of fun with Attack on Titan: Junior High. In addition to using Isayama’s characters and taking them to their ludicrous yet logical conclusions, Nakagawa also uses pivotal and memorable scenes from Attack on Titan, giving them utterly ridiculous and absurd twists to emphasize their more comedic possibilities. The darkness, death, and destruction found in Attack on Titan is almost completely missing from Attack on Titan: Junior High. It can be just as frantic and frenetic, but as a parody the manga is much more lighthearted in tone. Even characters who have long been dead in the original series have an active role to play in Attack on Titan: Junior High; it seems as though no one really has to worry about dying in Nakagawa’s series. The worst thing that really happens in the first omnibus of Attack on Titan: Junior High is some stolen lunches. Granted, for students that can be an extremely tragic event, indeed.

Thank you to Kodansha for providing a copy of Attack on Titan: Junior High, Omnibus 1 for review.