Kanae Hazuki

Say I Love You, Vols. 1-3

January 6, 2017 by Katherine Dacey

Back in the 1980s, filmmaker John Hughes peddled an intoxicating fantasy to thirteen-year-old girls: you might be the class misfit–the kid who wore the “wrong” clothes, listened to the “wrong” music, and had the “wrong” friends–but the hottest guy in school could still fall for you. Better still, he’d like you for being a “real” person, unlike the two-faced girls who inhabited his social circle. You’d have a bumpy road to your happily-after-ever, of course, since his friends felt compelled to say that you weren’t in his league, but in the end, your sincerity and quirkiness would prevail.

Say I Love You reads a lot like a manga version of Pretty in Pink or Some Kind of Wonderful, right down to the meet-cute between Mei, a moody loner, and Yamato, the most popular guy in school. Mei mistakenly believes that Yamato tried to peek up her skirt, and responds with a powerful roundhouse kick. Though Yamato’s friends demand an apology from her, Yamato is intrigued by Mei’s display of bravado and asks her out.

Mei is initially bewildered by Yamato’s courtship: why would someone as outgoing, handsome, and well regarded find her interesting? (You, dear reader, may also wonder why Yamato pursues Mei, given her generally sullen demeanor.) As Mei soon discovers, however, Yamato’s dating history is more complicated than she assumed; his good looks belie an earnest, thoughtful person who lost his virginity before he met someone he really cared about. He’s willing to endure a few tearful outbursts–not to mention some mixed signals–if it means he’ll get to know the real Mei before they go all the way.

And speaking of mixed signals, Say I Love You is refreshingly honest in acknowledging the full spectrum of teenage desire. Some characters embrace their feelings in healthy ways; others use sex to fill a void in their emotional lives; and still others are just beginning to explore their sexuality. Though many of the sexual encounters in the series are ill-advised, the teenage logic that underpins them rings true; an adult may feel an uncomfortable pang of recognition while reading Say I Love You.

The series’ greatest strength, however, is that author Kanae Hazuki is unusually generous with her supporting players. We’re privy to both Mei and Yamato’s thoughts, of course, but Hazuki also pulls the curtain back on other characters’ interior lives. In volume two, for example, mean girl Aiko becomes the temporary focus of the story, narrating her own transformation from a plump, pretty girl to a skinny, angry young woman who is furious that Yamato doesn’t like her. Her blunt self-criticism and body hang-ups remind younger readers that everyone wears a mask in high school; even students who seem outwardly blessed with good looks or talent are wrestling with the familiar demons of self-doubt and self-loathing.

If I had any criticism of Say I Love You, it’s that the plot twists are a little too by-the-book, with beach visits, Valentine’s Day agita, and misunderstandings of the “I saw you kiss her!” variety. In volume three, for example, Hazuki introduces Megumi, a model who’s hell-bent on making Yamato her boyfriend. When a direct approach doesn’t work–Yamato, of course, rebuffs Meg’s initial proposition–Meg transfers schools and ropes Yamato into becoming a model himself. I realize that “model,” “celebrity,” or “singer” epitomize a thirteen-year-old’s dream job, but the artifice and obviousness of diving into the modeling world feels like an unnatural direction for such a finely observed romance.

Perhaps the best compliment I could pay Say I Love You is that it has all the virtues of Pretty in Pink and Some Kind of Wonderful: it’s got a proud, tough heroine who’s skeptical of the popular kids, a sincere hot guy who can see past her bluster, and a veritable Greek chorus of peers who chart the ups and downs of their relationship. All it needs is a killer soundtrack.

Say I Love You, Vols. 1-3
By Kanae Hazuki
Rated OT, for older teens
Kodansha Comics, $10.99

This review originally appeared at MangaBlog on October 2, 2015.

My Week in Manga: October 10-October 16, 2016

October 17, 2016 by Ash Brown

My News and Reviews

I was a little preoccupied last week, dealing with some unexpected developments at work and home, so I wasn’t online much at all. However, I did still manage to post September’s Bookshelf Overload in which I reveal the manga, comics, books, and anime that I picked up last month. Also, a few weeks ago I mentioned the short story “The Mud God” which is tangentially related to a commission that Jenn Grunigen wrote for me. Well, it’s now freely available to read online!

Quick Takes

Monthly Girls’ Nozaki-kun, Volumes 2-4 by Izumi Tsubaki. My introduction to Monthly Girls’ Nozaki-kun was through the anime series which I adored. Because I loved the anime, it only made sense for me to seek out the original manga as well. Unsurprisingly, I enjoyed the first volume immensely. Despite that, it’s actually been quite a while since I’ve read any of Monthly Girls’ Nozaki-kun, which just means that I had the chance to fall in love with the series all over again. And I did, wholeheartedly. The series’ comedy is largely based on the characters and their personalities. The characters themselves are all a little odd but they are also incredibly endearing. Monthly Girls’ Nozaki-kun plays around with expectations, so the personality quirks of the characters intentionally defy stereotypes and are deliberately unexpected. In part, Monthly Girls’ Nozaki-kun is also a romantic comedy. The cast is fairly large and there could be any number of couples among the members except for the fact that most of the characters are completely oblivious of or misinterpret their own feelings. No one is actually together in the sense that they are dating in Monthly Girls’ Nozaki-kun (at least not yet), but in many cases they might as well be. The various relationships in Monthly Girls’ Nozaki-kun are close ones and are yet another major source of the manga’s good-natured humor.

The Prince and the Swan, Volumes 1-2 by April Pierce and Gareth C.J. Wee. Pyotr Ilyich Tchaikovsky’s ballet Swan Lake, itself based on Russian folklore, has been the inspiration and basis for countless other works. One of the more recent retellings that I’m aware of is the webcomic The Prince and the Swan which began in 2013. I discovered the comic while at the 2016 Toronto Comics Arts Festival where the second print volume was making its debut; I couldn’t pass up Swan Lake reimagined as a queer fairytale. Knowledge of the ballet’s story isn’t at all necessary to enjoy The Prince and the Swan although readers who are familiar with it will be in a better position to appreciate the changes made for the comic. The basic premise of the story remains the same, but in the case of The Prince and the Swan Odette is now Odet, a prince who suffers from a curse that transforms him into a swan during the day. The other lead character in the comic is Prince Siegfried who is reluctantly preparing for his coronation and marriage as king. A chance encounter between the two men will change the course of both of their lives. The pacing of The Prince and the Swan seems a little slow at first, but the artwork, characterization, and storytelling quickly improve and gain confidence as the comic progresses. I look forward to seeing how The Prince and the Swan continues to develop.

Say I Love You, Volume 15 by Kanae Hazuki. One would think that after fifteen volumes Say I Love You would no longer surprise me, but I continue to be impressed by its honesty and authenticity. I do wonder if the recently introduced Aoi twins will continue to play a role in the series as most of the main characters are graduating high school in pursuit of their individual futures. While I was initially a little unsure of the addition of prominent new characters so late in the series, I ended up really liking them and their story arcs–I’d now hate to see them discarded so soon. (Granted, Kai still has another year to go before he graduates, so I wouldn’t be surprised if the twins will continue to make appearances.) The fifteenth volume of Say I Love You would have been a natural ending point for the series. As many of the characters are preparing to go their separate ways, either by immediately entering the workforce or by continuing their education, a fair amount of time is devoted to introspection and reflection on the past. Mei in particular has changed significantly since the beginning of the series, but all of the characters have grown and matured as individuals. The characterization in Say I Love You has always been one of the series’ strong points. It will be interesting to see where the manga goes from here as both the story and characters move beyond high school.

Run, Melos! and Other Stories by Osamu Dazai. I forget exactly when it was that I first learned of Dazai’s short story “Run, Melos!” but it’s more or less a staple of the Japanese education system so references to the work are fairly common in Japanese popular culture. I’ve been wanting to read to story for quite some time but was under the mistaken impression that it wasn’t actually available in English. However, I recently discovered that it had indeed been translated as part of the Kodansha English Library series… which was only ever released in Japan. Thanks to the power of inter-library loan, I was finally able to read “Run, Melos!” along with six of Dazai’s other works of short fiction: “A Promise Fulfilled,” “One Hundred Views of Mount Fuji,” “Schoolgirl,””Cherry Leaves and the Whistler,” “Eight Scenes of Tokyo,” and “One Snowy Night.” I had previously read another translation of Schoolgirl but the other stories were all new to me. Normally when I think about Dazai it’s his tragic novel No Longer Human that immediately comes to mind; I had actually forgotten how humorous some of his stories can be. Even though there is still a fair amount of melancholy to be found, this humor is much more apparent in Run, Melos! and Other Stories. Overall, the volumes a charming collection of stories mostly set in early twentieth-century Japan (the exception to that being “Run, Melos!” itself) with surprisingly relatable characters.

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My Week in Manga: August 8-August 14, 2016

August 15, 2016 by Ash Brown

My News and Reviews

Two posts went up at Experiments in Manga last week in addition to the usual My Week in Manga feature. The first was the Bookshelf Overload for July in which I talk a little about my manga purchases for the month and the fact that I went a little overboard during some recent sales. The second was a brief wrap-up of my recently completed horror manga review project; it took me around a year and a half to review each volume in Setona Mizushiro’s After School Nightmare and Yuki Urushibara’s Mushishi. I’d like to do another review project in the future (and have readers of Experiments in Manga vote on the featured manga as they have for the past two projects), but since I’m currently following reduced posting schedule I’m going to hold off on that for the moment.

Elsewhere, NPR recently released a segment featuring food manga like Food Wars. (Interestingly, NPR was actually where I first learned of Death Note.) The seventh part of “The Sparkling World of 1970s Shojo Manga” was posted at The Lobster Dance and focuses on Sailor Moon and Revolutionary Girl Utena. Also posted last week were not one, but two interviews with Naoshi Arakawa, the creator of Your Lie in April, from when he was visiting the United States for Anime Expo: Misaki C. Kido interviewed Arakawa for Kodansha Comics while Deb Aoki interviewed Arakawa for Anime News Network. And since I’m mentioning interviews, manga translator Zack Davisson was also interviewed over at The Comics Journal about Shigeru Mizuki’s Kitaro.

Finally, a bit of licensing news: Viz Media announced at Otakon that it would be releasing Akira Himekawa’s The Legend of Zelda: Twilight Princess, Kyousuke Motomi’s Queens Quality (the sequel to QQ Sweeper), and Takako Shimura’s Sweet Blue Flowers. For me, the most exciting and unexpected license was Sweet Blue Flowers. Digital Manga previously had the rights to the series but only released one volume of a less-than-stellar digital edition. (Jocilyn Wagner posted a guest review of the manga here a while back.) Before that, a version of Sweet Blue Flowers was available through the now defunct JManga. Shimura’s Wandering Son is a tremendously important series to me, so I’m very happy that Sweet Blue Flowers will be receiving the attention it deserves. Ideally, if the series does well, it could hopefully encourage Fantagraphics to release more of Wandering Son.

Quick Takes

Haven’t You Heard? I’m Sakamoto, Volumes 2-4 by Nami Sano. I greatly enjoyed the first volume of Haven’t You Heard? I’m Sakamoto, so it was only a matter of time before I got around to finishing the rest of the series. I love the manga’s absurdity, humor, and over-the-top scenarios. First and foremost, Haven’t You Heard? I’m Sakamoto is a comedy, but it also has heart–the fourth and final volume in particular is surprisingly touching. While I’m sure I would have enjoyed reading more Haven’t You Heard? I’m Sakamoto, four volumes seems to be the right length for the series. It’s short enough that the the gags still feel fresh and unexpected, but long enough that the manga develops an underlying story to accompany its primarily episodic nature. The entirety of Haven’t You Heard? I’m Sakamoto follows Sakamoto’s first year of high school. As a transfer student it might be expected that he would have some trouble fitting in, and he seems so blissfully unaware socially that he never really does, but everyone adores him, even those who want to hate him. No matter what the circumstances, Sakamoto takes everything in cool, collected stride, frequently facing down and disarming the school’s delinquents with his utter kindness and friendship. Haven’t You Heard? I’m Sakamoto is a ridiculous series and I’m very happy that it’s available in English.

Say I Love You, Volumes 10-14 by Kanae Hazuki. Although I enjoy Say I Love You, for whatever reason it’s not a series that makes me want to rush to find out what happens next, and so I’ve managed to fall behind. But every time that I read Say I Love You, I am greatly impressed by the manga. The slow, natural development of the story and characters is actually a large part of the series appeal; a manga doesn’t have to be full of action to be dramatic and engaging. These few volumes introduce two underclassmen (a brother and sister who are twins) as important characters in an already large cast. At first, I was a little uncertain about their addition to the series, but I’ve grown to really like them. The realistic and earnest portrayal of teenage sexuality in Say I Love You is particularly well done. The characters are maturing and discovering not only who they are as individuals, but who they are in relation to other people. What I especially appreciate about Say I Love You is that sex isn’t necessarily idealized or treated as an end goal, it’s simply one potential part of a relationship which in fact often makes things even more messy and complicated. The characters in Say I Love You are at the point in their lives in which they are transitioning from adolescence into adulthood. In addition to worrying about their friendships and romances, they are concerned about the immediate future.

Sweetness and Lightning, Volume 1 by Gido Amagakure. I tend to enjoy food manga so will gladly read at least the first volume of a new series which is even tangentially related to the genre. Sweetness and Lightning most definitely fits squarely within the genre–it even contains recipes–but I was particularly interested in the series because it features a single dad who is responsible for caring for his daughter after her mother passes away. He’s a terrible cook so for months they’ve been living on convenience store food and prepackaged, ready-made meals, but when he sees how happy Tsumugi is after eating a home-cooked dinner (not even a dinner really, but a serving of rice), he decides to learn how to cook himself. Helping him is Kotori, one of the students in his high school math class, whose mother owns a restaurant. Kotori sees Inuzuka as a surrogate father, but there also seems to be the possibility that she may develop romantic feelings for him as well. The first volume of Sweetness and Lightning was adorable. Tsumugi is a cute kid, the love and care that Inuzuka shows is endearing, and sharing food with others is joyful experience for Kotori. At this point the three of them together make for a delightful combination. Sweetness and Lightning also has an air of melancholy about it as the characters are dealing with loneliness and loss. Inuzuka does all that he can to make Tsumugi happy, but being a single parent isn’t at all easy.

Manga Giveaway: Kodansha Shoujo Smorgasbord Winner

December 2, 2015 by Ash Brown

And the winner of the Kodansha Shoujo Smorgasbord manga giveaway is… Rebecca!

As the winner, Rebecca will be receiving four first volumes of shoujo manga published by Kodansha Comics: LDK, Volume 1 by Ayu Watanabe; Let’s Dance a Waltz, Volume 1 by Natsumi Ando; My Little Monster, Volume 1 by Robico; and Say I Love You, Volume 1 by Kanae Hazuki. Kodansha usually isn’t the first publisher I think of when I think of shoujo, but I’ve really been enjoying some of the shoujo manga that it has licensed. For this giveaway, I asked that participants tell me a little about their favorite Kodansha shoujo manga. As was pointed out by several people, Kodansha also releases quite a few shounen series which have tremendous shoujo crossover appeal. Check out the the giveaway comments for all of the responses!

Some of the shoujo (and josei) manga available from Kodansha Comics:
Arisa by Natsumi Ando
Attack on Titan: No Regrets by Hikaru Suruga
Codename: Sailor V by Naoko Takeuchi
Fairy Tail: Blue Mistral written by Hiro Mashima, illustrated by Rui Watanabe
I Am Here by Ema Toyama
Kiss Him, Note Me! by Junko
Kitchen Princess by Natsumi Ando
LDK by Ayu Watanabe
Let’s Dance a Waltz by Natsumi Ando
Manga Dogs by Ema Toyama
Missions of Love by Ema Toyama
My Little Monster by Robico
No. 6 by Hinoki Kino
Pretty Guardian Sailor Moon by Naoko Takeuchi
Pretty Guardian Sailor Moon: Short Stories by Naoko Takeuchi
Princess Jellyfish by Akiko Higashimura
Say I Love You by Kanae Hazuki
Shugo Chara! by Peach-Pit
Shugo Chara Chan! by Peach-Pit
Tokyo Mew Mew written by Reiko Yoshida, illustrated by Mia Ikumi
Tokyo Mew Mew a la Mode by Mia Ikumi
The Wallflower by Tomoko Hayakawa

Thank you to everyone who shared your favorite Kodansha shoujo manga (or shounen manga with a shoujo flair) with me. I hope to see you all again for the next giveaway!

Manga Giveaway: Kodansha Shoujo Smorgasbord

November 25, 2015 by Ash Brown

The end of November is almost here, and you know what that means! It’s time for another manga giveaway at Experiments in Manga. As is tradition for November’s giveaway, in celebration of Thanksgiving in the United States (my favorite holiday) I’m offering up a manga feast. You all will have a chance to win not one, but four volumes of manga this month: LDK, Volume 1 by Ayu Watanabe; Let’s Dance a Waltz, Volume 1 by Natsumi Ando; My Little Monster, Volume 1 by Robico; and Say I Love You, Volume 1 by Kanae Hazuki–a veritable smorgasbord of shoujo from Kodansha Comics! And, as always, the giveaway is open worldwide.

When I used to think of Kodansha Comics, shoujo manga never really came to mind. However, over the last couple of years, the publisher has made a point to expand its shoujo offerings. As a result, Kodansha has started to develop a nice catalog of shoujo manga, including titles that feature science fiction, mystery, action, romance, comedy, drama and more. For the most part, I’ve really been enjoying Kodansha’s shoujo series and I like seeing the variety in the manga.

So, you may be wondering, how can you win a Kodansha Shoujo Smorgasbord?

1) In the comments below, tell me a little bit about your favorite shoujo manga released by Kodansha Comics. (If you don’t have one yet, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it! Each person can earn up to two entries for this giveaway and has one week to submit comments. If you have trouble leaving comments, or if you would prefer, entries can also be emailed to me at phoenixterran(at)gmail(dot)com. I will then post the comments here in your name. The giveaway winner will be randomly selected and announced on December 2, 2015. Good luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Kodansha Shoujo Smorgasbord Winner

My Week in Manga: November 16-November 22, 2015

November 23, 2015 by Ash Brown

My News and Reviews

Only one review was posted at Experiments in Manga last week since I’m still on my more relaxed blogging schedule. I’m a little behind in reviewing the series, but I finally took a closer look at What Did You Eat Yesterday?, Volume 8 by Fumi Yoshinaga. I’m still really loving the manga, especially the realistic portrayal of its characters and their relationships. The eighth volume had some heartbreaking moments as well as heartwarming moments and just the right touch of humor to keep it all entertaining.

I came across quite a few interesting things to read online last week. Organization Anti-Social Geniuses has a great post about the skills and education that are helpful for pursuing a career in the manga publishing industry. The Guardian looks at some recent and past manga controversies in the article “Manga rows show why it’s still Japan’s medium of protest.” Also of note, Dark Horse, partnering with Le Vision, will apparently be adapting six Chinese comics into English. Compared to manga or even manhwa, hardly any manhua has been published in English; there is only one other publisher that I know of off the top of my head (JR Comics) which is currently releasing manhua in translation.

Elsewhere online, Manhattan Digest interviewed Graham Kolbeins, talking about gay manga, MASSIVE, and the group’s hopes to expand into more queer content, which is very exciting. Wondering about the state of the English edition of Takako Shimura’s Wandering Son? Crunchyroll gathered together some of the comments made by Matt Thorn (the series’ translator) about the manga’s current status. Sadly, it’s not especially encouraging. Although Fantagraphics has stated in the past that it intends to release the entire series, the publication date for ninth and next volume has yet to be set. Fantagraphics is still working on manga projects, though–Moto Hagio’s Otherworld Barbara should hopefully be released sometime in 2016.

Quick Takes

My Neighbor Seki, Volumes 2-4 by Takuma Morishige. I continue to be utterly charmed and delighted by My Neighbor Seki. The anime series was wonderful, too, but I’m especially glad for the chance to read the chapters that where never adapted. My Neighbor Seki is an episodic manga, but there are a few running jokes that have emerged. Several scenarios feature the robot family, for one; Seki’s younger sister repeatedly appears after being introduced; and Yokoi and Seki’s classmate Goto more than once erroneously believes their relationship to be of a romantic nature. And of course there is the primary gag that underlies the entire series: Seki goofing off in class in impressively ridiculous ways and Yokoi being completely caught up in it all despite herself. My Neighbor Seki is marvelously funny and imaginative. Seki’s antics and Yokoi’s reactions (and overreactions) to them never disappoint. Reading the manga always leaves me smiling and has even been known to make me laugh out loud. I’m very glad that Vertical ultimately decided to release the entire series rather than just a “best of” collection.

One Is Enough by Love. Gen Manga is one of the very few publishers to release translations of doujinshi in English. The selections are independent, amateur works that unsurprisingly vary in quality, but I generally find them interesting. I believe One Is Enough was the first and so far has been the only boys’ love offering from Gen. I originally read the first half or so of the manga while it was being serialized, but am only now getting around to reading the completed volume. I’m not entirely sure whether it’s intentional or not, but at times One Is Enough almost seems to be a parody of boys’ love, exaggerating some of the genre’s well-worn tropes and plot devices. Although there are some nice individual panels and sequences, the manga’s artwork is sadly very inconsistent. Even the story itself seems to be constantly shifting in tone, as though the creator couldn’t quite decide which direction to take the manga. One Is Enough can be silly, cute, and sweet, but it also occasionally deals with some pretty heavy subject matter like suicide and self harm. Honestly, the manga is a bit of a mess without much cohesion, but it does have its moments.

Say I Love You, Volume 9 by Kanae Hazuki. As the winners of the school idol contest, Megumi and Yamato are expected to go on a date with each other, despite the fact that he already has a girlfriend. While I had to suspend my disbelief for some of the setup, Hazuki actually handles the scenario as a whole very well. I was completely satisfied with the way that the date played out and ultimately ended. I also feel better about Megumi as she continues to mature as a person; the date was a turning point for her. Many of the characters in Say I Love You are dealing with some very personal issues, but there is hope that they will be okay in the end even though the journey itself may be painful. After the date and its fallout has been resolved, most of the ninth volume is actually spent exploring the tragic backstory of Yamato’s brother Daichi and how it complicates and interferes with his present-day relationships. Hazuki promises to return to Mei and Yamato’s story which will be good to see, but one of the things I particularly like about Say I Love You is Hazuki’s willingness to take the time to delve into the lives of the other characters as well.

My Week in Manga: August 24-August 30, 2015

August 31, 2015 by Ash Brown

My News and Reviews

Last week was a bit slow at Experiments in Manga as I decided to take it a little easy on myself, but I did still post a couple of things in addition to the usual My Week in Manga feature. The most recent manga giveaway was posted, for one, and there’s still time to enter for a chance to win a complete set of Yumi Tamura’s shoujo action thriller Chicago. I also posted an in-depth review of Minae Mizumura’s award-winning A True Novel which I absolutely loved. In part it’s a reimagining of Emily Brontë’s Wuthering Heights set in postwar Japan, but it’s not at all necessary to have read Brontë’s novel to appreciate Mizumura’s work.

Elsewhere online, Mangabrog has posted a translation of an interview of Parasyate‘s Hitoshi Iwaaki from 2005. Justin interviewed Sekai Project for Manga Bookshelf about the company entering the manga market. In licensing news, Kodansha Comics has picked up some Fairy Tail and Noragami side stories and Vertical Comics confirmed its acquisition of Maybe’s The Abandoned Sacred Beasts. Also of note, Humanoids will be releasing an anthology in 2016 called The Tipping Point which will include contributions from mangaka Katsuya Terada, Naoki Urasawa, Taiyo Matsumoto, and Atsushi Kaneko in addition to other comics creators from Europe and the United States.

Quick Takes

Dorohedoro, Volumes 13-16 by Q Hayashida. Even though I love Dorohedoro, it’s been a while since I’ve read the series; I like to save up a few volumes to read all at once. The manga is now entering what I believe will be its final story arc. Granted, Dorohedoro tends to be all over the place with all sort of plot lines weaving in and out, so its difficult to identify distinct story arcs, but Hayashida is now bringing it all back together again. She’s even tying in what initially seemed to be extraneous side stories from earlier in the series more cohesively. Dorohedoro is such a bizarre manga, somehow managing to be sweet and charming at the same time it is disgusting and grotesque. Hayashida’s artwork is marvelous, creating horrific, nightmare-inducing images and an atmosphere that’s dank, dirty, and dingy. But the series is also fun and funny, with a quirky sense of humor and a peculiar fixation on food. At this point, though there is still comedy, Dorohedoro is actually getting pretty serious and dramatic. En’s dead and the rest of the family is currently homeless and on the run; the Cross-Eyes have taken over, but they seem to be losing control of the extremely deadly situation.

Evyione: Ocean Fantasy, Volume 1 by Young-Hee Kim. Back in the day, Udon Entertainment had a line of manwha which, sadly, didn’t end up going very far. Tragically, only the first volume of Kim’s twelve-volume series Evyione: Ocean Fantasy was translated and released. It’s admittedly disappointing that there isn’t more, but the first volume of Evyione serves as a sort of prologue and is well worth checking out even though the rest of the story will likely never be translated. The manhwa is in part inspired by Hans Christian Andersen’s The Little Mermaid except that in the case of Evyione, it’s the king of the sea who has fallen in love with a human princess. The artwork in the series is stunningly gorgeous. The ocean scenes and merfolk are beautiful, sensuous, and slightly disconcerting. There’s a touch of horror to the king’s transformation into a human, keeping with the darker aspects of the original story. On land, Kim pays particular attention to the characters’ clothing and attire, the dresses especially are intricately detailed. Although Evyione is obviously based on The Little Mermaid, it’s not a simple retelling and incorporates political and court intrigue as well as additional plot elements.

Say I Love You, Volume 8 by Kanae Hazuki. I continue to really enjoy Say I Love You. Hazuki’s forthright portrayal of teenage sexuality in particular tends to be handled quite well. After focusing on some of the series’ supporting characters, the eighth volume of Say I Love You largely turns its attention back to Mei. Most of the volume is dealing with a popularity contest being held as part of the school festival that thrusts Mei into the spotlight when she becomes a finalist—some students voting for her because they like her, and some students voting for her in hopes that she will utterly embarrass herself. Yamato is a participant in the contest as well and out of all of the boys he’s expected to win, meaning he’ll be going on an arranged date with whichever girl receives the most votes. All together, this is a very challenging situation for Mei. She doesn’t really want all of the attention and yet she feels compelled to try to win. Hazuki avoids the pitfall of a makeover suddenly changing a person into someone completely unrecognizable. It’s not so much that Mei’s outward appearance is drastically altered, it’s that she’s starting to overcome some of her insecurities and reclaim her femininity for herself.

My Week in Manga: June 8-June 14, 2015

June 15, 2015 by Ash Brown

My News and Reviews

Two reviews were posted last week at Experiments in Manga. First up was my review of the short comic The Ring of Saturn by Kaiju, a creative team made up of Kate Rhodes and Jennifer Xu. I had previously read the comic online at Sparkler Monthly and loved it, but now it’s available in print! The second review was of Takako Shimura’s Wandering Son, Volume 8. The series is an incredibly important one to me, and I’m very glad that it’s being released in English. The eighth volume ends on a bit of a cliffhanger, and I have no idea when the ninth volume will be released, so now I’m doubly anxious.

Elsewhere online, the MASSIVE/Gay Manga tumblr talks a bit about the success of Gengoroh Tagame’s first manga for a general audience, My Brother’s Husband. It sounds like there’s an ongoing effort to license the series for an English-language release, which I really hope happens! Drawn & Quarterly made an interesting licensing announcement of its own, Yeon-sik Hong’s Uncomfortably, Happily. You don’t hear about many new manhwa being released in English these days. (Although Netcomics does seem to be making a quiet comeback.) Frederik L. Schodt spoke briefly on To the Best of Our Knowledge about Osamu Tezuka and his works. Finally, Organization Anti-Social Geniuses continues its Manga Advice series, this time interviewing four manga designers.

Quick Takes

My Little Monster, Volume 8 by Robico. The last volume of My Little Monster got my hopes up as the series seemed to be regaining its momentum. I wouldn’t say my hopes were dashed reading the eight volume since there were plenty of funny and dramatic moments, not to mention the introduction of a new character as well as several confessions of love, but the series still isn’t going anywhere fast. Both Robico and the characters know this, too, and even comment on the fact that nothing has really changed all that much from the beginning of the story. Although, I do suppose that it’s an important development that Shizuku and Haru are now officially a couple. (Except that I thought they already were? Guess I was wrong.) My Little Monster does frustrate me a little with all of its one step forward, one step back approach to storytelling and relationships, and it seems to have forgotten some of the major plot threads that were started earlier, but I do still like the series as a whole. My Little Monster can be very funny at times and the quirky characters continue to amuse me. So, I’ll likely keep reading.

Say I Love You, Volume 7 by Kanae Hazuki. Although Mei and Yamato are clearly the main characters of Say I Love You, large portions of the series are actually devoted to their friends, classmates, and families. After showing the outcome of Mei and Yamato’s date (which his sister crashed before his older brother was able to drag her away) and the result of their first night spent completely alone together, the seventh volume largely focuses on Megumi’s story. After Megumi was rejected by Yamato, who remains devoted to Mei, she has been trying to ruin all of Mei’s new-found friendships. She actually ends up making herself miserable in the process and ends up withdrawing more and more from the people who legitimately care about her. Like many of the characters in Say I Love You, Megumi is dealing with some pretty serious personal issues. Her self-confidence has been destroyed, she doesn’t trust other people, and her relationships are falling apart. As unlikeable as she can be at times, it’s still heartbreaking to see her intense unhappiness. But the growth and development of the characters in Say I Love You is excellent.

Wuvable Oaf by Ed Luce. I was introduced to Ed Luce and his work thanks to TCAF 2014’s Queer Mixer where I learned that Fantagraphics would be releasing a collection of his most well-known creation, Wuvable Oaf. The volume opens with “Music Is My Boyfriend,” the first major Wuvable Oaf story arc which follows the titular Oaf, an ex-pro wrestler who now spends his time crafting handmade dolls (stuffed with his own body hair) and working at Oaf’s Home for Wayward Kitties Who Are Really Cute & Need Lotsa Love, and his relationship with Eiffel, a much smaller and extremely surly fellow who is the lead singer of Ejaculoid, a disco grindcore band. The volume also includes a collection of Wuvable Oaf short stories and “The Official Handbook to the Oafiverse,” which contains detailed (and humorous) character profiles among other things. Oaf himself is adorable and an absolute sweetheart. Although occasionally kind of gross, Wuvable Oaf can be surprisingly sweet and charming, filled with all sorts of marvelous queerness. Wuvable Oaf is also very, very funny. And it just so happens to be a cat comic, too!

Yamada-kun and the Seven Witches, Volume 2 by Miki Yoshikawa. Despite the manga’s title, the witches of Yamada-kun and the Seven Witches have yet to make their presence known, though I’m assuming it’s only a matter of time. I enjoyed the first volume Yamada-kun and the Seven Witches a great deal. I enjoyed the second as well, but it didn’t manage to leave as big of an impression on me. The fanservice seemed a little more forced in the second volume, too. Still, the series is a comedy more than anything else and I continue to find it to be highly entertaining. (But then again, I do have a proclivity towards stories that include body-swapping and gender play.) Yamada has discovered that he has a strange ability that allows him to switch bodies with another person if they kiss. He doesn’t know why he has this power, nor does he completely understand how it works. But even so, he and the few people who know about it are more than willing to use Yamada’s peculiar skill to their advantage, whether it’s appropriate or not. (Often it’s not.) This of course means there’s all sorts of kissing and other antics going on.

My Week in Manga: March 23-March 29, 2015

March 30, 2015 by Ash Brown

My News and Reviews

Well, it wasn’t really intentional, but last week at Experiments in Manga was apparently Viz Media week. Both of the in-depth manga reviews posted as well as the most recent manga giveaway feature Viz Media titles. The winner of this month’s giveaway will be announced on Wednesday, so there is still time to enter for a chance to receive Chika Shiomi’s Yukarism, Volume 1. The first review posted last week was of JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Volume 1, the very beginning of Hirohiko Araki’s long-running, outlandish, supernatural epic. It can be pretty brutal and the manga certainly won’t be to everyone’s taste, but I’m very happy to finally see it being released in English. Over the weekend I posted my review of Aya Kanno’s Requiem of the Rose King, Volume 1, a moody historical fantasy inspired by William Shakespeare’s Henry VI and Richard III. The debut of this series was one of the manga I was most looking forward to this year. I’m very happy to say that I loved it.

And speaking of Aya Kanno, it was recently announced that she will be one of the featured guests at this year’s Toronto Comic Arts Festival! (TCAF is currently the only large comics event that I attend.) Gengoroh Tagame, who was a featured guest in 2013, will be returning to TCAF this year as well. Ken Niimura (whose collection of short manga Henshin I thoroughly enjoyed and reviewed back in February) will also be an exhibitor. And since I mentioned Niimura, I would also like to point out Organization Anti-Social Geniuses’ interview with him from last week. Completely unrelated to TCAF, Seven Seas made a new license announcement—the first volume of Arata Yamaji’s manga series A Certain Scientific Accelerator is currently scheduled for release in October.

Quick Takes

The Man of Tango by Tetuzoh Okadaya. Originally licensed but never actually published by Aurora’s Deux Press, I was very happy when Sublime Manga picked up Okadaya’s boys’ love manga The Man of Tango. The English-language edition of The Man of Tango includes the story’s debut one-shot as well as previously unpublished material, making it the most complete version of the manga currently available. Though technically a boys’ love manga, with its burly character designs and emphasis on physicality, the tone of The Man of Tango is fairly masculine and the volume feels more like a gay manga. (Interestingly enough, Okadaya apparently didn’t even know what BL was before being invited to create the story.) As can be safely assumed from the title alone, tango plays a very prominent role in The Man of Tango. Dance is portrayed as a means of passionate expression and communication. Angie is a skilled dancer who teaches Argentine tango in Japan. Although he has been in many relationships, it isn’t until he meets Hiro, who exhibits a natural talent for tango, that he has completely fallen for someone.

Say I Love You, Volumes 5-6 by Kanae Hazuki. I become more and more impressed with Say I Love You the more I read of the series. Hazuki has captured the turmoil and insecurities of adolescence incredibly well. Sometimes the characters do seem a little wise or mature for their age, but generally the series remains well within the realm of believability. At the very least, the constantly shifting and messy interpersonal relationships of the series feel very realistic. Say I Love You excels at character growth and development. The recent introduction of new characters have complicated matters greatly for Mei and Yamato. Kai has started to develop feelings for Mei and he tends to be honest to a fault, which results in a significant amount of drama and strife as Yamato struggles with how to deal with his jealously. Another source of discord is Megumi. Her advances were rejected by Yamato and so she is doing everything that she can to disrupt Mei’s friendships and make her miserable. Mei, who is still learning to have confidence in herself and in her relationships with other people, is particularly susceptible to this sort of attack.

xxxHolic, Omnibuses 3-4 (equivalent to Volumes 7-12) by CLAMP. I only read the first few volumes of xxxHolic when it was initially being published in English by Del Rey Manga, so the material included in these omnibuses is completely new to me. While Watanuki still tends to be extreme in his reactions—quickly moving between utter joy and absolute despair—for the most part the tone of xxxHolic has started to even out and the balance between the series’ humor and the horror is better. There continue to be comedic elements, but the manga’s more serious nature has come to the forefront. Though frequently it’s deliberately cryptic, at times the manga can actually be fairly thought-provoking. xxxHolic has turned out to be far less episodic than I thought it was going to be. Some of the chapters don’t have a dramatic or direct impact on the story, but an overarching plot has developed. The series also ties in with Tsubasa: Reservoir Chronicle, but the connection between the two manga occasionally seems a little forced. I find that I enjoy xxxHolic more when it’s completely free to be its own work.

My Week in Manga: December 29, 2014-January 4, 2015

January 5, 2015 by Ash Brown

My News and Reviews

Happy New Year, everyone! Things are already off to a good start at Experiments in Manga. The last manga giveaway of 2014 is currently underway and there’s still time to enter for a chance to win No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular!, Volume 1 by Nico Tanigawa. All you have to do is tell me a little about some of your favorite otaku. The honor of the first in-depth manga review of the year, and in fact the very first post of 2015, goes to Hiroaki Samura’s Vigilance, the thirtieth and penultimate volume of Blade of the Immortal. I still love the series after all this time, and this installment has some particularly nice fight sequences. Finally, December’s Bookshelf Overload was posted over the weekend as well.

There were a few interesting things from Vertical this week, including a roundup of the happenings of 2014 and what fans can look forward to from the publisher in 2015. Another enlightening read from Vertical’s Tumblr account tackles sports, sports fiction, and sports manga and the challenges it presents to the North American market. Also, in case you missed it, Vertical is now on ask.fm and is answering all sorts of questions there. Last but not least, thanks to the success of its release of Mobile Suit Gundam: The Origin, Vertical is looking into publishing more Gundam manga. If you’re interested and haven’t already, be sure to take Vertical’s Gundam survey which will be open through the end of today.

Elsewhere online, Khursten has made a manga resolution for the year to feature josei more at Otaku Champloo. Organization Anti-Social Geniuses debuted a new feature, Inside the Industry, with Inside the Manga Industry with Lillian Diaz-Przybyl. The Hairpin has an excellent interview with Anne Ishii who, among other things, is the translator and one of the editors of the newly released Massive: Gay Erotic Manga and the Men Who Make It (which I recently reviewed; it’s great).

Quick Takes

Blue Morning, Volumes 1-5 by Shoko Hidaka. I’ve been meaning to read Blue Morning for a while but have only now gotten around to it. The benefit of this is that I had five volumes that I could read all at once. The drawback, of course, is the long wait until the sixth volume is released. I loved Blue Morning. It’s a moody, slow-burning boys’ love series with beautiful, elegant artwork and well-developed, subtly nuanced characters. A dramatic period piece, the manga takes place during Japan’s Meji era in which the country’s social, political, and economic structures underwent great change. The story focuses on Akihito Kuze who, after being orphaned, is suddenly thrust into Japan’s peerage as a viscount at the age of ten. Tomoyuki Katsuragi, the Kuze family steward, becomes his tutor and guardian. As he grows Akihito ends up developing feelings for Katsuragi and their relationship undergoes an intense evolution and power reversal. The romantic elements of Blue Morning are important, but much of the plot is actually focused on the political maneuverings of both Katsuragi and Akihito to raise the family’s status, though the each of the men have their own reasons for doing so.

Knights of Sidonia, Volumes 10-12 by Tsutomu Nihei. I decided to save up a few volumes of Knights of Sidonia since they read so quickly and I wanted to enjoy a larger chunk of the story. But even though there are quite a few major developments in these particular volumes, including the introduction of an important new character, somehow it just feels like Nihei is stalling for time and that there wasn’t actually much forward movement in the series. Even so, it was still an enjoyable read and I still like the manga. Knights of Sidionia remains a rather peculiar series, a combination of horror, science fiction and, of all things, romantic comedy. Sidonia’s hero Tanikaze, despite being incredibly awkward socially, has managed capture the romantic interest of quite a few of the other characters, basically amassing one of the most unusual harems that I’ve ever come across in manga. And while he has all sorts of domestic challenges to deal with now that his house has five residents more or less living there, he’s also one of humanity’s best pilots in the fight for survival against the Gauna. The war is entering a new stage, new technology has been developed, and the Gauna continue to gain new abilities.

Say I Love You, Volume 4 by Kanae Hazuki. Four volumes in, Say I Love You continues to set itself apart from many of the other shoujo manga series that are currently being released with its very realistic approach to young adult relationships, romance, and sexuality. The characters show a believable mix of maturity and immaturity, at times handling themselves extraordinarily well and at other times ending up a mess of confused emotions. This volume also introduces a new character, Kai, whom I’m particularly looking forward to seeing more of. In the afterword Hazuki mentions that she believes that manga “isn’t just for showing the nice side of things,” a belief that I think comes through in Say I Love You. There are the wonderful moments between characters as they grow closer, but every relationship has its ups and downs and Hazuki isn’t afraid to show the emotional pain and turmoil experienced by her characters as part of that growth. Regret, jealousy, selfishness, and uncertainty all have a role to play as do happiness, affection, altruism, and confidence. None of the characters are perfect and they all make mistakes as they navigate new and sometimes surprising relationships.

Ping Pong: The Animation directed by Masaaki Yuasa. Taiyō Matsumoto’s breakout manga was a five-volume series from the mid-1990s called Ping Pong. I’ve become a fan of Matsumoto’s work and would love to read Ping Pong, but it’s probably unlikely to ever be licensed. However, the eleven-episode anime adaptation made me very happy. The style of animation is somewhat unusual, reminiscent of Matsumoto’s loose but deliberate lines and uses a variety of palettes ranging from monochrome to pastel to vivid colors. I was particularly impressed by the series’ sound design and effective use of music. Smile and Peco are close friends and the strongest members of their school’s table tennis club but they both approach the game very differently. On its surface, Ping Pong is a fairly straightforward tale about competitive table tennis, but the series has prominent psychological elements and more depth than it might appear at first glance. Peco and Smile aren’t the only important players in Ping Pong; the protagonists and antagonists of the series are in constant flux. I enjoyed the Ping Pong anime immensely; I’ll definitely be picking up the physical release this summer.

My Week in Manga: October 20-October 26, 2014

October 27, 2014 by Ash Brown

My News and Reviews

I posted two reviews at Experiments in Manga last week. First up was my review of Baku Yumemakura and Jiro Taniguchi’s The Summit of the Gods, Volume 4. It’s the penultimate volume in one of my favorite manga series. It was also a particularly intense volume. The fifth and final book should be available sometime next year; I’m really looking forward to it. My second review last week was of Boogiepop Returns: VS Imaginator, Part 1, the second volume in Kouhei Kadono’s Boogiepop light novel series. I didn’t find it to be quite as dark as the first novel, but it still had an interesting mix of science fiction, horror, mystery, and even a bit of romance. I discovered Boogiepop late (the four novels and the four volumes of manga that were translated into English are now out of print) but I’m really enjoying the franchise so far. At this point I definitely plan on checking out the rest of the Boogiepop novels, manga, music, anime series, and live-action film.

On to other things online! Digital Manga has launched its most recent Tezuka Kickstarter project and it is…ambitious. At Manga Comics Manga, Deb Aoki has a nice roundup of some the concerns and criticisms fans have been expressing about the project. Justin has been busy posting more New York Comic Con content at Organization Anti-Social Geniuses, including interviews with Viz Media’s Andy Nakatani (editor-in-chief of Weekly Shonen Jump) and Leyla Aker (Vice President of Publishing). Also, in case you missed it (like I did), Brigid Alverson posted her NYCC interview of Takeshi Obata at Comic Book Resources a couple Fridays back. Ryan Holmberg’s most recent What Was Alternative Manga? column focuses on the proto-gekiga work of Masahiko Matsumoto. The post has great (and probably deliberate) timing–Matsumoto’s The Man Next Door is now available to order from Breakdown Press. Over at Manga Connection, Manjiorin is embarking on a new review project focusing on Crunchyroll’s digital manga. And speaking of manga reviews, Manga Blog’s inagural Bookmarked! feature was posted. I’m very happy to see Manga Blog so active again. Be sure to check it out for its link-blogging, too!

Quick Takes

The Dawn of Love by Kazuho Hirokawa. Masahiro is infatuated with his fellow law student Takane and so is very happy to discover that Takane, like him, is also gay. Takane has multiple partners which doesn’t bother Masahiro at first, but eventually he decides that he wants Takane to exclusively date him. My biggest issue with The Dawn of Love is that Masahiro uses sex to manipulate Takane, basically forcing Takane to choose monogamy regardless of his own feelings about the matter; it’s really not a good basis for a healthy, long-lasting relationship. I think Hirokawa was trying to going for a sort of “true love conquers all” take with the manga, but The Dawn of Love isn’t successful in achieving that, mostly because I was never convinced that Masahiro and Takane were actually in love to begin with. Even Masahiro doesn’t bother to ask himself why he loves Takane until well into the story, and he never really answers that question. It’s obvious that the two of them enjoy having sex with each other (and there’s a lot of sex in The Dawn of Love), but sexual desire isn’t the same thing as romantic love. The Dawn of Love had great potential and was even rather funny in places, but overall I didn’t end up enjoying it much at all.

Magical Girl Apocalypse, Volume 1 by Kentaro Sato. I can’t tell for certain yet, but by the end of the first volume of Magical Girl Apocalypse it seems as though the series might actually be a parody. If that’s true, it makes the manga a little more interesting to me. If not, Sato is going to need to do something else to keep my attention. I’m more frightened that Yoruka will have a horrifying back injury due to her ridiculously large breasts than I am of the series’ “zombies.” Despite the inclusion of the creepy-cute magical girls instead of more traditional zombie-like monsters, the manga doesn’t really set itself apart yet. At this point, it somehow feels like a pretty generic zombie story. There’s plenty of disturbing scenes and well-drawn gore, and I appreciate that Sato isn’t afraid to kill off characters who in other series would actually manage to live for more than one chapter, but otherwise I found Magical Girl Apocalypse to be a fairly typical zombie survival manga. The series should be an entertaining read for those fond of the subgenre, and there’s nothing wrong with that, but personally I find myself a little zombied-out these days and prefer my horror to have a little more substance.

Say I Love You, Volume 3 by Kanae Hazuki. One of the things that really impresses me about Say I Love You is Hazuki’s forthright portrayal of teenage sexuality. The characters exhibit both maturity and immaturity in their relationships; they can be surprisingly levelheaded, but they can also let their feelings get the best of them. There’s conflict and selfishness in addition to the beginnings of new love and developing respect for others. The characters and their relationships are believable and have depth to them. The more I read of Say I Love You the more and more like Mei. She, like so many of the other characters, has been hurt in the past, but despite her nervousness and anxiety she’s at a point in her life that she’s able to stand up for herself and for others. (Bullying and dealing with bullies is a recurring theme in Say I Love You.) Though Mei tends not to take crap from other people, she is still vulnerable and she still experiences pain, especially now that she is beginning to open herself up to others again. She’s learning to trust, but it doesn’t always come easily for her. It’s this sort of realistic and layered characterization that Say I Love You does particularly well.

YU+ME: Dream, Omnibuses 1-2 by Megan Rose Gedris. I only recently discovered YU+ME, a webcomic that was originally released online between 2004 and 2010. The comic is still freely available to read online, but the series has also now been collected into two omnibuses which include additional content. The first part of YU+ME comes across as a fairly standard girl-meets-girl high school love story. It’s certainly enjoyable, but not an exceptional story on its own. (Although it is noteworthy that the series may have been one of the earliest queer-focused webcomics.) What really makes the YU+ME outstanding is its second part, which places the first half within an entirely new context. Gedris wanted to turn the “but it was all a dream” trope on its head and she does so magnificently. Both the artwork and the storytelling are a bit rough in the beginning, but Gedris steadily improves and by the end the series has turned into something truly spectacular. The first part of YU+ME primarily uses a single art style while the second half explodes into a brilliant variety of design, color, and texture. YU+ME is an epic and surreal lesbian love story with a grand mythos to go along with it and a plot that is much more complex than it first appears.

My Week in Manga: June 9-June 15, 2014

June 16, 2014 by Ash Brown

My News and Reviews

I posted two in-depth manga reviews at Experiments in Manga last week. The first was of Baku Yumemakura and Jiro Taniguchi’s The Summit of the Gods, Volume 3. It’s the middle volume of a five-volume, award-winning series and is a critical turning point for the story and characters. The Summit of the Gods is my favorite Taniguchi collaboration as well as one of my favorite manga series in general. And if manly mountain men don’t interest you, perhaps my review of Mari Okazaki’s out-of-print josei collection Sweat & Honey might entice you to track down a copy for yourself. The short manga included in the anthology focus on the close and often complicated relationships between women. The post is a part of my Year of Yuri monthly review project and makes the seventh installment. Only five more reviews to go!

Elsewhere online there were plenty of interesting things to read. Yen Press has a new set of license announcements. Organization Anti-Social Geniuses had two posts last week that I particularly liked: an interview with Cho, the founder of the site English Light Novels (which is an incredibly useful resource that I was previously unaware of), and a look at some of the reasons why people tell publishers they read illegal version of manga. Otaku USA has a nice interview with Helen McCarthy, whose newest book A Brief History of Manga will be released soon. The Lobster Dance has posted Revealing and Concealing Identities: Cross-Dressing in Anime and Manga, Part 4, with at least one more part to come. Lastly, the second manga studies column at Comics Forum is now available, focusing on the history of manga and Kitazawa Rakuten .

Quick Takes

A Centaur’s Life, Volumes 2-3 by Kei Murayama. The more I read of A Centaur’s Life, the more I like the series. It can be incredibly sweet and adorable, and Murayama’s world-building is fascinating. Not all of that world-building makes it into the series proper (at least not yet), but the extra material between chapters and at the beginning and end of the volumes. Is interesting, delving into the politics, history, and mythology of A Centaur’s Life. It’s obvious that a lot of thought has been put into the series to make it as realistic as possible; Murayama takes into account even the smallest details of everyday life and how things like cars, furniture, and buildings have to be modified to accommodate races with completely different anatomies. A Centaur’s Life is fairly episodic, but more and more recurring characters are introduced as the series progresses. These two volumes in particular frequently feature the youngest generation of centaurs and other folk. Like any kids, they can be hellions but they can be super cute, too.

Same Cell Organism by Sumomo Yumeka. Much like Yumeka’s later manga, The Day I Become a Butterfly, Same Cell Organism tends to be fairly quiet and subdued. Yumeka’s artwork is lovely, with a light, airy touch to it, though her character designs from one story to the next are similar enough to cause some brief confusion from time to time. Same Cell Organism is a collection of some of her earliest boys’ love manga. It’s a somewhat uneven volume, mostly do to the fact that one of the stories, “To Make an Angel” was never actually completed. All of the set up is there, but then it suddenly ends with no real conclusion. However, I absolutely adored the titular story “Same Cell Organism” and its subsequent chapters. The story follows two young men in high school who might seem like unlikely friends because their personalities are so different: Yokota is loud, enthusiastic, and outgoing while Nakagawa is much quieter and reserved and has a more difficult time expressing himself. However, their relationship develops naturally and is delightfully loving and sweet.

Say I Love You, Volume 2 by Kanae Hazuki. I was a little surprised by how much I enjoyed the first volume of Say I Love You and so was very interested in seeing how the characters’ stories and relationships continued to develop in the second. I particularly like the leads, Mei and Yamato. Mei especially is marvelous; she’s confident enough in herself to avoid bad situations involving other people, which made me very happy to see. Yamato obviously cares for Mei and is very respectful of her. However, many of the other characters aren’t likeable at all, and much of the second volume is devoted to them. Hayakawa is a womanizer and an absolute asshole. His story arc in this volume is a bit uncomfortable–he gets his comeuppance, but he also gets the girl. (I worry about her, so I truly hope that his colors have changed having been redeemed by love.) Aiko, who apparently used to be a lovely young woman, is simply not a nice person at all anymore. She has her reasons, but she’s still not sympathetic. Say I Love You deals very honestly with sex and its emotional repercussions at such a young age. Some of the relationships in the series aren’t at all healthy, making the budding romance between Mei and Yamato refreshing in comparison.

Sherlock Bones, Volume 5 written by Yuma Ando and illustrated by Yuki Sato. Sherlock Holmes reincarnated as a puppy is still a rather silly premise, but I’ll admit that I’ve largely been enjoying the series. Occasionally there’s an unnecessary flash of underwear, but generally that’s fairly easy to pass over. The mysteries in the series are interesting with some very clever, though sometimes outlandish, twists. The artwork provides clues for readers to pick up on if they’d like a more interactive story experience, too. One of the things that I actually liked best about this particular volume of Sherlock Bones is that the story moves from Takeru being a high school student to his entry into the workforce. Unsurprisingly, coming from a police family and considering his recent work solving crimes with Sherdog, Takeru becomes a patrol officer. Already it’s proving to supply even more cases for him and Sherdog to investigate, and a few new characters are introduced as well. Sherlock Bones continues to be an entertaining series, and I look forward to reading the remaining two volumes.

My Week in Manga: April 28-May 4, 2014

May 5, 2014 by Ash Brown

My News and Reviews

I was in Texas for much of last week, attending a conference for work, but I was still able post a few things here at Experiments in Manga. The most recent manga giveaway is underway, for one. This month you all have a chance to win the first omnibus of Hiromu Arakawa’s Fullmetal Alchemist. All you have to do is tell me a little about some of your favorite women mangaka. April’s Bookshelf Overload was also posted; there were all sorts of great releases last month. And finally, the first in-depth manga review of May goes to the very recently released Vinland Saga, Omnibus 3 by Makoto Yukimura. Vinland Saga is one of my favorite series currently being published in English. The entire series is epic and third omnibus is awesome.

Because I was traveling and caught up in conference goings-on, I may have missed some news. (If there’s something that caught your interest last week, do let me know!) However, I did come across a few things that made for good reading. I particularly enjoyed Tony Yao’s post at Manga Therapy, The Ambiguously Amazing Hange Zoe which discusses things like Attack on Titan, gender, and ambiguity. I recently reviewed Jen Lee Quick’s Off*Beat, Volume 2 in preparation for the release of the third and final volume. The series’ editor Lillian Diaz-Przybyl offers some Editorial Thoughts on the End of Off*Beat, one of Chromatic Press’ flagship titles. RocketNews24 offers a list of the twenty most popular manga in Japan, based on publication numbers. Justin Stroman interviews Eric Eberhardt (Viz Media’s Director of Digital Publishing) about Viz’s new digital imprint VIZ Select.

And for those of you in the Toronto area next week and weekend, do be sure to check out the Toronto Comic Arts Festival! There will be some phenomenal programming and incredible creators in attendance (including Moyoco Anno, Est Em, and Akira Himekawa among many, many more), and it’s free! TCAF is the only comic festival/conference that I go to and I highly, highly recommend it.

Quick Takes

Constellations in My Palm written by Chisako Sakuragi and illustrated by Yukine Honami. I happen to really enjoy Honami’s artwork–a somewhat softer style with light but expressive lines–so I’ve slowly been getting around to reading the various boys’ love manga that she’s worked on. As far as I know, Constellations in My Palm is the only manga that Sakuragi has written. It’s a fairly realistic romance and tends to be somewhat quiet and subdued. It’s narrated by Mizuho, a college student, whose younger cousin Enji moves in with his family as he is about to start college, too. When they were younger they were very close, but it’s been seven years since they’ve been in contact with or seen each other. Mizuho and Enji both care about each other, but their relationship has become awkward and strained. Constellations in My Palm has some wonderful moments in it, but I was largely frustrated by the manga. So much of the story is driven by misunderstandings, and many of them aren’t even the result of miss-communication. Generally, it’s Mizuho who’s the culprit–even when he’s told something straight to his face, repeatedly, he simply can’t or chooses not to believe it. As Mizuho has some self-esteem issues this does fit his character, but it doesn’t make it any less exasperating.

The Flowers of Evil, Volumes 7-9 by Shuzo Oshimi. I’ve been waiting for the entirety of the third arc of The Flowers of Evil to be released before reading it. I’m glad that I did, because once I started I didn’t want to put the manga down. After the resolution of the incident at the summer festival, there is a timeskip of three years. Kasuga and his family have moved to a different town in order to start over, but he is still haunted by his past. His relationship with his parents is broken and almost nonexistent. His new classmates tolerate him, but he remains distant and disconnected (and understandably so). But then he meets and, despite his weirdness and strange behavior, is befriended by Tokiwa–a popular and attractive girl whom all of the boys have a crush on. Like Kasuga, she’s hiding parts of herself from others, too. On the surface, the third arc is almost tame when compared to what came before it, but it is still extremely effective. It has a very different sort of intensity than the previous arcs. The story has become more subtle but retains a constant undercurrent of dread. Even when good things happen it seems as though they could only possibly be a prelude to some sort of disaster. The Flowers of Evil is an incredibly engaging series and just keeps getting better and better.

Say I Love You, Volume 1 by Kanae Hazuki. I didn’t really know much about Say I Love You before reading the first volume; I was vaguely aware of the series because of its recent anime adaptation (which I haven’t seen yet), but that’s about it. There’s not really much of a “hook” per se in Say I Love You. The characters are fairly normal. The story isn’t particularly unusual. The the two leads are Mei Tachibana–who although she avoids making friends is very aware of others and their feelings–and Yamato Kurosawa–whose popularity stems from his good looks but who otherwise is extremely average. So far the manga is simply about a group of teenagers living out their high school years. This includes all of the cliques and the bullying, the stress caused by interpersonal relationships, the self-consciousness and the issues of self-esteem. But that realism is probably the series’ strength. Say I Love You has some humorous moments, but I wouldn’t really describe it as a comedy at this point since in general Hazuki takes a more serious approach with the series. I’m actually very curious to see how Mei and Yamato’s relationship continues to develop, as well as how the relationships between the other characters evolve as well.

Wolfsmund, Volumes 3-4 by Mitsuhisa Kuji. At first Wolfsmund seemed to me as though it was going to be an episodic series, but with the third and fourth volumes the manga has focused in on an overarching narrative. However, the bleakness and brutality that has been present from the very start of Wolfsmund remains constant. These volumes see the beginning of the Swiss rebellion against the Austrian occupation and all of the violence and death that entails, including the incredible siege of the Wolf’s Maw at Sankt Gotthard Pass. The uprising has been in the planning stages for quite some time, but now the rebels finally have the opportunity to take action. 14th-century warfare is not pretty. There are very good reasons why attacking an overtaking a fortress are difficult tasks to accomplish–they are built to withstand assault and are designed to allow defenders to wreak havoc on invading forces and to cause tremendous amounts of damage. The rebels must face skilled soldiers, traps, fire, molten lead, boiling water, and more. And on top of that Wolfram, the bailiff of the Wolf’s Maw, is a vicious and sadistic leader who is not above torture. In fact, he seems to delight in it. Wolfsmund continues to be a dark and intense manga that is definitely meant for maturer audiences.