mythical hero's otherworld chronicles

By Tatematsuri and Ruria Miyuki. Released in Japan as “Shinwa Densetsu no Eiyū Isekai Tan” by Overlap Bunko. Released in North America by J-Novel Club. Translated by James Whittaker.

“Well, well, well, look who’s come crawling back.” Yeah, I know. My last review of this title said I was dropping it for being too dark, but here I am. This is what happens when you forget to cancel the preorder. But I mean, I felt like a military book, so I thought fine, why not? And I mean, it is still dark. The young woman on the cover has a collection of the heads of all of her family in her tent, just so that she remembers who killed them as she goes after her quest for vengeance. The “heroine” (always a dangerous word to use in this series which enjoys making its heroines badass but also damsels them a lot) pends the entire book being abused despite her status as a prisoner of war. And, of course, our hero proves that he is one dead friend away from losing it entirely, to the point where even the cool semi-sentient weapons of this world are sending prophetic dreams saying “could you all talk this goombah down PLEASE?”.

Hiro gets back to the capital to find bad news and worse news. Liz has somehow been taken prisoner by the enemy, and the guy in charge of her is delighting to see how far her blessing goes before he can destroy it and assault her. Aura is holed up in a fortress, surrounded by enemies, and with no real way to rescue her. He has to choose who to save and who to sacrifice. Hiro being Hiro, he chooses to save both of them. This he does by being as arrogant and powerful as possible – he’s got the power to back up his words, to the horror of everyone who tries to take him on. He manipulates, he lies, and he coerces, and his army are also super powerful, so it works even though they’re severely outnumbered. Unfortunately, there’s a new enemy yet to be accounted for, and she bears a weapon called Gae Bolg and is named Scáthach. Yes, that’s right, we’re finally crossing over with the Fate universe.

OK, not really. Scáthach is merely a former royal who had to watch as her entire enemy was butchered by the Empire – the Empire, that is, that Hiro and Liz are part of. She recognizes that Liz, at least, is not a monster like those who killed her family, but this does not stop her from using Liz as a giant popsicle to try to discourage those on the Empire’s side. It will not surprise you to find she’s pledged herself to Hiro by the end of the book. As for Hiro, thank God he’s not a real isekai hero. I mean, yes, he is, this book began with him in Japan and he got transported to another world, but you know what I mean. Hiro’s thoughts and attitude are informed by his past life here, and Japan basically never comes up, meaning he lacks the bland potato-ness of many of those heroes. One might argue this makes him something of a monster, but that’s why Liz is being told by her sword to calm him down.

That said, the Emperor and some of his family are definitely not the good guys here, so I feel we’re going to get pretty throne war-ish soon. Will I keep reading? I dunno, if I’m in the mood for more military battles, which take up the bulk of this book.

By Tatematsuri and Ruria Miyuki. Released in Japan as “Shinwa Densetsu no Eiyū Isekai Tan” by Overlap Bunko. Released in North America by J-Novel Club. Translated by James Whittaker.

This is likely my final review of this series, but I want to assure everyone that it’s not for the usual reasons of “oh hey, this just became intolerably bad”. It’s more that this has simply not become a story I personally wish to read. I can see why others would want to read it, though. It’s very teenage boy. There’s a kickass guy with an eyepatch, taking out swathes of enemies by himself, with multiple girls as love interests, a couple of whom actively try to seduce him whenever they get the chance. It is, in other words, a light novel. The one drawback, and the reason I’m moving on, is that it’s so goddamn serious 90% of the time, I had picked this up as it had a lot of similarities to Altina the Sword Princess, which is on indefinite hiatus forever, but even Altina, which had some dark moments, was fairly lighthearted. This is just too straightforward. There’s no subversion, no meta, no in jokes. It’s a cool guy being cool.

After the events of the last book, Hiro and Liz are asked to come back to the palace to get even more accolades. For Liz this means command of an army, which goes out to quell someone or other. For Hiro is means a new job… a somewhat suspicious job. He’s asked to head north to Lebering, the kingdom to the north of the Empire. Hiro almost immediately finds himself caught up in a throne war while there, and needs to try to escape, save the crown princess who appears to be the one member of the royal family who is not dead or bloodthirsty, and try to quell a rebellion WITHOUT asking for help from the Empire – who would likely simply annex the kingdom and make it part of its own. Can Hiro pull all this off and still find time to pose dramatically?

There’s not a total lack of humor. Liz is by her very nature a fun character, even if she’s written as a bit too naive, and Rosa toes the line of being “the annoying sexy one” without ever actually going over it. The battle scenes are well-written, even if sometimes they go a bit too far into “we’ll write a lot of rape scenes offscreen to show that these are the EVIL soldiers”. The main issue is Hiro, who remains steadfastly uncompelling, despite being isekai’d from Japan *and* the old warrior Mars now come back to life. There are hints that he might get more interesting in future books, but the hints are that he might go down a darker, more amoral path, which are not hints I like. Even the big reveal at the end, which should have been more surprising, suffered because it was filtered through Hiro’s “of course, I knew all along” boringness.

If you’re the sort of person who enjoys those fanfics that rewrite Naruto or My Hero Academia with the hero being “darker and more badass”, this is a great book for you. But I just want something a bit *less* straightforward these days.

By Tatematsuri and Ruria Miyuki. Released in Japan as “Shinwa Densetsu no Eiyū Isekai Tan” by Overlap Bunko. Released in North America by J-Novel Club. Translated by James Whittaker.

This book takes its isekai and fantasy world tropes seriously. That is its best feature, but also one of its major flaws. It’s refreshing to read a straightforward military fantasy book – as I’ve noted, there’s a lot of Altina the Sword Princess in this, but it feels even more serious than that series did – and Hiro, now with his memories returned, makes a clever and overpowered protagonist who nevertheless does not need to worry about MP expense as he plans his next moves. The flaw is that this also does not really take into account the subversions that we English-speaking readers would really prefer that it did. There are slaves in this book, who are abused, conscripted, and massacred, and they are there to be mooks and nothing more. Only one of them has a name, and she turns out to be the daughter of a village chief. As for discussion of whether slavery is bad, it’s left to a “demon” character to free her. Not happy with that.

After the events of the previous book, Regis… erm, sorry, Hiro… is called to the capital, there to prove the rumors about his lineage and to get a reward. Of course, what this means in reality is that he’s now embroiled in royal politics, and all the nobles are looking at him as if he has a “50% off” sign around his neck. Fortunately, Hiro proves to be very good at judging people’s true intentions… though that doesn’t mean that he still can’t be dragged along as part of someone else’s plan, especially when they’re related to a certain red-haired princess. After this, there’s still a battle to be fought and won, and Hiro gets to prove that he’s just as able as a military tactician as he is at political maneuvering. All that said, the addition of a zlosta warrior to the enemy ranks will prove more difficult.

The cover art of the first three books very much shows this is going to be a “new girl every volume” sort of series, and indeed Liz sits out most of the first half of this book. Instead we get Hiro bonding with Aura, which I honestly preferred, mostly as they vibe with each other straight away – he even alludes to his actual identity in such a way that she can’t help but understand. We also get Rosa introduced to us, who I hope is there to show that, after the events of Book One, this will not have Hiro’s Sexual Adventures as part of the plotline – I was relieved that he rejected her incredibly forward advances. (Going to a noble party dressed in the gown we see Rosa wearing in the color pages raised both my eyebrows.) As for the rest of the book, it’s military strategy, so as usual, I have little to say.

This remains a very readable book, which is probably its best feature. If you enjoy military fantasy and royal succession drama, and don’t mind a new girl in every port, this is a series to enjoy.

By Tatematsuri and Ruria Miyuki. Released in Japan as “Shinwa Densetsu no Eiyū Isekai Tan” by Overlap Bunko. Released in North America by J-Novel Club. Translated by James Whittaker.

Sometimes you just want to get serious. Isekai titles have been around for a while now, and we’re used to seeing pastiches, parodies, and satires of the genre. Plus, of course, they’re often written like RPG games, so the writer does not have to worry about pesky things like plot or setting. But suppose you *are* a writer who likes those things? Suppose worldbuilding is your jam? And suppose that you really do take the isekai premise seriously? Well, you’d probably end up with something close to this book. The Mythical Hero’s Otherworld Chronicles is not entirely humorless (sadly, the humor is entirely the “grrr, I am jealous of our princess having no boundaries around you” sort of humor), but for the most part it’s hear to earnestly tell a story of what happens when a hero has to return to the land that he saved a thousand years later to save it again.

Three years ago, a young man named Hiro was found in his bed injured, covered in dirt, and with his hair grown long overnight. Doctors were baffled… as was Hiro, who could not remember anything. He has recently been having dreams, though, dreams where he’s a powerful swordsman in another world. No prizes for guessing that’s what happened three years ago. But then it happens again, and he ends up back in that world, now one thousand years in the future. Unfortunately, he doesn’t have any memories of his previous time there, nor does he seem to have any special powers. Fortunately, he does run across a young princess, 6th in line for the throne, who is on her way to political exile and who seems to take an instant liking to him. Is this really the same world that Hiro saved before? And can he regain his memories in time to do it again?

If you enjoyed Altina the Sword Princess but wished that Regis was an incredibly OP warrior who saved the day through battle instead of strategy, you’d have something of an idea of how this book runs. It’s a very testosterone-driven book, and it did not escape my notice that while there are two powerful young women in the book, both of them need saving by the hero. I’m hoping that’s not a habit. (There’s also an implied sex scene, but you can easily ignore that.) Liz, the princess, has absolutely no boundaries around Hiro at all, to a baffling degree – I get that she takes a shine to him immediately, but it verges on the ridiculous. And her rivals, the other princes in the throne war, seem to all come from the Sword Art Online school of “all villains must be as evil as possible, no grey areas whatsoever”, so we get them literally laying on a pile of captured nude women. As I said, testosterone driven book.

Despite this, the prose is well written, the battles are exciting, and the story makes sense. If you’re looking for a power fantasy and you’re a teenage boy, this is perfect for you. I may read another volume.