devil is a part-timer!

By Satoshi Wagahara and 029. Released in Japan by Dengeki Bunko. Released in North America by Yen Press. Translated by Kevin Gifford.

I suppose, if you know that what you’re writing is going to be an anticlimax, it’s best to just admit it straight up front. The massive battle against heaven, even from the start of the volume, is very underplayed, and when it comes, while there is some combat, it ends fairly easily for the good guys. In fact, the final battle is so anticlimactic that the book jumps back and forth between the “present” and three years into the future, showing us where Maou is now and what the rest of the cast are up to, while also teasing his romantic relationship. That said, here it’s made explicit WHY Maou has been hemming and hawing and putting off giving a clear yes or no to anyone’s confession: his demon side is literally allergic to love and causes him to feel extremely ill. Not exactly an original idea, but hey. All in all, it’s an OK ending to a series that should have ended a dozen books ago.

Fortunately for the reader who has been feeling a bit Chiho’ed out by the last couple of books, she’s not present for the War Against Heaven, though we do get Maou and company explaining everything to her parents. A lot of the book features scenes of the cast waiting for heaven to respond to their obvious aggression, and being somewhat disturbed that they are not doing so. And then there is the newest Sepirah child, there to signify the direction that all of heaven will take going forward… so it’s a bit of a shame that he looks like an exact copy of Urushihara, to the point where Maou dubs him Copyhara. There is also quite a lot of backstory and explanations are given for most of the supernatural end of things, but I’m going to be honest, I’ve never really paid attention to that part.

If that summary sounds vague, so does the whole book. The epilogue bits are a bit more interesting. There is a romantic pairing that caused me great pain to read about (no, not Maou’s), but I suppose as long as they’re happy. Speaking of Maou, and spoiling a bit here, yes, he’s together with Chiho, but she’s also trying to consider their future as a group. The problem is that a) thanks to Alas Ramus, he’s never going to be able to be far from Emi for the rest of his life (which, by the way, is a normal human lifespan now, because plot), and b) Emi clearly has some feelings for Maou, and is clearly never going to end up with another guy. Chiho proposing a poly relationship is… I’m gonna be honest, it feels like a fanfic solution. Even Maou is baffled by it, though given how Chiho and Emi run roughshod over his life in general, I guess he’ll accept it. Still, I can’t see the fanbase enjoying this.

Again, aside perhaps for that last part, this book isn’t too bad. But it’s a classic example of an author dragging out a story that should have ended around Book 7 or 8. In the end, it risked drowning under all of its own lore, and didn’t really give the fans the romance their wanted either.

By Satoshi Wagahara and 029. Released in Japan by Dengeki Bunko. Released in North America by Yen Press. Translated by Kevin Gifford.

Sometimes I worry that an author might be paying too much attention to their fans. This is not a bad volume of Devil Is a Part-Timer! per se, though it’s light on the series’ usual wacky comedy. As we get closer to the end of the series, Chiho and Suzuno are too busy to crack many jokes, and Maou and Emi are too stressed out. But we do get to the point where we’re ready for the final battle next time, which is good. Maou is still waffling, which is less good, but at least in the cliffhanger ending he admits that it’s because he has no idea what it means to love someone. That said, there’s a sense that the author saw a few Maou/Emi fanfics and got annoyed, because this volume definitely has the feeling of the author trying too hard. The plot is “Maou and Emi have to live in her apartment for the sake of Alas Ramus”, and they try to bond as a family, but there’s no sexual tension at all. Meanwhile, Chiho is… well, overpowered.

Maou and Emi are able to do this “live in her apartment” thing because they’re mostly being kept out of the loop, as Chiho organizes a gigantic peace summit for the express purpose of not getting left behind in Japan when this is all resolved. This involves trying to please every faction, many of whom have reason to hate the Devil King… including a few surprises. That said, Maou and Emi have a good reason to not be part of the preparations: Alas Ramus is starting to suffer what Acieth did last book, only it’s not eating but attention she wants, and it’s causing her to grow between infancy and middle school age… and also teleport. And there’s also the matter of Sariel, who is just a bit stressed out that Chiho revealed everything to the McRonald’s staff without bothering to check with him first. A lot going on.

Look, I like Chiho. I’ve even shipped Maou/Chiho since the book began, mostly as Japanese titles with a tsundere lead and a cute plucky second girl always end the same way. But… damn, this feels forced. There’s a hysterically bad section of the book where Chiho discusses talking with the student council and studying how parliament works as last-second prep for chairing a summit of supernaturally-powered factions. Yeah, even I’m not buying this. As for Maou and Emi, Chiho makes a good point when she says if anything was going to happen between them, it would have by now, but still… it’s a bit of a damp squib here, showing off all their awkwardness but none of their friendship. On the bright side, there was actual depth given to Emeralda, who is pretty good at hiding behind her speech affectations and “don’t care” attitude, but it turns out has real reasons to hate the Devil King. That said, just before the end of the series is not a good time to remind us he was supposed to be fantasy Hitler.

And so everything is prepared for the final volume, though honestly I feel that dealing with love confessions may be more difficult than an actual war with heaven. In the meantime, if you’re going to break the cliche, you might want to try a bit harder than this does.

By Satoshi Wagahara and 029. Released in Japan by Dengeki Bunko. Released in North America by Yen Press. Translated by Kevin Gifford.

(I discuss the climax of the book more than usual here, so spoiler warning.)

A lot of the last volume in this series focused on Chiho and her concerns for the future, and that doesn’t change here. Chiho is in many ways the glue that holds everyone’s relationships together, which is sort of nice, but not when it leads to her being everyone’s social secretary. She’s starting to get the feeling that all teens get at that age – that everyone around her is more grown up than she is. Maou is still calling her “Chi” like a kid, and of course is still ignoring her confession(s). Suzuno and Emi are adults with real world concerns, and they’re all out to save the world. And worst of all, she’s the only one in the group not tied to Enta Isla. When all this is over and that world is saved, will everyone just return there and leave her behind? It’s got her in a quandary… until a conversation with Suzuno (who, like Maou, has decided to run away from her problems) convinces her that it’s time to simply blow everything to tiny little bits.

There are, of course, other issues. Suzuno is stunned to find that she’s been promoted to Archbishop, which is actually pretty terrible news for their little conspiracy. It doesn’t help that the rituals that she has to do in preparation for her investiture all seem rather shallow and self-serving. Can you really have a crisis of faith when you’re becoming one of the leaders of that same faith? That and she’s also decided to confess her love to Maou… who reacts the same way he’s done with Chiho – avoid, avoid, avoid. Emi and Alas Ramus spent most of the novel away in Enta Isla helping with demon castle prep, meaning this is yet another Emi-lite book. Her fans, already grumpy from last volume’s ship sinking from Rika, might be even grumpier. Oh yes, and in Alas Ramus’ absence Acieth suddenly starts needing to eat a LOT more than usual… or else she starts firing lasers from her mouth.

This leads to the climax, as Chiho gathers everyone at McRonald’s. Maou, who’s been completely out of the loop on this, guesses it’s to feed Acieth… but how will they keep her nature secret from the McRonald’s crew? Or Kisaki, who’s also been invited? Or Chiho’s mom, who’s *also* there? I was wondering this myself, and the author does a great job of keeping everyone on tenterhooks. Then we find that Chiho’s plan is simply to rip the bandage off – Acieth’s growing hunger causes her to fire a laser AT Kisaki, which Emi and Maou must stop using their powers. Now the cat’s very, very out of the bag. On the bright side, they can feed her properly now. But there’s also the reaction from all the other normal humans to the Enta Isla story (which involves a visit TO Enta Isla as well) and also the reaction of everyone to Maou being such a wuss. Given that the demon castle/invasion timeline has been sped up vastly thanks to Suzuno’s promotion, this is probably not the ideal time, but it’s as if Chiho looked at the author and yelled “OK, endgame now!!”.

And indeed we only have two volumes to go. Thankfully for Emilia fans, the next volume’s blurb promises she’ll get more focus. That said, Chiho’s clearly in charge here, as not only Japan but also Enta Isla sees her as the only trustworthy person. Can she save the day? And even harder, can she get Maou to man up?

By Satoshi Wagahara and 029. Released in Japan by Dengeki Bunko. Released in North America by Yen Press. Translated by Kevin Gifford.

This book is definitely front-loaded with stuff that I am here for. Much as I appreciate the machinations and plans for avoiding destruction going on on Enta isla, I will admit I’ve always been more drawn to the Japan side of this series. And just as everyone is working to ensure that they have a future for humans, angels and demons over there, others need to work to ensure that they have a future going forward in Japan. Even if that future may not involve Maou. As you might guess by the cover art showing her with her hat off, Chiho finally gives her notice to McRonald’s, as she needs to prepare for college, and then move on to her dream of… well, that’s the problem, isn’t it. Which college does she want to try for? Does she want to keep doing archery? Does she have a career in mind at all? And most importantly, can she find a way to stand at Maou’s side rather than just admiring him from afar?

It’s not just Chiho either – McRonald’s is suddenly down FIVE people after a bunch of resignations, and Maou and Emi – their two most important part-timers – have to take all of July off to, well, save the world. They also have a new manager, and while she’s a perfectly good normal manager sort, she is not the exceptional, once-in-a-lifetime manager that Kisaki was. This causes her no small amount of anxiety. Now Maou has to find some part-time help for the business. More importantly, he has to simply be patient and not worry too much as his allies are busy putting everything in place. It’s something he’s not used to, and he apologizes to Chiho at one point, as she is very used to it. And there’s also a disturbing new revelation that implies that not only might Alas Ramus and Acieth not be able to help in the final battle, they may be turned to the other side.

Not gonna lie, my mind keeps drifting back to the frank conversation Rika has with Chiho about her future, and about her love for Maou. If only as the author seems to take the time to sink what is probably the series’ most popular pairing – Rika says that Chiho’s only real competition for Maou is probably Suzuno, and that Maou and Emi aren’t happening. It’s worth actually quoting:

“What, am I wrong? I mean, some people say a lot of good relationships start from less than nothing, but I think Stockholm syndrome would work only so much with those two. It’s a miracle they’re acting like friends right now, even. I can’t see much more than that happening.”

Other than that, the book is quite good, with some very funny bits – the new part-timer at McRonald’s being the best – but it does suffer a bit from Maou and Emi being necessarily sidelined at the moment. The stage is set for the final battle… but we have three volumes to go, not two, so I suspect we’ll have wacky unrelated shenanigans next time. Till then, Chiho fans should really enjoy this book.

By Satoshi Wagahara and 029. Released in Japan by Dengeki Bunko. Released in North America by Yen Press. Translated by Kevin Gifford.

Even more than the last volume, this one gives off the feeling of an author who has been told precisely when his series will be ending. We have five more to go, including this one. As such, it’s far more concerned with the future of the main cast than previous books, as well as pointing blinking arrows at one of the main unanswered questions of the series: why is Maou so dedicated to working his way up the McRonald’s ladder? Shouldn’t he be more worried about Enta Isla? The ongoing battle against God gets shunted to the last fifth of the book (which is quite good, don’t get me wrong), leaving the bulk of it focusing heavily on Maou having the 23-year-old equivalent of a mid-life crisis. He still hasn’t answered Chiho, Emi continues to give him the most mixed signals imaginable, and he’s also reached a crisis point at his job: he failed the managerial exam. Like most huge corporations, they won’t tell him why. Does Maou have what it takes to lead?

It’s a bigger problem than you’d think. He can’t retake the exam for a year. And he has to be recommended again, which is a problem, as Kisaki, who graces the front cover, is being promoted. She’s not leaving the store per se, but she won’t be managing anymore, meaning she won’t be able to help guide Maou’s career. Indeed, she seems far more concerned about her own dream of opening an upscale coffee bar. That said… that dream might include Maou. As well as Sariel, surprisingly, who Kisaki points out is very good at managing money, hopelessly devoted to her, and won’t actually lay a hand on her – the perfect lackey. (This seems cruel, but Sariel is really too pathetic to sympathize with.) That said, Maou simply can’t accept right now – not with everything else in his life up in the air, including monstrous lizards invading Japan, injured chickens, and White Day chocolates needing to be purchased.

One theme of the entire series has been that Maou is excellent at leadership skills when they involve concrete things that need doing, but he’s very bad at reading the emotions and hearts of anyone he deals with. This is especially proven in the scene where he gives out the White Day chocolates – he thinks of everything, including getting chocolate for people who only gave it to him indirectly (coughEmiliacough), then proceeds to ask Emilia to help him go to the demon territories, which sounds to everyone (including her) like he’s taking her on a date and going back to his place. He is dull when it comes to love and romance. Which is why he hasn’t answered Chiho either. Fortunately for him, the crisis at the end of the book will likely make it OK to forget about that again for a bit. They really DO need to clear up Enta Isla first.

There’s even a bonus short story here, which was not in the Japanese volume, showing off Maou’s terrible fashion sense. Assuming Devil Is a Part-Timer fans have not spoiled themselves on what happens next, this should be a great pickup for them.

By Satoshi Wagahara and 029. Released in Japan by Dengeki Bunko. Released in North America by Yen Press. Translated by Kevin Gifford.

This series is finally ending in Japan this august, so we know that after this book there’s only five more to go. As such, it does appear that this “defeat God so that Alas Ramus can have an awesome birthday” plotline is going to be the final one, assuming that it’s not “oh hey, guess I am in love with Emi/Maou after all”. As for this particular book, we’re faced with another “power through a weak first half, because the second half is spectacular” volume. Maou was barely in the last book, so he gets a lot of time at the start of this one. Sadly, everyone ELSE isn’t around, so most of the first chapter is him admitting that he now has bonds with other people and feels very lonely when they aren’t constantly around. (Acieth is around, but sadly he takes no comfort from her very annoying antics.) It doesn’t help that Valentine’s day is coming up, and Chiho is, well, avoiding him as he’s still waffling about her, to EVERYONE’S irritation.

As I said, the first half of this book is not that hot, mostly as the reader is well aware of what character development Maou and Emi need to have happen to them, but the writer wants to drag it out until the main non-romance plot is done. As such, Maou is again too nice for his own good – this time accepting some seeming “obligation” chocolate that is too expensive to really quality as that. Chiho has decided that, having made her feelings clear – again – she’s not going to add to the pressure by getting him chocolates, and was thinking maybe something like miso for his stressed-out stomach. And Emi, of course, is freaking out at the very thought of possibly giving chocolate to the guy she supposedly can’t forgive, and ends up justifying things by figuring out that Alas Ramus can give her daddy candy. None of this is all that interesting.

Where the book takes off is when we go to Enta Isla, where, owing to various plot explanations that I’m not going to get into (don’t worry, the other cast will), Chiho has to participate in an archery competition as part of a contest to be the next chief of the Northern tribes. She’s not aiming to be a chief, but winning the archery part will allow the team to steal a powerful weapon that is also an iconic monument. The reason that it’s so good is that it features Chiho wanting to come out from the shadow of the more powerful characters… both because of her accuracy with the bow (which isn’t super duper – she’s helped by the fact that archery in this world is not nearly as advanced) and because she’s sick of being “the girl defined by her liking Maou”, which honestly is how a lot of fans tend to see her. We know she isn’t winning the Maou sweepstakes, so this is an important step to allow her to become her own person. Also, she’s badass.

There’s other things to enjoy in the second half too, such as a badass granny and Bell getting an unfortunate nickname. That said, it does remind me that I tend to like this series better when Maou is not par-timing. Or angsting.

By Satoshi Wagahara and 029. Released in Japan by Dengeki Bunko. Released in North America by Yen Press. Translated by Kevin Gifford.

We’re back to the main storyline, but the devil is almost entirely absent from this book, not showing up till the end. Instead we get some of the other characters getting a section of plot, including Chiho (who is still dealing with “Maou hasn’t answered my confession and I know the moment Emilia realizes she loves him I lose”, while Emeralda is trying to drag out her time in Japan as long as possible, both because she likes it there more and also to make sure that Emilia is really doing OK. And, of course, there’s the choice that Emi and Maou have to make – help Laila and save Enta Isla, or stay in Japan and keep seeking their own future? Perhaps most importantly, it’s Christmastime, which ties in with Chiho’s woes – Maou’s working the entire holiday. All of these subplots end up coming together when we center on what to get Alas Ramus for a Christmas Present… a decision that ends up shaking up everyone and everything.

It’s fairly rare to have a Christmas-themed light novel come out in North America close to Christmas – owing to when a book is licensed here, we get far more “Christmas in July” series. It handles the Christmas plot well, and the concept of what Alas Ramus really wants for Christmas is a strong story beat. I also really like everyone thinking about their future going forward in Japan – Maou is absent from most of the book as he’s doing training to become a full-time McRonald’s employee (given the title of the series, I suspect this won’t go well), and both Emi and Chiho are studying to get into university. We see most of this from the POV of Emeralda, who is quite happy to see it as she’s been against Emilia sacrificing her life for some time now, and would be delighted if she actually did things for herself, be this a new career or romance.

That said, there are a few big flaws with this book. This series has never shied away from long expodumps, and I’ve criticized it before. Well, I’m going to do it again, as so much of this volume was characters sitting around listening to Angels and Demons explaining the backstory. I get the sense that the author wanted to put this into a side-story or a spinoff, but was told no, so instead we get to see it secondhand from other people. Sadly, that just makes things boring. The other issue I had was a “one fakeout too many” problem. The book begins with Chiho and Rika arriving at a deserted apartment complex, with Chiho telling Rika everyone connected to Enta Isla has now left. Then we get the book proper. When we return, we get the setup for what feels like another “sorry, humans, you have to stay behind” bit… only for Chiho to pitch an absolute fit, use a magical portal device, grab Rika, and leap into Enta Isla. I loved this. The problem I had was later, when Chiho’s rage, which I loved so much, was handwaved away as being Rika misreading the situation and Chiho being tired. I get they don’t want her to confront Maou yet, but I’d rather she’d have been angry.

Still, provided you don’t mind having the plot spoonfed to you, this is a reasonable solid volume of the series, and I liked one big revelation at the end, which made me think of the Doctor Who story State of Decay. Expect things to stay on the Enta Isla side for the next book.

By Satoshi Wagahara and 029. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press. Translated by Kevin Gifford.

As hinted in my previous review, this does not give us the next installment of the main series, but is another series of short stories that are interspersed throughout the series’ timeline. Most of them, with the exception of the last one, were published in magazines, something that happens quite frequently in Japan but is not always collected into a volume, and even when it is sometimes is not picked up in North America (hi, Index). As you can imagine, the stories here range from merely OK to quite good. None of them are too serious and none of them really advance the plot, but they’re fun and make you smile. Ashiya’s reaction to winning a pressure cooker in a contest is as hilarious as you’d expect given his frugality. Maou finds buying a new phone to be a lot more difficult than he expected, as he has memories attached to the old, broken one. And Maou also bikes a lot, so needs new pants, in possibly the slightest story here.

Three stories do get a little more depth, though. In the first, which takes place between the first and second books, Chiho meets up with Emi, Albert and Emeralda for sushi and they discuss Maou’s past, why he hasn’t erased her memories, and Chiho’s own feelings for Maou. This is well done but also feels a bit unrealistic in terms of Emi’s personality – it feels like Vol. 13 Emi is overlaid with Vol. 1 Emi so that she doesn’t explode in rage. The funniest bits are probably Albert and Emeralda experiencing conveyor belt sushi and revealing their hideously large appetites to us. Another story deals with Kisaki’s past, as when the manager of the Sentucky Fried Chicken across the street comes into McRonald’s (with Sariel in tow, of course), Kisaki literally throws her out, and has to face disciplinary action. The revelation that they have a past is not exactly surprising, but it’s fun. I really liked the revelation that she’s stalling her career a bit because she’s debating asking Maou to join her in her dream. I suspect that ain’t happening, though.

The best story is the last one, the only one written especially for the book, which shows us Emilia’s life after arriving in Japan for the first time. Naturally, she’s chased all over the place by cops, particularly when she tries to live in a park and drink from the central fountain. She ends up at a familiar apartment building, though it’s empty at the moment, and the moment she broke into it I knew exactly what would happen, but that didn’t make this less funny or endearing. I am somewhat relieved that she did not drive her realtor namesake into an institution or get her fired, as I was expecting one or the other. It also helps to emphasize how, when not driven to kill by the likes of Olba, Emi is really a sweet, kind person at heart. Even when she’s being a samurai ghost.

So this is not essential in terms of plot, but is a nice, fun read with more of the characters you know. Next volume should get back to the plot, and has a Christmas theme – will it come out by Christmas Day?

By Satoshi Wagahara and 029. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press. Translated by Kevin Gifford.

I’ve said for a while now that this series does a good job of having romantic interests in it but sort of keeping it on the back burner rather than being a full-blown romantic comedy. Well, that changes with this volume, which devotes a large chunk to our heroines and how they feel – in this case, Chiho, who has now confessed to Maou TWICE but still hasn’t gotten much of anything from him, and Rika, who is in love with Ashiya and decides to do something about it when he invites her out for dinner and cellphone buying. Things arguably don’t go well for either of them, but in Chiho’s case there’s a larger issue, which is that she worries that soon she’s going to have to do other human stuff – study for exams, go to college, etc. – and will not see her supernatural friends anymore. Especially given Laila is still trying to get them on board with her big project, which could take a month to complete… or a hundred years.

There are a lot of confrontations in this book, and it’s interesting that some of them we only hear about secondhand. We see a teary Chiho run into Suzuno, but their conversation is heard second-hand later on, and Maou being “punished” for upsetting Chiho is also off screen (well, the setup, anyway). I’m not sure if this is just because the author is trying to keep the books to a certain length, but it is somewhat odd. We do get a great conversation between Chiho and Rika, two characters who are both best friends with Emilia but rarely interact. I worried that Rika and Ashiya’s date would also be off screen, but we do see that, and also Ashiya rejecting her… in fact, he tries to do the “I am too scary, please never see me again” thing, but Rika’s too smart to fall for that, though he is pretty damn scary. I did enjoy seeing Rika tell Chiho that she could possibly be the exception to the “demons don’t have human lovers” thing.

As for the main plot, Laila provides most of the humor in this volume in her desperate attempts to explain why she needs Maou and Emilia’s help. We first hear about the issues via a term paper (no, really, that’s how it reads), and it helps us to understand why everyone is so wary of her – she’s been living on Earth, but is she just an angel in disguise, or is she actively trying to fit in and be human like the others? We eventually find out it’s the latter, and why she’s been so wary of taking anyone to her apartment, in a joke that you can see a mile away but is no less satisfying. It does, however, lead to the big reveal, which is that what Laila is asking will take forever, and some of the people involved are normal humans who will grow old and die. But Maou isn’t… and neither, it turns out, is Emilia, whose half-Angel background means she could live a lot longer than anticipated.

In the end, Maou tries to be nicer about it, but still hasn’t responded to Chiho’s resolve. He can’t keep avoiding it forever, and it’s not as if the answer is “I like Emilia instead”, as he doesnt. If anything, he’s in love with his work. Which is appropriate for this series. What happens next? Can’t wait to find out. Sure hope the next volume isn’t a collection of short stories or something.

By Satoshi Wagahara and 029. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press. Translated by Kevin Gifford.

This is a stronger volume of Devil Is a Part-Timer! than the previous one, probably because the previous one got all the exposition out of its system in one gulp. Actually, the theme of this new volume could be avoiding exposition, as both Emilia and Maou do their absolute best to not talk to Laila and avoiding knowing why it is they’re the only ones who can save the world this time. In practice, this means this is a “downtime’ volume, though there is an exciting battle in a subway tunnel in the middle of the book. For the most part, though, Emi is still shattered by the last book, to the point where she runs away to a minor character’s home for college advice. Maou is just trying to get the new delivery program at MgRonald’s in gear. And Chiho should be pleased that Emi and Maou are finally acting closer, but this is offset by her realizing that she’s in a shonen love triangle where she’s the sweet girl who doesn’t get the guy but finds new confidence so that’s OK. Which does not sit well with her.

That’s Laila on the cover, but I get the feeling it’s meant to be what Emi and Maou think she’s doing in this book, rather than her real personality. Laila is genuinely trying to save the world, but seems to be making a lot of incorrect assumptions as well, not least of which is “this is for a good cause so my daughter who I have been manipulating her entire life and the boy I helped before he was a demon king will totally be into it”. But sometimes world-saving is goddamn exhausting, and after getting kidnapped/rescued and learning some nasty truths about heaven and Enta Isla, neither Emi or Maou really wants to deal with it right now. Probably the best scene in the book (and the author knows it, as the other characters praise him for it as well) is Maou talking about assuming that the strongest person will always be there to protect and save. If you have something made of steel, does that mean it’s OK to beat the crap out of it?

There’s also the romantic dynamics here. This series has been pretty good at keeping the romance there but on a low boil. Chiho has confessed to Maou (though he’s pretty much ignored that) and everyone can see how she feels. Suzuno is starting to realize that she may have feelings for Maou, though is very reluctant to admit it. And Emi, while not quite admitting that she’s in love with Maou yet, is willing to admit that she sometimes wants to be protected, and is OK if the person doing it is him. She even hugs him! (He does not hug her back. Maou still seems to be baffled by the concept of loving and being attracted to someone.) Unfortunately, both this and the main plot collide at the end, as due to a deal made between Maou and Laila, Emi is now refusing to leave his side, much to everyone’s horror.

That said, she can’t keep running from her problems forever. I suspect the next volume will have more details on how we’re going to save the world next. But for now, enjoy Maou reminding folks that heroes and villains need downtime too.

By Satoshi Wagahara and 029. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press. Translated by Kevin Gifford.

This book can mostly be divided into two parts, and while I won’t say that they’re good and bad, I will say that they’re good and less good. The less good involves three large scenes that serve as giant infodumps, telling us a lot about the backstory of some of the characters and revealing most of the worldbuilding and machinations that have been going on. It’s framed all right (at least the first two – the third is just the landlord blatantly spelling things out for them), but it can read awkwardly at times, as it amounts to a lot of listening to other people talking, and, unlike Emi and Suzuno, I am not particularly lovestruck by how Emi’s mom and dad fell in love. I’m not entirely sure that writing Alas Ramus and company out of the series is a thing that’s going to be happening, but certainly it’s the next big crisis, and will no doubt carry us through the next book or two. Hopefully along with some McRonald’s antics, as that’s where this volume shines.

Honestly, Emilia working at McRonald’s is such an obvious plot complication that I’m amazed that it hadn’t come up before now. She’s not living at the apartment complex yet (the explanation apparently involved her swank apartment being haunted or something, so the rent is cheap – I think the author just likes keeping them separated), but having her work with Maou and Chiho will certainly add to the fun of this series, and help keep us from, well, long infodumps. This is all kicked off by Maou possibly being the stupidest he has ever been, misunderstanding Emilia’s pride and acting (seemingly) like such an ass that Chiho tears him up one side and down the other. Of course, his goal and Emilia’s are the same, but she’s absolutely right in that she needs to get the job and commit to it on her OWN terms, not his. Maou spends much of this book getting yelled at and humiliated, and it’s actually pretty fun.

There is also some attention paid to the love comedy in this title, which honestly takes a backseat a lot of the time. The question is whether Maou actually has romantic feelings for anyone. With Emi he’s having enough trouble simply acknowledging her as a friend, so we have a long way to go there. With Chiho it’s far more practical – he doesn’t want to get a normal human involved with everything that being the lover of Satan of Enta Isla, and there’s also the fact that he and the other demons are very long-lived, and Chiho as a human isn’t. Honestly, though, all this boils down to “I am keeping her at a distance”, and I get the feeling Chiho is somewhat aware of this. Despite the snarking of the other male McRonald’s employees, the harem does not appear likely to be resolved anytime soon.

The cliffhanger ending (of a sort) promises even more backstory revelations in the next volume, but I hope that it finds time for fast food wars as well. Devil Is a Part-Timer! is at its best when it’s thinking small, and not dealing with demons vs. angels and where Enta Isla actually is in relation to Earth.

By Satoshi Wagahara and 029. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press. Translated by Kevin Gifford.

It’s never a good sign when you can start to see the author and editor’s plotting and scheming as you’re reading a book. I’m not sure which took priority here – if the author decided that he’d had enough of the Enta Isla plot and wanted to end it fast with this volume, or if an editor convinced him to do the same – but there’s no doubt about it, this volume is rushed as hell. That’s not to say there aren’t good scenes or ongoing deep characterization – Emi remains a highlight, and Maou’s use of pizza delivery scooters as a weapon may be one of the funniest bits in the series. But when you take what should have been one of the more dramatic scenes of the book and turn it into a one-page summary by the involved parties after the fact, it’s hard not to be disappointed. Someone at some point said “This isn’t working, let’s solve it quickly and get back to McRonald’s where this series belongs”.

We pick up right from where we left off last time. Emi and Ashiya are being forced to fight to the death thanks to Olba’s scheming, and Suzuno and Maou are trying to stop it. Unfortunately, Maou is still without his demonic powers, so he gets left behind to babysit Alciel. The keyword here is ‘breakneck’, as events happen very fast, allowing Maou to get to where he’s needed and solve what’s happened to him. We get a lot of discussion about what the Yesod fragments really are, and it turns out that they are not really a binary ‘good/evil’ at all – no surprise there, as part of the main plot of this series is that the humans, demons and angels are all basically very similar rather than higher or lower beings. The whole shebang is resolved by a) Maou beating everyone up once he’s back to full power, and b) a deus ex machina that’s a bit ridiculous, so I won’t spoil it here. And Crestia Bell’s righteous religious fury is always fun to see.

Again, the best part of this book was Emi, even though she ends the book at her lowest ebb. She’s reunited with her father, but after being away from work for over a month she’s pretty much fired, and thus unlikely to keep her swank apartment. Rika’s suggestion of working at McRonald’s and moving to Maou’s apartment complex may sound like the author talking instead of her, but it honestly comes as a relief. Now that Emi is no longer trying to kill Maou whenever she sees him, and in fact realizing (slowly) she has feelings for him, it makes far more sense for her to be involved in the action more. So as a setup for future books, I’m very pleased. Unfortunately, as a wrapup to this arc in particular, this book is really not that great a success. I still love the series, but I’m happy to see it moving back to Japan – as is everyone involved, I suspect.

By Satoshi Wagahara and 029. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press. Translated by Kevin Gifford.

Sometimes there’s one scene or chpater of a book that has more impact than the rest of the volume. This is not uncommon, and does not mean that the rest of the book is lacking in any way. It just means that the chapter or scene in question is JUST THAT GOOD. In Vol. 9 of this series, we get that in a chapter entitled “The Hero Discovers That She Can’t Go Home Again”, which flashes back to show us Emi arriving back on Enta Isla and how she ended up in the position we saw her in at the end of Vol. 8, captured by Olba and being blackmailed. We see her being a detective, we see her learning more about her parents (indeed, possibly far more than she’d have liked), and we see that the bond she has with Alas Ramus may not be as direct as she’d though,. though to her credit she doesn’t reject Alas Ramus in any way because of this. And we see her longing for Japan, and modern times. If this light novel series ends up with the main cast back in Enta Isla, they’re going to need to modernize.

As for the rest of the cast, well, they’re back in Japan, getting ready for a rescue mission. This is not as easy as it seems – Maou has to get people to cover his shifts for a week, so that he doesn’t get fired from his McRonald’s job (the way I suspect Emi is going to be fired from her call center one). He and Suzuno need to buy supplies, which leads to them clashing over everything, as he’s a penny-pinching scrounger, and she has enough cash that “just buy the best thing” is always the first option. And they also have to deal with Rika, who after the events in Vol. 8 now knows their secrets. Do they erase her memory or let her in on the full story, which might put her in danger? The answer is not surprising, but it’s nice to see them asking the right questions. It’s also nice to see Chiho has come so far in nine books, and even though she can’t come along on the rescue mission her intelligence and calm is a great help.

Of course, Chiho is in love with Maou, and we see some jealousy flare up here, mostly as Acieth has the appearance of a clingy 14-year-old who keeps going on about being inside Maou. More seriously, though, Suzuno begins to realize that she may also be developing feelings for Maou. This is something of a surprise, as the ‘harem’ aspect of this series has really mostly been a love triangle before now, with Emi and Chiho – not that Emi will admit it, but she’s still the clear favorite. But when Suzuno hears the backstory explaining why Maou raised up a demon army to invade Enta Isla, she begins to realize that he’s not the demon she’d thought. Combine this with the ongoing revelations that the Angels may be the actual villains of this story, and she has the classic example of a maiden’s trembling heart. The sleeping bag helps take the edge off that, though.

Unsurprisingly, things end in a cliffhanger here, with every single character in Enta Isla about to get involved in something nasty. I’m not sure how long this arc will be, but I am sure that if you’ve been reading Devil Is a Part-Timer, you absolutely will not be disappointed with this book.

By Satoshi Wagahara and 029. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press. Translated by Kevin Gifford.

Well, I’d talked about how much I love the daily life scenes in this series, and that’s still true. The author even throws in a classic one right at the beginning just to soften us up. But yeah, those days are, if not gone for good, at least gone for now. Because one of Maou’s larger flaws is tending to act impulsively and worry about consequences after the fact, and so the events of the 6th book are coming back at him with a vengeance. I won’t say that he ends the book completely defeated, but what with most of the cast being captured or incapacitated in some way, things aren’t looking good. I also said in the review of Vol. 6 that I suspected we’d be headed back to Enta Isla, and while we aren’t there yet, it’s very clear that we’re setting up a book or two over there next time. Fortunately, despite all these events, the writing remains first rate.

Yes, that’s a new girl on the cover, and if you think she looks like Alas Ramus, you’re on the right track. Her personality seems to be ‘hyperactive child’, despite appearing to be about 13 or so, and Maou has a lot more trouble dealing with her, which doesn’t bode well for his fatherhood skills when Alas Ramus grows up. (Can Alas Ramus grow up?) Of course, Maou is a little bit stressed out, mostly as Emi and Alas Ramus returned to Enta Isla for a visit and have not come back, despite it being well past the time she said she would. Leaving aside the wisdom of Emi returning to Enta Isla after the events of the previous books (Emi is fairly straightforward, so I can see her doing this), the absence makes Maou realize just how much Emi is a part of his life now. Of course, he doesn’t realize this right away, but takes most of the book, and a few talking tos by Chiho and Suzuno, in order to grasp it. Oh yes, and the worst part – he’s trying to get a motor scooter license (for the job, of course), and was so stressed he failed the exam! Which means more expenses.

Emi’s absence is not just noted by the fantasy characters, of course. First of all, if this takes much longer she’s going to need to look for a new job, as she’s currently AWOL at the call center. Secondly, Rika is very upset about the whole thing, and she runs to Ashiya is case he knows anything and ends up caught up in the attack on Japan that the forces of evil have launched to destroy Maou’s “demon generals”. The book balances on an edge as to whether Ashiya is going to tell her all about them or not, but of course he’s spared the choice by the bad guys showing up. The last half of the book has a lot of cool fight scenes, which if they ever do Season 2 of this series will look quite good animated, and Chiho gets to act cool. Still, there’s no getting around that Maou is in trouble, Emi is in trouble, Ashiya is in trouble, and those who can help are either too human or too injured. Excellent stuff, but now we have to wait to see what happens next.

By Satoshi Wagahara and 029. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press. Translated by Kevin Gifford.

Unlike the DanMachi collection released on the same date, this volume of short stories is not interconnected into a pseudo-plot – it’s just a collection of four short stories. Fortunately, the stories are all quite good, so we also lack the lows of that DanMachi collection as well. Devil Is A Part-Timer! is very strong when it’s talking about nothing in particular, so this volume plays to those strengths, showing our heroes going up against fraudulent shysters, adopting stray kittens, buying futons for their magical sword babies, and learning how to work fast-food without losing your mind. It’s also a good volume for shippers, particularly if you ship Maou and Emi, as the entire third story is basically about how great they work as a couple, and how much this seems to upset Emi.

The first story is probably the slightest – ironically, it’s the one they chose to adapt into the anime, as Maou has to deal with the fallout of Urushihara being tricked into buying a lot of useless stuff. He (and the reader) learn about how these schemes are done, and how difficult it can be to recover anything from them. The kitten story is probably the cutest, and again revolves around one of the themes of this novel series, which is explaining what seem to be obvious concepts to those completely unfamiliar with modern-day Japan. Not only does Maou not really know how to take care of cats, he’s not aware there are vets. And even worse, he’s not aware how fast he and the others can bond with a kitten. The third story, as I said earlier, is basically pure ship tease, with Maou and Emi buying a futon for Alas Ramus and everyone around them thinking they’re such a great couple. It’s amusing precisely because everyone is correct – when she’s not panicking about the very idea, they are a great couple.

The final story is easily the longest of the four, and takes place right before the series begins. It focuses on Chiho and how she came to get a job at McRonald’s and meet Maou, as well as why she fell in love with Maou. It’s nice to see Chiho interacting with her friends at school – indeed, I suspect one reason this story came out is to give greater depth to Kaori and Yoshiya in anticipation of them appearing in the main story later on. (It’s also very refreshing to see a ‘two girls, one boy’ high school friendship with no romantic tension whatsoever.) Chiho is a fairly sheltered girl whose father is a police officer, and so feels she’s lacking life experience, one reason why she applies for the McRonald’s job. There’s a lot made in this story about the ‘career survey’ all Japanese students dread, and exactly how relevant it needs to be. Mostly, though, this is a good showcase for Chiho and demonstrates how far she’s come in the six volumes since.

This isn’t essential reading, but all volumes in this series are good, and if you’re collecting it there’s no reason to pass it up. The Devil Is A Part-Timer! remains among the best Yen On releases.