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anime nyc

Anime NYC 2022, Day Three

November 21, 2022 by Sean Gaffney

The third and final day of Anime NYC, like the first, was quiet. The main issue was that half the subway lines weren’t working, which is not the con’s fault. I did note that masking was more optional than I’d hoped, but did see a lot of masked people, and they did require masks walking into the panels, which was good. The main panels I attended was Kodansha Manga, whose site may still be under maintenance, and whose Kodansha Books line was eerily silent, but they still had a lot to announce.

They started off with the November digital debuts, including Matcha Made in Heaven, which is already out. The other debut is The Food Diary of Miss Maid, a seinen title from Comic Days about an English maid who ends up living by herself in Japan, and decides to immerse herself in Japanese cuisine. They then moved into 2023 print titles, and there certainly were a lot of them.

Miraculous: Tales of Ladybug and Chat Noir is a manga based on the popular French cartoon, which runs in Shonen Sirius. It seems to loosely adapt the original, with some changes. I’m Giving the Disgraced Noble Lady a Crash Course in Naughtiness: I’ll Spoil Her with Delicacies and Style to Make Her the Happiest Woman in the World! wins the prize for the longest title announced at Anime NYC. This Comic Pash! manga features a wizard running across a disgraced noble who has collapsed near his place. After hearing her sad story, he decides to teach her naughty things… like cake eating! And late night ramen! In other words, sweeter than it sounds. The light novels it’s based on were written by the author of From Toxic Classmate to Girlfriend Goals.

Origin is a manga by Sun-Ken Rock and Dr. Stone artist Boichi. Running in Young Magazine, it features androids trying to destroy humanity, and sounds a lot darker than Dr. Stone – more for Sun-Ken Rock fans. Virgin Love is a josei title from Shufu to Seikatsusha’s magazine Ar (Kodansha Manga has been branching out beyond their own name), with six strangers with love troubles living together at the ‘Love house’. And two new titles in the Maiden’s Bookshelf series were announced: The Girl Who Became a Fish and Spring Comes Riding in a Carriage, both based on classic (and depressing) Japanese stories.

The Darwin Incident runs in Afternoon, and stars Charlie, a half-human half-chimpanzee hybrid who was rescued by terrorists from an experimental lab. 15 years later, he’s trying to live a high school life and get to know the misunderstood girl, but terrorism still lurks around him. The Moon on a Rainy Night is a yuri title from Comic Days, about a girl who (literally) runs into a classmate. Her classmate is deaf, but they can still bond through music. Ogami-san Can’t Keep It In is another Afternoon series, about a girl who simply can’t stop thinking about sex and a boy who forces people to say what they think when they touch him.

On the BL front, we get My Ultramarine Sky, a one-shot title from Gateau about two boys who realize their romantic feelings after being put in different classes. It’s by Nagisa Furuya, who also gets The Summer with You: The Sequel licensed, showing college life for the main couple from that series. It also ran in Gateau. Also in Gateau is Super Morning Star, a BL comedy about a boy who has to hide his identity and his relationship. Sentai is also involved.

My Lovesick Life As a 90s Otaku is a josei series from Kiss. A divorced woman with a daughter flashes back to the mid-90s, when she was a secret otaku, because it was a lot less accepted at that time. How I Met My Soulmate is the new shoujo series by the author of Waiting for Spring, and it runs in Dessert. College student who has misconceptions about love meets a bad boy. King in Limbo is a josei title from Itan, a thriller about a virus that kills people by feeding on their traumatic memories, and a soldier who has to help fight it off. Lastly, and getting the biggest reaction of the panel, Witch Hat Atelier Kitchen, the spinoff manga from Morning Two that focuses on Qifrey and Olruggio… but really it’s about food.

There’s also some re-releases and box sets coming. Vinland Saga is getting nice hardcover omnibuses. Cells at Work is getting 2 omnibuses. Blue Period is getting a box set. Magic Knight Rayearth is getting a paperback release, and I aged visibly as I watched Kodansha talk about how old the series was. And some digital-only series are getting print – though not, alas, Medalist, my current favorite, which I asked the company to shill during Q&A. Instead we’ll see print for Wind Breaker, Tying the Knot with an Amagami Sister, Nina the Starry Bride, and She’s My Knight.

Anime NYC seemed to run far smoother than last year, and the Anime NYC crew were all friendly and helpful. (The Javits crew less so, but hey.) If you enjoy New York City and conventions, it’s always a great place to go.

Filed Under: anime nyc, NEWS

Anime NYC 2022, Day Two

November 19, 2022 by Sean Gaffney

The second day of Anime NYC is traditionally the busiest, and this year was no exception. The publishers were announcing PILES of titles, and pretty much when I was not at a panel I was eating or trying to avoid collapsing in fatigue.

We start off with Yen Press, who had so many announcements that they only did half of them at the panel – the other half were livetweeted afterwards. I’ll start with the panel announcements. But before that, they brought out the author TurtleMe, creator of The Beginning After the End, a webseries that was picked up by Yen about a King who dies realizing that power isn’t everything, so in his reincarnated life he tries to experience different things. The author was extremely happy to be published and available in bookstores, though he admits the name “TurtleMe” is a username that followed him around.

We then went to manga announcements. Appare-Ranman! is based on the light novel, and will be coming out as a 3-in-1 omnibus. Described by Yen as similar to the old show Wacky Races, it has an inventor and a samurai trying to win a cash prize with a steam powered car. It was in Young Ace. Manner of Death is based on a Thai novel, and is apparently a BL murder mystery. It looked pretty cool from the cover. It runs in Enterbrain’s B’s-LOVEY. Magical Girl Incident features a salaryman who finds one day he can transform into… a magical girl! Of course, only one person knows the secret. It’s also from Young Ace.

Elden Ring: The Road to the Erdtree is already being published by Bookwalker, and is based on the popular game. It can best be described as “What if Elden Ring were a comedy? The announcement is that it will be getting a physical release. It’s in Kadokawa’s Comic HU. Then very exciting news for me personally: Higurashi When They Cry Gou! I may have mixed feelings about the anime, but the manga is usually more solid in the Higurashi series. It’s 4 volumes, and ran in Young Ace Up. In addition, the original manga is coming back into print!

After a prize break, we moved to light novels. My Summoned Beast Is Dead looks quite amusing. A guy at a magical school where the most powerful students summon great magical beasts summons… a giant corpse. And now has to figure out how to succeed in school… with a corpse. Associate Professor Akira Takatsuki’s Conjecture is a series about a college kid who can tell when people are lying, which as you can imagine makes him unpopular. He meets up with the title character, a professor who has a love of anything weird, which includes our hero.

Yami-Hara is a creepy sounding novel about people who have darkness (yami) in their hearts, and how that darkness can influence other people. How to Win Her Heart on the Nth Try is a slow-burn romance about an office lady unlucky at love who runs into her childhood friend. He’s been in love with her forever, but she sees him only as a friend. How can he make his feelings known? Lastly, in the same vein as Spice and Wolf, we get A Certain Magical Index Old Testament. This will have all 24 books in the Index series in one massive, massive TOME, similar to the Spice & Wolf one.

(No, they did NOT announce New Testament, but the fact that they’re using “Old Testament” as a prefix tells me it’s probably only a matter of time.)

More manga! Scribbles, by Kaoru Mori. A sketchbook with annotations or her drawings and ideas, from the creator of Emma and A Bride’s Story. Toilet-Bound Hanako-kun will be getting a box set (that looks like a bathroom stall) of the first ten books. And they have a Korean webtoon, Bloody Sweet, about a weird daughter of a shaman who happens to come across a weird vampire in a haunted house, and they are weird together.

Lastly, we have Ize Press, who announed a new title from the creator of The Boxer. The Horizon is about a boy who loses his mother and decides to simply start running. They also have A Business Proposal, a Korean tapas series that also has a live-action version. A girl who agrees to go on a blind date by pretending to be her friend finds… her date is the CEO of her company! And now he wants to marry her! How can she convince him to forget her… because otherwise she’ll be fired!

While the panel was going on, Yen also announced MORE titles on Twitter, which still amazingly exists. Sword Art Online: Progressive – Scherzo of Deep Night is the new continuation manga for the Progressive series, and runs in Comic Walker. Yokohama Station SF came out from Yen as a novel, and now they have the manga, which is three volumes total and runs in (again) Young Ace Up. Is It Wrong to Try to Pick Up Girls in a Dungeon? Memoria Freese is a manga based on the DanMachi spinoff game, and runs in Manga UP! (no relation to Young Ace Up).

Handyman Saitō in Another World is a 7+-volume manga from Comic Walker, about a guy who discovers “handyman” is a lot more useful and valued in a fantasy world than it is in Japan. A Reincarnated Witch Spells Doom is from Flos Comic, and is 5+ volumes. A shut-in decides to try to go out in the real world and immediately meets Truck-kun. Now reborn, everyone thinks she’s a witch! I Want to Be a Receptionist in This Magical World is a manga version of the light novel The Sorcerer’s Receptionist, which came out here a couple of years ago. It’s also from Flos Comic.

What This World Is Made Of is a 3-volume manga from Dengeki Maoh. Two brothers desperate for money try a shady app and now end up monster hunters. Me and My Beast Boss is a josei title from B’s-LOG Cheek, about an OL who endures harassment just because she’s a human… till one day she’s made the private secretary of the beastman CEO! My Dear Curse-Casting Vampiress is a Shonen Gangan title from the creator of When a Magician’s Pupil Smiles, about a powerful vampire hired by humans to battle other vampires. The Essence of Being a Muse is a Comic Beam title, already good news. It’s about a woman rejected from Art School who decides to give in and do what her mother wants. It sounds soul-crushing, but I’m sure that’s merely at first.

Additional light novels announced: Even If These Tears Disappear Tonight is a sequel to Even If This Love Disappears Tonight, and is for those who like to read books and cry a lot. Maiden of the Needle seems to combine about four different popular genres, as we see a girl reincarnated in a fantasy world, who can speak to fairies, but who can’t do the RIGHT seamstress magic, so she’s disowned and taken in by another nobleman. And The Ephemeral Scenes of Setsuna’s Journey is a story of a man summoned as a hero… but he’s weak and sickly, so they give up on him. That said, guess what? He actually has the inheritance of the original hero!

Lastly, there’s a new omnibus of Puella Magi Suzune Magica, because how better to wrap up nearly 30 titles than with another Madoka Magica spinoff?

The second panel I went to was Dark Horse, which only had one new manga announcement, but it’s a doozy. Before that, Carl Horn discussed the history of the company, going back to the Godzilla manga they did in 1988, as well as Outlanders. (Remember Outlanders?) They also announced a new artbook, The Art of Octopath Traveler, which is a Square Enix video game series. The big news, though, was Innocent, the 9-volume series from Weekly Young Jump, which is the English debut of acclaimed author Shin’ichi Sakamoto. The story of a family of executioners in 18th Century France, it has won PILES of awards. It’s going to be coming out in 3-in-1 omnibuses.

They had other things to discuss, of course. Kurosagi Corpse Delivery Serviced is back, with Vol. 15 out as part of the 5th omnibus. They’re also finishing up Psycho-Pass after a long hiatus. Keep Your Hands Off Eizouken! 4 is the first one that has stuff not in the anime. (The series is also apparently an absolute bear to translate.) The Art of Star Wars Visions is self-explanatory, but it was interesting to hear about how the creators were able to play with the original Star Wars characters but chose not to, as well as how they were NOT influenced by Ghibli. The creator of Vampire Hunter D, meanwhile, is living the good life – he was at an Italian convention 3 weeks ago that was held in a cathedral!

The last panel I attended was J-Novel Club, and they had almost as much to announce as Yen, with several new partnerships. Karate Master Isekai is a new manga from Comic HU, and is pretty much exactly what it sounds like. They’ve licensed rescued Let This Grieving Soul Retire! from the Sol Press dungeon, and will be re-translating Vol. 1 and releasing past Vol. 1, just to spite the late unlamented original publisher. Grand Sumo Villainess: This Reincarnated Rikishi’s No Pushover! is a new Villainess light novel, asking “what if the villainess could solve everything through Sumo mastery?”.

Peddler in Another World, which J-NC already does the light novel for, is getting a manga license as well. The manga runs in Comic Fire. Enough with This Slow Life! I Was Reincarnated as a High Elf and Now I’m Bored is another one of those “the title is the plot” light novels, but is apparently more of a “I travel the road” wanderer series. I’m Capped at Level 1?! Thus Begins My Journey to Become the World’s Strongest Badass! is a new manga title that runs in Comic Walker, which sounds like a standard “weak to strong” series, but the ability to gain powers from the corpses who had those powers might be interesting.

The Disowned Queen’s Consulting Detective Agency is from the creator of I’m the Villainess, So I’m Taming the Final Boss, and is in a similar vein, as the disowned noble lady decides to follow in her late grandmother’s footsteps and be a detective. I Parry Everything: What Do You Mean I’m the Strongest? I’m Not Even an Adventurer Yet! is a light novel series from Earth Star Entertainment (as indeed most of these license announcements were) about a guy who’s trained to be #1 at parrying. He just can’t do anything else. But who cares? PARRY! Their last “regular” announcement was a “gaiden” sequel to Outbreak Company, taking place after the end of the series. This will be one volume.

They then announced a pile of new audiobooks, thanks to two new partnerships with both RB Media and Podium. We’ll see audiobooks for By the Grace of the Gods, Reborn to Master the Blade, Black Summoner, How a Realist Hero Rebuilt the Kingdom, Faraway Paladin, Hell Mode, My Daughter Left the Nest and Returned As an S-Ranked Adventurer, Min-Maxing my TRPG Build In Another World, and, inevitably, In Another World with My Smartphone. And, of course, the Slayers audiobook is finally out, with narration by the original Lina Inverse, Lisa Ortiz!

J-Novel Club is also partnering with Yen Press to do some physical releases of popular digital light novel titles. Yen will release, in print, The Misfit of Demon King Academy, Hell Mode, and My Instant Death Ability is So Overpowered, No One in This Other World Stands a Chance Against Me! (both the LN and the manga). J-Novel Club actually asked me at their booth if I would give Hell Mode, which I skipped when it first came out, another try, and so I might pick it up and see how it is.

The biggest partnership announcement was with Drecom, a company that just started a light novel line last month. They’re debuting – in Japanese and English the same day – a new series by the creators of Goblin Slayer (author) and Overlord (illustrator). Called Blade & Bastard – Warm Ash, Dusky Dungeon, it’s a novel based on the RPG game Wizardry. I’ll be honest, absolutely nothing about this series interested me until Sam casually said “Oh, yes, the nun also has a sword”, and that made me sit up and pay attention. That said, it’s definitely more for Goblin Slayer fans than for me.

They have a number of titles already out in Japan the last two months, and we will also be getting these sometime in 2023. Official titles are not available yet, so I won’t go over all of them, but there’s a time loop villainess story, a noble dumped by her fiancé gets a better deal story… actually, there are TWO titles for each of these genres… and, perhaps best of all, “I’m a Pharmacist Witch and a part-Time Divorce Attorney”, a title that sounds like it was written specifically for me personally. They’ve also got a new series from the author of Unnamed Memory, which I know will make some people sit up and take notice.

Drecom had some of their executives there at the panel, and they also talked about the various multimedia strategies they would be doing (which include NFTs, but this was not mentioned at the panel itself, probably with good reason – I think it would have been booed). Sam noted that the fact that they’re so closely partnered does mean we may see some series cancelled, but it was mentioned that English-language sales may help stave that off even if it’s doing badly in Japan.

This was a lot of stuff. If this sounds more like a list of things than previous years, it’s probably due to the fact that there were less panels that are more “fan-oriented” this year. However, there are a few of those on Sunday, along with Kodansha Manga. We’ll see you there.

Filed Under: anime nyc, NEWS

Anime NYC 2022, Day One

November 18, 2022 by Sean Gaffney

This year’s Anime NYC had some good points and bad points right off the bat. The size of the panel rooms was an issue last year, so they made sure that the panel rooms are much larger. The downside to that is that there are far fewer panels this year. In addition, most of the really popular panels had a “lottery” system where fans bid to get a place in the audience, so there’s no way for me to, say, drop in on the Kaguya-sama anime premiere this year. I expect this will have a knock-off effect on the other panels as well, as folks unable to get into the Attack on Titan panel decide to go see Dark Horse instead, for example. The gist of all this is that I just have one panel to cover today, though it was a good one.

But first: The Exhibition Hall and Artist’s Alley were packed with folks this year. While I wish masking were better (the con is enforcing masking, but it’s simply impossible to police somewhere like the Exhibition Hall), it’s always fun walking around and seeing folks. Viz and Kodansha have major spaces, and even Yen and J-Novel Club had much larger booths than previous years. Unfortunately, when I walked by the booth devoted to Gundam, there was no Birdie Wing: Golf Girls’ Story merch. Missed opportunity there, I think. Artist’s Alley was also crowded and filled with people buying art and talking to artists, which is what you want to see.

The panel I went to today was a joint one between Denpa Books and their BL spinoff imprint, KUMA. Denpa was, of course, represented by Ed Chavez, and Andrea Donohue joined on the KUMA end. There was only one new license per se, but a lot of their titles are still awaiting release, so it was good to go through everything that we can expect in late 2022 and 2023. KUMA went first, discussing The (Pet) Detective Agency, a detective series with BL and animals; Happy of the End, which sounded like the most “typical” of their BL titles, and a new edition of Canis: Dear Mr. Rain, with new covers and added material. This will gradually replace the older version.

Those were all in the “Older Teen” category. In the “Mature” line, there’s A Home Far Away, a drama with tragic overtones about a sheltered young man going on a road trip with a transient; Crappy Happy Life, a BL comedy that I may honestly pick up, as it sounds hilarious. It’s not often you get to sell a title with flying dildos *and* the “and then they were both bottoms” meme. A Hero in the Demon’s Castle (did the hero kick Princess Syalis out?) involves a demon lord who reluctantly battles people, and the airheaded hero who wants to control his OP tendencies.

Eiji & Shirou: From Zeroes to Heroes is an anthology volume, the main story of which involves two losers in high school who decide to raise their popularity by pretending to be a BL couple. Terano-kun and Kumazaki-kun is an AO3 fic in manga form, as it has a relationship between the student council president and the class delinquent, but the delinquent is the bottom. And the one new license was a Kuma title, The Ruthless Commander & His Reincarnated Warhorse (Shouwaru Boukun Kishu to Nagasare Senba), a reincarnation BL about a guy who is reincarnated as a horse… then when he saved a warlord, is made a war horse! Unfortunately, his true form as a human is soon discovered. This ran in Shodensha’s On Blue.

Ed then discussed Denpa’s recent and future releases. This includes Nana & Kaoru, the wholesome (???) BDSM romance that illustrates why consent is both important and really hot. It’s coming out as six 600-page omnibuses. Inside Mari has just had its final volume with Vol. 9, and if (like me) you want to like Shuzo Oshimi but keep bouncing off him, this is a good one to check out. Under Ninja is a silly-looking comedy which has, frankly,, far too many ninjas. It’s also apparently getting an anime soon. Guyabano Holiday is the new title from the creator of Invitation from a Crab, and is definitely for fans of “indie comics” type manga.

Rakuda Laughs! is an action/noir manga from an artist who’s more known for their fine art, and it’s definitely another title in the Denpa line where the striking art was the reason to get it. Pleasure and Corruption, the BDSM title that is not Nana & Kaoru, also recently wrapped up with its 6th volume. There’s also an artbook coming out from the famous artist JUN, and – easily the title the audience was most excited about – March 2023 should see the first volume of March Comes in Like a Lion, the shogi drama that has won so many awards they had to create new awards just to give it to them. A short Q&A followed, and for those wondering about They Were Eleven, this is the danger of a company run by four people. Kaiji has priority, so until Kaiji 4 & 5 come out, no They Were Eleven just yet.

So a somewhat quiet first day, but at the same time I don’t think they had any major issues like last year’s line problems. Tomorrow is the busy day.

Filed Under: anime nyc, NEWS

Anime NYC 2021, Day Three

November 22, 2021 by Sean Gaffney

Ah, Day 3, the day when I realized that I am simply not equipped to be able to sit on a floor waiting for a panel for 5-6 hours per day. By the end of the day I was reduced to begging for a chair from staff (who were very helpful). Fortunately, I only had two panels for the day (apologies to Azuki, who I wanted to see, but I know Kodansha would be a huge line because of the Attack on Titan teaser, and also to Inside the Manga Industry, because somehow Yen managed to get scheduled against ITSELF), so there was not quite as much waiting, but I admit I am rather bone weary today.

That said, I suspect fans who came to the Kodansha panel just for the Attack on Titan stuff came away a little disappointed, as most of it was just normal manga announcements. They pointed out the manga gallery on display at Anime NYC, which looked quite impressive as I walked quickly by it. (Look, Attack on Titan and I are exes and we don’t get along, OK?) They’re also encouraging people to tweet about the series with the #thanksattackontitan tag, which I’m sure will be SAFE AND FUN. And there were two other announcements: The Best of Attack on Titan in Color, which has an assortment of the best chapters in the series… well, in color. And also a box set for Part 1 of “The Final Season”.

The rest of the panel was blissfully Attack on Titan free. We got the December digital debuts, which makes me the that types up Manga the Week of posts very happy. My Master Has No Tail (Uchi no Shishou wa Shippo ga nai) runs in good! Afternoon, and is basically a Reese’s Peanut Butter Cup of a manga, containing not only tanuki but also rakugo masters! Shaman King: & a Garden is a spinoff series focusing on the women in the series, and it runs in shoujo magazine Nakayoshi. My Darling the Company President (Darling wa Shachou-kun) is a 6-volume josei series from Ane Friend, where an office lady finds the new company president is a boy that she used to tutor, but now… He Is All Grown Up. And Her Majesty’s Swarm (Joou Heika no Isekai Senryaku) is the manga adaptation of the novels J-NC have been doing, and runs in Suiyoubi no Sirius.

They then had a bunch of print announcements for the Fall of 2022. Which makes sense given how hard it’s been to get things printed these days. Wistoria: Wand & Sword is a new series by the writer of Is It Wrong to Try to Pick Up Girls in a Dungeon?, running in Bessatsu Shonen Magazine. Boy has no magic powers, but he does have a cool sword. Go Go Loser Ranger (Sentai Daishikkaku) is the newest series from Quintessential Quintuplets creator Negi Haruba, a Weekly Shonen Magazine series parodying the stock tropes of sentai shows, and starring a villain who is tired of being the “Villain of the week” sort. Run Away with Me, Girl (Kakeochi Girl) is a josei yuri series that ran in Hane Kiss. Two girls who dated in high school haven’t seen each other in ten years. Will things rekindle when they meet each other?

Shonen Note: Boy Soprano is from Morning Two, and is by the creator of Our Dreams at Dusk, which means it automatically should go to the top of everyone’s list. It actually came out before that series in Japan, though. The story of a boy with a lovely soprano voice, and what happens when puberty starts to change that. As a Reincarnated Aristocrat, I’ll Use My Appraisal Skill to Rise in the World (Tensei Kizoku Kantei Sukiru de Nariagaru – Jakushou Ryouchi o Uketsuidanode, Yuushuuna Jinzai o Fuyashite Itara, Saikyou Ryouchi ni Natteta) is a Magazine Pocket series about… aw hell, you know what it’s about. Miss Miyazen Would Love to Get Close to You (Ochikadzuki ni Naritai Miyazen-san) is a cute romcom from… Gangan Joker? Story there, I bet. In any case, delinquent boy, proper girl, love blooms.

Avant-Garde Yumeko is a one-volume series from Shuzo Oshimi, acclaimed creator of Flowers of Evil, Blood on the Tracks, etc. This one… doesn’t have quite the same feel. Yumeko is a girl obsessed with the male organ, and she has decided that art class is the best way to see it. This is only one volume, and… gotta say “Oshimi raunchy sex comedy” is not really what I was expecting, but hey. I have heard others say it “has the subtlety of a truck”. An Older Guy’s VR First Love (VR Ojisan no Hatsukoi) is also one volume, and ran in Ichijinsha’s Zero-Sum Online. 40-ish guy plays in the VR world as a female character, and grows closer to another female in the game. But will real life get in the way? I heard this is quite serious.

Kodansha also announced print versions of a lot of series we’ve seen digitally already, including The Iceblade Sorceror Shall Rule the World (starring former Frank Zappa singer and guitar player Ray White), In the Clear Moonlit Dusk, Shangri-La Frontier, I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability, and horror favorite PTSD Radio. We’re also getting box sets! Sweat & Soap, Wotakoi, and Rent-a-Girlfriend for those. And omnibuses! Noragami, Fire Force, Ghost in the Shell, and No. 6. Ghost in the Shell is supposed to have all sorts of bells and whistles (no, don’t ask about the missing pages, the answer is still no). Noise from Tsutomi Nihei will be getting a print release. No Longer Human and Dissolving Classroom will be getting Complete Editions. And, to the annoyance of many fans in the audience, Don’t Toy with Me, Miss Nagatoro is also getting a box set.

Lastly, to show that Kodansha’s troll game is still A+, they announced an exciting release for Nisioisin fans! No, not Monogatari Off Season. No, not Zaregoto 4 & 5. Instead, we get Katanagatari, which had prevoiusly been released in hardcover omnibuses, as paperback omnibuses. See? Much better than Sodachi Fiasco. (Please put away those knives).

After this, I decided to check out the panel introducing Yen Audio! This had marketer Mark and editor Ivan, and also a special guest… Bryce Papenbrook! The voice of Kirito was there himself, so the usual Kiroto hate from fans was pretty much absent. We listened to a clip from the first Sword Art Online book, and he discussed the differences in acting for anime vs. acting for audio books – this was his first audiobook, something he has in common with the other actors we heard today. He loved it being first person, and also talked about having a bit more freedom with his delivery as he did not have to match the lip flaps of the animation. The second Sword Art Online audiobook has Cherami Leigh as Asuna being the narrator, but Bryce also comes back to do the Kirito stuff there.

He then left to go back to his autograph panel, and we got the rest of the audio hype. We heard clips from books already released, including Overlord, Solo Leveling, and The Saga of Tanya the Evil. And we got three new announcements! There are no narrators set just yet (though I would assume calls have been put in to J. Michael Tatum and Brianna Knickerbocker), but we got to hear that we’re getting Spice & Wolf, So I’m a Spider, So What?, and Rascal Does Not Dream of Bunny Girl Senpai. The last of those has never had an English dub, so it will be definitely interesting to see who they get.

And after this I took my leave, heading to the train to collapse and try not to fall asleep. Anime NYC 2021 was a con with lines both inside and out, but it was also a lot of fun, and attendance hit 50K despite COVID restrictions. They’ve already announced 2022, so (my feeble body permitting, I am utterly exhausted today) I will see them again.

Filed Under: anime nyc, NEWS, REVIEWS

Anime NYC 2021, Day Two

November 20, 2021 by Sean Gaffney

If the first day was defined by the lines outside, the 2nd day was defined by the lines INSIDE. My schedule for the day had to be adjusted a bit as it became clear that if you wanted to go to a panel, you’d better line up early. The afternoon was filled with staffers screaming “The Fate panel is full!”. Despite this, I was able to attend four excellent panels, and will regale you all with my experiences.

We start off with Yen Press, who had quite a few announcements, which I suspect are May and June 2022-ish. The Geek Ex-Hitman is a Shonen Ace Plus title about a sinister hitman who sees a cute anime figurine and decides to just abandon his entire life and move to Japan to get more. It was described as along the lines of The Way of the Househusband. The Other World’s Economy Depends on the Bean Counter (Isekai no Sata wa Shachiku Shidai) is from Enterbrain’s B’s Log Comic, and combines Isekai with BL. Nights with a Cat (Yoru wa Neko to Issho) is a Comic Walker title that is exactly what it sounds – cat manga. These are the sort of sketchy biographical titles you used to see at the back of seinen magazines but you know they’d never get licensed. Now they are.

After some giveaways, we got the manga version of Chitose-kun Is in the Ramune Bottle (Chitose-kun wa Ramune Bin no Naka), whose light novel has been announced by Yen On already (and will have a digital release as well, I checked). It runs in Square enix’s Manga Up!. Hi, I’m a Witch and My Crush Wants Me to Make a Love Potion (Doumo, Suki na Hito ni Horegusuri o Irai Sareta Majo desu) comes from Kadokawa’s Flos Comic and will be familiar to Cross Infinite World fans, as they’ve been putting out the novels. See You Tomorrow at the Food Court (Food Court de, Mata Ashita) is a 1-volume title from Comic Newtype about two unlikely friends who meet up every day to eat. This one interested me the most of the manga announced. And because its spinoffs are almost as endless as Cells at Work, we get Magia Record: Puella Magi Madoka☆Magica Gaiden: Another Story. It’s a spinoff.

Light novels! There were… well, let’s call it 2 1/2 announcements. The Bride of Demise (Shuuen no Hanayome) is a dark fantasy from the creator of Torture Princess, a series I find compelling if depressing. Sasaki and Pi-chan (Sasaki to Pi-chan: Isekai de Slow Life o Tanoshi Mou Toshitara, Gendai de Inou Battle ni Makikomareta Ken – Mahou Shoujo Up o Hajimeta You Desu) has a subtitle from hell but looks quite interesting, about a pet bird who turns out to be from another world and the business of selling isekai’d stuff with the salaryman who owns him. An the reason I said 2 1/2 announcements is the third is that No Game No Life 11 will be coming out over here in chapter installments! The prologue hits digitally November 25th.

The next panel was Dark Horse Comics. They didn’t have any new manga announcements, but did have a fun panel where they reminded everyone how old the company is and how far manga has come since the late 1980s. I remember buying some of those 32-page floppy manga comics, and wish You’re Under Arrest could come back out, despite the bad art at the start. They also mentioned the fact that Japan, of course, imports Western Comics and translates them to Japanese. Adam Warren’s versions of Bubblegum Crisis and Dirty Pair can be seen in stores there translated. They also talked about artists who are well known for Western comics but are clearly manga-inspired, like Wendy Pini with Elfquest.

Speaking of the blend of east and west, Shigeru Mizuki was a huge fan of Hellboy, and wrote blurbs for its Japanese release. And of course Monkey Punch’s Lupin III is famously influenced by the Mad Magazine work of Mort Drucker and Sergio Aragones. And the creator of Panty and Stocking with Garterbelt does doujinshi for Umbrella Academy, which sounds hella cool, not gonna lie. There were a few announcements that were at least new to me. Yoshitaka Amano has two new artbooks that recently came out, and this also led to a discussion of the Vampire Hinter D omnibuses also being released. Good for fans of that author. They are also quite happy with Keep Your Hands Off Eizouken!, and the third volume is out next month.

After that I was supposed to meet up with Erica Friedman for a late lunch, but Zack Davisson got to her first, so instead I went to the Localization panel, which also had Carl Horn, Mari Moromoto, and Lynzee Loveridge. In other words, an all-star lineup. It was a very good panel, and the audience actually managed to be engaged and polite about it, which if nothing else shows you the panel did not happen on Twitter. Indeed, Twitter harassment of translators was mentioned at the panel, with Caleb Cook’s being a particularly painful example. The panel had a lot to talk about, but I think what came up most often is that a lot of “correct/wrong” answers depend on the material, the publisher, and the editor. Sometimes end notes are frowned upon, sometimes they’re beloved.

Erica mentioned that the ideal localization for her should be a seamless reading experience. The goal is not to see the mechanics of translation under the hood. There’s also slang – Zack avoids it, but it’s usually there in the Japanese, and Mari uses it. It can date a title, but it also means that the words don’t just lie flat on the page. Naturally, Squid Game also came up, and the kerfuffle over what turned out to be closed-captioning titles. Sometimes it’s not even something the translators can help, as they get overruled by editors, Japanese creators, etc. (I remember how ADV, way back in the day, had to fight tooth and nail to not make Ryo “Joe” Saeba in the City Hunter anime.)

We also got a reminder that Japan can see things differently than we do here. When Scarlet Johannsen was cast in Ghost in the Shell, there was a lot of pushback here. Meanwhile, Japan was like “OMG TOP HOLLYWOOD STAR!!!”. They’re far less stressed in Japan about things that we here in North America freak out over. Mostly as fans still tend to prefer titles be translated as “literally” as possible, usually meaning “I Like ‘Em Big and Stilted” (with apologies to Julie Brown). It was an excellent panel that I am happy I attended, and afterwards I was about to pass out, so I had a very late lunch and then decompressed for an hour or two. This con has 50K people, and even extroverts can get overwhelmed by it.

The last panel I did before I gave in and went back to the hotel (sorry, Manga Magazines panel, I am not 23 anymore) was J-Novel Club, with Sam Pinansky and Kristi Fernandez giving us 10 new titles – all light novels. We started off with Housekeeping Mage from Another World: Making Your Adventures Feel Like Home (Kasei Madoushi no Isekai Seikatsu: Boukenchuu no Kasei Fugyou Uketamawarimasu!), a J-Novel Heart title about an isekai’d woman (though that rapidly becomes unimportant, a with a lot of isekai titles where they clearly want to write fantasy but know what sells) and the adventurer who loves her.

Fantasy Inbound is a title that may have a lot of hardcore fans saying “but what about Campione!?, as it’s by the same author. It’s a story where the isekai comes to OUR world… and things do not go well. After the apocalypse, can a student survivor and an elf girl try to salvage something? Prison Life Is Easy for a Villainess (Konyaku Haki kara Hajimaru Akuyaku Reijou no Kangoku Slow Life) is a short two-volume series where the villainess happily accepts her ex throwing her in prison… because she STILL has all the power. I’ve actually recommended this as a license request, it’s supposed to be hilarious.

To Another World… with Land Mines! (Isekai Teni, Jirai Tsuki) has a class transported to another world and all getting cool powers, but our hero seems to be one of the few people taking it seriously as a real-life (and possible death) matter. Forget Being the Villainess, I Want to Be an Adventurer! (Tensei Reijou wa Boukensha wo Kokorozasu) is what it sounds like a villainess title where the heroine tries to avoid her fate by doing something else. My Stepmom’s Daughter Is My Ex: Why Can’t We Move On? (Mamahaha no Tsurego ga Motokano datta) is a high school romance… well, ex-romance about a middle-school couple who broke up but are now siblings.

Magic Knight of the Old Ways (Furuki Okite No Mahou Kishi) is similar to Fantasy Unbound, as fans will say “But what about Akashic Records of Bastard Magical Instructor?”. Indeed, they may be doubly annoyed as this seems to have a similar premise of magic knights teaches a group of students. Saint? No, I’m Just a Passing Beast Tamer! (Seijo-sama? Iie, Toorisugari no Mamonotsukai desu!) is a series about a chosen one who decides she’d much rather pet furry animals, from the creator of Woof Woof Story: I Told You to Turn Me Into a Pampered Pooch, Not Fenrir!.

My Quiet Blacksmith Life in Another World (Kajiya de Hajimeru Isekai Slow Life) is a slowlife isekai about a guy who (no surprise) finds out he’s super powerful, and also that the cat he asked for is a catgirl. Like most slow life titles, the goal is to keep having it and not get dragged back in. The most surprising announcement (well, almost) came next, with When Supernatural Battles Became Commonplace (Inou-Battle wa Nichijou-kei no Naka de), an older LN series from the writer of Are You Okay With a Slightly Older Girlfriend? and the artist for The Devil Is a Part-Timer!. What if you got super-awesome powers to help save the world… and nothing happened and you’re still going to school like normal?

Finally, the surprise announcement came via a very familiar voice. We’re getting Slayers in audiobook form, read by the legendary Lisa Ortiz herself! I’m interested in seeing how this goes, as I think Lina in the anime and Lina in the light novel are two very different beasts. In any case, it was a very fun panel but I was wiped, so I went back to the hotel to… well, type this all up. But I am going to go get a late supper now, I promise! And there’s still SUNDAY, SUNDAY, SUNDAY! Though give the lines from today, I think I will limit myself to two panels.

Filed Under: anime nyc, NEWS, REVIEWS

Anime NYC 2021, Day One

November 19, 2021 by Sean Gaffney

So first of all, in regards to what everyone’s talking about, I can’t speak for the line problem. I arrived at 10am via the press entrance with no issues, but I talked with other press folks who arrived later who were in line forever. So I’ll let them go into details. My own start of the con was relatively sedate. At 10am the place was almost deserted. I found out why later. Plus my first panel wasn’t till 3:15. So I leisurely sat, read manga, read books, ate lunch, and visited a show floor that was absent a lot of the usual suspects. Viz is entirely absent this year. Kodansha has a panel and an Attack on Titan art exhibit, but no booth. The manga contingent consisted of Yen press, J-Novel Club, and Denpa Books.

Speaking of Denpa, they had my fist panel. First of all, the biggest news: Ed Chavez was audible through the entire panel. Anyone who has seen Ed’s prior panels knows what a big deal this is. As for the panel itself, a lot of it was titles that Denpa has already discussed, either in previous con announcements or in tweets. The combination of COVID-19 delays and printing issues owing to the sudden explosion of manga popularity means that getting books to the printers takes forever. A few of the slides Ed had gave Summer 2021 release dates, which isn’t true. That said, he has had a lot of new titles go to the printers recently, so 2022 looks far more promising on the Denpa front.

A big surprise to me, and showing that my own tastes do not necessarily match that of the average manga buyer, was hearing what Denpa’s big sellers were. For all that folks mocked Gambling Apocalypse Kaiji’s delays of Vols. 1-3, now that they’re out they’re selling very well. Also selling well is Pleasure and Corruption, the high school bondage and discipline manga. The Girl with the Sanpaku Eyes also has its 3rd volume out soon, and is also selling well. There were also two special editions of Shūzō Oshimi titles at Denpa’s exhibitor table – they have a very good working relationship with the author.

“Old” new announcements included Baby Bear’s Bakery, an adorable-looking series about, well, a baby bear running a bakery. March 2022 for that. The Man Who Created Gundam, a nonfiction-ish manga with real people in it, is trapped in clearance hell at Sunrise. Hopefully soon. Guyabano Holiday should now be Fall 2022, and we also saw updates on yuri vampire series Vampeerz and comedic action series Under Ninja. We then got “new” announcements, though we knew most of these from tweets the last few months. They Were 11, which will have an oversize trim, posters, and color pages, and will also feature the “extra” chapters never published in English before. They’re looking at Winter 2022. Mobile Suit Gundam: Char’s Counterattack: Beltorchika’s Children has Char abandoning Gundams for the life of a Broadway stage actor. Possibly.

March Comes in Like a Lion got a big reaction from the audience, though Ed is worried about the title. The author has had failures here before, and the shogi essays make it hard to find a translator. Renjoh Desperado is a comedy action manga about a woman searching for love and her fanservice to the manga reader that will hopefully help that search go well. And we heard about two new artbooks. Black Tights WIDE has 48 different illustrators give their interpretation of thighs and stockings. And The Art of Jun – TabeGirl is about girls eating. And looking good while doing it.

Ed then talked about Denpa’s books on the KUMA boy’s love label. They have not released much on that label yet, but that will change next year, they plan to do a lot more. You Are My Happiness is out soon (it was at Denpa’s table) and is by the author of Melting Lover, also from KUMA. Boys of the Dead is (groan) “Zom-BL”. The Song of Yoru & Asa is a band BL series that’s edgy but also has great character development. Sick is a series about a college student who likes to bully… erm, tease the boy he likes. And Canis – Dear Hatter is a sequel to the Canis title KUMA did earlier.

Lastly, they had a license from the FAKKU imprint that definitely surprised me, as I recall when it was coming out ages ago. Nana & Kaoru ran in Hakusensha’s Young Animal, and typified the magazine in many ways. A series about a virgin with an S&M fetish and the twisted relationship he has with the girl who discovers this, it’s a great example of a title that is almost explicitly porn without actually being porn. It’s 18 volumes long, and will be released in 3-volume omnibuses. Eds Q&A included a more extensive discussion of the supply chain issues going on right now, what made them decide to license a title like Kaiji, how how they look at licenses in general – per Ed, do not expect an isekai from them ever.

After this I bummed around and got more tea till it was time for my next panel, Inside the Manga Industry. This featured five experts in the field: Mark De Vera, sales & marketing with Yen Press (and formerly Viz Media); Jani Olove, translator and editor with Kodansha; Julian Robinson, designer with Viz Media; Nikolas Draper-Ivey, artist on DC Comics’ Static and heavily manga-influenced; and independent artist Koyuki Panda, also heavily anime and manga influenced. They introduced themselves and then noted most of the panel would be a Q&A; audience asks questions, they give advice. Things got off to a bang up start with the first question, which was “what advice would you give your younger self”?

More than one person said “don’t go to art school”, which ended up occupying a lot of the panel as it turns out that several folks in the room are art school students. It was generally agreed that if you need to learn the fundamentals of the craft, it’s a good place to be, but in general a lot of the art schools tend to frown on heading in a manga/anime direction and they also don’t focus nearly as much on the business end of things as they should. This led to the other running theme of the panel, which was learning about business and knowing how contracts worked. Everyone recommended supplementing art school with business classes. Everyone also agreed another good piece of advice is “don’t give up”.

Marketing your work was discussed, and it was mentioned that even established companies can have difficulty using marketing as a tool. Trust in your own likes, and (admittedly) it helps to like things that are not just Shonen Jump – even if Koyuki Panda admitted that she was a huge fan of “the big three” back in the day. It’s mentioned that things are very different now than they were 10 years ago – there’s a lot more breadth to what’s coming out in manga publishing. In fact, when a trans woman asked if there were specific titles available, the panel was able to easily recommend Boys Run the Riot, an excellent choice. Hopefully the boom market will also mean more opportunity for manga-influenced artists in the future – publishers like Oni, Image and Viz were mentioned as being open to this sort of thing, and a non-Japanese title, Radiant, was namechecked.

The panel ended with the wonderful news that they would meet up at Koyuki Panda’s booth in Artist’s Alley and answer the questions from the people they didn’t have time to get to, which was great to hear, and the panel was interesting and inspiring all round. This ended my Friday, as I grabbed dinner and returned to the hotel. Tomorrow will be much busier, and hopefully will have less line.

Filed Under: anime nyc, NEWS, REVIEWS

Anime NYC 2019, Day Three

November 17, 2019 by Sean Gaffney

My first and last panel for Sunday was the joint Kodansha and Vertical panel, featuring Ben Applegate and Misaki Kido from Kodansha Comics, Tomo Tran from Vertical, and Megumi Kitahara as the Japanese guest – she’s an editor at Dessert magazine. This is the 10th anniversary of Kodansha Comics as a label.

Vertical’s announcements came first, starting with a Chi’s Sweet Home complete boxset, with the whole series in four volumes. The rest of the Vertical news was all Nisioisin. They confirmed they’re doing Zoku-Owarimonogatari in July, the “final” book in the series (yes, they are aware there are more after this). They also had the cover for Owarimonogatari 2, which surprised me as I was unaware they’d shown us the art for Owarimonogatari 1 yet. 2 features, as readers might guess, Gaen and Shinobu. (1, which I did see at the Vertical VOFAN artshow booth, has Ougi and Sodachi.)

They also announced a new Nisioisin title unrelated to Monogatari… no, not Zaregoto 4. The first in the Bishonen Series was licensed! Pretty Boy Detective Club (Bishounen Tanteidan – Kimi dake ni Hikari Kagayaku Anmokusei) is, as you can see, a mystery series with pretty boys trying to help a girl find a star that only appears once every ten years. It’s from the Kodansha Taiga label, which markets towards readers in their 20s and 30s. It has five volumes total in Japan, though, as with Zaregoto (and Monogatari at first), only the first book is announced.

We then moved on to Kodansha Comics print releases, starting with Whisper Me a Love Song (Sasayaku You ni Koi o Utau), which is a yuri manga from Comic Yuri Hime that has a bubbly girl and a reserved girl, and also involves a band. Blue Period is a seinen manga from Afternoon, from the author of She and Her Cat. A young man decides to pursue a career in the fine arts, then finds out how hard it can be.

Life Lessons with Uramachi-oniisan (Uramichi Oniisan) is from Comic POOL, Ichijinsha’s digital magazine, and is about the guy who hosts the morning calisthenics show they have in Japan and his comedic attempts to give children watching REAL life advice. It’s apparently a savage parody of children’s TV, and has an anime coming soon. Lastly (for print), Heaven’s Design Team is making the jump to the big leagues. It’s still running in Morning Two.

And now we get a monster pile of digital-only titles. To Write Your Words (Kuchiutsusu) is a 3-volume josei series from Kiss magazine about an author asked to write a racier novel than her usual, and the inspiration she gets from… a dentist? Ex-Enthusiasts: Motokare Mania is also from Kiss, and has a TV drama in Japan. A girl who broke up with her ex five years ago is startled to run into him again at the workplace.

Watari-kun’s **** is About to Collapse (Watari-kun no xx ga Houkai Sunzen) is a seinen title that started in Kadokawa’s Young Ace then moved to Kodansha’s Young Magazine. It’s an ecchi comedy with siscons and yanderes. They’re also doing the sequel to Tokyo Tarareba Girls, Tokyo Tarareba Girls Returns! Will they finally get married? Eeeeehhh…

Two series from the same author follow. Atsuko Nanba gives us To Be Next To You (Tonari no Atashi), a 10-volume series from Betsufure, and That Blue Summer (Ao Natsu) is 8 volumes from the same magazine. Both seem to be very much “standard shoujo”, but again, that does not mean it’s bad, only that it’s not revolutionary.

The big surprise for me was GE: Good Ending, a 16-volume shonen romance from Weekly Shonen Magazine, from the author of Domestic Girlfriend. If you enjoyed that one, you’ll definitely like this one, and I recall that when it was running in Japan a lot of guys were arguing about who was best girl, was the ending good, etc. MabuSasa is a shoujo manga from the Palcy online app, about a girl who discovers that a hot guy… is reading BL?

Let’s Kiss in Secret Tomorrow (Ashita, Naisho no Kiss Shiyou) is a Dessert title featuring a couple who are already dating but hide it when they enter high school… except he’s suddenly hot and she’s not getting the same attention. The Dorm of Love and Secrets (Koi to Himitsu no Gakuseiryou) is also Dessert, a 4-volume series about a commoner girl who, by circumstances, is now living in a dorm with “elites”.

I’ll Win You Over, Senpai! (Senpai! Ima Kara Kokurimasu!) is a five-volume series from Nakayoshi, has a girl who is used to love confessions going her way (because she sets them up that way) meeting her match… and finding that she can’t simply take the rejection and go away. Lastly, there’s I Fell in Love After School (Houkago, Koishita), also from Dessert, about a girl with very little presence who becomes the volleyball team’s manager and is dazzled by one of the boys.

After this Megumi Kitahara spoke about her work with Dessert magazine as an editor. Kodansha releases a lot of titles from Dessert, which caters to women from their mid-teens to mid-twenties. Most shoujo is for girls who have never fallen in love – Dessert is for girls who have already fallen in love and know the pain that can follow.

We then get a guide to the process of producing a monthly chapter, in this case the fourth chapter of Living-Room Matsunaga-san, already coming out from Kodansha Comics digitally. We see some of the original concept art and sketches, then a storyboard, the rough layout, and then the final product. She also discusses how hard it is to tell an author “this isn’t interesting”, but it is necessary to have the title succeed. Especially if, like the chapter we saw at the panel, it’s one at the end of a volume.

And that ends my Anime NYC for 2019! The con had a large number of improvements this year, particularly in regards to security and line management, and was entertaining from beginning to end. I can’t wait for 2020.

Filed Under: anime nyc, NEWS

Anime NYC 2019, Day Two

November 16, 2019 by Sean Gaffney

Saturday started with a live drawing from TAa, the author of Today’s Menu for the Emiya Family. Denpa’s panel Friday did not have much time to introduce her, so this was very welcome. She loves Fate, and her art is excellent – throughout the panel she drew Saber smiling and holding a rice bowl.

TAa started doing Fate fanart as a hobby, then was asked to do a chapter for an anthology, which is how she got a foot in the door. She was then approached to do the EMiya Family manga as a one-shot, and then when it was successful it got picked up as a series. She did that plus her day job for a year and a half, then this became too much, and now she draws manga full time.

She has assistants now, but did not at first, which shows how much work she was putting into the series. As for Fate itself, she got into the series through Fate/Zero, then bought the FSN game and became totally obsessed with it – this is why she started to draw art. She also loved Fate/Hollow Ataraxia, FSN’s sequel game, though notes it’s very hard to find these days. (One of the Emiya Family chapters with Assassin was almost an adaptation of a scene from Ataraxia.)

Ed Chavez, who was the moderator of the live drawing, talked about how cute and soft the anime was, and also the time and budget that UFOTable put into it. When she first heard about the anime, TAa thought she was being pranked! It was a rapid production from inception to release date – possibly as the company is so familiar with the Fate characters. She also got some new ideas discussing things with the anime staff.

When thinking of a new idea for a chapter, usually the food idea comes first, then she thinks of the characters that best suit that food. She also incorporates a lot of seasons and holidays. Type-Moon has almost no involvement at all – this is all her.

We then got some Q&A. She enjoys Japanese food as her comfort food, says obviously she’d want Shirou to cook for her if she had a choice. She and the editor do eat the meals that are in the manga – a tonkatsu was her favorite, though that chapter is not published yet. She was then asked what her favorite characters are to draw – she loves long-haired characters, particularly Rider.

Someone asked if we might see Bazett, the star of Fate/Hollow Ataraxia, and someone else asked if the mysterious robed figure hanging out with Gilgamesh is Caren rather than Kirie. She hedged on the second, but definitely has Bazett in mind for a future chapter if she can think of a good way to introduce her and incorporate the food. Someone also asked about New York City food in the manga – Shirou buys bagels for everyone?

It was agreed that the flashback episode with Shirou and Kiritsugu was the best of the anime episodes. She tries to keep the series very kind and “happy in life” – since Fate was a big battle game originally, she wanted to see more of the day-to-day life. As such, don’t expect a lot of Zero characters or the Lancer “hot dog” joke from Ataraxia. This series is too nice and sweet for things like that.

This is considered the right time for a series to come out – not because cooking manga are new in popularity – in Japan, they’ve always been popular – but because of the popularity of Fate, which ten years ago was not as high. She was also asked her favorite heroine, and the audience tensed – it’s a dangerous question. She likes them all, but picked Saber.

My next panel was Square Enix, which was doing its first Anime NYC panel. After quite a bit of audio difficulty, we started with a video showing off SE’s most famous properties. Tanya Biswas (formerly with Yen) and Leyla Aker (formerly with Viz) are the people behin things in America, with Masa also on the panel as the Square Enix rep. Masa has been to this con before, notes how fun it always is.

They did a recap of prior licenses, and trailers for two of them. Most of these have been talked about before – A Man and His Cat, Cherry Magic and Soul Eater’s Perfect Edition got the most talk. They also gave away A Man and His Cat merch, including a fantastic plushie. We then got several new announcements.

Ragna Crimson is a dark fantasy title from Gangan Joker. A man sets out to get revenge on the dragons who destroyed his partner. The Apothecary Diaries (Kusuriya no Hitorigoto) is probably the title I was most interested in. A woman working in the palace and trying to keep a low profile is found to have knowledge of herbal medicine, and after saving a royal heir, she’s promoted and ends up involved in palace intrigues. She’s apparently quite eccentric. This runs in Big Gangan.

Beauty and the Feast (Yakumo-san wa Edzuke ga Shitai) is a May-December romance, sort of, as a 28-year-old widow finds herself cooking for her 16-year-old neighbor, and food (and possibly romance, but mostly food) follows. It runs in Young Gangan. The Great Jahy Will Not Be Defeated! (Jahy-sama wa Kujikenai!) is a Gangan Joker title about a former demon villainess who’s now in modern Japan and also a cute little girl. Can she get her poweres back? Can her frustration stop being cute? Likely no to both questions.

By the Grace of the Gods (Kamitachi ni Hirowareta Otoko) just had its novel licensed by J-Novel Club. It’s from SE’s MangaUP! app and stars a reincarnated salaryman reincarnated as a boy with magic powers, who discovers that slimes are more valuable than you’d expect. Finally, we get the only novel of the panel, NieR Automata – Yorha Boys. It’s a prequel to the game, and another novel in a series which has already had some novels released by Viz Media.

Next up was Yen Press, who had a ton of new books and also a ton of light novels. The biggest surprise came first – High School DxD, whose manga was licensed in 2014, finally is getting the light novels released. This was a constant request, right up there with Date a Live and Gamers!. I recall not liking the first manga much, but suspecting I’d be more interested in a prose version. Now I get to see if I’m right.

They alternated between manga and novel announcements, so next was Bestia, a Shonen Ace series about a boy who goes to London to discover his past and finds magical beasts and adventure. We then got another surprise LN – High School Prodigies Have It Easy Even in Another World, whose manga started coming out in 2018, from the creator of Chivalry of a Failed Knight, also recently licensed.

Lust Geass is a Young Ace title that will play well with fans of ecchi manga, the story of a boy who finds a spell that will cause women’s sexual desires to explode. Restaurant to Another World has already had a manga release digitally via Crunchyroll, but Yen are now going to be releasing it in print. And another light novel, The Demon Sword Master of Excalibur Academy (Seiken Gakuin no Maken Tsukai) which combines demon lords and magical academies – two hot genres in one!

A monster girl harem manga came next, To Save the World, Can You Wake Up the Morning After with a Demi-Human? (Sekai wo Sukuu Tame ni Ajin to Asa-chun Dekimasenka?). It turns out our hero is destined to father the hero who will defeat the demon king… and so everyone wants to sleep with him. (When did Yen Press become Seven Seas?) Another light novel follows, more on the slow life side: Banished from the Heroes’ Party, I Decided to Live a Quiet Life in the Countryside (Shin no Nakama ja Nai to Yuusha no Party wo Oidasareta node, Henkyou de Slow Life suru Koto ni Shimashita), a Kadokawa series whose title is its premise.

Sadako at the End of the World (Shuumatsu no Sadako-san) is a post-apocalyptic Sadako manga, where she finds that those who watched the videotape are delighted to see her, as she’s another human being in this wasteland. It sounds fun, is complete in one volume, and ran in Comic Gene. Another light novel, In the Land of Leadale (Leadale no Daichi nite), about a girl with injuries who ends up in a game world. Judging by the cover, this is also a slow life series.

A yuri manga is next: I Love You So Much I Hate You (Nikurashii hodo Aishiteru). A Kadokawa manga, it’s an office life yuri title with adult concerns and problems. The last novel announced is a one-shot, Three Days of Happiness (Sugaru Miaki), a dark fantasy about a young man who sells his lifespan for cash. It’s apparently quite interesting. Lastly, Yen has licensed the Carole and Tuesday manga, based on the anime, which runs in Young Ace.

Q&A then started, but remembering how excruciating that was last year, I left early.

My last stop was J-Novel Club’s panel, with Sam Pinansky and Aimee Zink introducing a giant pile of new
series. They started with two new print announcements – Sexiled, which has had huge buzz ever since it came out, and My Next Life As a Villainess!, which is also getting an anime next year. (More villainesses are coming later in this panel.)

Kodansha has a new imprint called Legend Novels, and from it JNC licensed five new novels. (No new manga announcements this time, these are all novels.) The Economics of Prophecy: Avoiding Disaster in Another World (Yogen no Keizaigaku) seems to be along the lines of Realist Hero, as a reincarnated economics whiz and a princess with prophetic abilities try to save the world.

Kobold King features a gentle man who was very powerful and respected in his time trying to quietly relax and befriend the local kobolds… who are very mistrusting of his powerful self! Outer Ragna (Game Jikkyō ni yoru Kōryaku to Gyakushū no Isekai Kami Senki) doesn’t have the Japanese protagonist, a livestreamer, enter a game world himself – instead he possessed the female lead! Her Majesty’s Swarm (Joō-heika no Isekai Senryaku) has a girl ending up in a game as an evil queen, and unlike a lot of villainesses in these sorts of books, seems to embrace her evil. Also, spiders warning for this one.

Isekai Rebuilding Project (Isekai Saiken Keikaku) was touted by Sam as the first North American book with “isekai” untranslated in the title. It’s about a Japanese man who is called to “fix” worlds where the isekai’d hero has saved the world and gone home… but left too many cultural issues that can’t be put back inside Pandora’s box. Also, the hero has a friend who is a dragon. Seems to be a slow life title.

A new partner for J-Novel Cliub, Pash! Books, gives us the next few series. Teogonia was described as “what if a Ghibli movie was a light novel?”, and he notes this is pure Japanese fantasy about a booy who awaken old memories and discovers the real rules of the world. The World’s Least Interesting Master Swordsman (Jimi na Kensei wa Soredemo Saikyou desu) sounds like a cross between One-Punch Man and I’ve Been Killing Slimes for 300 Years, as a reincarnated boy practices his sword skills for 500 years and is the strongest around… but his techniques are boring!

We’re then told about a new label, J-Novel Heart, that will be publishing shoujo light novels! This has long been requested by fans. (By the way, My Next Life As a Villainess!, which is a shoujo LN in Japan, will switch to this new label in print.) The first book is called Tearmoon Empire, which features a spoiled brat of a noble who ends up getting killed because of her family. She ends up redoing her life, and (despite still being spoiled) tries her hardest to avoid getting killed again.

The Tales of Marielle Clarac (each book will be called “The _______ of Marielle Clarac”) isa romance and mystery book, as the rather plain noble girl tries to figure out why the super perfect man of her dreams wants to marry her – is there an ulterior motive? It’s a good book “for wallflowers”. The Bibliophile Princess (Mushikaburi-Hime) is another book with mystery, conspiracy and intrigue, and (as you might guess) has a book lover as the main character.

I Refuse to Be Your Enemy! (Watashi wa Teki ni Narimasen!) is another in those “my reawakened memories tell me I’m actually a villain who gets killed off” sort of books, only instead of trying to fix things with the various handsome young men this girl tries to flee from everything. That won’t go well. Fukushu wo Chikatta Shironeko wa Ryuuou no Hiza no Ue de Damin wo Musaboru, which has a tentative but unapproved English title of The White Cat’s Revenge as Plotted from the Dragon King’s Lap, has the best friend of the heroine abandoned in a forest, then turned into a cat. We follow the friend as she tries to get revenge on the “heroine” who abandoned her.

The final license was the biggest surprise: The Hitchhiker’s Guide to the Isekai, a doujinshi light novel collaboration between six light novel authors, including those behind Tanya the Evil and Re: Zero. It’s a short story anthology, essentially, that began when the authors asked themselves what they’d do if they were isekai’d. This is licensed directly from the authors – no company involved! It’s also pretty short, so should be available soon.

That was the final announcement, and I then headed out to get dinner and type all this up. Tomorrow we get one big panel, and that’s about it. Surprise me, Kodansha and Vertical!

Filed Under: anime nyc, NEWS

Anime NYC 2019, Day One

November 15, 2019 by Sean Gaffney

A very busy start to Anime NYC this year. First of all, the line management seemed to be much better this year, though I do wish they’d let people into panel rooms before the actual start of the panel. The first panel I attended was the Shonen Jump panel, with the creators of Dr. Stone as guests. Since I can’t make tomorrow’s much larger Dr. Stone panel, I thought this would be a good choice.

They started off with some giveaways, notably to those with good costumes. We then got some Shonen Jump announcements. Most of the new titles had already been announced at NYCC, but they did have some new things to promote. Naruto is 20 this year, and Hisashi Sasaki talks about how exciting they thought the original proposal was, and that green-lighting it was a no-brainer.

Jujutsu Kaisen is out soon, and there were early copies of the manga at the exhibit hall. They also announced that the suddenly super duper popular Demon Slayer: Kimetsu no Yaiba will be getting a speeedup to catch up with Japan faster – monthly releases starting in the spring. They’re also adding chapters to the “Shonen Jump Vault” for members.

Speaking of that vault, there was a passel of digital-only license announcements, all rattled off at the speed of sound. Robot x Laserbeam, Red Sprite, Love Rush!, Hi-Fi Cluster, Yui Kamui Lets Loose (from the Nura: Rise of the Yokai Clan creator), The Last Saiyuki, Ne0;lation, Hell Warden Higuma, and Stealth Symphony (from the Baccano! writer). Most of these are 2-3 volume series from the last four years or so of Jump, and they would not otherwise get releases here. It’s nice to see them.

Also mentioned, and previously revealed at NYCC, were the new Bleach, One Piece and Naruto light novels.

After that we got Riichiro Inagaki and Boichi, the creators of Dr. Stone, as well as their editor Honda-san. Riichiro seemed very extroverted, and tried out some English on us. Boichi was more soft-spoken and quiet. Most of he questions came from the Viz team, rather than the audience, which I felt worked very well.

When the editor wanted to team up Inagaki with an artist (he had previously written Eyeshield 21 as well), Boichi naturally came to mind. Inagaki starts with the storyboards, which he calls scribbles but Boichi says are quite detailed. (There was a lot of “you’re the best – no, you are” during the panel, which was very fun.) Both also insisted they had the easiest job.

They were both very interested in science as kids, with Boichi saying he did a high school physics competition. He noted Arthur C. Clarke as an influence. They also discussed favorite scientists, including (inevitably) Einstein, but also Newton, Dawkins, Hawking, Carl Sagan (singled out by Boichi for making science “warm”), as well as the Japanese scientist who discovered Gibberellin, the seedless grape chemical (who is also the grandfather of Inagaki’s wife!).

Honda was asked what the Japanese editor does, and explained it was a lot of support and logistics – tries to make things possible for the creators. They were asked, given the location of the con, if Senku and company would make it to New York, and it was pointed out they would need a very good reason. Pizza? Could be a good reason.

Boichi was also asked about his very detailed art, and discussed how backgrounds and real-life detailed things take a lot of time due to the research, while characters took him less time. Boichi then stunned the room by stating that it took him one to one and a half hours to finish a page. For those playing along at home, that’s VERY fast. Even with three assistants, all apparently excellent artists.

Inagaki was asked how this differs from Eyeshield 21’s writing, and he said that, being a sports manga, he was far more beholden to rules and regulations with Eyeshield – here he can go wild a lot more. The Dr. Stone characters don’t have special powers like a lot of Jump characters, so he has to rely on science – it needs to strike a balanced tone between scientifically valid and fun. (When asked if Eyeshield 21 and Dr. Stone were in the same universe, the answer was a big NO.)

Boichi was asked about Dr. Stone’s memorable “gag faces”. Again, Boichi states they all are drawn up in the storyboards, and he just touches them up – while Inagaki insists his art is horrible compared to Boichi’s. Favorite character to draw? Kohaku, not just in terms of gag faces but all faces. He jokingly says “I don’t care about Senku.”

Asked whether anime will be invented by Senku, “not with the level of tech they currently have” seems to be the answer. Back to Honda, who notes how much fun editing is, mostly as he gets to read everything first. Indeed, with the finished chapter, he reads it before Inagaki! They then talked about the process for the new spinoff, which Boichi is both writing and drawing. Boichi also talked about using the old French-Canadian film Quest for Fire as a reference for the prehistoric landscapes.

Both creators seemed happy to be there, and were very receptive to the American fans.

The next panel was Denpa, who had as special guest TAa, the artist behind Today’s Menu with the Emiya Family. But first we had panel announcements, which included some stuff they’d announced at the previous Anime NYC – this year has been a “learning experience” for Ed and Jacob, but the schedule seems to be firming up now. They did have a copy of the Gambling Apocalypse Kaiji omnibus, which looks highly impressive.

Much discussion of titles out already or out in the next few months followed, including “Fate/Stay for Dinner” and Heavenly Delusion, which had an animated promo. The Girl with the Fierce Eyes also appeals to me, and it will be interesting to look at Shino Can’t Say Her Name and see if it can avoid getting as dark as Flowers of Evil or Happiness.

After mentioning they were close to launching a new website, we did get some new licenses. Baby Bar’s Bakery (a tentative title) is from Shogakukan, and is about a baby bear that also happens to be a master baker. It’s sweet and cuddly, and really big in Japan, collaborating with sweet shops and stores.

Fate/Go Chaldea Scrapbook is another Fate license, a one-volume manga from Kadokawa. It seems to be amusing takes of the FGO franchise – I spotted Mysterious Heroine X among the heroines in the art.

The big license, at least in my opinion, was L’il Leo. This Moto Hagio title from Flower Comics is about a kitten who grows up with a child and then decides that it too can go to school, get a job etc. It’s one volume, and apparently plays to Hagio’s strengths at bending the concept of what is human.

Lastly, we got The Men Who Created Gundam a two-volume series being released as one omnibus here. Part biography, part comedy, this series from Hideki Owada will tell the story of Gundam as it’s never been told before.

After this we had a few minutes to meet TAa, who will also have a livedraw session tomorrow. She talked about how happy she was to walk around New York and admire the buildings, and how stunned she was at the huge poster for her work in the exhibit hall. When asked if American Fate fans were different from Japanese ones, she notes that “all Fate fans are lively”.

After walking about the Exhibit Hall a bit, my final panel for the evening was “?! vs !? – The Great Debate”. Here Zack Davisson and Erica Friedman debated each other on important issues such as Honorifics, romanization, translation notes, localization, and regional accents. The panel was quite fun, mostly as Zack and Erica were mock-attacking each other all the time.

The audience also seemed to be having fun, though when scanlation came up it got a bit grumpy. Needless to say, both Zack and Erica are very pro-official release and anti-scanlation, and almost all the audience quesitons at the end were about that, with most of them being variations on “yes, but this is an exception, so I have to keep reading scanlations”. It did not go over well. Despite that, it was a highly enjoyable panel. Oh yes, and ?! and !? are meant to convey two completely different things. Apparently. Also, when Zack argued that shounen is pronounced “ooo”, when it should be ‘oh’, my first thought was of Seanan McGuire, and I wondered what Seanan Jump would be like.

This was a busy day, but tomorrow is even busier. Hopefully I will be able to give you a lot of news – the lines may be murder.

Filed Under: anime nyc, NEWS

Anime NYC 2018, Day Two

November 17, 2018 by Sean Gaffney

Yesterday was light to nonexistent. The same for tomorrow. But today? We had ALL THE THINGS! Starting off with the joint Kodansha and Vertical panel, which was in a nice big panel room and there was no line. A good start!

Ben Applegate was there from Kodansha and Tomo Tran from Vertical. They talked about all the giveaways they had at the booth, with Summer Wars stickers, After the Rain music download cards, Devils’ Line stuff, Pop Team Epic “shitty merchandise” (nicely done), and some of the Monogatari art exhibit being available to look at. Vertical then announced a new artbook from VOFAN, the artist for the Monogatari Series novels. This is actually a collection of his non-commercial art, so it should be far more intriguing than just another collection of stuff you’ve seen before in a larger size. It’s coming in Fall 2019.

Kodansha ran through some of their titles currently being released, including the Sailor Moon Eternal Edition, and mentioned the Sailor Moon musical is coming to NYC and DC. They then got on to new titles, though one is a collected edition: Princess Jellyfish is getting a Complete Box Set! Given at one point they weren’t sure they’d even finish the series, this is terrific news. Tales of Berseria is a three-volume series from Ichijinsha’s Comic REX, and is a fantasy title based off of a video game – I think it has an anime as well.

Fate/Grand Order gets its first manga adaptation license with the mortalis stella series, a 2-volume manga that is also Ichijinsha, from their Comic Zero Sum. I believe this stars Mash. Lastly, Kodansha is doing a new Cardcaptor Sakura edition with all the bells and whistles – hardcover, some new covers, new translation – the whole nine yards. I was a bit surprised by this, given it wasn’t too long ago that Dark Horse had re-released the series, but I’ve heard this will be worth the repurchase.

There were also two new digital announcements, coming out the first and second week of December, respectively. Red Riding Hood’s Wolf Apprentice (Akazukin no Ookami Deshi) is a Betsushonen title with Little Red Riding Hood as a beast hunter, and it’s supposed to be amusing. And on a more ridiculous note, we have Crocodile Baron, a Weekly Morning title that is three volumes long. Kodansha emphasized that the synopsis was irrelevant because there was a crocodile in a top hat on the cover. They’re not wrong.

After this there was Q&A, but I had to leave right away to get to the debut panel for Denpa Books, run by Ed Chavez (ex-Vertical) and Jacob Gray (ex-Fakku). They had special guests at the panel, though they quickly had to leave, so weren’t the focus – Range Murata, character designer for Last Exile and others, whose futurelog artbook is out next month and has ALL the bells and whistles – seriously, I could not believe how tricked out this artbook is. Hiroyuki Asada is known here for Tegami Bachi, but is putting out a more experimental title via Denpa, PEZ.

Most of the titles talked about have been mentioned before in some way or another. I was most interested in Invitation from a Crab and Maiden Railways, both of which seem to come from Hakusensha’s Rakuen Le Paradis, as well as Dining with the Emiya Family, for Fate/Stay Night fans who know what the most important thing in the Fate franchise is – FOOD.

The new titles included Super Dimensional Love Gun, a Shintaro Kago title that Fakku had previously released, but this is a nicer edition. It contains the usual Shintaro Kago warnings – if you aren’t a fan of his, you’ll likely be grossed out. Heavenly Delusion (Tengoku Daimakyou) is a brand new seinen series running in Kodansha’s Afternoon, and Denpa managed to license it before the first volume was even out in Japan. They’re super excited for it – it’s post-apocalyptic slice of life, a popular genre lately. The creator may be better known for SoreMachi. The last Denpa title was Pleasure and Corruption (Tsumi to Kai), from Square Enix’s Young Gangan. Honestly, it feels more like a Fakku title than a Denpa title, but it’s being sold to those who liked the sort of dark sexuality of Flowers of Evil. Expect BDSM themes.

After eating lunch, I had a choice: I could go to Viz, or go to Vertical’s Katanagatari panel. I chose the latter (sorry, Viz, I always seem to miss you at these events). Vertical’s panel had the translator, Sam Bett, who walked through some of the things they’re doing with the title – the footnotes, which are half gag and half serious, as well as the hardcover omnibus editions. Given its author, you can imagine how much sword wordplay and how many sword puns there are. Most of the audience has already seen the anime, but Sam was quick to note that even given the novels are short (each is approximately 100 pages in English, meaning the omnibus is 300), there is a lot the anime had to adapt or leave out.

Even leaving aside that it was Nisioisin, translating it could be difficult – these are not “light” novels, and there’s lots of obscure or archaic Japanese terms that need adapting. He also explained why he used “mutant blades” rather than “deviant blades” – he felt the latter made them sound more evil than they really should be seen. It takes him longer to do Nisio’s translation than other titles, but not a LOT longer – about 20% longer, on average. He said even a Japanese reader might find themselves reaching for a dictionary to look up words with this one.

Despite not being at the Viz panel, I will be looking at their announcements anyway, at least the manga ones. My Hero Academia SMASH! is a 5-volume comedy series that ran in Shonen Jump +, and is, as you might have guessed, a wacky 4-koma take on the popular series. This license was obvious, but I am quite pleased nevertheless. Komi Can’t Communicate (Komi-san wa Komyushou Desu) was a very popular license announcement, being a Shonen Sunday title with a lot of buzz. Komi is the cool, aloof beauty according to the school, but in reality, she’s just bad at communication.

Beastars is a Weekly Shonen Champion title (nice to see Akita Shoten stuff out over here in a (mostly) post-Tokyopop world), and it’s an award winning manga about anthropomorphic high school students. It’s 11+ volumes, and looks dark but cool. Lastly, Haikasoru has a new sci-fi novel announcement with Automatic Eve, that seems to be a steampunk title.

I was lurking waiting for Yen Press, so I checked out the GKids panel. They’re a group that puts out a lot of the “anime movie” series we’ve seen recently, the most recent varieties being Mirai and Fireworks: Shall We See It from the Side or the Bottom?. They’re also now in charge of the Ghibli line, with nice handsome DVD/Blu-Ray releases of those titles. They are clearly cery excited about getting these releases into theaters, and the trailers for the movies looked exciting and fun – I particularly liked the Miyazaki documentary.

My last panel of the day was Yen Press, but they also announced the most titles – easily. The panel room filled up rapidly, being near standing room only 15 minutes before, but I think everyone who wanted to get in was able to. Announcing for Yen were Kurt Haessler and Tania Biswas, as well as Carl, Ivan, and Anna, who sadly remained last name-less. Unlike all the other panels I went to, Yen knew it had a pile to announce, so did not do a run-through of any recent releases – through they did have some poster giveaways, including Psycome, much to my surprise.

We began with the novel of Wolf Children: Ame and Yuki. Yen had previously released the manga, but they now have the novel adaptation of this popular movie. (Anna spoiled a death when describing the plot, which Kurt mercilessly mocked her for.) Whenever Our Eyes Meet is a yuri anthology a la Eclair, but this time the protagonists are all adult women, for those who are tired of the usual high school girls. Speaking of yuri, we also have Killing Me!, a one-volume title from Comic Cune about two high school girls who are a vampire and a vampire hunter. It looks very much like a “yuri for guys” series.

Also one volume is Little Miss P (Seiri-chan), an Enterbrain series about an anthropomorphic period. As in menstruation period. The audience was taken aback, but Yen clearly really enjoyed talking about this one, and think it will be great fun. Last Round Arthurs: Scum Arthur and Heretic Merlin is a brand new fantasy title – brand new in Japan too, so there’s not much info about it. The author did Akashic Records of Bastard Magical Instructor, the artist does Index. It seems to be about an Arthurian tournament, and is two volumes to date.

On a darker note, they have both the novel and the manga for Torture Princess (Isekai Goumon Hime), whose artist has also done Black Bullet. It’s a Media Factory title and is apparently quite violent, about a man who is reincarnated in an artificial body and the demon hunter who wants his help. The German subtitle is Fremd Torturchen, and the manga runs on Kadokawa’s Comic Walker site. We also get an Enterbrain light novel called The Dirty Way to Destroy the Goddess’ Hero (Megami no Yuusha wo Taosu Gesu na Houhou). No, not that kind of dirty. The demon lord just wants to eat tasty food, but heroes keep trying to kill them. So… they summon their own hero.

Back to manga with The Monster and the Beast (Bakemono to Kedamono), a BL title from Asuka Ciel, about a nice monster and a nasty older man, and their budding relationship. Yuri Life is another yuri title, this one taken from Pixiv artist Kurikurihime, and also features two women in their late twenties, not late teens. It’s very sliec-of-yuri life. For fans of Beasts of Abigaile, we have a title from the same creator. Kaiju Girl Caramelizer (Otome Monster Caramelize) runs in my old nemesis, Comic Alive (pauses to shake fist at sky), but looks good anyway, and is about a girl who has an affliction that when she gets upset, her body parts “monsterize”.

More light novels with Bottom-Tier Character Tomozaki (Jaku Chara Tomozaki-kun), a Shogakukan title (in other words, expect print-only for this one) about a loser gamer guy who thinks the world is awful, and a winning gamer girl who shows him the “cheats” to help him succeed at life. It gets points for not being a fantasy title, I’ll say that. The artist is also pretty fly. (I’m so sorry.) Back to manga for God Shining Moonlight Howling Moon (Mahou Shoujo Flaming Star), by the creators of Trinity Seven and High School of the Dead. Given that combo, you know there will be breasts a plenty. It also runs in Bessatsu Dragon Age, which sort of clinches that, and is about a Magical Girl called upon to save the Earth… but is she one of the good guys?

The last one is another light novel, The Hero Is Overpowered But Overly Cautious (Kono Yuusha ga Ore Tueee Kuse ni Shinchou Sugiru), a fairly recent Kadokawa series. A fantasy world is in desperate straits. They need a hero. They get a really strong one… but he’s far too wary, never wanting to attack unless he knows he can win. What makes this interesting is that the book is from the POV of the goddess who summoned him, and she has to find a way to make him do what needs to be done. It’s five volumes in Japan. After that came Q&A, but honestly, let’s just move along now.

And with that, I wrapped up my second and busiest day of Anime NYC. Again, I was pretty happy. The staff was nice and knowledgeable, the crowds were large but reasonable, and I got to see everything I wanted. Tomorrow I have no panels I want to see, so will take in Artist’s Alley, and may also scope out the AMV contest.

Filed Under: anime nyc, NEWS

Anime NYC 2018, Day One

November 16, 2018 by Sean Gaffney

It’s always been the case that conventions that run Friday to Sunday tend to load the most important stuff on the second day. That said, I don’t think I’ve ever seen it quite as bad as this year’s Anime NYC, with a total of zero things I was interested in covering today but a plethora of stuff tomorrow. As such, most of the meat of this report will be coming at you in about 24 hours or so. This is not to say Anime NYC Friday did not have lots of interesting stuff. There were panels galore, mostly for anime producers, and oodles of autograph sessions. And the crowd. Oh, very large crowd. I was impressed.

After getting my press badge, I lurked on a staircase for a while before getting up at 1 to go into the exhibition hall, where the companies and dealers were, which was scheduled to open at 1. Unfortunately, due to a promotion for Crunchyroll that allows their people earlier access, it was more like 1:30 by the time the line began to move. If I recall correctly, a similar thing happened last year. Once inside, though, everything was fine as I was able to peruse and talk to most of the publishers who are here.

One of those publishers is a new one run by a familiar face: Denpa, with fomer Vertical frontman Ed Chavez. They’ll have a panel tomorrow, but had a few of their titles available for purchase already, including Pez and Inside Mari, which I discussed in Manga the Week of. Because I am me, I also chided Ed for leaving Sakura Matou off the back cover copy of Today’s Menu for the Emiya Family (out in early 2019). One Peace books also had a booth, which was mostly dedicated to Rising of the Shield Hero and Hinamatsuri, though they also had some copies of I Hear the Sunspot. I urged them to get a Twitter account, so that I can start tagging them better in posts.

Kodansha and Vertical have had combined booths and panels over the past couple of years, and they’re also the booth at which I spent actual money, as I got a copy of the Katanagatari hardcover novel ahead of its November 27th street date (footnotes! copious footnotes explaining the wordplay!) and also the 3rd Wotakoi omnibus, due out either November 20th or 27th depending on whether you’re getting it from Amazon or not. I also picked up Pop Team Epic fuzzy mini-dice, because come on, the very idea is awesome, cute AND funny. Lastly, I dropped by Mangagamer’s booth – they have a panel tonight, which I can’t make due to a prior commitment, but honestly I was there for only one thing. Unfortunately, as I expected, Minagoroshi, the 7th Higurashi arc, is stuck in programming – fortunately its next in the queue.

Throughout the day, I was struck by the fact that everyone was not only having fun but also being nice. There was lots of cosplay, lots of pictures of cosplay, and very little of people blocking through-ways because of pictures of cosplay. Everyone was discussing anime and manga they were following now, and also what they’d followed back in middle and high school. Best of all, there were not one but TWO ball pits where people could get pictures of themselves wallowing in – one of which, which I believe is a joint promotion between Kodansha and Yen, featured little ‘slimes’ as the balls, as in That Time I Got Reincarnated As a Slime. It’s good to see the Dashcon ballpit being redeemed and used for good in the modern convention world.

Lastly, while I’d mentioned that most of the panels announcing new licenses are tomorrow, Seven Seas (who are not allowed to leave the West Coast or else their souls wither, I think) came out with a new light novel announcement, though the name may be familiar to anime and manga readers. Restaurant to Another World (Isekai Shokudou) is from Shufunotomosha’s Hero Bunko line, and features a restaurant that is fairly normal six days a week… but on that seventh day, it caters to a more fantasy-oriented clientele. The manga has been coming out here digitally via Crunchyroll, and I believe Crunchyroll also has the anime. Best of all, at least for me, is that the illustrations are being done by Katsumi Enami, who also draws illustrations for Baccano!.

And that’s it for today! Tonight I go out to eat at a nice Manhattan restaurant, rest my aching ankles (standing for hours on end is getting to be something I simply can’t do), and prepare for Day Two, featuring ALL THE PANELS!

Filed Under: anime nyc, NEWS

Anime NYC, Day Three

November 19, 2017 by Sean Gaffney

The last day of NYCC is usually the quietest, and it proved to be the same with Anime NYC, as I only had one panel to go to. As a result I took the time to go through Artist’s Alley up at the top of the Javits, which was filled with talented art from talented artists and also more My Hero Academia stuff than you can shake a stick at. Anyone who doubts it’s not the biggest Jump title out there needs to look again. After that I took one last pass through the dealer’s room, and then went to room camp before the Vertical panel.

Unfortunately Windows 10 caused my computer to dump what I had been typing, so I can’t tell you who was running the panel before Vertical. It was on cosplay basics and advice, and it seemed like good advice – I liked the discussion about how you shouldn’t put your hair in a bun when wearing a wig, as it will always show. After this we got Vertical’s panel, which had a long AV setup, and also reminded me that it just feels weird to have a panel without Ed.

Vertical only had one new announcement, and it’s for Tsutomu Nihei’s latest manga, APOSIMZ, aka Ningyou no Kuni. It runs in Shonen Sirius, and features many of the themes Nihei is known for – if you’ve read BLAME! and Knights of Sidonia, you know what you’re getting here. Also like Knights of Sidonia, there is apparently the occasional delve into lowbrow humor – I remarked several times that Sidonia sometimes felt like a harem comedy.

The Nekomonogatari (Black) novel was for sale at the con ahead of street (in fact, a lot longer ahead of street than I expected, as the release date got pushed back to December 19th yesterday), and so a lot of the people in the audience were there for Monogatari. Vertical did have a treat for them – the rough draft and final version of VOFAN’s North American cover art for Nekomonogatari (White), which should be out at the end of January unless that gets delayed a bit as well. It features Black Hanekawa and the Tiger monster who is the book’s main antagonist, and looks fabulous – VOFAN called it his best work.

The rest of the panel consisted of raffles and giveaways – there was a lot of nice stuff raffled off, though I didn’t win anything. After that it was time to bid the con farewell and head home. For a first-year con it was excellent, and you could tell that the showrunners were seasoned pros. I hope we get to see it again next year, as I’ll definitely make plans!

Filed Under: anime nyc, UNSHELVED

Anime NYC, Day Two

November 18, 2017 by Sean Gaffney

Day 2! Though first, I missed an announcement from Day 1: Mangagamer has finished Golden Fantasia Cross, and it will be out in December. This is an Umineko fighting game with what I believe is a significant amount of plot thrown in, and it even has a slightly different ending from the visual novel. The bad news is it’s a fighting game, which means you need a certain level of skill. We’ll see how far I advance.

Day 2 began for me with the Kodansha Comics panel, featuring the audible and personable Ben Applegate and the inaudible and thus anonymous narrator, who really needs to learn to project to the back of the house. In terms of new new titles, there was one print and a pile of digital.

The print title is Golosseum, apparently spelled with the G. It’s from the author of the long and never licensed Karate Fighter Minoru manga, and runs in Kodansha’s Nemesis magazine. It’s apparently a political martial arts title, and reminded me a lot of The Legend of Koizumi – real life political figures caricatured for fun. So we have Rasputin (Russia’s greatest love machine), Vladimir Putin, Hillary Clinton, etc. It looks like a lot of fun.

Digital debuts, arriving as soon as next week. Lovesick Ellie is a Dessert title about a girl who likes to tweet about a made-up boyfriend. That won’t end well. My Brother Is a Shut-In is from Morning Two, something I always approve of. It seems to be about a girl whose brother, as you may have guessed, is a shut-in, but that may change soon.

Pitch-Black Ten is from Shonen Magazine R, and looks like an action fantasy; the author also did Buster Keel!. Drifting Dragons is from good! Afternoon, and seems to be the Dragon equivalent of Delicious in Dungeon – we hope you enjoy eating dragons.

Living-Room Matsunaga-san is also a Dessert title, and seems to involve a younger girl moving into a boarding house her uncle runs and meeting the college-aged residents. Lastly, we have The Prince’s Black Poison, a Betsufure title about a girl who’s taken care of her “helpless” childhood friend, but when she tries to do things away from him, he reveals himself to be far more manipulative than she guessed.

They also discussed the upcoming print release of Tokyo Tarareba Girls, as well as Sailor Moon Eternal, a re-release which looks fantastic. Lots of things coming from Kodansha, who are still putting out more digital than you can possibly keep up with.

The next panel was Yen Press, and they too had a pile of stuff to announce. They also had someone translating in sign language, which was very cool. They showed off the Pandora Box, which is one of the most impressive box sets I have ever seen. It’s simply breathtaking. And then new announcements, including one I’ve been waiting on for about a year…

Sword Art Online Alternative: Gun Gale Online will have the light novels out next year. These are by the Kino’s Journey author, and do not have Kirito or the main cast in them. I reviewed the first manga recently… dammit, that means my URL will have a (2) again. I hate that.

Other light novels announcements are Defeating the Demon Lord Is a Cinch (If You Have a Ringer), which I think may be a Fantasia Bunko series and is very much in the ‘fantasy world, kill monsters’ sort of genre. The best thing about it is that the artist is named ‘bob’. We also have the much-anticipated SukaMoka series, aka (deep breath) World End: What Will You Do At the End of the World? Will You Save Us?. This is apparently an emotional tearjerker of a series, and it already has a sequel in Japan.

A big surprise (to the panelists as well – apparently the license was finalized this morning) was Final Fantasy VII: On the Way to a Smile, the first in a series of Final Fantasy novels. It’s actually a short story book that has various stories taking place around the time of VII and Advent Children.

On the manga front, we see The Strange Creature at Kuroyuri Apartments, a Young Gangan title about a demon summoner’s young daughter who is ordered to entertain the landlord of an apartment complex. Tsuno no Gakuen is about boys with horns on their heads who can do magic, and our hero is self-conscious his horns are too small. Which is not a metaphor for anything, I’m sure. It runs in Young Ace Up!.

Catterpillar Girl and Bad Texter Boy is a done-in-one title from Gene Pixiv. A fantastic girl is rejected by the boy she loves, and hen vanishes… only to return as a caterpillar! It looks really cute. Teasing Master Tagaki-san was a series I’d heard of before, and I highly approve of its license. A boy is determined to tease the girl he’s friends with… but this is easier said than done, as he’s easily teased and she loves to tease him. It runs in Shogakukan’s Gessan.

Shibuya Goldfish is a horror title from Gangan Joker, and is soooooooo not my thing, but horror fans should like it. Fruits Basket Another is also licensed, and will be three volumes total. I… have mixed feelings about this, but we’ll talk about that when it comes out. There’s also a Little Witch Academia manga coming out in their new JY line for younger readers. It looks really cute and fun.

After this, I ate lunch and wandered around a bit. My final panel of the day was a panel on Japanese feminism, run by Anne Lee, who runs the shojopower.com website. Her goal was to show us that yes, Japanese feminism does, and did, actually exist, and I think she did a good job. She focused on four different women who made their presence known.

Raichi Hiratsuka was described as sort of the Japanese Susan B. Anthony. She started a highly influential (and controversial) literary magazine in 1911 called Saito (Bluestocking), which featured essays, poetry and short stories about “the new women”. The authors were known to (gasp!) smoke and drink, so it was not well liked by men of the time. She then tried to help get women the vote, which came close to happening in 1921, but one comment by an influential guy killed it, and she went into seclusion due to this.

Then along came Beate Sirota Gordon, an Austrian woman who grew up in Japan, went to an American college right around the time of WWII, and then got a job with the US government so she could return to Japan and find her parents. She ended up helping to rewrite the Japanese constitution… which was controversial enough, as the Americans were “helping” them write it the way that they wanted.

She researched the hell out of this, though, impressing the Americans, and added a lot of things that gave women more rights. A lot of them were cut, but some weren’t, and the Constitution passed despite the vehement objections of Japanese men. As for Raichi, she was shocked and conflicted – having this granted to her by Americans rather than fought for and won in a political victory seemed a bit hollow.

We also discussed Machiko Hasegawa, creator of Sazae-san, possibly the most famous Japanese manga ever – at least in Japan. The manga ran from 1946-1974. The anime began in 1969 and is still running, meaning it crushes the Simpsons record. Sazae-san was pretty slice of life comic strip gags, but as the series went on Sazae-san herself got involved in feminism, and the strips sometimes delved into that.

Lastly we discussed Rokudenashiko and her vagina kayak, which I was already very familiar with, as I’d seen the author’s panel at TCAF and reviewed her book here. It got into a discussion about how Japan is OK with penis festivals but gets upset with vaginas, whether this was politically motivated (she has a friend who was criticizing the government), and how the vagueness of the obscenity laws may not have helped. It was a well-researched and enjoyable panel.

And that was all I had on tap for today. I wanted to see the Fate/GO panel, but that looked to be difficult to get into. Tomorrow I only have one panel, which is Vertical. I therefore plan to take a look at Artist’s Alley in the morning, hit up the panel, and then head home. This was a great second day of the con.

Filed Under: anime nyc, UNSHELVED

Anime NYC, Day One

November 17, 2017 by Sean Gaffney

It’s Anime NYC weekend! I’m here to cover everything for you – at least, everything I can get to. We’re starting early, though, as I’m typing this before the con begins. That’s because Seven Seas, which is not allowed to leave California due to some agreement with a lich, I believe, has announced a giant pile of titles every day this week, including some absolute stunners.

We start with Dragon, Ie wo Kau (Dragon Goes House Hunting), which sounds absolutely hilarious based on title alone. It’s a Mag Garden title that runs in Comic Blade, and a fairly recent series. As for the premise, well, I’d hate to spoil…

Do you like sports manga? Have you been thinking “I like sports manga, but there’s not enough fanservice? Where are my girls in swimsuits”? In that case, we have Harukana Receive, a beach volleyball manga that takes place in Okinawa. It runs in Houbunsha’s Manga Time Kirara Forward, and has 4 volumes to date.

I greatly enjoyed My Lesbian Experience with Loneliness when it came out earlier this year, and so am delighted to hear Seven Seas has licensed the sequel, My Solo Exchange Diary, which only comes out in Japan next month. Judging by the title, it promises to be as emotionally compelling as the previous book (exchange diaries by definition requiring another person).

I have often begged for licenses from Shogakukan’s Big Comic Superior, one of the more overlooked seinen magazines. And, well, OK, I asked for it. Now we have Wonderland, which manages to turn Alice in Wonderland into a horror thriller sort of deal, as humanity shrinks all of a sudden and has to fight to survive. The author may be best known over here for Fighting Beauty Wulong.

How a Realist Hero Rebuilt the Kingdom has been one of J-Novel Club’s breakaway hits, so it’s no surprise that Seven Seas will be releasing it in print. Get ready to hear about Machivelli’s The Prince a lot and ask yourself “Isn’t that Saber?”.

This should not be a surprise anymore given the number of classic titles Seven Seas has announced, but it still surprised me. Space Battleship Yamoto will be coming out as one omnibus manga! From 1974, it ran in Akita Shoten’s now defunct Bouken Ou magazine, though I believe Media Factory may have the rights now. The anime version may be better known to Western fans as old as I am as Star Blazers.

Udon still has the rights to Rose of Versailles, though it’s been significantly delayed. But Seven Seas teased us with two sort-of-related titles. The first is Versailles of the Dead, combining 18th century France with zombies. It runs in Shogakukan’s Hibana, and is from the creator of After School Charisma.

And we may not have Rose of Versailles yet, but we are getting a Ryoko Ikeda title, as we have Claudine! This single volume shoujo manga is considered a pioneer in the field of LGBT manga, meaning of course that it’s going to end unhappily for all concerned, like most pioneers of LGBT manga. Claudine ran in Shueisha’s Margaret, and will be complete in one volume.

Who wanted a combination of beloved fairy tales and survival game manga? Certainly not me, but there’s definitely a market for it, and they should be delighted with Fairy Tale Battle Royale, a Kadokawa title that runs in Gene Pixiv.

If you liked The Heiress and the Chauffeur, Seven Seas has a new shoujo series by the same author (and that also ran in LaLa from Hakusensha). The Bride and the Exorcist Knight is about a young woman who attracts demons, and the boy who rescues her… and then says they should get married. The boy’s age worries me (he’s apparently 12), but we’ll see how this is handled.

The biggest surprise so far (I may have to edit this when Friday’s titles come out) is the license of the Shin Tenchi Muyo novels. These novels expand on the past of the original OAV series, with one devoted to Aeka’s family, one to Tenchi’s grandfather, and one to Washuu. (Romanization may vary depending on when you got obsessed with Tenchi Muyo). These came out in the 1990s, and were on no one’s radar, so I was stunned. But I will absolutely pick them up.

Friday brings us the final Seven Seas titles. First we have Elf-san wa Yaserarenai (Plus-Sized Elf), a comedy manga from Comic Gum. Dieting elves seem to be the comedy du jour.

Ojojojo proves that the Dragon Maid author can still get things licensed, but at least it doesn’t seem to feature monster girls. Outcast girl meets outcast boy in this 4-volume series from Takeshobo’s Manga Life.

Lastly, there is Hanayome wa Motodanshi (The Bride was a Boy), an Asuka Shinsha title about the titular bride, who was assigned male at birth but has decided to transition, and her husband who finds out about this but falls for her anyway. It’s apparently autobiographical, and should appeal to fans of My Lesbian Experience with Loneliness-style manga.

Now onto Anime NYC proper. After a bit of line wackiness (better signage was desperately needed), I got into the Exhibit Hall, grabbed a copy of Nekomonogatari Back (likely my sole purchase this weekend), and headed to the panel on Anime Fandom 15 years ago, run by Doug Wilder of Animecons.com.

It really is startling to see how far we’ve come in that time. 15 years ago, VHS was dying and DVDs were the new thing, but they were frequently high-priced and sometimes came with a box to hold the remaining volumes… which may not always have come out if sales were really poor. Streaming was being talked about, but that’s all. It was a physical media world.

There were magazines! Animerica, Protoculture Addicts, Newtype USA. Wizard magazine devoted part of its content to anime, which makes me sad as it means I have to remember Wizard magazine. You still had Toonami and Adult Swim, but ADV Films (remember them?) was starting up The Anime Network. We had the Lupin dub! Which changed so much dialogue it could have been a different series.

There were the usual gateways. Sailor Moon, etc. Gundam Wing was HUGE at the time. I noted from the audience that it was the Gundam series that attracted a lot of female viewers. Doug also discussed other robot series like G Gundam and Battler Aura Dunbine, which tried to sell itself as being similar to Gundam Wing, which… it wasn’t.

After this nostalgic trip, I toured the show floor a bit. Spoke to Mangagamer about the delays on the Higurashi re-release (their programmer is very busy with other titles, so Tsumihoroboshi may take a few more months.) Got a hot dog, because the days when I try to power through an entire day on water are long gone. Then camped for Viz, which meant seeing Funimation Favorites, which was fun. They’re excited about the Nichijou re-release.

Viz had a lot of people at its panel, though the only panelist was Charlene Ingram, their marketing director. Most of the announcements were things that had been mentioned at prior events, such as Infini-T Force and the Homestuck print omnibuses. A lot of anime clips, which the audience appreciated. The Terra Formars one was quite violent.

A big announcement was that Viz has partnered with Pluto TV, an app that allows you to watch various titles whenever you want, including Viz titles. They were also very excited about Osomatsu-san, the very popular comedy manga that sort of came out of nowhere this past year.

On the manga front, we talked about to My Hero Academia speedup starting in 2018, as well as the Vigilantes spinoff being licensed. The one new series that they announced was That Blue Sky Feeling (Sorairo Flutter), an LGBT series that runs in Square Enix’s Gangan Joker. It’s about a boy drawn to the school outcast, who may be gay but that’s not stopping our hero getting close to him. It looks quite interesting.

After the Viz panel I went to dinner with two friends at a pub on 46th street nowhere near the con, which I always recommend when you do NYC cons – the convention center is near absolutely nothing. Fish and chips were eaten, rum and coke was drank, and a good time was had by all.

Then back to the con for the One Piece 20th anniversary panel, which had a considerable line, but everyone managed to get in. (By the way, the con had about 20,000 people, which is not bad given it’s a first-year con. The panel was run by the One Piece Podcast, and the hosts were Zach and Kelly. They oddly tried to keep it a spoiler-free con, which was increasingly difficult as the panel went on.

A lot of the events going on in Japan for the anniversary were discussed. One Piece is big business there, with shops, restaurants (one restaurant is run by a guy dressed as Sanji, who flirts with the women but is hirrible to any male customers. That sounds… a bit too accurate for my taste) and the like.

There’s an exhibit at Tokyo Tower. There’s a kabuki show, though the lead actor recently got injured. One Piece is used in tons of ads – Coke, Nippon Ham, and a ludicrous ad in appalling Engrish for a pen, ending with “THIS IS A PEN!” declaimed. (That phrase is the standard opener for Japanese kids learning English.)

The live-action One Piece is in production for North America, and few fans seem excited, even with Oda supervising it. Too many people remember Dragon Ball… and Ghost in the Shell… and Death Note. Still, hope springs eternal. Oh yes, and they also showed the 4Kids opening – a surprising number of people grooved along. I guess it didn’t kill the fandom after all!

They had a history of the One Piece anime and manga over the years after this, which got increasingly vague as we tried not to spoil. Unfortunately, I had to cut out before the panel ended, so that I could come back here and write all of this up for you.

Tomorrow brings us Kodansha, Yen, and other assorted fun things. Who’s gonna be there with me?

Filed Under: anime nyc, UNSHELVED

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