The Full-Time Wife Escapist, Vol. 11 | By Tsunami Umino | Kodansha Comics (digital only) – The copious adulting continues in this volume to the point where it’s a little stressful at times. I guess I prefer my manga threats to be opposing teams or nefarious foes rather than a casually sexist boss who gets on your case because you did too good a job leaving detailed instructions for your sloppy coworker. Anyway, the baby is born and Mikuri and Hiramasa seem poised to be a good team for the duration. Numata organizes a forum for sharing workplace complaints, and it’s at this point that the themes of this sequel—the necessity of which I’d begun to doubt—become clear: 1) communication is key and 2) there are all kinds of families in this world. If you don’t end up getting married or having children, you can still create a family with friends who support you. And that’s nice, if a little preachy in execution. – Michelle Smith
Last Game, Vol. 1 | By Shinobu Amano | Seven Seas – Reading this book was like time-traveling back to 2008 or so. This is such a LaLa title, perhaps the ur-LaLa title. It wraps up in about 140 pages despite the fact that there’s clearly ten more volumes to go. There’s 60 pages of unrelated short stories from earlier in the author’s career at the end. The art is messy and filled with asides. It was like drowning in nostalgia. As for the book itself, it was pretty good. Most of these series are from the POV of the heroine, so it’s nice to see it narrated by the guy, who’s… well, a smug asshole, but the circumstances explain that, and he gets rid of that side pretty quick. It’s when he turns out to be caring and considerate that it really takes off. Still, hasn’t it finished? What’s next? – Sean Gaffney
My Hero Academia, Vol. 34 | By Kohei Horikoshi | Viz Media – The first half of this volume really made me angry, introducing the most powerful woman in the series to date and then killing her off to develop the character of the villain. It’s appalling, and thank God for fanfics. The second half is much better. Remember the whole “there’s a traitor in UA” plot? From 30-odd volumes ago? Turns out it’s true, and after a terrific fake-out that focuses attention on someone who everyone suspected, it turns out to be another obvious suspect… though the circumstances behind it are, thankfully, tragic rather than “ha ha, I was evil all along.” This is where MHA shines, in the character writing and the plots that develop from it. Shame the new character was never given that chance. – Sean Gaffney
Skip Beat!, Vol. 48 | By Yoshiki Namamura | VIZ Media – Even though this is another slim volume, it manages to fit in several scenes that exemplify what makes Skip Beat! great. I enjoyed the brief moment during which we see Kyoko and Moko talking shop about filming scenes out of order. And more than that, I enjoyed the Kyoko and Ren chapters at the end where she realizes “I have no idea how close I’m allowed to get!” (We even get a return of the grudge demons as they are bombarded by Ren’s happiness beam.) But even more than that, I adored the absolutely riveting scene of Kyoko in character as Momiji as she manages to impress everyone, including visiting eccentric producer Leonard Herbert. It’s pretty exciting to contemplate that, after 48 volumes, Kyoko’s career might be on the verge of really taking off. I still love this series after all these years. – Michelle Smith
20 km/h | By Woshibai | Drawn & Quarterly – 20 km/h is a collection of surrealist short comics by Woshibai, an anonymous illustrator and cartoonist based in Shanghai. While there are recurring characters and themes, there isn’t a central narrative; the comics can be read independently from one another and largely stand on their own. However, they make for a wonderfully effective collection when taken together as a whole. The volume is almost entirely without dialogue, sound effects, or narration, the translation largely limited to the actual titles of the individual comics. The collection’s success, then, comes from readers taking the time to directly engage with the details of the comics’ surreal scenarios. Those who rush through without pause will likely find 20 km/h to be less satisfying, but I absolutely loved this collection with its dry humor and poetic strangeness. Woshibai’s illustrations may be simple, but the resulting comics are surprisingly layered and nuanced, inciting a sense of both wonder and resignation towards the absurdities of life, real and imagined. – Ash Brown
Yokohama Kaidashi Kikou, Vol. 2 | By Hitoshi Ashinano | Seven Seas – I really do appreciate that, though this series obviously stars Alpha, she does not have to be present in every chapter, and that we frequently get a look at the other members of the cast as they’re doing their own thing. Which makes sense, because not everyone can travel out to the middle of nowhere for coffee, especially if there’s a 50-50 shot that Alpha is away in another city visiting Kokone, or shopping for supplies, or just passed out because she tried to drink milk again and it reacted badly. (Honestly, Alpha doesn’t seem the same as the other robots, even if we weren’t already meeting her suspiciously familiar creator.) Again, if you like slice-of-apocalyptic-life, this is a must read. – Sean Gaffney