Bookshelf Briefs 7/9/12

This week, Kate, Michelle, and Sean look at recent releases from VIZ Media and Vertical, Inc.

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Case Closed, Vol. 43 | By Gosho Aoyama | VIZ Media – In the latest volume of Case Closed, Conan and the gang solve three mysteries: one involving a lost cell phone, another involving a toy company president, and yet another featuring a bomb-wielding maniac. The stories are a little hit-or-miss, relying heavily on surprise twists that few readers will be able to anticipate from the available clues. Of the three, “One Demon Among 53,000” is the best, a crisply executed beat-the-clock thriller in which Conan must find a terrorist who’s threatening to blow up Koshien Stadium during the national baseball championships. Smart pacing and effective jump cuts convey the urgency of the situation, making it all the more frustrating that volume 43 ends without resolving this promising storyline. Guess I’m on the hook for 44! – Katherine Dacey

Dawn of the Arcana, Vol. 4 | By Rei Toma | Published by VIZ Media – While this volume doesn’t play up my favorite aspect of Dawn of the Arcana—Nakaba’s inner struggle between her loyalty to her protector, Loki, and her burgeoning feelings for her new husband, Caesar—as much as I would like, it’s still quite an important volume. Nakaba’s influence on Caesar continues to be profound, and when he learns that his father is planning an attack on a village of Loki’s people, he sets out to foil the plan. Meanwhile, Nakaba begins to explore her powers of foresight and starts to think she may be able to use it to help people, only she can’t tell Caesar because the king would execute her if he were to catch wind of her ability. She’s shaping up to be a strong and capable heroine, and I look forward to seeing where the story goes from here! – Michelle Smith

The Drops of God, Vol. 4 | By Tadashi Agi and Shu Okimoto | Vertical, Inc. – The moment that Shizuku won the battle for the first Apostle, I was ready for the second battle to be Issei’s. He has to be a formidable foe, after all. To that end, he gets the bulk of the character development here, going to the Tibetan desert in order to find the perfect inspiration and also to acquire another love interest (in a sequence which is both heartwarming and laughable in its cliche). Shizuku, meanwhile, seems the odd one out this time – in a volume that is filled with lovers reconnecting and familial bonds, he can’t even understand why Miyabi seems so grumpy when he notes they’re just colleagues. No surprise, then, that he ends the volume with need of some serious soul-searching. Hopefully he’s found it by the next omnibus, which jumps ahead about a dozen or so volumes. –Sean Gaffney

Kamisama Kiss, Vol. 8 | By Julietta Suzuki | VIZ Media – The kami conference wraps up quickly here, and I liked that they did show Kayako again just to have a bit of closure. The bulk of the volume, however, deals with Kurama and his tengu family, as Nanami and Tomoe get involved in a tortuous succession battle. There are sprinklings of the main romance here and there, but for the most part this volume works like many of the previous ones – a new character meets Nanami and takes an instant dislike to her, only to eventually fall for her on account of her gumption, stick-to-it-ive-ness, and general main character syndrome. I don’t expect Jiro to be any different, especially as he’s already noting the differences between men and women. Provided you haven’t grown weary of everything revolving around how swell Nanami is (she needs more obvious flaws), this series still entertains. –Sean Gaffney

La Corda D’Oro, Vol. 16 | By Yuki Kure | VIZ Media – This dating-sim-cum-manga would be a true guilty pleasure if Kahoko, the heroine, wasn’t such a dithering idiot. Alas, her doormat behavior and lack of focus make her an unlikely candidate for classical music greatness, as she spends more time mooning over cute guys than she does practicing her etudes. In volume sixteen, for example, she nearly flops in competition because she’s become utterly preoccupied with aloof but handsome violinist Len. Len’s big revelation — and the fallout from it — could have been handled in five or ten pages, but Yuki Kure milks it for nearly three chapters, treating us to repeated scenes of Kahoko blushing, stammering, and playing sour notes as she frets about Len. Worse still, these scenes feel like they’ve been pilfered from earlier chapters; even the characters seem bored with their lines, sleep-walking through an all-too-familiar tournament scenario. Wake me up when the backstage backstabbing resumes! – Katherine Dacey

Natsume’s Book of Friends, Vol. 12 | By Yuki Midorikawa | VIZ Media – For the most part, this manga is content to be a series of short one-shots and two-parters dealing with the yokai world, and the new yokai Natsume has to deal with. We have seen him slowly starting to open up, however, and the three-parter here shows how it’s affecting both him and Tanuma. This is the classic ‘if I’m not close to them, they won’t be in danger’ hero dilemma for Natsume, but we not only see Tanuma’s side – wanting to help but feeling completely inadequate about it – but also Nitori’s, who it is implied made his choice earlier in life and is trying to ensure Natsume does not duplicate it. There’s a lot more action here as well, as if the increase in emotions lends itself to a faster, more frantic pace. Loneliness has plagued Natsume’s life as it did his grandmothers. Can he stop the cycle? Addicting. –Sean Gaffney

Oresama Teacher, Vol. 9 | By Izumi Tsubaki | VIZ Media – It’s great to see Tsubaki’s abilities improve with each volume. In particular, the focus issue she’s always had is almost entirely absent here, mostly due to the fact that there’s only one real plot here – the attempt to crush Okegawa. It’s his story more than Mafuyu’s here, which is why he takes her out right before the final battle – and also why he is seemingly finally allowed to see through her disguise. Okegawa is fantastic here, as we see that being a bancho is not just about thugging it up, but almost a military calling – planning the battle, caring for your subordinates. And loving a good fight as well, of course. Lest you think that this is a serious volume, however, fear not – the author can’t go three pages without sticking in something hilarious, with this particular volume ending in what amounts to a giant pie fight. I still like this series better than most. Listen to me, though, as I’m the correct one. –Sean Gaffney

Ouran High School Host Club, Vol. 18 | By Bisco Hatori | Published by VIZ Media – I read the first volume of Ouran back in June 2006, so getting to this final volume has been a six-year journey. Staying true to itself to the end, the conclusion is simultaneously so silly it’s positively ridiculous and so sunny that it’s pretty endearing. I’d say this is a satisfying ending for the most part, though the special side story, about Kyoya’s ambition and his thoroughly Slytherin family, was really kind of dull. I wanted more Tamaki and Haruhi cuteness! Throughout the volume, Hatori includes illustrations and sidebars about the futures of various characters, and some of those are adorable, and we also get one final cameo by Mori’s chicken! I can’t adequately express how much I love that durn chicken. Not without flaws, but still recommended. – Michelle Smith

Toriko, Vols. 10-11 | By Mitsutoshi Shimabukuro | VIZ Media – The latest installments of Toriko illustrate what’s bad — and good — about this goofy series. Whenever the story’s focus shifts from food to fighting — as it does in volume ten — Toriko becomes a dreary slog, filled with ugly characters engaged in sadistically violent combat. Making these battle scenes even more tedious is the dialogue, as bad guys pause to outline their plans, or explain the source of their power, thus providing Toriko an opportunity to gain the upper hand. When the story focuses on food and friendship, however, it’s a cheerful, if occasionally stomach-churning, parody of Iron Chef, as Toriko and his sidekick Komatsu scour the globe in search of rare ingredients. For my taste, there’s too much combat and not enough cuisine in Toriko; even the reappearance of master chef Setsuno, one of the series’ most memorable characters, wasn’t enough to erase the memory of volume ten’s endless wrangling. – Katherine Dacey