Manga Bookshelf

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Archives for May 2008

Buffy the Vampire Slayer Season Eight 2 by Brian K. Vaughan: A

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From the back cover:
While Buffy is busy trying to uncover the mysterious new Big Bad known only as “Twilight,” Giles takes on a mission of his own that will require a Slayer who can handle a little dirty work. He recruits the notoriously rebellious Faith for an undercover job that demands her well-known penchant for violence. She must infiltrate the estate of a rogue Slayer and put a stop to this girl’s evil deeds no matter the cost.

Review:
This collection includes issues 6-10 of the series. The first four comprise Vaughan’s Faith arc that lends its name to this volume as subtitle—”No Future For You.” The last issue is a stand-alone written by Joss himself.

I’m current with the monthly issues of this series (up to 14 now), and I have to say that “No Future For You” is definitely my favorite arc thus far, which is a little weird since Vaughan was never a writer for the show. He really nails Faith, though, and all of her dialogue and inner thoughts ring true. I especially like her perspective on the conflicts she’s had with Buffy and her relationship with Mayor Wilkins. Here’s an excerpt:

Evil scumbag. That’s what most people think of the last guy who put me in a dress. But I don’t know. Dude may have been a bit of a snake… but he wasn’t a dog. Everybody thinks he was, like, exploiting me or whatever, but that’s not how it felt. So I totally get how chicks can get mixed up in the wrong crap. Even today, it’s still hard to look back at my time with that guy…and feel anything but loved.

Pretty awesome stuff. Vaughan also does well with the other characters, who both speak and act perfectly in character. I’m fascinated by the dynamic between Faith and Giles, especially in the scene where he mentions his own youthful rebellion and how they’re not so unalike, but the best is probably Buffy jumping to the absolute worst conclusion about Faith’s involvement with the rogue Slayer. It’s not only a very Buffy thing to do, but it also cuts Faith deeply to see that she will probably never really be trusted by Buffy, despite her various attempts at redemption.

Not so awesome, alas, is Georges Jeanty’s art. I’m not so miffed about it as this guy, but Faith really does look pretty awful in some panels. I realize that spot-on likenesses are not necessarily the artist’s goal, but she often looks like several different people per page, and each only marginally reminiscent of Eliza Dushku. I will, however, say that in more recent issues, Jeanty has drawn some truly exceptional panels of Willow.

Issue 10, “Anywhere But Here,” is important in its own right, featuring Buffy and Willow on a mission together and providing many answers, including where the funding for the Slayers came from and the current state of Willow’s relationship with Kennedy. Back at home, Dawn also finally discloses (to Xander) how she ended up gigantified. This is the kind of significant personal interaction I was missing in the first Buffy-centric arc, so I’m very pleased to get such a nice chunk of it here.

I really hope Vaughan writes an arc again soon or, even better, starts up a spin-off starring Faith and Giles. Sad to say, I would actually prefer that to the current arc that’s underway at present.

Lame catch-up post

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Life is a pretty weird thing, and it’s rendered me largely unproductive in the past couple of months, even here on the internet, where I am usually able to ramble on without rest. In April, I took a tour of the midwest for the latest round of FP auditions, which was a pretty nice trip. Not only did we see a lot of very talented folks, but I also got to meet up with a friend in Indianapolis the evening before my flight home, which was a wonderful bonus! May brought me to auditions in New York, where I also visited with a friend during her last week in Manhattan, and had dinner bought for me by another friend in honor of my birthday, which was the next day.

Speaking of birthdays, mine was filled with manga (glorious manga!), including the elusive Maison Ikkoku volume 3, which for some reason is impossible to get, and Banana Fish, volumes 8-19, which makes my collection complete! …

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Clouds of Witness by Dorothy L. Sayers: B

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From the back cover:
Murder strikes too close to home! Lord Peter, noted detective, scholar, and bon vivant, is summoned to the Wimsey family retreat, which offers country pleasures and the thrill of the hunt. But when the prey turns out to be human and quite dead, wearing slippers and a dinner jacket, the thrill wanes. The victim is the fiancé of Lord Peter’s sister. And the accused? None other than Lord Peter’s own brother, the Duke of Denver. Despite overwhelming circumstantial evidence, Lord Peter is certain his brother is innocent and launches his own investigation. Can he find the truth in time to save the family name and spare his brother the gallows?

Review:
Clouds of Witness is a decent enough mystery, I suppose, but it won’t rank as one of my favorites.

I find it difficult to nail down a precise flaw that prompts my lack of enthusiasm, but I think it’s personal drama for the investigators (as in P. D. James or Elizabeth George) that I am missing, and I know I oughtn’t expect that from Sayers. The investigation is very clue-driven, and includes a few lucky coincidences. They didn’t bother me as much as in Tey’s books, but I do wonder whether Whose Body? was similar and I just didn’t notice it.

The best part about Sayers is that it’s often quite amusing, not just the little remarks that people make but also the way Peter’s quirks are dealt with. I especially appreciated a scene where he punctuates his words with little digs into his pipe, and the drunken epilogue was also cute. Less cute was Peter’s miraculous recovery from a gunshot wound to the shoulder that’s never mentioned again, even when he is hauled bodily out of a bog by a rope under his armpits a mere four days later. Oopsies.

7SEEDS 2 (Japanese) by Yumi Tamura: A-

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Book description:
A strange man on the island who helped free Arashi and Natsu from some carnivorous plants gives them a clue as to why they find themselves in this predicament—it’s not a kidnapping, it’s “a government project.” The four castaways decide to climb a rocky outcrop from which they can survey their surroundings and get an idea of what is going on and where they are. But what will be waiting for them up there?

Review:
The story progresses nicely in this volume. Some answers are revealed regarding the government project, a few additional castaways are discovered, and the group decides to leave the dangerous island. The larger cast and the communal goal brought a Basara-like feel to the proceedings.

And just as the first group is launching out to sea, we meet another group of castaways in the same situation. One of them is Hana (who looks a great deal like Sarasa), the girlfriend of Arashi in the first group (who looks a great deal like Shuri). Natsu has a bit of a crush on Arashi, but Hana is far more worthy of him. It’s kind of interesting to not want the heroine to get the guy, though I guess Hana qualifies as co-heroine by this point.

I actually find this second group more interesting so far. Their circumstances are similar—more with the giant, predatory insects—but Hana’s smart and resourceful and also has to confront a lecherous guy who thinks he’s in charge, which makes for better reading than a timid girl freaking out about giant crocodiles.

One of the best things about the story is that now that the groups know about the project (though some don’t entirely believe it), they’re coming to wonder how many years have actually gone by since they were frozen and are driven to get away from the islands and find out what’s become of Japan and the world. I’m really looking forward to seeing how that plays out.

7SEEDS 1 (Japanese) by Yumi Tamura: B+

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Book description:
The last thing Natsu remembers is going to sleep in her own bed. She awakes on a sinking ship in the company of three strangers, each with no memory of how they got there. After managing to reach a deserted island, the four need to overcome their differences and work together to find out about the inhospitable, strange island where nature appears totally out of balance. What happened? How did they get there? And will they be able to survive?

Review:
Yumi Tamura’s Basara is one of my favorite manga series, so I was really interested in reading 7SEEDS, a series she began in 2002.

The premise is an interesting one, though comparisons with the TV show Lost are probably inevitable. This first volume mainly covers the four castaways exploring the island, discovering that most living things—animal, plant, or insect—really really want to eat them, and being suspicious of one another.

The heroine of the piece is Natsu, and she’s a little annoying so far, as she’s very timid and seemingly unable to think for herself. There’s two guys—the nice Arashi and the not-nice Semimaru—who are both really afraid of bugs. My favorite character so far is the ruthlessly practical Botan, who seems to have more of an idea of what’s going on than any of the others.

Tamura does well with dramatic moments—the frequency of thunderstorms on the island helps to furnish ominous lightning as needed—and it’s never dull, though it’s pretty much just setup so far. The art is essentially unchanged from Basara and though Arashi looks a great deal like Shuri and Natsu like Kikune, they’re still distinct enough in expression that I don’t think one would confuse them. I really like how Botan is drawn; her competence just radiates.

I’m sure Basara wasn’t a hot seller for Viz, but I hope they or some other company will license 7SEEDS for American release someday. We need more good sci-fi shoujo!

The Tiger in the Well by Philip Pullman: B

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From the back cover:
It’s 1881, and life has been good to Sally Lockhart. Unlike most Victorian women, Sally is completely independent, with her own successful business and a comfortable home for her young daughter, Harriet.

But Sally’s whole world is about to collapse. A stranger emerges, claiming to be both her husband and Harriet’s father and threatening all that she has—her business, her child, her very sanity. Sally realizes with growing horror that there is a guiding hand behind this deceit: someone who hates her so passionately that he has devoted years to bringing about her ruin. And there’s only one man that could possibly be…

Review:
No tears this time, but the best ending line ever made me crack up. Pullman has a real knack for unexpected perspectives. In the last book, it was Chaka the dog, and here it was Harriet, Sally’s two-year-old daughter. The (lamentably few) sections from her point of view were among my favorites in the book.

Structurally, The Tiger in the Well was similar to the first book in the series, The Ruby in the Smoke. For quite a while, things didn’t make much sense. There were two different story lines going on and because it wasn’t apparent why I should care about anything not involving Sally, the second story (involving Jews and socialists) was very boring. Pullman did bring everything together eventually, but it took rather too long for my tastes.

Another difference about this book from the others was that Sally largely had to face the peril alone. The threat of losing custody of Harriet drove her out of her comfortable existence and into hiding in parts of London she’d never had cause to visit, caused her to encounter poverty, misery, and exploitation that she’d not previously been exposed to. She also had to care for Harriet on her own and realized how much she was missing by choosing work over Harriet and leaving her in a nurse’s care.

That said, I really missed her friends, especially Jim. Without them, too, Sally wasn’t always as fearless, and sometimes let herself be swept along, as with a patronizing solicitor, longer than usual before finally snapping back to her determined self. These lapses were hard to endure, and sometimes even felt a little out of character.

My last complaint is that the identity of the villain was completely obvious throughout the entire book. Pullman was forced to include a mention of something near the beginning so that readers who started with this book would later understand the significance of the big reveal. To me, that just gave it all away. Also, the reader received several clues that Sally did not, so when she finally put it together, it was not as climactic as it could’ve been.

Even with all of these things to grumble about, I ultimately did still enjoy the story. It got a lot better in the last third or so, once Sally had some allies to help her out and had regained her spirits. The ending hints at her future happiness, as well. Though there is one more book in the series, it does not actually focus on Sally, so it’s nice to have an inkling about how she’ll spend the rest of her life.