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Time Stranger Kyoko 3 by Arina Tanemura: C

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From the back cover:
Kyoko Suomi is the princess of Earth in the 30th century. She lives among the commoners, unwilling to reveal her true identity and ascend the throne. The king will allow Kyoko to live as she pleases if she can revive her twin sister Ui, who has been trapped in time since birth.

Kyoko has found all but one telepath and is near awakening her sister. However, Hizuki can no longer hide his feelings for Kyoko and kisses her—a crime punishable by death. Now the only way to save his life is for Kyoko to accept him as her betrothed!

Review:
I only read this final volume for the sake of completeness, since the second volume got a C-, a rating equivalent to “Blech!” on my grading scale. Volume three is a little bit better, owing to some plot twists, but not much.

So, as she tells it in her sidebar columns, Arina Tanemura couldn’t decide where this story was actually supposed to go, so she asked her editors to be allowed to end it. And so, whereas it took the first two volumes to gather four Strangers, all of a sudden six of the remaining ones (bringing the total to eleven, counting Kyoko) are introduced on a single page, and then promptly neglected. There are actually a few translation errors on this page, as the Bird, Wind, and Snow Stranger guys are all mixed up.

The plot with Hizuki and his feelings for Kyoko is pretty stupid. First, he tricks her into saving his life by agreeing to marry him. Then he confesses to Sakataki that he was responsible for the destruction of their village and tries to get Sakataki to kill him. And then a few pages later everything’s fine and he’s all, “By the way, I’m the last Stranger.” And nobody is pissed about any of it.

The gathered Strangers then proceed to awaken Ui and plot twists occur. The secret of Kyoko’s identity is revealed, and I was kind of interested in the possibility that this manga would have a sad ending. But no, of course not. Mushy love must triumph. A completely stupid and kind of gross side story featuring the King’s pet cat android follows. It has no redeeming qualities whatsoever.

One problem I have with this series is that every time there’s a revelation, someone goes, “I always knew.” For example, Kyoko evidently knew all along that she wasn’t really Ui’s sister, Sakataki knew all along that Hizuki was responsible for the village’s destruction, and the King knew all along what the consequences of awakening Ui would be. It’s really annoying that no one’s ever, like, shocked by these developments!

Anyway, it’s over now. Hooray. Reading this series has made me kind of worried that I won’t like the manga of Kamikaze Kaitou Jeanne, which I own but have yet to read. I liked the anime, but maybe I just didn’t know any better at the time.

Review copy provided by the publisher.

Gaba Kawa by Rie Takada: B-

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Rara is a demon who has come to the mortal world for the first time. She’d told everyone back home that her goal was to drag human souls into darkness, but really she just wants to meet the celebrity demon du jour, Hiroshi Akusawa, and become his girlfriend. When a dashing boy called Aku saves her from falling off a building, she’s convinced she’s met Akusawa. That is, until she meets the real Akusawa, who is not at all dreamy, and realizes that the other boy is a mere human.

It’d be easy for Rara to claim Aku’s heart using magic, but she wants him to fall in love with her for real. Some of her female classmates (yes, the younger demons all attend high school) advise against pursuing him, claiming that he is weird (on account of having been abducted by aliens) and gay (on account of having been spotted hugging his best friend). Rara, undaunted and clueless, decides that donning a boy’s uniform is the way to win his love, leading to my favorite line of the volume:

I don’t care if he is a gay alien. Once he gets a look at me in this, his heart will be mine.

Rara is warned several times not to use her magic to benefit a human, but as she gets closer to Aku, she can’t help lending him a hand when he could use it, like when his ability to see spirits results in him being pestered by wayward souls. As a result, she begins to lose her demon powers, which include things like invisibility and flight, and faces punishment for her actions from her demon brethren.

The concept is fairly unique, but Rara is still more or less your traditional clumsy, not-too-bright shojo heroine who somehow manages to make the hottest guy in school fall for her. Add to that the clichés of the boy who can see spirits and the old “trip and smooch” maneuver, and it winds up being pretty well-trod territory after all.

Still, while Gaba Kawa may be fluffy and familiar, it’s also pretty fun. I’m inspired to check out more by its creator.

Review copy provided by the publisher. Review originally published at Manga Recon.

Blank Slate 2 by Aya Kanno: B

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If there’s one thing notorious criminal Zen can’t stand, it’s being controlled. At the end of the first volume, while he and his doctor companion, Hyakka, were liberating Amatan prisoners from a Galay Army facility, he fell into an involuntary trance after which he awoke with no memory of his violent actions. Now, he resolves to find the person responsible, which means finally getting some answers about his forgotten past.

Said answers are gradually revealed throughout the volume, and manage to be interesting but more or less what I had expected. Perhaps that’s why this volume, like its predecessor, was a little difficult to get into at first. Also, one major revelation that I hadn’t seen coming was telegraphed in advance. Alert readers get suspicious when you only show us parts of someone’s face, you know!

That said, I have to admire the economy of the storytelling—no extraneous information is offered nor is any essential detail lacking—as well as the way the series ends. Aspects of the climactic conclusion are melodramatic, but I like that we actually end up rooting for Zen, even after witnessing the evil of which he is capable.

Blank Slate presents an entertaining and thought-provoking story, even if the execution stumbles here and there. And at two volumes, it’s short and affordable. An afternoon spent on this series would not be wasted.

Review copy provided by the publisher. Review originally published at Manga Recon.

Time Stranger Kyoko 2 by Arina Tanemura: C-

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This volume finds Princess Kyoko and her bodyguards on the search for more of the god stones required to awaken Princess Ui from her sixteen-year sleep. After the first two stones are found in the possession of the leaders of the dragon and flower tribes, the hunt is on for the rest of the tribe leaders in the hope that each of them will have one of the powerful jewels, too.

Each new psychic or “Stranger” that Kyoko encounters has some silly obstacle to overcome before they can join up with her, like nearly being sold at auction or being tricked into relinquishing their god stone to a member of the demon tribe. These stories are painfully boring and have absolutely zero depth, especially the one in which the leader of the fish tribe tells her sibling, “It doesn’t matter if we are brother and sister… I love you!” Arina Tanemura, you’re no Kaori Yuki. Just don’t even try.

Kyoko’s also preoccupied by the fact that someone kissed her while she slept in the last volume, so there’s much tedious speculation over who it could’ve been. This combined with everything else results in a muddle so mind-numbingly bad that I very nearly awarded this volume a D. A sudden twist in the final chapters provides the bare minimum of interest to avoid that fate, but I still can’t recommend slogging through the rest of it to get there.

Review copy provided by the publisher. Review originally published at Manga Recon.

Blank Slate 1 by Aya Kanno: B-

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Zen has no memory of the last twenty years, and doesn’t much care. The back cover, with its line “he can’t remember if he’s a killer or a hero,” erroneously leads one to anticipate a story of an amnesiac’s quest for identity. In reality, Blank Slate is all about the action.

The story takes place in the country of Amata, which was invaded and conquered in a war two decades earlier. The occupying government honors justice and order and employs a fleet of bounty hunters to eradicate all manner of undesirables. Zen is a notorious criminal and has committed every kind of crime imaginable. His philosophy is, “I do whatever I want. If it gets in my way, I smash it.”

I had a really tough time getting into the first chapter. It’s the stand-alone tale of a bounty hunter sent to kill Zen who instead joins him on a murderous spree of destruction and ruin. It wasn’t the best introduction to the setting or characters, and I found it very dull. The real serialization of the story commences in chapter two, and the improvement is immediate. From this point, there is a continuous plot focusing on the tensions between the native Amatans and the occupying Galayans and featuring kidnappings, prison breaks, and lots of guns. It’s pretty interesting, and I was surprised by several twists in the story.

Aside from the abundant bishonen, there’s nothing stereotypically shojo about Blank Slate. Zen is as heartless as they come and kills casually. Most of his victims are aggressors or authority figures, but he’s not above threatening the life of a child who could expose his hiding place. His companions are more sympathetic, particularly Hakka, a righteous doctor who has fallen into evil to protect something important to him.

The art style is visually clean, a necessity in a title like this where the story is enough to be puzzling over. Most of the character designs aren’t anything special, but Zen is really quite spectacularly pretty. This isn’t achieved through any gimmick of flowing hair or sparkly eye but simply with a beautifully drawn facial structure that’s quite stunning. I’ve reviewed a lot of manga, and never before have I devoted three full sentences to how pretty some guy is. Trust me on this.

Blank Slate certainly isn’t the best thing I’ve ever read, but the story it’s spinning is entertaining enough that I will surely be returning for the second and final volume due out in December.

Review copy provided by the publisher. Review originally published at Manga Recon.

Sand Chronicles 3 by Hinako Ashihara: B+

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From the back cover:
Sweet 16-year-old Ann returns to rural Shimane from Tokyo for the summer, eager to reconnect with her boyfriend Daigo. But will the allure of their close friends—wealthy brother and sister Fuji and Shika—sunder the romantic ties that have bound Ann and Daigo since they were 12?

Review:
I didn’t like this volume quite as much as the first two because it was missing that special feeling of nostalgia. Instead, it focused mostly on relationship and family angst, which was entertaining in its way, but didn’t elicit the bittersweet vibe that usually elevates this title above its fellows.

There was more focus on the Tsukishima siblings in this volume, which was welcome, as both of them separately tried to break free of the stifling mold their family has imposed upon them. Ann and Daigo begin by being worried about the Tsukushima in their town, but it’s probably only a matter of time until things escalate. I’m not really looking forward to that happening, since it will cause so much pain all around, but it will undoubtedly be interesting.

I’m also looking forward to farther down the line chronologically; will the series depict Ann in her early twenties, and follow right up to where she is as the story begins? That would be really neat.

Although these chapters here were not the best, the cliffhanger ending was pretty cool and I’m definitely looking forward to volume 4.

Boys Over Flowers 18 by Yoko Kamio: B+

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From the back cover:
When the Makino family’s finances hit rock bottom yet again, they decide to move to the countryside so Tsukushi’s father can earn a living as a fisherman. Poor Tsukushi is left behind in their apartment to try her hand at independent living. A few guests stop by, one most unwelcome—Tsukasa’s mother! Tsukushi stands up to the domineering woman, effectively declaring war. Then a housewarming gift from the F4 wreaks havoc on the apartment, leaving Tsukushi homeless! Will anyone take her in?!

Review:.
It feels pretty weird to pass the end of the story I know from the anime and still have half of the series left. I suppose that’s not all that unusual—Fruits Basket and Kare Kano are in the same boat—but the Boys Over Flowers anime was twice the length the others were, and still didn’t cover everything. I must say, I much prefer how things ended with the Shigeru situation in the manga; the end of the anime was pretty silly as well as rushed and unsatisfying.

The plot continues to be entertaining, though sometimes stretches the limits of plausibility just a little too much. I’m not sure how I feel about Tsukushi working as a maid in the Doumyouji mansion. On the one hand, I’ve heard that these next ten volumes or so are someone’s very favorite, and on the other, it just screams “shoujo trope” to me. Tsukasa is also being dense about what she’s doing there, and that annoys me, too.

I really liked Rui and Tsubaki in this volume. There’s a great scene where Rui and Tsukushi are heading home after spending the night at Shigeru’s villa. She’s lost in thought, so he has fun poking her face and fixing her hair in silly pigtails and stuff. I guess Tsubaki didn’t really do anything particularly awesome, but she did tell the story of her lost love that was hinted at in a recent volume, which I appreciated.

It’s strange not knowing what’s coming; I hope I like it.

Boys Over Flowers 17 by Yoko Kamio: A-

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From the back cover:
Tsukushi and Tsukasa get some quiet time together after they escape the mess of his birthday party, but this quiet can’t last for long. Tsukasa’s feelings for Tsukushi have at long last been made clear, but Tsukushi is more confused than ever about her feelings for him. Meanwhile, Tsukasa’s domineering mother, Kaede, is brewing up plans to keep them apart forever, and she might have found just the thing to do it when she introduces him to his new fiancée!

Review:
Lots of interesting things happened in this volume. Essentially, Tsukushi encouraged Tsukasa to go for it with Shigeru—who was offering on a silver platter everything Tsukushi had denied him, saying, “I can fall in love with you if you want”—and he was so peeved at her he actually did it.

I loved seeing Tsukushi’s hurt reactions to witnessing them together, and was significantly weirded out (in a good way) by the scene where he kissed the other girl. In other romantic rival plots I’ve read, the male lead never seems to actually go that far though, to be fair, he only did it once Shigeru bullied him into it.

The best thing about the relationship, though, was that it provided Tsukasa some room for growth. Although he could’ve easily taken advantage of Shigeru, he didn’t. That’s not really anything new for him, true, but it showed him in a good light nonetheless. The truly significant outcome was when he told her she just wasn’t the one, he was actually able to apologize (something he has had issues with in the past) and seemed to have true sympathy for her pain. Progress!

I also really loved the scenes between Tsukushi and Rui in this volume. Although some latent attraction might still exist, they acted more like friends, with Rui coming to her aid and helping her to relax and laugh amid tense situations. She said, “I no longer feel tortured and frustrated anymore, when I’m with him. Even if my feelings for him can no longer be called love… I think I’ll always like Rui Hanazawa.” Aww.

Wanted by Matsuri Hino: C+

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In the late seventeenth century, orphaned Armeria sings with a traveling musical troupe. Luce, the nephew of the wealthy governor at whose estate she is performing, is the first aristocrat to treat her kindly, and when he is subsequently captured by pirates, the young girl resolves to find and rescue him. Eight years later, Armeria has finally found the ship of the pirate responsible and, disguising herself as a boy, ventures aboard to find out what has become of her first love.

If you’re reminded of the plot of The Princess Bride, then you should be, because there are some similarities. Wanted is a far less coherent and satisfying story, however. It’s more like a series of vignettes—the one with the navy, the one with the map to a rare musical score—than anything else, and cuts off with disappointing abruptness.

It definitely has some good points: secrets that would normally be used to prolong angst are revealed early on, there are some genuinely fun moments, and the deckhands are pretty entertaining. On the negative side, Skulls is fond of nearly ravishing Armeria and tells her she’s useless far too often for my liking. The fact that she often proves him right by constantly requiring rescue just makes things worse.

As a final note, the bonus story at the end should be avoided at all costs; it manages to be confusing and dull simultaneously, which is not a winning combination.

Review copy provided by the publisher. Review originally published at Manga Recon.

Love*Com 8 by Aya Nakahara: B+

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Risa and Ôtani are finally going out, but she’s uncertain about how she’s supposed to act around him now. She’s got this preconceived notion of what a girlfriend should be, and internally beats herself up each time she fails to live up to that ideal. It helps some when Ôtani sets aside his natural reticence and introduces her to people as his girlfriend, but he still hasn’t articulated exactly why he loves her, and she’s having a hard time imagining what he could see in her.

Later, Ôtani’s neighbor, Mimi, finds out he’s got a new girlfriend and is furious. The beautiful and tall middle schooler has harbored a crush on him for years, but abandoned hope because she thought he only liked tiny girls. A lot of Mimi angst follows, and while it’s creditable that Risa sympathizes with her plight, the way this new character suddenly dominates the story is rather irksome.

Eventually, though, I realized that her purpose is to solidify the main couple’s relationship. We see that she really poses no threat to them at all, that Ôtani’s feelings never waver, and that he and Risa really are made for each other, rough edges and all. Having fulfilled this destiny, may she now go quietly away.

While this particular volume didn’t focus on the leads quite as much as I would’ve liked, it still excels at depicting the insecurities and awkwardness of this period in a relationship. That’s no surprise, since Love*Com has nailed many other aspects of first love. I’m sure it will continue to do so in the volumes to come.

Review copy provided by the publisher. Review originally published at Manga Recon.

Love*Com 7 by Aya Nakahara: A

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From the back cover:
Risa is sick of having her emotions yanked back and forth by her feelings for Ôtani, so she decides once and for all to just be friends. But when she tells Ôtani that she’s getting over him, he freaks out and tells her not to! Has the comedy duo turned into a couple?

Review:
It’s a special book that can make me grin like a great big doofus at least twice and get all teary-eyed by the final scene. That’s just how good this series is, and in particular this volume, where things finally, finally go where everyone has been wanting them to go.

It’s a slow build up throughout the volume, with some fantastic scenes along the way. Each chapter brings the two leads closer and closer together, and though I thought the terrific moment between them at her birthday party (see above re: doofus) was the apex of awesomeness, the final chapter surpasses it. Nakahara is excellent at body language in these scenes; I particularly love how Ôtani shyly ducks his head and turns away after giving Risa a little kiss.

Also, I’ve never been a fan of the insults these two have hurled at each other in the past, so I was happy that in this volume, I could really see them trying not to do that anymore. It helped that Ôtani actually said something encouraging to Risa, so she had that to rely on when his subsequent actions might’ve previously sent her into a tizzy.

I love that, now that they’re finally a couple, it doesn’t feel like the series ought to be over. It feels like “where will it go from here?”

Boys Over Flowers 16 by Yoko Kamio: A

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From the back cover:
Tsukasa’s 18th birthday doesn’t go smoothly at all! Tsukushi is introduced to Kaede, Tsukasa’s mother, by way of falling over a table and causing a scene. Kaede tells her to get out, but Tsukasa defends her by declaring that she is precious to him. Thus begins a three-sided war between the three most headstrong people you’ve ever seen! Tsukushi and Tsukasa get away for a while and spend some time on Tsukasa’s boat, but they can’t hide from Kaede forever…

Review:
A lot of awesome stuff happens in this volume!

Firstly, Kaede is such a great antagonist. Not only does she create strife for the two leads, she also sets off the sorrow in the lives of the other rich characters around. In the previous volume, Soujirou talked about how he cannot choose his own spouse, and now it seems that Tsubaki might have a lost love of her own. I hope that gets explored in future volumes.

Secondly, so many of the supporting cast get awesome things to do. Tsubaki has now completely redeemed herself for her bizarre actions of the past and is acting as Tsukasa’s champion of sorts, helping him get away from the party and then expressing concern at what their mother has planned for him. Tsukushi’s mom is also (very briefly) cool, showing for an instant a strong resemblance to her daughter.

Lastly, I loved the scenes with Tsukushi and Tsukasa on the boat, especially the part where they’re fishing and discussing their families. She also finally gives him the homemade cookies she made as a birthday gift; the awesome thing is that he’s still proudly showing them off two chapters later.

Kaede’s plot involves accelerating plans for Tsukasa’s arranged marriage with Shigeru, a tomboyish girl who is the first serious rival for Tsukasa’s affections that Tsukushi has faced. She’s likable and also seems to be amenable to the arrangement, not letting Tsukasa off the hook so easily.

All in all, a very solid volume through and through. Alas, I’m now caught up with my original reading plan (two per month, finishing just as the final volume comes out next June) so here’s where I’ll be pausing until next month. It’s soooo tempting to just keep plowing on, as this series is seriously addictive, but I expect I’ll regret it afterwards during the long wait between volumes.

Boys Over Flowers 15 by Yoko Kamio: B+

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From the back cover:
Junpei has promised to protect Tsukushi and always be there for her. His promise comes just in time, since Tsukushi has been given another of the infamous “red slips,” the mark of someone targeted for abuse. Meanwhile, Akira and Soujirou are desperately looking for Tsukasa, who has been gone for days. It turns out that Junpei harbors a terrible grudge against Tsukasa and is using Tsukushi as bait to get him! This has shockingly violent results. Later, Tsukushi gets dressed up and attends Tsukasa’s birthday party. Little does she realize the implications that attendance has!

Review:
Um, thanks for ruining any surprise anyone might’ve had regarding Junpei’s intentions, back cover blurb!

Anyways, the most important thing to come out of Junpei and his grudge is that Tsukasa submits to a beating from several guys he could’ve handily defeated because to fight back would’ve put Tsukushi in jeopardy. I love that when he arrives, she tearfully cries, “Why did you come?!” and he advises her to keep her eyes shut so she won’t have to witness the beating.

There follows a chapter that must’ve been a lot of fun to read in its serialized form. Tsukushi has a dream that Tsukasa has died from his injuries, and the next few pages seem to support this notion, with the F4 pretending to grieve, et cetera. She’s furious at the jest, of course, but it leads into another sweet scene between the two leads. Then the other members of the F4 try to convince Tsukushi again to give him a chance as a boyfriend, but she blurts out something derogatory and flees.

The effort to flesh out Akira and Soujirou continues, as well. When Tsukushi is invited to Tsukasa’s birthday party and is freaking out about possibly being introduced to his scary mother as his fiancée, Soujirou points out that sons of rich families are never allowed to marry a girl of their own choosing, so she should just relax because there’s no chance she’d ever be able to marry Tsukasa anyway. I thought that was a neat, kind of subtle way to place a new obstacle in the path of their relationship. And then, of course, Tsukasa’s mom becomes the physical embodiment of said obstacle.

These middle volumes are showing quite a consistent level of quality. Gone are the things like basketball showdowns and I hope they never return. We’re also heading into what was the final arc of the anime, so soon I’ll be into material that I’m completely unspoiled on.

My final thought comes in the form of a favorite quote. Tsukasa has, once again, gotten himself fired up over something at the drop of a hat, and one of the other F4 (possibly Akira) quips, “I wish my water heater worked like him.” Hee. So do I.

Boys Over Flowers 14 by Yoko Kamio: B+

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From the back cover:
Tsukasa’s raucous behavior at Tsukushi’s middle school class reunion has her fed up with him once again. Tsukasa is crushed by this but is too stubborn to apologize. Later, Tsukushi is assaulted by two schoolgirls and then rescued by a “young nerdy boy” who turns out to be Junpei, a famous male model who has been dying to meet Tsukushi! Her dumb luck then gets her involved in a photo shoot with him, and she ends up on the cover of a famous magazine. This causes quite a scene at school, but not nearly as big a scene as when Tsukasa finds the two of them together!

Review:
Setting aside my dislike of Tsukasa’s overreaction concerning Tsukushi’s middle school admirer, it actually sets up some pretty good stuff in this volume. Junpei (the younger brother of the admirer) is introduced, and though he seems yet another potential love interest for Tsukushi, he also provokes Tsukasa into admitting that he loves Tsukushi so much it makes him insane.

That confession is certainly wonderful, but even better is how Tsukushi can’t get his words and expression out of her mind. She had said she wanted him to leave her alone, but when a red slip appears in her locker, she sees it as a farewell from Tsukasa and it makes her sad.

Also good are Akira and Soujirou’s continued efforts to get Tsukushi and Tsukasa on the right track, this time by coaching Tsukasa on how to apologize for ruining her middle school gathering. My favorite panel in the whole volume features Akira and Soujirou eyeing Tsukasa warningly as Tsukushi approaches, Tsukasa glowering, and Kazuya waving doofily in the background. There are lots of other lovely panels, too; I particularly love how Tsukushi is drawn for her magazine photo shoot.

I’m uncertain how I feel about Junpei. So far, he’s okay, but I have some vague memory from the anime that I didn’t end up liking him very much. Sakurako is suspicious of him, too, which makes me think he’s up to something. Speaking of Sakurako, she seems to becoming more of a friend to Tsukushi, or at least helps her out when, spurred on by the red slip, the other students are chasing her.

It’s a little bit full circle now, with Tsukushi the victim of persecution again, but at least she finally knows how Tsukasa feels about her.

Slam Dunk 1 by Takehiko Inoue: B

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Sakuragi has never been a hit with girls. In fact, in three years of junior high he amassed an impressive fifty rejections! Now in his first year of high school, he once again believes he’s met the girl of his dreams. Haruko loves athletes, and basketball in particular, so to win her affections, Sakuragi becomes determined to join the school team.

This aim is complicated by Sakuragi’s overwhelming, almost painful stupidity and violent outbursts of temper. He mouths off within earshot of the captain (who also happens to be Haruko’s older brother) and publicly humiliates him in a basketball contest. Though he manages to control himself long enough to get onto the team, he is quickly frustrated by fundamentals training and ends up storming off the court in a huff.

I know Slam Dunk is a classic of sports manga, a genre I really like, but I didn’t enjoy it quite as much as I thought I would. Most of that has to do with Sakuragi’s temperament, though, so I’m hopeful that as he’s forced to learn discipline and teamwork, the ignorant boasting and random karate chopping will gradually subside. The actual playing and practicing of basketball is great fun to read, another reason I assume my enjoyment will increase in future installments.

I was both impressed and a little confused by Inoue’s artwork. The style is by turns realistic and comedic, and though sometimes it borders on unattractive, there are definitely moments of greatness. A page and a half spread of the basketball court is a particular standout; the way the panel is framed does an excellent job in conveying the size and height of the room.

The confusion stems from several characters that appear to be of African descent. Their names are Japanese, though, and one of them is Haruko’s brother, so I am assuming they’re not supposed to be a different ethnicity than their peers. I was also struck by the resemblance of one of Sakuragi’s buddies to the late Robert Goulet. Consider the evidence:

A number of extras are included in this volume, all without deviating from the standard Shonen Jump price of $7.99. The first chapter is printed entirely in color, and a glossy color section in back includes a profile of a real-life NBA superstar and some tips on how to perform a slam dunk. And a sticker!

I liked this okay, and I’m confident I’ll like the rest more. It’ll be a long wait until volume two–due out in February–but Viz recently announced that a new series is due to replace Slam Dunk in the magazine come March, so the frequency of releases ought to increase in the near future.

Review copy provided by the publisher. Review originally published at Manga Recon.