Jen Lee Quick

Gatesmith, Vol. 1

February 16, 2017 by Ash Brown

Creator: Jen Lee Quick
Publisher: Chromatic Press
ISBN: 9781987988079
Released: July 2016
Original run: 2014-2015

My introduction to the work of Jen Lee Quick was through her comic Off*Beat. The first two volumes of the series were originally published by Tokyopop after which the comic sadly languished unresolved until it was rescued by Chromatic Press, becoming one of the publisher’s flagship titles. After completing Off*Beat with Chromatic Press, Quick began working on a second comic series with the publisher called Gatesmith. The origins of Gatesmith actually date back to Quick’s Tokyopop days as well, but the ideas for comic have significantly changed since then. At least one thing has remained the same though–Gatesmith is a dark fantasy Western drastically different from Off*Beat. Gatesmith began serialization in Chromatic Press’ digital magazine Sparkler Monthly in 2014. The first volume concluded in 2015 and the serialized content was subsequently collected as an ebook along with an exclusive epilogue comic and the short prequel comic “Hungry.” A small print run of Gatesmith, Volume 1 was released in 2016. As a fan of Quick’s work, I was very happy to snag a copy.

Edgeward is a western frontier town undergoing a transformation as its residents slowly build it into a successful mining city. But Edgeward is also the home to numerous strange happenings, phenomena which some people attribute to the area’s large deposits of mythrilite, a promising but potentially dangerous new energy source which hasn’t yet been thoroughly studied. Modernization can carry along with it tremendous risks, but there seems to be something even more primal, ancient, and bizarre at work in Edgeward. On the outskirts of town, strange lights can be seen in the middle of the desert. Peculiar trees spontaneously emerge where no tree has any right growing. Rumors circulate about monsters and creatures of legend roaming about. Ranchers are losing livestock and are uncertain whether or not to blame humans or something much more diabolical. Whatever it is that is going on in Edgeward may very well have a greater meaning and far-reaching impact than anyone realizes.

The setting of Gatesmith, while beautiful, is also a harsh and frequently brutal one. Survival is certainly not guaranteed in such an unforgiving environment. The comic opens with an attack on a covered wagon that leaves everyone directly involved in the incident dead and the violence in the story doesn’t end there. At this point virtually everything is unknown in Gatesmith, and the unknown is very apt to get someone killed. Gatesmith, Volume 1 offers very few answers as Quick layers mystery upon mystery. In the series, myth, folklore, and the supernatural are closely intertwined with scientific, social, and technological progress. The anxieties surrounding the changing times are very real and sometimes manifest in unexpected ways. When humans are attempting to deal with things that they don’t completely comprehend or understand trouble naturally follows, but it’s not always the inhuman that people have to worry about–unintentionally or not, civilization can be just as destructive and isn’t necessarily always a positive force. Tremendous resilience and adaptability will be required of any of the characters who hope to reach the end of Gatesmith alive.

Gatesmith is off to an incredibly intriguing start with its first volume; I am intensely curious to see how the comic continues to develop from here. However, part of what makes Gatesmith so appealing and engrossing is also what makes the comic somewhat frustrating. Quick is working with several storylines and a marvelously diverse cast of characters, but this early on in the series the connections between them all are not immediately clear. With the many strange occurrences and often stranger characters involved in Gatesmith, the ultimate direction and drive of the story is somewhat obscured at the moment and the worldbuilding hasn’t yet been established in its entirety. What has been revealed so far is enticing and tantalizing, though. Gatesmith is an interesting blend of genres. Quick draws on traditions of Westerns, folklore, horror, and other speculative fiction without relying heavily on preexisting elements or well-worn tropes, combining them together in striking ways. Currently Gatesmith is on a break as Quick concentrates on a few other creative projects, but I hope to see more of the weirdly wonderful and wonderfully weird Western soon.

Off*Beat, Vol. 3

August 29, 2014 by Ash Brown

Creator: Jen Lee Quick
Publisher: Chromatic Press
ISBN: 9780991946648
Released: August 2014
Original run: 2013-2014

Nearly a decade after the series first began it’s finally here–the third and final volume in Jen Lee Quick’s Off*Beat. The first two graphic novels in the series were published by Tokyopop in 2005 and 2006, but the planned third volume never materialized and the first two volumes went out of print. For years fans were left languishing with one heck of a cliffhanger and with little hope of ever seeing the ending of Off*Beat. But then along comes a brand new publisher, Chromatic Press, to save the series, reprinting new editions of the first two volumes in 2013 and serializing the third in its digital multimedia magazine Sparkler Monthly. Off*Beat, Volume 3 made its debut in the first issue of Sparkler Monthly in 2013, reaching its conclusion in the ninth issue in 2014. The collected print edition of Off*Beat, Volume 3, which includes additional material not serialized online, was published later in 2014. As a long time fan of Off*Beat, I am absolutely thrilled to finally have the completed series.

With the next stage of the Gaia Project about to begin, Colin must make a decision. He knows that Tory has been spying on him–he even has one of Tory’s many notebooks recording his activities as proof–and despite Colin being drawn to the other young man, Tory seems to be lacking the attunement that Colin is hoping to find in another person. Though somewhat reluctant, Colin is preparing himself to end his strange relationship with Tory. As for Tory, what started out as a dubious obsession with his neighbor has grown into genuine affection. Although he is still intensely curious about the top-secret Gaia Project, he has begun to care less and less about it and more and more about Colin. He can’t seem to help himself. And so when Colin disappears without a word, Tory momentarily finds himself at a loss before applying all of his investigative skills into searching for him. He has very few clues to work with, but if nothing else Tory is meticulous and determined.

I really love the slow, natural development of Tory and Colin’s awkward relationship over the course of Off*Beat. It takes them all three volumes to recognize and come to terms with their complicated feelings for each other and matters are made even more difficult by Colin’s peculiar circumstances. They both have to figure out what to do about Colin’s devotion to the Gaia Project and how that will impact their budding relationship. One of the things that is never called into question in Off*Beat is the legitimacy of Colin and Tory’s liking each other–something about the series that makes me extraordinarily happy. If the two young men can somehow find a way to make their relationship work despite the strangeness of their situation, they have the ready support of family, friends, and classmates. That they would even be interested in another person romantically is what the drama stems from; a big deal is never made over the fact that they both happen to be guys. Their close relationships with the other characters in the series are another very important part of Off*Beat as well.

Off*Beat reaches a very satisfying conclusion with the third volume and yet at the same time it is open-ended enough that readers are left imagining all of the possibilities presented by the last few pages. Quick’s ending, like real life, is messy and complicated, but most of the plot threads are tied up in some fashion. Which is not to say that all of the questions have been answered–more has been revealed about the Gaia Project, but there is still plenty about it and about Colin himself that remains hidden and unknown even by the series’ end. The needed speculation may frustrate some readers, but I found it to be a believable and engaging aspect of the story. Despite all of the curious mysteries and top-secret projects, the characters’ relationships and feelings are both realistic and authentic. They all have their quirks, flaws, and strengths. It’s this beautifully strong human element in Off*Beat that really makes the series work. With the final volume of Off*Beat I find that I love the series more than ever. I am so incredibly happy to have finally been able to see the completion of such a wonderful story.

Off*Beat, Vol. 2

April 25, 2014 by Ash Brown

Creator: Jen Lee Quick
Publisher: Chromatic Press
ISBN: 9780991946617
Released: May 2013
Original release: 2006

The first two volumes of Jen Lee Quick’s graphic novel series Off*Beat were originally published by Tokyopop as part of its line of original English-language manga. A third volume was planned but never released by Tokyopop and Off*Beat sadly went out of print. I enjoyed the series and so was trilled when Chromatic Press brought Off*Beat back in a new edition with additional bonus content that previously hadn’t been released. The long-awaited third volume began serialization in Chromatic Press’ Sparkler Monthly as well. Off*Beat, Volume 2 was first released in 2006 while the Chromatic Press edition was released in 2013. By this point I have read the first two volumes of Off*Beat several times. My fondness for the series seems to only grow with each re-reading. I love the characters in all of their delightful awkwardness and I enjoy Quick’s sense of humor and the series’ drama a great deal. Off*Beat is a series that makes me happy to read and I’m even happier that it’s back in print so that more people can have a chance to enjoy it.

Tory has developed a bit of an obsession with his new next door neighbor Colin who moved in under strange circumstances. Intensely curious about the mysterious young man, Tory even managed to convince his mother to allow him to transfer to Colin’s high school so that he could learn more about him. (Of course, that wasn’t the reason that he gave her.) Colin is fairly introverted and isn’t really out to make friends but Tory did find a way to get closer to him by offering his services as a physics tutor. The extra attention that Colin receives from Tory hasn’t gone unnoticed. Although Colin has started to open up to Tory, he questions the other young man’s motives. Tory tries to pass off his always being around as a mere coincidence and says that he’s simply interested in becoming friends. But he is also interested in uncovering more information about “The Gaia Project,” a top-secret program that Colin has some sort of connection to. Unfortunately, Tory’s prying is about to get him into some trouble, just as he was beginning to figure out his relationship with Colin.

Most of Off*Beat, Volume 2 follows Tory’s perspective of events, but portions are also seen from Colin’s point of view as well as from those of Tory’s mother, their friend and neighbor Paul, and Tory’s classmate Mandy. Although I like all of the characters and enjoy the realism of their connections, one of my favorite parts of Off*Beat is the slow, natural development of Tory and Colin’s relationship. Tory’s interest may have begun out of mere curiosity, but Colin has become very important to him. Tory hasn’t quite realized it himself yet, but his friends and family (and the readers) can tell he has a crush. And it’s absolutely adorable. Quick captures perfectly the teenage awkwardness of a potential romance. Tory is almost constantly flustered and even Colin has begun to wonder confusedly why they seem to be drawn to each other. However, their relationship began under dubious circumstances at best. In addition to navigating the normal challenges of a budding romance, they will also have to deal with the fact that it all started because Tory was spying on Colin.

In part because of that, Tory is understandably under a fair amount of stress, something that exhibits itself through his dreams and his propensity for flights of fantasy. This is just one example of some of the excellent characterization in Off*Beat. Tory and Colin and all of the others have their good points and their bad, making them well-rounded characters with believable relationships. There is a fair amount of humor in their interactions and sarcasm is a common way that they communicate, which amuses me tremendously. Off*Beat also has an air of mystery about it. Both Colin an Tory have secrets that they’re keeping from each other and the enigma of Gaia Project is looming ever larger over the series. Quick has been slowly revealing more and more about the project, and about Colin, but there are still plenty of questions left to be answered. On top of that, Off*Beat, Volume 2 ends on one heck of a cliffhanger. I’m so glad that now, almost a decade after the series first began, that the conclusion will finally be revealed. I can’t wait to see how everything is resolved in the final volume. I truly love Off*Beat.