Accomplishments of the Duke’s Daughter, Vol. 3 | By Reai and Suki Umemiya | Seven Seas – Things get a bit more interesting with the third volume of this series. First of all, we have a potential love interest for Iris, who has not really been thinking about love ever since her exile. That said, he’s more than what he appears, and I suspect once Iris finds this out any love that is happening may hit the side of the road. Meanwhile, we also return to the school she was exiled from, to meet her former love interest and his new fiancee, who… well, let’s just say she’s no Maria Campbell. The book ends with a cliffhanger, as Iris is invited to a royal ball, where she will no doubt be pilloried. Hopefully she can withstand it. I also hope Dean is a good guy. So “I’m an otome villainess” is a huge genre now, huh? – Sean Gaffney
Ao Haru Ride, Vol. 4 | By Io Sakisaka | Viz Media – Just because we have had a love epiphany does not mean everything is hunky dory. We’re still getting tastes of Kou’s past, and why he keeps walling himself off from people. His mother’s death hit him hard, and he’s annoyed at Futaba less for being nosy and more for the fact that she’s refusing to be upset by him and pull away. Her resolve to continue to bring him closer to people—even if through the use of righteous violence—is the highlight of the book. There’s also Yuri, who is trying hard to win Kou’s heart but really has gotten there far too late. The end of this volume comes full circle, with Kou inviting Futaba to keep the appointment that they never did years ago. A very well-handled shoujo romance. – Sean Gaffney
Himouto! Umaru-chan, Vol. 5 | By Sankakuhead | Seven Seas – This series has gradually moved from amusing jokes about Umaru’s double life as a perfect student and a hikki otaku to the family that the core cast are becoming, and while there are still some great punchlines, we’re moving into the “here for the sweet bits” category. Tachibana may not know who Umaru’s alter ego really is, but she’s damn enthusiastic about being the best friend ever, and while I wish Umaru would just come clean, the Christmas ending was really nice. Speaking of which, Ebina has gradually been coming out of her shell, to the point that the cliffhanger of the volume seems to involve her confessing to Taihei. We’re not even halfway through the series, though, so don’t hold your breath. – Sean Gaffney
My Sweet Girl, Vol. 2 | By Rumi Ichinohe | Kodansha Comics (digital only) – Tsugumi Koeda is thin and tiny, and never felt she was the sort of person who would get to experience love, but that changed when she met Masamune Sena. In this volume, summer vacation has arrived and Tsugumi and Masamune visit the sea with friends. Then, he gets sick and she makes rice porridge. And then it’s suddenly the school festival and Tsugumi is playing Cinderella. If you think these sound like major shoujo clichés, you’re absolutely correct. I wish I could like My Sweet Girl more, because I appreciate its themes of self-acceptance, but the shoujo-by-the-numbers approach holds me back. For every genuinely cute moment between Tsugumi and Masamune (and I did appreciate that they’re already open about their feelings), there’s a lame trip-and-fall moment or some randomly snide strangers in a coffee shop. I like it enough to keep reading, though, and to continue hoping it improves. – Michelle Smith
Ran the Peerless Beauty, Vol. 2 | By Ammitsu | Kodansha Comics (digital only) – As with the first book, it’s hard not to compare this series to Kimi ni Todoke. If the latter had a more laser focus on the main relationship it might seem a bit like this. Ran and Akira slowly grow closer, despite her introversion and second-guessing of herself. There’s a great bit where she helps out at his flower shop, thinking it’s a good opportunity to grow closer, only to castigate herself when she realizes he’s worried about his sick mother. (We also meet the mom—she’s great.) There are also moments of great character humor, such as an athletics festival that ends with a “princess carry,” which you think is going to be triumphant and… isn’t. It’s sweet, though. As is the whole series. – Sean Gaffney
Smashed: Junji Ito Story Collection | By Junji Ito | Viz Media – Gathering together thirteen of Ito’s short horror manga in a single, hardcover volume, Smashed is the most recent installment in Viz Media’s ever-expanding catalog of the master creator’s work. A rather disturbing and disturbed individual named Soichi is featured in three of the stories, but otherwise the tales collected in the volume aren’t directly related to one another. But even so, all of the manga work nicely together as an anthology. The Japanese word that has been translated as “smashed” is “kaidan,” a homophone of which gives name to a particular type of ghost story, urban legend, and uncanny tale. I can’t imagine this was an accident since the manga in Smashed either firmly fall within or are strongly reminiscent of the category. Some of the stories are less memorable than the others, but as a whole, Smashed is still a solid collection of engaging horror manga. – Ash Brown
The Water Dragon’s Bride, Vol. 9 | By Rei Toma | Viz Media – Much as this series has been a romantic drama, it’s also looks at the nature of gods and belief, and how easily that can be swayed by the environment, particularly when bad people are helping to do the swaying. The Emperor has been dethroned, the Water God is particularly unpopular right now, and, in the most chilling scene in the book, Kurose’s desire to resurrect his dead little sister figure has been completely papered over with generic “dark evilness”—this is what being dedicated to revenge gets you. There’s only two volumes to go after this one, and I admit I’ve no idea where the ending is going to go. This has become my favorite Rei Toma series. – Sean Gaffney
We Never Learn, Vol. 3 | By Taishi Tsutsui | Viz Media – Since my last brief, the anime version of We Never Learn has debuted, and having watched it, I think it’s safe to say I prefer its fanservice in print form. The author is sometimes clever in getting us that service—one chapter has everyone hearing that studying in the bath works better, so we see them all bathing, complete with fantasies they’re doing it together. The series continues to balance the romance with the studying, working them together a lot. We have two obvious pairings now, mostly as Fumino is still trying to be a good friend towards the other two—or just hasn’t realized it yet. As for Kirisu-sensei—well, she turns out to be a bit of a disaster… and also has a tragic past. Mildly recommended. – Sean Gaffney
World’s End and Apricot Jam, Vol. 3 | By Rila Kirishima | Kodansha Comics (digital only) – Anzu finally stops fighting against his feelings for Hina and they start dating. After a chaste month passes, during which they only manage two smooches, Hina returns from a school trip to find Anzu’s apartment empty. It turns out his band has been signed to a major label and their new producer has demanded that Anzu move out of Apricot House and break up with Hina. Anzu continues to date her in secret, however, and the volume ends with them apparently busted. It’s shoujo drama at its finest. What I don’t like are the mixed singles Anzu sends, particularly when he breaks bad for a second and acts out the scenario Hina most fears, in which he tells her it was all just a game to him. He genuinely makes her cry for a moment, and it was kind of shitty. – Michelle Smith