Akashic Records of Bastard Magica Instructor, Vol. 5 | By Hitsuji Tarou, Tsunemi Aosa and Kurone Mishima | Seven Seas – I had forgotten to review the last volume of this, which likely says a lot. That said, it’s still all right, it’s just its character beats are predictable. Re=L has joined Glenn and the others, and slowly starts to integrate with the class, so naturally something comes along that makes her turns traitor. Rumia’s identity is now a bit more well known, which means she’s stuck playing damsel again. Still, if you like action this is decent enough, and the villains are fun provided you don’t mind that they sneer and cackle. This is not really top-drawer manga, but it’s decent enough if you’re already a fan of the characters. – Sean Gaffney
Anne Happy, Vol. 8 | By Cotoji | Yen Press – Over a year has passed since I last reviewed Anne Happy, and I will admit I had forgotten who some of the girls are. It came back easily enough, though, and the majority of this volume is devoted to wrapping up the school’s athletics festival, whose end result was something of a surprise to me, though they at least do try to give some justification for it. The rest of the book has little chapters that coast along cutely while the author prepares for the endgame, which I believe is coming soon. We see why Ren is so beloved, watch the class pick out library books for each other, and get a glimpse into Anne and Hibari’s home lives—Anne, for once, is better off. This continues to be mildly cute and funny, and will appeal to fans of the same. – Sean Gaffney
Beasts of Abigaile, Vol. 4 | By Spica Aoki| Seven Seas – I was unaware this ended with volume four, and sure enough, the ending is super abrupt. Still, it justifies most of what was going on, and the core of the series—Nina’s plucky stubbornness and caring, and her relationship with Roy—is still there. We also get to know the villainess of the series, and how she too once had Nina’s ideals but was unable to succeed, and in the end is destroyed. It’s a shame it ended so fast, as there were a lot of characters who I felt were going to get more focus in future volumes that mostly just ended up getting a few shots in for the ending. Still, overall I’d call this series a success, and I’d like to see more from the author—fortunately, Yen Press has her new series starting next year. – Sean Gaffney
Durarara!! re: Dollars Arc, Vol. 3 | By Ryohgo Narita, Suzuhito Yasuda, and Aogiri | Yen Press – This volume adapts some of my favorite parts of both the novels and anime, and though it still comes in third, it’s a little better than the previous volume in that regard. We get Mikado and his pen, the return of Vorona and her bonding with Shizuo, Akane joining the dojo and also bonding with Shizuo, and Akibayashi’s backstory, as well as the reintroduction of … um … well, I can’t remember her name, and Izaya can’t remember her at all, to the point where we need a flashback to realize she’s the girl he did the “suicide club” thing with back in the first volume. Honestly, though, she’s there to jump start Izaya, who I’m sure will be making everything worse soon. Recommended for those who don’t read prose or watch anime. – Sean Gaffney
Erased, Vol. 5 | By Kei Sanbe | Yen Press – After the completion of Erased, Sanbe created four additional stories which take place during the events of the series proper. Released as a ninth volume of Erased in Japan, the collection makes up the fifth volume in the English-language edition of the manga. The volume generally (but not exclusively) addresses the time period during which the series’ main protagonist and point-of-view character Satoru Fujinuma is in a coma. The four vignettes follow the people who arguably play the most important roles in Satoru’s life, allowing crucial moments of Erased to be seen from their own perspectives rather than his—Kayo Hinazuki, the girl he was intent on saving; Kenya Kobayashi, his close friend and confidant; Sachiko Fujinuma, his beloved mother (my personal favorite); and Airi Katagiri, the young woman who would come to mean so much to him as an adult. The stories are all an interesting addition to Erased. – Ash Brown
Fruits Basket Another, Vol. 2 | By Natsuki Takaya| Yen Press – It’s been revealed that this manga will end with the third volume, which seems about right. This is not quite as rage-inducing as the first book, despite still having the flaw of viewing the original Furuba cast through their children, rather than viewing the children as their own characters. It does throw a few welcome bones to longtime readers—the creepiest implied ship of the original series does not in fact happen, as Hanajima marries some Italian guy. Oh, and Momiji is back in his sister’s life, and we see her (we can’t see the original cast). There’s still examination of abusive parents, but because we can’t make the original cast do that (they’re more smothering), it’s foisted on the new heroine. For diehards. – Sean Gaffney
Good Dog, Cerberus! | By Moha Arimura | Kodansha Comics (digital only) – Good Dog, Cerberus! is a full-color, four-panel comic about Cerberus, the easily bribed guardian of the gates to the underworld, and Lord Hades, who is publicly stern and heartless but a total pushover when it comes to his ill-behaved dog. It’s not even 100 pages long, so it’ll be no surprise that there’s not much to this, really. Cerberus does typical dog things like get dirty and chase pigeons (well, harpies in this case) and try to carry big sticks through doorframes horizontally. There are a few cameos by other mythological figures, like the ferryman of the River Styx, and I learned that Medusa actually had two sisters. That said, it’s neither funny enough nor cute enough nor narratively propelled enough that I can really recommend it. Briefly diverting, at best. – Michelle Smith
Kimi ni Todoke: From Me to You, Vol. 30 | By Karuho Shiina | Viz Media – We have an ending to a great series. Much to my surprise, the two purest kids in all of shoujo manga (well, if you don’t count My Love Story!!) end up actually consummating their relationship in this final volume, though it’s handled very tastefully. Everyone is moving away to college, getting new apartments, or (in the case of Chizuru) running the shop and waiting for her man to come home. Pin has all new students, and hopefully won’t have any fall for him the way Ayano did. I also really liked the ‘flashforward’ for Ayano being that people warm to her and think she’s nice. Honestly, she was my favorite character. That said, Sawako was also amazing, and this series is hers in the end. I’ll miss it, and consider it essential. – Sean Gaffney
Kimi ni Todoke: From Me to You, Vol. 30 | By Karuho Shiina | VIZ Media – It seems that a lot of series are coming to a close this month, but I’ve been reading Kimi ni Todoke longer than any of the others. Saying goodbye to it gives me a pang, but at least it’s a good ending, filled with teary scenes during which characters bid farewell to the way things used to be while looking forward to the new life that awaits. Some standout moments involve Kurumi realizing that her crush on Kazehaya led her to the best friend she’s ever had and Sawako being able to greet a new classmate naturally and with a lovely smile on her face. Everyone has changed for the better, including the relationship of our central couple, which has matured and strengthened of late. And did I sniffle quite a lot when they finally called each other by their first names? Reader, I did. – Michelle Smith
Otherworldly Izakaya Nobu, Vol. 2 | By Natsuya Semikawa and Virginia Nitouhei | Udon Entertainment – In case you hadn’t guessed by the cover, we get a new regular in this book. She starts off as a thief, but she’s the cute “stealing for my younger siblings” sort of thief, and quickly becomes a dishwasher and general helper thanks to the kindhearted staff. We also get more of what we saw in the first volume, which is to say fantasy/isekai “types” dropping in and having classic izakaya meals. There’s a few reminders that this is a more medieval world—the girl from the previous volume is now married, much to Shinobu’s surprise, as she was like fourteen. We also get a chapter showing us the other side of the story, as Effa (the little girl) breaks out and gets a tour of modern Japan. Cute foodie manga. – Sean Gaffney
Sacrificial Princess and the King of Beasts, Vol. 3 | By Yu Tomofuji | Yen Press – Ah, the childhood friend who was always in love with the heroine even though she didn’t realize it. A classic trope, but it’s handled well here, as he also hates beastmen with a passion—which is not a surprise given the flashback to his youth, where a beastman eats his little sister like she was a tater tot. So he’s come to kick ass and take Sariphi back, and of course is not taking no for an answer, even if that means ignoring her own will and feelings. As for Leonhart, well, he’s not used to jealousy, but he cares deeply for Sariphi, so comes off very well here. I continue to enjoy the way this series is handling a common theme, and am pleased that it’s still ongoing in Japan, allowing for more character depth. – Sean Gaffney
Sword Art Online: Progressive, Vol. 7 | By Kiseki Himura and Reki Kawahara | Yen Press – Technically the series “ends” here, though we’re told that it will continue on with a different artist in Japan. For the moment, the cover shows us the reason we’ve wanted to read this manga—Kirito and Asuna as back to back badasses, and Argo staring out at the reader reminding us she’s the real star of the show. Well, OK, Asuna and Kizmel are the stars of this volume—for once, Kirito’s fight comes off second-best, as the teamwork between the two women is simply stunning (indeed, Argo, serving as the Greek chorus, gets some great stunned expressions here). As I said last time, a rare light novel adaptation that expands and enriches the source enough that it deserves reading on its own. – Sean Gaffney
Takane & Hana, Vol. 6 | By Yuki Shiwasu | VIZ Media – After a Christmas interlude during which Hana realizes that maybe she really does like Takane and a chapter about chastising Nicola for his thoughtlessly flirtatious treatment of innocent Mizuki, a rather interesting plot development occurs. Worried that Takane’s confidence is “rooted in the things that were handed to [him],” his grandfather freezes all his accounts, demotes him at work, and moves him into a shabby apartment. Ashamed, Takane distances himself from Hana and makes her leave when she eventually discovers his whereabouts. This part is somewhat frustrating, since he should know by now that his wealth was never something she cared about, but it does at least provide an opportunity for her to make that abundantly clear (and for Okamon to give her a cute pep talk). I only wish she’d actually said, “All along, I’ve only ever seen you, Takane” out loud. Probably too soon for that, though. – Michelle Smith