Bookshelf Briefs 8/27/18

Bloom Into You, Vol. 5 | By Nakatani Nio | Seven Seas – Yuu works with Kanou to get the ending of the student council play rewritten so that the character Touko’s playing won’t disregard the her of the present to pretend to be the her of the past. When Touko sees the new script, especially the requirement that she now say a line about how her choices have been wrong, she’s rather put out and expects Sayaka to support her, but instead, Sayaka is with Yuu on this one. Finally, though, Yuu seems to be getting through to her with an impassioned speech about, “You’ve been you all this time!” I do think Touko probably needs to be in therapy, but it seems like her love for Yuu, something her sister never had, might be showing her the path to her real self, and that’s kind of neat. I’ll keep reading! – Michelle Smith

Giant Killing, Vol. 13 | By Masaya Tsunamoto and Tsujitomo | Kodansha Comics (digital only) – There are twenty minutes left in ETU’s game against Tokyo Victory and their early one-point lead is in jeopardy as Victory’s previously injured ace, Mochida, takes the field. It’s probably too early in the series for ETU to achieve an outright victory over the league champions, but they at least hold them to a draw, with Tsubaki playing with a lot more confidence than in their prior matchup. It’s awesome to see how much he’s grown. Next, over midseason break, some of the players have been drafted for an exhibition game between the league’s Japanese all-stars and its foreign players, with ETU management hoping an MVP recognition might appease their sponsors, particularly the son of a wealty donor who is not as enamored of the club as his father is. Basically: this is grown-up sports manga and it’s great. – Michelle Smith

Hakumei & Mikochi: Tiny Little Life in the Woods, Vol. 1 | By Takuto Kashiki | Yen Press – It’s the manga’s subtitle that reveals the conceit that separates Hakumei & Mikochi from any number of other slice-of-life series currently being released. The two titular characters, like everyone else in the manga, are tiny. Like, using-beetles-as-a-mode-of-transportation small. Overall the tone of the manga is calming and optimistic although it’s not without its moments of danger and drama as the story follows Hakumei and Mikochi through their day-to-day lives. Mikochi is the more quiet and reserved of the two while Hakumei is more energetic and outgoing. The two young women live with, support, and look out for each other. The artwork of the series is detailed, with particular attention given to creating a well-realized setting and portraying the beauty of nature. At this point there’s no evidence whatsoever of humans encroaching upon the surprisingly gentle world of Hakumei & Mikochi, and I suspect that will be the case for the entire series. – Ash Brown

Lovesick Ellie, Vol. 6 | By Fujimomo | Kodansha Comics (digital only) – The drama in this volume mostly hinges on communication fails and I’m sorry to say that it’s getting old. Some of it is pretty good, like when Sara’s feelings get hurt when she realizes that Ellie never told her when she and Akira officially started going out. But it’s frustrating when Ellie irrationally decides that Akira does not actually care about receiving the Valentine’s Day chocolates she made for him. It’s just so stupid because it’s obvious that it means a lot to him! The cuteness of the resulting smoochy times just can’t make up for such a dumb moment. To top it all off, the friendless boy with whom Ellie sympathizes, despite Akira’s jealousy, is now poised to be a rival for her affections. Whee, a love triangle. My favorite. I hope I can continue to enjoy this series going forward, but I’m not so sure. – Michelle Smith

Scum’s Wish, Vol. 8 | By Mengo Yokoyari | Yen Press – The final volume of Scum’s Wish ends as it began, with the horrible pangs of unrequited teenage love. Neither Hanabi nor Mugi gets what they want, and while it would be really easy for them to take comfort in each other, they can’t bring themselves to do it. They just don’t have those feelings. It’s well-portrayed. Slightly less so is Akane, who seems to end up with Narumi because of his acceptance and love of who she is, including the awful bits—it’s fine if she cheats on him, he says with a smile. This leads her to the revelation that she really does want to marry him, but it feels, like most of Scum’s Wish, a bit more sordid than I’d like. There’s a sequel, but I suspect this may be it for the title over here. It was good, but painful. – Sean Gaffney

Stupid Love Comedy | By Syusyusyu Sakurai | Yen Press – For a manga with “love comedy” in the title, Stupid Love Comedy has surprisingly little romance in it. Suzu Sakura is a manga creator described as a natural genius but who requires quite a bit of oversight from her editors in order to keep her on schedule. Stupid Love Comedy opens with her being assigned a new editor, Osamu Hasegawa, who is less inclined to put up with her antics and excuses. Feelings of love aren’t completely absent from the story, and in some ways the series is set up like a reverse harem (every guy Sakura works with is incredibly attractive), but for the most part the true love of the various characters is the creation of manga. The stories and characters of Stupid Love Comedy are based on real-life people and experiences, the series providing a humorous, entertaining, and at times outrageous behind-the-scenes look at the manga industry. – Ash Brown

Tales of Wedding Rings, Vol. 3 | By Maybe | Yen Press – Last time I said the series was avoiding the obvious harem fantasy tropes, and while I enjoyed this volume as well, I can’t say that here. From catgirls to “my future husband must defeat me in combat,” it’s all present and correct. What’s more, Wife #1 Hime is starting to feel a bit jealous, and also somewhat inadequate compared to the powerhouses Satou is picking up. Still, she’s first among equals, and I think that fans of harem romances will… well, OK, fans of harem romances will be upset there was no nookie here either—Souma explicitly wants to wait till he’s back home in Japan. Next time we’ll get a new princess, no doubt, but I think the series works best when it’s focused on Satou and Hime. – Sean Gaffney

Toppu GP, Vol. 3 | By Kosuke Fujishima | Kodansha Comics – Everyone loves Myne, the Belldandy of this series, though she doesn’t really seem to have her eye on anyone. Which is good, as the romance would get in the way of the bike-racing and bike-training. The majority of this is basically watching awesome motocross racing and giving advice to newbies on how to get better, which includes things like “don’t ride when you are frustrated or you’ll injure yourself.” Toppu is a lot more young and teenage than the Keiichi ever was—actually, to be honest, he resembles the Keiichi at the start of Oh My Goddess!, before he became sexless by design. This comes out once in a blue moon, but it’s still a good title for Fujishima or biking fans. – Sean Gaffney

Yowamushi Pedal, Vol. 9 | By Wataru Watanabe | Yen Press – Day Two is over, and it will come as no surprise to anyone to learn that Midousuji’s way of biking is not going to come out on top. He gets a tragic backstory that makes things more understandable, but at the end of the day I still sort of hate him. Fortunately, this volume is far more balanced between the three teams, giving everyone a chance to show off, be really shonen, and demonstrate to the reader how cool, powerful, and exhausting this all is. The book reads as fast as the race, as you find yourself pulled along by the lineart. So with two days down and one to go, I expect some downtime in the next book. However, I still can’t wait to read it. Addicting. – Sean Gaffney