The Full-Time Wife Escapist, Vol. 9 | By Tsunami Umino | Kodansha Comics (digital only) – And so, The Full-Time Wife Escapist comes to a close. It’s a little disappointing that Mikuri and Hiramasa spend most of their time fine-tuning their living arrangements (divvying up chores, etc.) and not rejoicing in their love for each other, but they do get some nice moments near the end. I was way more interested in the Yuri/Kazami pairing anyway, and this finale did not leave me hanging in that regard (although I’d like to kick Kazami’s audaciously meddling coworker Igarashi to another planet). Even Numata gets a boyfriend, though it’s not quite “pair the spares,” since Mikuri’s friend remains single. She’s the one who speaks what I reckon might be the theme of the series: “There are all sorts of directions you can go in life, huh?” Indeed. This series has been a very enjoyable demonstration of that fact. – Michelle Smith
Giant Killing, Vol. 10 | By Masaya Tsunamoto and Tsujitomo | Kodansha Comics (digital only) – For the first time in three years, East Tokyo United has made it through the Japan Cup qualifier league. They face a challenge in their next regular match, though, since Murakoshi and Gino are sidelined (for reasons of penalty and injury, respectively) in the game against a team with a lot of talented young players. Tatsumi decides to field many of the older veterans in the match, but temporarily awards the captain’s armband to Tsubaki to help him build confidence. It’s your typical exciting soccer stuff, really, though I appreciate meeting another coach who cares a lot about seeing his players grow and Tatsumi’s curry party with the fans was nice, too. I’m starting to get a sense for more of the players on the team, and they’re starting to buy into Tatsumi’s vision. Perfectly executed sports manga! – Michelle Smith
Haikyu!!, Vol. 20 | By Haruichi Furudate | Viz Media – Here I am once again, trying to fill up a Bookshelf Brief with words that are more than “Well, that sure is volleyball” while also trying to convey that I am genuinely enjoying this series. We go from the fourth to the fifth set here, and it’s starting to take its toll on both teams, who are becoming rather exhausted. There’s more injuries to deal with too, as Tsukishima, already having achieved his character development, seems to break a pinky. But the most interesting part to me was the breaking of the “back and forth” scoring, as Karasuno runs up a big lead and then sees it vanish and they end up in a big hole. Haikyu!! makes volleyball seem exciting and I hope makes young kids want to play it. – Sean Gaffney
Kiss Me at the Stroke of Midnight, Vol. 3 | By Rin Mikimoto | Kodansha Comics – Still having fun, and I’d call this series ‘solid’ now. As the back cover makes clear, the faces continue to be a comedic highlight—the top of page sixteen is probably not as filthy as I thought it was, but it made me chuckle regardless. Much of this volume is devoted to a narcissistic member of Kaede’s old idol group, and his desire to seduce Hinana just so that he can rub it in Kaede’s face. This goes about as well as you’d expect, which is to say not at all. No, if there’s an upcoming serious danger, it may be more on the career front. I like how this manga is quite sexy without going into the sometimes sordid side that you see in some shoujo titles. Definitely a keeper by now. – Sean Gaffney
orange: future | By Ichigo Takano | Seven Seas – This sixth volume of orange features Suwa as the protagonist. The first part gives an accelerated version of his point-of-view of the original story and culminates in a “ten years in the future” moment that the future selves get to see in a shared dream. The rest of the volume shows how the future originally played out after Kakeru’s death, and how Suwa wooed Naho with some of the things Kakeru had said he wanted to do with her (thus using him and feeling like a scumbag for it) but managing to win her heart by being himself. It’s sweet, and though theirs is a different sort of love, it doesn’t feel unearned. I was happy that Takano-sensei has recaptured the same magical feeling; no need to worry that reading this will spoil your orange experience. – Michelle Smith
Red Colored Elegy | By Seiichi Hayashi | Drawn & Quarterly – Several volumes of Hayashi’s avant-garde manga have now been released in English, but the first and perhaps most immediately accessible was Red Colored Elegy, an influential work from the early 1970s which originally graced the pages of the alternative manga magazine Garo. The book has since gone out of print, but happily Red Colored Elegy will soon be re-released in a new edition accompanied by an extensive and incredibly illuminating essay by comics scholar Ryan Holmberg outlining the context and legacy of Hayashi and his manga. Red Colored Elegy is a stylistic and moody love story following the lives of Ichiro and Sachiko, two struggling young artists working in the animation industry, and the tumultuous relationship between them. It’s been a few years since I first encountered the manga, but even after multiple readings it remains a tremendous and beautifully crafted work with striking visuals and an emotionally resonant core. – Ash Brown
SP Baby, Vol. 2 | By Maki Enjoji | Viz Media – The author implies in the afterword that this series ended at only two volumes because of her pregnancy and subsequent childbirth, but honestly I suspect it wouldn’t have had a long life regardless. There was one section of the book I genuinely really liked, which had Tamaki reliving her traumatic past after an attempt of Kagetora’s life, which felt real and earned. Unfortunately, this is followed by such a manufactured climax that I had trouble realizing what actually happened before it was already resolved. At least we did have her realize she’s much rather kick ass as a bodyguard than stand around being a housewife. Still, in the end this is a bit of a damp squib. – Sean Gaffney
Toriko, Vol. 41 | By Mitsutoshi Shimabukuro | Viz Media – Still lots of fights, still very little food preparation, though they at least attempt to discuss how to prepare god. Sadly, I fear that in the end Toriko is far more influenced by battle manga than I’d like, and I miss the series’ early charm. Also, Komatsu is almost entirely absent from this book, and it shows. This despite the fact that we get what seems like every single cast member since volume one showing up to help in the final fight. (Tommyrod? Really?) If you like shounen GAR, there’s plenty to sink your teeth into here, with lots of “you fool, you underestimated me.” “No, you underestimated ME!” going on. As for me, still counting down to the end of this series that’s worn out its welcome. – Sean Gaffney