Cutie Honey a Go Go! | By Shimpei Itoh | Seven Seas – Over the years Go Nagai’s Cutie Honey has seen numerous incarnations, including live-action, anime, and manga adaptations. Cutie Honey a Go Go!, a collaboration between manga creator Shimpei Itoh and Hideaki Anno, is directly based on Nagai’s original manga. The short manga series has been collected in its entirety along with additional material in a single, action-packed volume. Although I have been aware of Cutie Honey for quite some time, Cutie Honey a Go Go! was actually my entrée into the franchise. It’s a tremendous amount of fun, even considering that Itoh had to wrap up the manga earlier than hoped. The story about an endearing super-powered android and the gun-toting investigator keeping tabs on her ends rather abruptly as a result, but the series’ likeable characters and terrific sense of humor more than make up for that fact. The manga is full of capable, kick-butt women. – Ash Brown
Fairy Tail S, Vol. 2 | By Hiro Mashima | Kodansha Comics – A good number of Fairy Tail spin-offs, sequels, and prequels have already been translated with even more to come, a testament to the franchise’s popularity. While some of those manga are accessible to those unfamiliar with the original, Fairy Tail S is definitely intended for established fans. It’s a short series, only two volumes, collecting a variety of omake, side stories, crossovers, four-panel comics, and other short Fairy Tail manga. One of the crossovers in the second volume of Fairy Tail S is with Hitoshi Iwaaki’s Parasyte (also recently published in the Neo-Parasyte M anthology) while another is with Hiro Mashima’s own Rave Master. Most of the stories tend towards the humorous and include a fair amount of fanservice, but some do have more serious, heartfelt moments, too. Lucy features prominently in the second volume though many of the other characters get their time in the spotlight as well. – Ash Brown
Go For It, Nakamura! | By Syundei | Seven Seas –The retro-looking Takahashi-esque cover for Go For It, Nakamura! promised a cute story and that’s exactly what it delivers. Sixteen-year-old Okuto Nakamura has known since he was very young that he’s gay, and when he spies adorable Aiki Hirose at the opening ceremony, he falls in love. Nakamura is shy, however, and has trouble approaching Hirose. After a couple of incidents that go awry, he soon begins to make some headway, courtesy of things like filling in for a dramatic performance, scaring off some bullies, and being the victim of an overly friendly cockroach. It’s adorable and sweet and completely teen-rated, which makes it a good choice if you’re in the mood for standalone brain balm. – Michelle Smith
Haikyu!!, Vol. 25 | By Haruichi Furudate | VIZ Media – Hinata continues to use the opportunity to observe at the prefectural rookie camp to great advantage, and ends up seeing something that actually enables him to help one of the participants. This serves him well once he’s back with his regular team, as he notices that Tsukishima is capable of more, which prompts Kageyama to (after some arguing and angst) decide that maybe it’s okay to bring back his king persona if it means he can demand the best from his teammates. Everyone’s getting better, which is nifty, but I’m especially keen to see how much better Hinata really has gotten at defense after his time away. I thought Haikyu!! was good before, but now it feels like it’s getting even better! I am so down for that. – Michelle Smith
Himouto! Umaru-chan, Vol. 2 | By Sankakuhead | Seven Seas – The series here (despite the presence of a few “pilots” at the end) seems to have settled into what it wants to be. We get Motoba fully integrated into the cast, becoming convinced that the blobby “indoor” Umaru is actually the little sister of the Umaru she knows. We get a bit of backstory for Ebina, and find out why she seems to be crushing on Taihei so hard. (He’s the only one who didn’t greet her by staring at her large breasts.) I do wish we’d see a bit more of the contrast between the two Umarus, and perhaps a bit more school stuff (the two could combine, in fact), but I understand why it’s easier to write for blobby Umaru. This is not high art, but is amusing moe fun. – Sean Gaffney
Kaguya-sama: Love Is War, Vol. 3 | By Aka Akasaka | Viz Media – The cover this time has Ai, Kaguya’s childhood friend, maid, and minder, not in that order, and she gets a couple of chapters to herself. The bigger deal here, though, is the introduction of Yu Ishigami, another member of the student council, who is a capable treasurer but filled with depression and paranoia. He has a great ability to read the room except when it will get him into trouble, and he’s absolutely terrified of Kaguya, who thinks he gets in the way of her machinations against Miyuki too much. And then there’s Chika, still my favorite, who manages to be super innocent while at the same time more worldsly than Kaguya, and also discovers that training Miyuki will always bring pain. Hilarious. – Sean Gaffney
Kiss Him, Not Me!, Vol. 14 | By Junko | Kodansha Comics – Kiss Him, Not Me ends here, and it does a very good job of wrapping up its storylines. We see Kae and Mutsumi as nervous virgins (the high point of the book may be Yusuke, the non-virgin, having to advise everyone else on sex). We negotiate the dreaded “I am going to college far from you” speedbump, and see Kae actually abandoning her BL obsessions for study so that she can eventually join him. And we see a wedding—and yes, Kae is fat for it, but it is for once not for the sake of comedy (much), and given she fits in her dress fine you suspect they planned for it anyway. We even get to see a kid, who is (of course) named Shion. And, though there were annoying hints, they avoided making Shima het at the last minute. Good job. – Sean Gaffney
One-Punch Man, Vol. 14 | By ONE and Yusuke Murata | Viz Media – One-Punch Man puts its humor on the back burner for the most part in this volume. It helps that Saitama is absent from about 2/3 of it. The gist of it is Goketsu, a monster who used to be human, showing up at the tournament to offer the other participants a chance to turn into monsters as well—or die. What follows shows off the difference between those who are heroes to protect or save people, and those who are heroes to show off how powerful they are. Suiryu gets the bulk of the character development here, though he mostly gets his ass kicked. But let’s face it, the main reason to read this is the absolutely gorgeous action sequences, which are almost works of art. I’m hoping for more funny stuff next time, though.-Sean Gaffney
The Water Dragon’s Bride, Vol. 6 | By Rei Toma | Viz Media – This went from “solid shoujo” to “lights-out fantastic” in one volume, and I’m still stunned. When the dragon god realizes that just being his priestess is putting Asahi in danger, he tries to fix it. And tries again. And then tries again. Each attempt is amazing to read—he tries putting her in a fake life back on Earth where fun times keep repeating, but she notices. Then he tries memory erasure, which doesn’t work. Finally he does something I was honestly not expecting to see—he genuinely sends her home. Home a good decade or so later, apparently, and she now has a rather grumpy little brother. But her heart is still back in the fantasy world, and with the Water God. My guess is she’s back at the start of book seven. Fantastic. – Sean Gaffney