Pick of the Week

MJ: Heavy shipping weeks like this are nearly as tough for me as the bleak ones. From such a bounty of manga, I hardly know what to choose. As a bit of a completist, though, I admit I’m drawn to big finishes, and we have a pretty spectacular one this week. I’m speaking, of course, of the final volume of Osamu Tezuka’s Black Jack, arriving at Midtown Comics this week from Vertical. Based on the Akita Deluxe Edition mapped out by Tezuka before his death, along with three additional stories in the hardcover special editions of the first three volumes, Vertical’s collection is one of the most comprehensive in any language to-date. Above all, though, Black Jack is just a really great comic, and it’s pretty thrilling to have so much of it available in English, produced with the kind of loving care that Vertical gives to all its licenses. This final volume also features an appendix at the back, containing the original publication dates of the stories contained in Vertical’s editions, as well as a chronological listing of every story in the series, including those that were “sealed” by the author. For any fan of the series, this volume is a must-buy.

DAVID: I can’t say that this particular arc of Eiichiro Oda’s One Piece has been my very favorite ever, but a middling patch of One Piece is still superior to the vast majority of comics. I suspect that the 59th volume will be one of those heartbreakers that Oda can pull off when one least expects it. And I’m sure there will be some callback to it about six or seven volumes down the road that will break my heart all over again. For those who aren’t up to date, Luffy has been fighting like a demon to save his brother from execution, and, being Luffy, he’s ignited a huge war between the navy and pretty much every pirate in the world without even trying. We’re nearing the conclusion of that and – hopefully – the return of the regular supporting cast. I miss the Straw Hats something awful.

KATE: Though I heartily second MJ’s choice of Black Jack, my pick goes to Dawn of the Arcana, a new Shojo Beat title. Most early reviews were tepid, with critics grousing about the pace, the poor integration of the fantasy elements, or the author’s over-reliance on types (e.g. Brash Jerk with Heart of Gold, Fawning Admirer Who Would Throw Himself in Front of a Bus for You). Those are fair criticisms of Arcana, but I liked it nonetheless, as it features the kind of steely, smart heroine who can think her way out of a tough situation, rather than relying on her fists or her feminine wiles. I also happened to like the story’s brisk tempo; the author allows important information to be revealed through the natural unfolding of the story, rather than assaulting the reader with lengthy monologues about the setting or the characters’ histories.

MICHELLE: My pick this week goes to the seventeenth and penultimate volume of Bisco Hatori’s Ouran High School Host Club. I’m not blind to the flaws of this series—I groan often at the episodic hijinks—but I still nurture very fond feelings for it, and each volume usually contains just enough romantic progress from the two leads to leave me satisfied as I begin the long wait for the next installment. I can only assume that as the series draws nearer to its conclusion we will see less comedy and more romance, which will make me happy indeed. I love Haruhi and I really love Tamaki, so I want to see those kids work it out already!

SEAN: And I will likewise pick a final volume, though this series does not quite have the blogger cred that Black Jack does. But K-On! has been improving volume by volume, and in the 4th and final volume (for now) of the cast’s exploits, we see the cast trying to deal with passing their exams, getting into the right colleges, playing their final school concert, and dealing with the worst horror of all – the school play! There’s still plenty of laughs here (I love the chapter where everyone thinks Ritsu has a secret boyfriend), but the emphasis is on adorable and heartwarming, with a few tears sprinkled throughout. It probably won’t change anyone’s mind if they hadn’t liked what came before, but for those who did, this is the best of the four volumes. See you in University!

Readers, what looks good to you this week?

SEAN: I’ve become accustomed to the fact that both titles I’d like to talk about this week fall into the category of ‘will never, ever gain new readers no matter how much I review them’. With that in mind, this has been one of the most enjoyable arcs of Negima! to date, and this volume, although technically a breather, advances a lot of plot points. The four sports girls each get some lovely character moments, particularly Yuna and Akira, and we get some nice (if tear-jerking) backstory. We also get a good look at Fate’s group, showing that even thought they may be the villains that doesn’t mean that they’re irredeemable or acting out of evil. (cough) Well, except Tsukuyomi. Who reaches new levels of terrifying. For Negima fans, it’s a must buy. For casual readers, go read the 2nd omnibus instead.

MJ: This week’s meager offering is nearly a bust for me, but fortunately my favorite talking cactus saves the day! Things take a fairly dramatic turn, romance-wise, in volume 9 of SangEun Lee’s 13th Boy, and I have to admit it’s all going my way, at least for now. I can’t think of a girls’ comic I’ve enjoyed more in the past year or so than 13th Boy, and I’m already mourning the fact that it’s only going to last me through July of next year. Beatrice now, Beatrice forever!

KATE: This week’s manga offerings are mighty slim, so my choice is the third issue of Dorothy and The Wizard in Oz (Marvel). As a child, I only read the first Oz novel and, truth be told, found it kind of ponderous. In Skottie Young and Erik Shanower’s capable hands, however, all of Baum’s Oz novels have been a genuine pleasure to read: they’re beautifully and playfully illustrated, bringing Baum’s weirdest creations to vivid life. Dorothy and the Wizard is the fourth novel in the original series, reuniting Dorothy with the balloonist-cum-wizard from the first book. The episodic plot is perfectly suited to a serial medium like comics, offering readers enough variation to keep them interested while allowing each of the supporting characters a memorable turn in the spotlight. A great choice for younger readers.

MICHELLE: Oh dear, there is indeed a paucity of choices from Midtown Comics this week. Since MJhas so ably recommended volume nine of 13th Boy, I shall go off-list and pick something that should be on this list but isn’t, and that’s volume one of Shugo Chara-chan!, due out this week from Kodansha Comics. Honestly, I have no idea whether this will actually be good, but I’ve been looking forward to checking it out for a while. It’s by Peach-Pit, the same team who wrote Shugo Chara! itself, and is essentially a 4-koma comic strip starring the “guardian characters” from the main series. It’s possible that it will be painfully unfunny, or perhaps only suited for young audiences, but I am hoping for the best!

Readers, what looks good to you?

MICHELLE: It’s slim-pickings time again at Midtown Comics. Happily, though, two of the three releases (sorry, Ninja Girls!) are on my must-buy list. Forced to choose between them, I’d give my pick to volume two of Codename: Sailor V. Sure, the first volume was an episodic string of encounters between perky Minako and evil singing groups bent on making humanity their slaves, but it took a more serious turn in its final chapter that might bode well for volume two. I’ve read this before, but it was so long ago I don’t remember how things turn out, but I anticipate more glimpses of Usagi and friends as Minako comes closer to her eventual place with the rest of the team. If you’ve read volume one, you absolutely can’t miss volume two!

SEAN: Yes, hard as the decision may be, I’m going to have to pass on Ninja Girls as well. My pick is for the second volume of Pretty Guardian Sailor Moon. This second volume continues to give us reveals fast as lightning – if you watched the anime first, you might think it was rushing. In fact, it’s just cruising through its plot with no filler whatsoever. It’s possible Takeuchi originally planned to have this end in 3-4 volumes, as there’s a lot of revelation and backstory here, almost looking as if it’s setting up an ending. Of course, that could also be Takuechi just messing with our heads – there are some surprises sprinkled throughout, and even one of the bigger hoary old cliches trotted out is still done in a suitably dramatic fashion. Best of all, having wrapped up her plot in Code Name: Sailor V, Minako joins the cast at last, and our senshi team is complete (for now).

MJ: Well, I just read Sean’s pick, and I’m *sold*. It’s Sailor Moon for me, too! Though I do wish Midtown would hurry up and get Princess Knight!

DAVID: And I’ll second Michelle on the Codename front. Kodansha is making it easy this week!

Readers, what looks good to you this week?

KATE: Though VIZ is releasing several must-read manga this week — including Natsume Ono’s Tesoro and the tenth volume of Takehiko Inoue’s Real — my vote goes to the fourth volume of Hisae Iwaoka’s Saturn Apartments. This beautifully illustrated drama focuses on a handful of window washers aboard an enormous space station. The characters’ job grants them access to every nook and cranny of the joint, offering them a window (no pun intended) into the lives of their wealthy and eccentric clientele. At the same time, however, their job is incredibly dangerous: as Iwaoka amply demonstrates throughout the series, the characters face UV exposure, strong solar winds, and a variety of other hazards, all of which can send them plunging to their deaths. Lest I make Saturn Apartments sound like an Upton Sinclair novel set in space, rest assured that the story isn’t unrelentingly grim, thanks to Iwaoka’s playful, imaginative artwork and her lively cast of supporting characters. My only complaint about the series: VIZ doesn’t release it frequently enough!

MICHELLE: I considered picking volume two of Pretty Guardian Sailor Moon this week—for, despite the fact that Midtown Comics is not receiving it, other retailers are—but figured that enough people would buy it or had already pre-ordered it that it didn’t need my help! So, instead, I will cast my vote for volume three of Tsuta Suzuki’s A Strange and Mystifying Story, which I reviewed in the October BL Bookrack column. The series’ first two volumes depict a relationship between a sickly guy and the guardian beast that heals him, but volume three signifies a welcome new direction for the series. Here’s what I had to say about it:

“Mangaka Tsuta Suzuki is wise enough to know when a story is played out and brave enough to risk angering her fans by taking things in an entirely new direction. Akio and Setsu appear but briefly, therefore, as Suzuki devotes the first half of this volume to the absolutely adorable love story between two of Akio’s coworkers and the second half to a teenager named Tsumugi who has just encountered a guardian beast of his own.”

Even if you’re not into guardian beasts per se, the first half alone is worth the price of admission.

SEAN: Honestly, there is some manga I’m getting this week, but nothing that really makes me jump up and say Pick Of The Week. So I’m going to talk about Pogo again. There’s just so much nostalgia wrapped up in this release, even if it is only of the first two years (the comic ran 24 years before Kelly passed away). The odd passive love triangle between Pogo, Porkypine and Mam’selle Hepzibah; Howland Owl and Churchy LaFemme’s continued ability to get sucked into any incredibly stupid scheme they come across; Albert Alligator, despite being a loudmouth jerk most of the time, being an alligator you can truly believe is not eating most of the native populace; and Deacon Mushrat, who in these early strips is the closest the comic has to a villain, though in later volumes – it’ll be Vol. 3, I believe – he is easily supplanted by far more sinister characters. Much as fans of literature always point you towards the classics, fans of comics – both Japanese and American – should know their Pogo.

DAVID: I could easily pick the 10th volume of Takehiko Inoue’s splendid Real, but I’m going to favor Natsume Ono’s Tesoro for a couple of reasons. The first is that Alexander (Manga Widget) Hoffman is hosting a Manga Moveable Feast dedicated to Ono’s work. The second is that Tesoro is really charming. It contains some of Ono’s earliest professionally published works, but you could never tell if you haven’t read some of her more recent comics. And, even if you’ve read her more polished titles, there’s still plenty here to enjoy. I’m going to post a review of the book today, so I won’t go into too much detail here, but if you like charming, character-driven comics, then you should do yourself a favor and pick this up. The stories here are uniformly sweet and sometimes satisfyingly sad.

MJ: Anyone who knows me well will know that I’m probably the least likely person on earth to stand up as a champion of sports… anything, but I find myself unable to resist the opportunity to be the one to stand up for Takehiko Inoue’s Real. Here’s what I said about volume 9: “Though I’m not a big fan of sports manga … this is really my kind of sports manga. It’s dark, gritty, and mature in the very best sense of the word … though the games are definitely dramatic, they are really not the focus of the series at all. Much more time is spent off the court than on, especially in recent volumes, and most of the drama revolves around the characters’ struggles that bring them to the game, rather than the game itself.” It’s been a year since the last volume was released, so seeing more of this series in the US really is a treat.

Readers, what looks good to you this week?

MJ: We’ve got an odd assortment of manga coming it to Midtown Comics this week. I have half a mind to recommend volume two of Bandai’s Tales of the Abyss: Asch the Bloody since I had such a surprisingly enjoyable experience with the first. But pretty pictures and beautiful production win my heart this week, as I choose the first of Viz’s 3-in-1 editions of CLAMP’s shoujo battle-fest, X. Admittedly, I’m a much bigger fan of X‘s shorter, more intimate predecessor, Tokyo Babylon, and I think I’ve failed to appreciate the allure of X‘s larger, sweeping drama and penchant for destruction. But with this new 3-in-1, Viz has provided a package that’s impossible for me to ignore. This book is gorgeous, with its thick, glossy cover (love the new, minimalist design), crisp, white paper, and delicious color pages preceding each volume. It’s a delight to behold, and I am really looking forward to giving X a second chance to win me over with these particular attributes in its favor.

DAVID: It’s strange that I’m finding myself so drawn to CLAMP as I settle into middle age. That seems just wrong, but there’s no denying that it’s so. I’m utterly taken with Gate 7 (also Dark Horse), and now I find myself seconding MJ’s choice of the X 3-in-1 from Viz. As I’ve noted, it’s probably the CLAMP-iest thing I’ve ever seen, but it’s made somewhat special by the fact that there’s tons and tons of violence. It probably won’t hold a place of honor on my shelves in years to come, but I’ll certainly read the rest of it.

KATE: Looking at this week’s shipping list makes me feel like I took a ride in Mister Peabody’s WABAC machine, with new volumes of X and InuYasha arriving on store shelves. And though I’m tempted to be a contrarian and recommend, say, Yakuza Cafe (DMP) just for the sake of variety, my vote also goes for X. The new edition boasts a new translation, a bigger trim size, and almost six hundred pages of story per volume, all of which enhance the reading experience. And if you’re the kind of reader who cares passionately about extras, you’ll be pleased to discover that VIZ has included a generous selection of glossy, full-color pinups from various points in the series’ run.

MICHELLE: I certainly intend to snap up the X 3-in-1 edition, but since ample reasons for doing so have been ably supplied by my cohorts, I’ll cast my vote for the second volume of Kazuma Kodaka’s Bad Teacher’s Equation. Okay, so I haven’t exactly finished reading the first volume yet—these books are chunky!—but I am a big fan of Kodaka’s Kizuna, so I’m familiar with her style. In looks and execution, Kizuna is very different from most of the other BL coming out in English, and I am excited to dig deeper into Bad Teacher’s Equation and follow up with Border, two Kodaka series more recently announced by DMP.

SEAN: Too many people have already picked X. So I’m exercising my right to say I had no power last week and picking a title from last week’s list, namely the 11th volume of Kimi ni Todoke. As I noted in my post on last week’s books, it’s always a treat when a couple get together and the series continues on, seeing how well their relationship holds up after the big fireworks. Plus the supporting cast of this series is top notch – this volume in particular has one of my favorite Yano scenes in the whole series, and unsurprisingly it also involves Pin. Just really nice and heartwarming, in all the best ways.

Readers, what looks good to you this week?

SEAN: It’s a fairly small week this time round, and so I’m glad to devote my pick of the week to the 11th volume of Sayonara, Zetsubou-sensei. There are lots of comedic manga out there that use gags to drive their humor, but they always seem troubled by silly things like plot and character development. Zetsubou has none of that, and so is free to do anything anytime it wants – the main character has been murdered several times by now. And, like the best negative continuity series, it doesn’t cause you to stop caring – Chiri is still fun to watch even if she’s an insane shovel-killer, just as it never gets old seeing Itoshiki moan on about his latest modern issue. And even if it’s packed with obscure Japanese pop-culture references every week, it’s still funny without knowing what they are. Glad it’s hit double-digits.

MJ: It is a small week indeed, and though there are a few things on the list I plan to buy (including Sayonara, Zetsubou-sensei), I’ll give my pick this week to the second volume of the manga adaptation of Mardock Scramble. Here’s what I said about the first volume: “Novel adaptations are hit-and-miss with me.Too often, I think they try to rush the story, or try too hard to be visually thrilling (especially in terms of fanservice) when really they just need to practice good storytelling. But I’m on the edge of my seat with this one. There’s still a lot to be revealed, and mangaka Yoshitoki Oima has left us with quite a bit of mystery (and a pretty big cliffhanger) at the end of the series’ first volume, but I’ve been given enough to be pretty well hooked.” I’m pretty anxious to pick this up.

KATE: Since I’m not following any of the titles on the list, I’m going to recommend the second issue of Skottie Young and Eric Shanower’s Dorothy and the Wizard in Oz (Marvel). Young and Shanower’s Oz comics have been a revelation: they follow the plot and spirit of the original Oz novels, but the playful artwork, vivid color palette, and brisk pacing really bring these books to life — in fact, I’d much rather read these Marvel adaptations than the source material that inspired them! If the title of Young and Shanower’s latest collaboration doesn’t ring a bell, you might find this Wikipedia entry helpful; it was the fourth book in Baum’s series, and certain plot details were inspired by the 1906 San Francisco earthquake. It isn’t the best or most interesting of the Oz books, but the comic-book adaptation is delightful nonetheless.

MICHELLE: And I’ll bring us back ’round full circle by seconding Sean’s pick of Sayonara, Zetsubou-sensei‘s eleventh volume. I just completed a lengthy catch-up effort with this quirky comedy and am looking forward to remaining current henceforth. As Sean notes, Itoshiki’s various rants are still amusing even when one doesn’t catch many of the esoteric references, but I like the series best when it’s at its most universal. Recent volumes have supplied ample chapters that anyone can relate to, and I hope the trend continues in future. Koji Kumeta’s clean and stylish art is also a treat, as are most of the recurring gags. I still feel really sorry for that poor dog, though.

Readers, what looks good to you?

MICHELLE: Faced with yet another tough choice this week, I ultimately decided to award my pick to the seventh volume of Jun Mochizuki’s Pandora Hearts. Volume one introduced so many story elements at once that it left me baffled, but I’m glad I gave the story another chance because it has coalesced into an affecting tale with genuinely intriguing characters. True, volume six, wherein the gang heads off to visit the little sister of protagonist Oz—who, thanks to her brother’s stint in another dimension, is now older than him—at school and meets some new characters was not my favorite, but I have faith that it will lead somewhere interesting. That’s why I will most assuredly be picking up volume seven!

SEAN: I’m at NYCC, so this will be short. New Higurashi. Start of the Rena arc. Good stuff, go get it.

DAVID: There’s so much great stuff this week, with lots of new releases from Yen Press, a few choice items from Viz’s Signature line, and an always-welcome new volume of Osamu Tezuka’s Black Jack from Vertical, but I have to go with the book that it feels like I’ve been waiting for the longest, and that would be the second volume of Kaoru Mori’s Bride’s Story from Yen. I thought the first volume was faultlessly beautiful, and I’m eager to learn more about its can-do heroine, Amir. As was the case with Mori’s Emma, the plot here is less interesting than the meticulously rendered trappings and the small but very lovely moments that reveal character. With Mori, it’s always more about the harmonic elements than a traditional, central melodic line, but the ultimate effect is always fascinating to me. I really enjoy spending time in the worlds she creates.

KATE: A Bride’s Story is at the top of my must-buy list, too, but since David has so eloquently described the series’ charms, I’ll recommend the first volume of CLAMP’s Gate 7 instead. This long-delayed project was first announced at San Diego Comic-Con in 2007, and has undergone several transformations along the way. (Remember when it was going to be simultaneously released in Japan, Korea, and North America in “mangette” form?) The story is pure CLAMP: a shy teen is transported from modern-day Tokyo to a fantasy realm that’s under siege from ferocious monsters. Naturally, he discovers that he has skillz he didn’t know he had — would it be a manga if he didn’t have a few hidden talents? — and must decide whether to save the Earth or go home for dinner. If the cover art is any indication, Gate 7 will be a feast for the eyes, even if the plot mechanics are a little creaky. Kathryn Hemann, who blogs at Contemporary Japanese Literature, has a thoughtful early review that’s worth reading if you’re on the fence about buying it.

MJ: I’m a bit of a post-con zombie this morning, but since I see that my cohorts have already covered several of my top choices (Pandora Hearts, A Bride’s Story, and Gate 7), I’ll take a moment to put the spotlight on the penultimate volume of Osamu Tezuka’s Black Jack. This series is always a winner with me, but I’m especially interested in this volume’s final chapter, which reportedly comes in at something like 70 pages. Though short, episodic storytelling served this series well, I admit I’m thrilled at the prospect of digging in to something so substantial. Definitely a must-buy!

Readers, what looks good to you?

KATE: Though I’m not sure why Kodansha felt it was necessary to release a third edition of Gon, I never miss an opportunity to recommend this beautifully illustrated series to new readers. Billed as “the tiny terror from the Jurassic era,” Gon is a little orange t-rex who has a talent for getting into trouble. He tangles with other predators; he eats psychedelic mushrooms; he swims with sharks; he builds a beaver dam. What makes Gon work are the illustrations: Masasahi Tanaka resists the urge to put words into his characters’ mouths, instead relying on his cartooning chops to convey what the participants are feeling and thinking. As a result, this animal-centric series is never too cute or saccharine, capturing the natural world in all its raw (and sometimes comic) glory.

MICHELLE: This week’s chart at Midtown Comics looks pretty bizarre, since they are finally getting in all those Kodansha releases they were missing before. I advocate strongly for quite a few of them—Sailor Moon, Arisa, Shugo Chara!…—but I am going to have to award my pick to the fifth volume of Cross Game, which comes out this week along with several other of VIZ’s Shonen Sunday titles. I enthused about this particular volume in a recent Off the Shelf column, where I concluded my remarks by saying, “If you like sports manga, you will like Cross Game. And if you don’t like sports manga, you will still like Cross Game.” And lo, MJsubsequently read the first volume and proved me right!

SEAN: I hate to duplicate, but I’m going with Cross Game as well. This volume introduces a new plot twist that at first seems like the most cliched thing a reader has ever seen, but Adachi is an expert, and the way things play out is fascinating. The reactions of all the characters are one of the best reasons to get it, as Adachi milks so much from his minimalistic faces. Best of all, there’s a promise of more baseball. After finishing off Eyeshield this week, I’m in the moon for some more sports, and Adachi’s baseball games are thrilling stuff.

MJ: Honestly, I’m really tempted to third Cross Game, but I guess in the interest of spreading the love, I’ll go with volume three of Kim Hyung-Min and Yang Kyung-Il’s March Story. This dark, whimsical series got off to a shaky start, but its third volume is really solid, making the most of Kim Hyung-Min’s episodic storytelling and Yang Kyung-Il’s intricate artwork. There is perhaps a little less through-story than usually suits my taste, but though this volume focuses less heavily on March and her history than either of the earlier volumes, there are enough little nuggets of new information to get me by. And the stories we do get here really work, with a level of consistency absent from the first two volumes. In the beginning, I stuck with this series for the beautiful artwork. Now I’m in for good.

DAVID: I’m going to surprise myself by not third-ing Cross Game (SECRET CODE: I’m totally actually third-ing Cross Game by claiming that I’m not) by giving a little leg-up to a new shônen series from Kodansha by Ryou Ryumon and Kouji Megumi, Bloody Monday. Now, I wasn’t wildly enthusiastic about this book in last week’s Bookshelf Briefs, but I have to say that there’s always room for another stylish mystery featuring super-smart teens, which Viz seems to realize, given the fact that they keep re-releasing Death Note over and over again. The creators do a nice job setting up their complicated story and making a persuasive case that the stakes are high, something not everyone manages in a first volume. I wasn’t precisely blown away by the series debut, but I like mysteries, and I like comics about smart kids who have unique skills, and Bloody Monday fits both bills.

Readers, what looks good to you this week?

MJ: We’ve hit a slow week again at Midtown Comics, but there’s at least one standout in the mix. This week, we’ll see the release of Osamu Tezuka’s Book of Human Insects, which was announced in Vertical’s panel at last year’s New York Comic Con. There’s no way I’d be willing to miss this, though it’s an interesting pick for me. I have a feeling it’ll be one of those books that blows me away with its artistry while simultaneously killing me with its outlook on humanity. A bleak Tezuka can be hard on us optimistic types, but it’s impossible to reject his genius, and I’d be a fool to try. This is absolutely my must-buy manga for the week.

DAVID: I should try and spread the wealth, but I just have to second MJ’s choice. This is my very favorite kind of Tezuka: crazy plotting and intense social commentary, with some indelible characters. I found Ayako disappointing, but Book of Human Insects is right up my alley.

KATE: Since David and MJhave taken up the cause of Human Insects, I’m going to plug Stargazing Dog. I don’t know if Takahashi Murakami was inspired by Vittorio DeSica’s Umberto D., but like that 1951 film, Stargazing Dog features a down-on-his-luck man whose only companion is his dog. Yes, I know, that sounds horribly mawkish, but Murakami manages to tug on the heartstrings without being sentimental. More impressive still, he pulls off that feat while allowing us to be privy to the dog’s thoughts, something DeSica didn’t have the stones to try. Highly recommended for dog-fanciers, though be warned: have tissues handy, as you will need them.

MICHELLE: Aw man, I was going to pick Stargazing Dog! I guess I will just have to second what Kate says here, and note that despite the fact that I am a bona fide cat lover, I am totally weak against endearing canines in fictional form. One interesting thing to note is that at the same time that Stargazing Dog is coming out in print, courtesy of NBM Publishing (who’ve also released some quality manhwa), it’s also available on JManga.com as Star Protector Dog.

SEAN: If I had to rely on Midtown’s lists for my PotW, I’d never mention Kodansha at all. And I already mentioned Sailor Moon and Sailor V two weeks ago. So I will once again go to the Negima well. Last volume was rather depressing, with all sorts of horrible things happening to our heroes. Naturally, that means that this volume is the one where our heroes step up and start kicking ass. I feel I should note that Volume 31 features my favorite scene in all of Negima to date. A scene so awesome that the entire cast comments later on about how awesome it was. And yes, there will be more fanservicey nudity here too. It’s Negima, that’s how it rolls.

Readers, what looks good to you this week?

SEAN: As I noted in my shipping post earlier in the week, Fullmetal Alchemist is up to its penultimate volume. And you know what that means. That means the apocalypse is upon us. I had missed this series for quite some time because of a plot point early on that frankly creeped me out so much that I never wanted to go near the thing again (you can probably guess which one), but I have caught up, and am glad I did. With lots of awesome moments (both for men and women alike – FMA has some of the most badass heroines in manga) and a plot that rarely gets sidetracked, we should be headed up to one hell of a finale. If everyone can survive this book, that is.

MJ: I’m really torn this week, because though I feel it’s urgent that someone choose the fourth volume of Natsume Ono’s House of Five Leaves, if I really could buy only one volume of manga this week, it would have to be Fullmetal Alchemist. One of this series’ biggest draws for me is the fact that Hiromu Arakawa has really never strayed from her heroes’ primary objective, which means that we’re truly reaching the climax of the entire series. And with so much work and planning put toward building this up, you better believe it’s a doozy. I decided a long while ago that I was in this series for the long haul, and I’ve never regretted it. There’s no way I’d give it up now, even for the likes of Ono. Thankfully, in the real world, I don’t actually have to choose.

DAVID: It is hard to pass up on either Fullmetal or Five Leaves, but I can never seem to resist throwing my support to boutique publisher Fanfare/Ponent Mon and its mainstay manga-ka, Jiro Taniguchi. Now, I unexpectedly find myself liking Taniguchi’s manly-man meditations, books like The Quest for the Missing Girl, just a little bit more than his more subdued pieces like A Distant Neighborhood. In my perfect world, we’d be getting a new volume of The Summit of the Gods before the debut of A Zoo in Winter, which is basically a portrait of the artist as a young assistant. That’s just splitting hairs, obviously, as anything by Taniguchi hovers near the top of my must-have list, and I know we’ll be getting more Summit before too long. Fans of Bakuman might appreciate this alternate take on the subject, which will probably be more Sundance Channel than Shonen Jump.

KATE: I second David’s recommendation! I, too, like Taniguchi’s manly-man manga, whether he’s paying tribute to film noir (Benkei in New York, Hotel Harbour View) or writing a man-against-nature saga (Summit of the Gods), but I think Taniguchi is at his best when writing about more prosaic subjects. A Distant Neighborhood, for example, was a lovely meditation on adolescent awkwardness, while A Zoo in Winter, his latest, is about joining the world of adult responsibility. There are a few overdetermined moments, but on the whole, it’s a thoughtful, semi-autobiographical story about a young man who discovers that being a manga-ka is a lot more work than he ever imagined. Taniguchi’s art is crisp and evocative, and the script heartfelt but never saccharine.

MICHELLE: I intend to buy every single book mentioned above, but I’m going to have to award my pick to volume seven of Yuu Watase’s Arata: The Legend. I dove into this series just recently and fell in love with it in a big way. It’s got all your shounen adventure trappings—a modern-day teen in a fantasy world who is chosen by the most awesomest sword-god around and tasked with saving the princess—but with a real shoujo flair, as romances gradually develop, past trauma plays a part in present conflicts, and handsome guys regularly walk around bearing their studly midriffs. While I like certain of Watase’s shoujo works—I steered clear of Absolute Boyfriend but positively adore Fushigi Yûgi—I’m starting to think that shounen is where she really belongs!

Readers, what looks good to you this week?