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Inside the DMG, Week 19

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It’s been a long time since I had anything to say about my experience with the Digital Manga Guild—eleven weeks, actually, since my last update. Now, at long last, I can report that members of approved groups have received their contracts, with instructions to sign and return them to Digital Manga headquarters.

I received my contract last Friday, June 3rd, and took some time to look at it over the weekend. It’s a lengthy document, and while confidentiality requests prevent me from revealing its specifics, there are a few general comments I can share.

First of all, aside from some pretty standard sections of legalese which may be unfamiliar to those who don’t work with contracts regularly, there isn’t much that will be surprising to those who have been following along with discussion in the DMG forums or recordings of the original teleconferences with DMP President, Hikaru Sasahara. The picture he’s painted publicly of his vision for the Guild is very much in line with what appears in the official contract, including some of the fuzziness of that vision.

One issue in particular that remains unclear, even after distribution of the contracts, is exactly how much work any group will be expected to produce over a specific period of time. While the contract lays out expectations in terms of meeting deadlines and so on, there’s not much clarification on exactly how much work is being ultimately agreed to, which may be a real problem for localizers trying to determine whether they can commit to the arrangement. While Sasahara and DMP have been clear from the start that this new system can’t provide payment up front, localizers seeking to manage their time in order to ensure that they can maintain the work that currently pays their bills may find this lack of clarity unhelpful, to say the least. ETA: a DMP representative has posted some clarification on this question in the DMG forums.

Another point that seems unclear is whether Guild members have recourse if they object to any of the contract’s terms, aside from simply quitting the Guild. Now, I don’t work in publishing, but aside from my experiences with union contracts (which have already been heavily negotiated before they reach members), in my line of work, I’ve never offered (or been offered) a contract for work, even one I considered standard, without expecting that there might be questions and at least some level of negotiation on any questionable or undesirable terms. While DMP is clearly open to questions (rumor tells me that some members who have had multiple issues are being encouraged to bring them to a teleconference), it remains to be seen whether they are open to changes on an individual basis or whether this is an all-or-nothing offering.

Contract aside, however, it seems that the biggest issue muddying the DMG waters these days is inconsistency in information, something that has been a problem since the beginning. For instance, member dashboards were recently updated to include information indicating which tests each member has taken, and of those, which were passed or failed. This is terrific, but word in the forums is that what some people are seeing does not jive with the original pass/fail e-mails they received, especially since we were all explicitly told by company representatives (as is still stated in the Guild FAQ) that receiving a “pass” e-mail indicated that we’d passed all positions we tested for.

To quote the FAQ: “Q. I got my acceptance email and I took more than one test. Which position is it for? A. It’s for every position that you sent your test in for. The same goes for a group, if a group leader receives in email it’s in regards to everyone.”

With members suddenly finding out that they have not passed tests they were originally told they passed, I think the greatest challenge now for DMP, in terms of attracting more members and keeping the ones they have, is inspiring confidence that they have the organizational structure needed to really pull this off. This is an ambitious project to say the least, and while it’s understood that the Guild is somewhat a work in progress, it’s going to be important that members feel they’re in competent hands.

So with all that in mind, am I signing my contract? Yes, I am.

And onward we go.

Readers, please feel free to ask any questions you like. I will answer anything I can without violating the confidentiality I’ve agreed to.

Upcoming 6/8/2011

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As we noted over in the current Pick of the Week at Manga Bookshelf, this is a positively crushing week for new releases from Viz. As it is at Midtown, so it is with the ComicList. As a result, I’m limiting my Viz picks to one, but it’s a doozy.

Yes, at long last, it’s time for the 57th volume of Eiichiro Oda’s smashing pirate adventure, One Piece. When we last joined would-be greatest-pirate-in-the-world Luffy, he was desperately trying to save his older but considerably less ambitious brother from execution. Along the way, he inadvertently staged a massive prison break and raised pirate-navy tensions to perhaps their highest pitch in the history of the series. An alternate title to this book could be “How to Succeed in Chaos without Really Trying.” As always, I’m enjoying it enormously, but I miss the heck out of the rest of Luffy’s crew and am eager for their return.

Vizalanche aside, there are a couple of pamphlets I’m eager to purchase. First is Adam Warren’s second Empowered Special which asks Ten Questions for the Maidman from Dark Horse. For those of you who are unfamiliar with the series, Maidman is one of the few peer superheroes who treats our titular heroine with anything resembling courtesy and respect. I fully expect another outing packed with equal parts satire and sincerity, plus a reasonable amount of equal-opportunity cheesecake.

There’s unlikely to be any cheesecake in Veronica 207, the first issue of the Kevin Keller miniseries created by Dan Parent for Archie Comics. Kevin, as you may recall, is Riverdale’s first openly gay character. As Brigid (MangaBlog) Alverson noted in this piece for Publishers Weekly, Kevin is one of the reasons that Archie has reasserted its relevance over the past couple of years and become, dare I say it, kind of cool for possibly the first time in its sturdy but fairly safe-and-steady history. I just like comics about gay people, provided they aren’t Chick Tracts.

What looks good to you?

 

Harlequin Manga: Ridge: The Avenger, Codename Prince, and An Officer and a Princess

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Ridge: The Avenger by Leanne Banks and Keiko Kishimoto

I tend to like Harlequin manga the most when the art is ridiculously old fashioned. If the adaptation has art that looks a little bit like a throwback to the 80s, I tend to enjoy the goofy storylines of these books even more. Kishimoto has a lush style, featuring bee-stung lips. In some scenes I was reminded a tiny bit of Yumi Tamura’s Basara, especially with the angular proportions of the hero’s face. The hero in question is bodyguard Ridge, assigned to protect the goddaughter of a presidential candidate. He thinks Dara is spoiled and silly. Ridge has an ulterior motive in being assigned as Dara’s protector. What could it be? He is out for REVENGE! Ridge’s tortured past (this must be why he seems to be pouting so much) has led him to want to destroy Dara’s godfather and his political future.

Ridge and Dara bond with each other over assassination attempts and their horrible fashion choices when rollerblading. While they fall in love, Ridge is still out for REVENGE and he might destroy Dara’s life! But he loves her! The art in this title is really much better done than most Harlequin manga. There were interesting panel layouts, perspective shifts, and the character designs were attractive in an old fashioned way. This was a fun read.

Codename: Prince by Megumi Toda and Carla Cassidy

Codename Prince is the third book in the Stanbury Crown series. Royal cousin and military man Ben is posing as his cousin Prince Nicholas in order to get himself kidnapped and collect intelligence on the group who has kidnapped the King of Edinburg. His captor is the attractive woman Megan who has been blackmailed into helping her brother with his nefarious schemes. Megan has a young daughter who the kidnappers threaten to hurt if she doesn’t help them. The story opens with Ben tied up on a bed with a teddybear placed next to him, slowly developing a hopeless crush on Megan. Codename Prince is very short, and doesn’t really contain the type of spying shenanigans I was hoping for based on the title. The art is simple and fluid, without some of the stiffness that seems to plague many of these quick romance novel adaptations.

An Officer and a Princess by Megumi Toda and Carla Cassidy
This series wraps up with the final volume, where the princess of the family decides to go undercover with her crush to unravel the mystery behind her father the king’s disappearance. Isabel had to give up her dream of serving in the military for her princessy duties, and her good friend and fellow officer Adam tends to view her only as a princess and not as a woman. When they pose as man and wife, will their love finally blossom?

By the end of the series, I think I liked the concept of linked books with overlapping characters a little more than the actual execution of it. The King certainly managed to stay kidnapped for a long time, as four royal couples managed to get married off while he was missing. A certain level of sameness started to settle in with the plots of this series, so while these manga weren’t the worst Harlequin manga ever, they ended up not being all that great either. These were still perfectly serviceable for someone wanting a quick summer read.

Access to electronic copies provided by the publisher.

Previews review June 2011

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All right, now that the polling is underway, let’s take a look at the sure bets in the current edition of Diamond’s Previews catalog. Will start with the exciting and/or noteworthy debuts:

Velveteen & Mandala, written and illustrated by Jiro (Freesia) Matsumoto, Vertical, item code JUN11 1294: A Vertical debut is always worth noting, and this one looks intriguingly odd. It portrays a pair of teen-age girls struggling against the zombie apocalypse when they aren’t fending off the totally worse thread of boredom. The single-volume series originally ran in Ohta Shuppan’s Manga Erotics F, an unpredictable but always promising source. I believe this is Matsumoto’s English-language debut.

Habibi, written and illustrated by Craig Thompson, Pantheon, item code JUN11 1212: Have I mentioned lately that I’ve never mustered the energy to finish Thompson’s Blankets? I found what I’ve read of it to be hopelessly mopey and overwritten, though undeniably easy on the eyes. But it’s always worth noting when Thompson releases a new brick, because it happens so rarely. This time, he “explores and celebrates the beauty and cruelty, the complexity and depths of the Islamic world.” Set your phasers on “Gush.”

Animal Land vol. 1, written and illustrated by Makoto (Zatch Bell) Raiku, Kodansha Comics, item code JUN11 1169: I’m succumbing to the adorability of the cover and the premise. An orphaned raccoon dog finds an abandoned human child and decides to raise it in a world occupied only by animals. Zatch Bell had some deeply hideous and unsettling character designs and a cripplingly annoying anime adaptation, so those are points of concern, but I’m game for a volume or two. The series originally ran in Kodansha’s Bessatsu Shônen.

Moving on to the “offered again” category:

  • Korea as Viewed by 17 Creators, by various, Fanfare/Ponent Mon, item code JUN11 1123: Curious about this Eisner-nominated anthology? This is probably one of your better shots at scoring a copy.
  • Gon vol. 1, written and illustrated by Masashi Tanaka, Kodansha Comics, item code JUN11 1172: In case you missed these insanely kinetic, wordless comics about a baby dinosaur the first couple of times they were released.
  • Carnet de Voyage, written and illustrated by Craig Thompson, Top Shelf, item code JUN11 1246: This collection of travel stories is the Thompson comic I’d enthusiastically recommend.

And, lastly, new volumes of ongoing series that particularly catch my eye:

  • Sayonara, Zetsubou-Sensei vol. 10, written and illustrated by Koji Kumeta, Kodansha Comics, item code JUN11 1176: So glad Kodansha is picking up this hilarious, unsparing satire.
  • Amelia Rules! Vol. 7, The Meaning of Life… and Other Stuff, written and illustrated by Jimmy Gownley, Simon & Schuster, item code JUN11 1239: Wonderfully observant comics about a spunky, imaginative middle-schooler and her friends.
  • Butterflies, Flowers vol. 8, written and illustrated by Yuki Yoshihara, Viz Media, item code JUN11 1275: Probably a guilty pleasure, and one I’m a bit behind on, but I always get some quality cringing chuckles out of this series.
  • Kimi ni Todoke: From Me to You vol. 10, written and illustrated by Karuho Shiina, Viz Media, item code JUN11 1278: A joyous deconstruction, subversion and celebration of shôjo tropes.
  • House of Five Leaves vol. 4, written and illustrated by Natsue Ono, Viz Media, item code JUN11 1291: The best of Ono’s works to be published in English so far, which is saying something.

What’s on your wish list?

 

Shônen dump

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Sadly, last month offered insufficient dubious manga to assemble a poll. More sadly, your choice in the first of these polls, Maid Shokun, was undone by the shuttering of Tokyopop. (I ended up ordering the runner-up and will be reviewing it in this week’s Bookshelf Briefs installment.) On the bright side, the June 2011 Previews catalog offers a number of suspect debuts that are far enough outside of my comfort zone to earn candidacy. Let’s begin!

Tales of the Abyss: Asch the Bloody, by various, Bandai: Based on Namco’s role-playing game, Tales of the Abyss! Asch is the lost prince of a country torn asunder by prophecy. Cloned and replaced by a new prince, Asch finds himself among the ranks of God-General, fighting to destroy the very prophecy for peace that his clone will fulfill. War, magic, and science clash, but at their heart stands Asch the Bloody.

I must first “thank” Sean Gaffney for pointing out this listing. “Thank” you, Sean. Based on the cover, this seems like one of those books where the creators (various as they may be) spent more time on character design than anything else. I’m not instinctively averse to properties based on games, since Monster Collection (CMX) proved that even commercial spin-offs of this nature can be delightful. Still, Tales of the Abyss seems to emit a generic fug.

Bloody Monday, written by Ryou Ryumon, illustrated by Koji Megumi, Kodansha Comics: Takagi Fujimaru may seem like a regular high school student, but behind the cheery facade lies a genius hacker by the name of Falcon. When his father is framed for a murder, Falcon uses his brilliant hacking skills to try and protect his sister and clear his father’s name. However, he finds that his father, an agent in an elite government agency, was involved with something far more complex than a simple murder. A terrorist group is plotting against the city of Tokyo and it is up to Falcon, with the help of his friends to unravel the twisted plans set in place to kill millions of people.

Does every shônen magazine need to try and come up with its own version of Death Note? No, I mean, do they really need to try that? It almost never works.

Mardock Scramble, written by Tow Ubukata, illustrated by Yoshitoki Oima, Kodansha Comics: Rune Balot is a prostitute who is nearly murdered by Ciel, an enigmatic casino manager, who suffers from a disease that forces him to remove and store his memories. A victim for most of her life, Rune faces a choice. While on the brink of death, she is given the opportunity to live. It is not a simple choice for a victim, but Rune takes it. A professor brings Rune back to life as a cyborg with the ability to control electronics and partners her up with a self-aware universal tool named Oeufcocque. Together they begin to unravel the mystery behind Ciel and Rune sheds the role of the victim, but must struggle between seeking justice and vengeance.

Putting all other things aside, “Rune Balot” is one of the most annoying protagonist’s names I’ve seen in many a moon. Also, that cover suggests to me that Rune may not be as empowered as the solicitation suggests. Also, I cannot see myself happily typing “Oeufcocque” over and over again, should circumstances demand I review it. Also, the plot sounds as familiar as familiar gets.

So, those are our candidates. If you would, please cast your vote in the comments. You can pick something because you think I might actually end up enjoying it, or you can pick something because you’re a schadenfreude addict, or you can pick something for any reason that tickles your fancy. Just pick!

Boys’ love blind date June 2011

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Gather ‘round, and help me ponder the boys’-love titles in the June 2011 edition of Diamond’s Previews catalog! How else can I separate the men from the bores?

Private Teacher! vol. 1, written and illustrated by Yuu Moegi: Not only is the schoolwork so confusing that Rintarou needs a private tutor, but the maelstrom of emotions he feels when spending time with Kaede-san is weirdly unsettling. But when Kaede-san decides to reward unsatisfactory progress with some unusual punishment, Rintarou figures out that what he is feeling is love. But what about Kaede? Does he love Rintarou or is he just a perverted sadist? Juné Manga proudly presents the first volume of the popular manga by Yuu Moegi in her English language debut!

Sounds kinky, which may mitigate the likelihood of high-school boy dullness, but it could cross over into creepy town. It originally ran in Core Magazine’s Drap.

Mr. Tiger and Mr. Wolf, written and illustrated by Ahiru Haruno: When a tsundere wolf finds an adorable kitten, he thinks he has found the perfect wife candidate to bring up. But when it reaches adulthood, it is not only male, but rather unexpectedly is a huge Bengal tiger. The wildly popular comedy fantasy story now in English for the very first time.

That description is barely coherent, which doesn’t raise my hopes very high. Also, I’m not remotely keen on anthropomorphic boys’ love or stories with a pet construct, so you would have to sell this one very, very hard. It originally ran in Houbunsha’s Hanaoto.

Only Serious about You, written and illustrated by Kai Asou: Yoshioka is a regular at Oosawa’s workplace, and always seems to be bringing in yet another boyfriend that he wants to introduce the good food to. As a single parent, Oosawa works very hard and doesn’t have time to make many close friends, or even consider dating. But when his beloved daughter Mizu falls ill and Yoshioka offers his help, Oosawa finds he must accept this frivolous seeming person’s outstretched hand. Sometimes, people are not quite what they seem, as Oosawa discovers – a tender romance story of a single father, a lonely businessman, and the child who brings them together.

Okay, I should probably disqualify this one, because the description tracks so closely with my tastes that I’m 95% likely to just order it no matter what the consensus declares. Grown-ups with jobs and complicate personal lives! It originally ran in Houbunsha’s CitaCita.

I was going to include Seven Days: Friday – Sunday, written by Venio Tachibana and illustrated by Rihito Takarai, but it’s just a sequel to Seven Days: Monday – Thursday, which I haven’t read. They have really nice covers, though. Moving on to the 801 smut!

A Fallen Saint’s Kiss, written and illustrated by You Higashino: When high school teacher Okano is molested on the train on his way to school, the last thing he wanted was for his shame to be witnessed by anyone. But one of his students not only witnessed it, but decided to use the incident to blackmail his teacher! Threatened with exposure, Okano must submit to Tokiwa’s perverted will or have his shameful secret exposed.

Well, take that, Private Teacher! I’m not entirely sure what that pink thing is that’s strapped to the teacher’s thigh, and I’m not entirely sure I want to know. On the other hand, I do like making the comic shop clerks uncomfortable. It was originally published by Taiyo Tosho.

That’s certainly a range of options, isn’t it? What say you?

Welcome mat

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The mighty Manga Bookshelf blogging battle robot expands as frequent contributor Michelle Smith brings Soliloquy in Blue into the fold!

To mark the occasion, Kate Dacey and I joined Michelle and MJ for their latest Off the Shelf discussion. I used the opportunity to examine the sparkly, goodhearted bundle of joy that is CLAMP’s Cardcaptor Sakura (Dark Horse). It’s probably the first CLAMP title that I’ve loved without reservation or blemish, and I can’t believe I have to wait almost two months for the next omnibus to ship.

 

Kaze Hikaru 15-18

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Some series I find immediately appealing and others grow on me over time. In the case of Kaze Hikaru, I liked it well enough when I read the first volume but it wasn’t until I was able to check out a bunch of volumes from the library at once that I was completely won over and decided to slowly collect the entire series. I worry a bit about this series, because I get the impression that it isn’t a very strong seller and it is 29+ volumes in Japan. Kaze Hikaru is a meticulously researched romantic adventure about a girl named Tominaga Sei who decides to disguise herself as a boy with the alias Kamiya Seizaburo and enter the ranks of the Shinsengumi (shogunate special police) to avenge the deaths of her family. She quickly falls in love with her mentor Okita Soji who knows her true identity but remains willfully oblivious to his own feelings for her.

In the 15th volume Kamiya struggles with the idea of undergoing the male coming of age ceremony called Genpuku. She’d have to shave off her bangs, and then she’d lose the ability to occasionally dress as a woman by rearranging her hair. Everything gets thrown into even more confusion when a visiting doctor shows up who used to train with Kamiya’s father. Soji and Kamiya struggle to protect her identity, sending her into town when the doctor announces that he’s going to give everybody at the compound a physical in order to improve the health of all the men. Kamiya accidentally blurts out “Uncle Droopy Eyes” when she sees the doctor, and wonders if he’s recognized her from when he saw her before as a little girl.

Doctor Matsumoto ends up finding out Kamiya’s secret through some trickery by suggesting to Soji that she’s sick. Soji runs off to find her and rushes her to the doctor, not realizing that his extreme anxiety is due to the fact that he loves her. The doctor promptly starts trying to arrange her marriage to Soji. She says that she’s content to stay by his side to support him as a colleague. Matsumoto quickly diagnoses with the terrible disease of “feminitus,” which causes regular men to grow feminine characteristics, and her colleagues are instructed to support her manly efforts and avoid mentioning her girlish looks. This has the fortunate effect of throwing off the suspicions of some of Kamiya’s colleagues, at least for a little while.

Matsumoto appears again in the next volume, this time to give Kamiya perspective on her lost family. When she was a little girl she almost never saw her father because he spent so much time away pursuing his medical training. Kamiya still feels betrayed and resentful, and her closeness to her older brother was largely due to her father’s absense. Matsumoto points out that Kamiya’s father and Soji share similar characteristics. Both have entirely dedicated themselves to their studies, leaving little time for personal attachments even though they both feel deeply. Other romantic entanglements are highlighted, as Sanosuke wishes to make a merchant’s daughter his bride and a woman is coming to Soji with a marriage proposal. Kamiya is filled with anxiety. Soji’s attitude towards meeting a woman is that he’ll do it if it is a direct order from his superiors. In keeping with his continued obliviousness, he speculates to Kamiya that it might be better for him to marry a woman that he doesn’t love, because it won’t get in the way of his duties.

It was nice seeing Kamiya’s relationship with Matsumoto continue. She doesn’t really have any confidants so it was good to see that she finally had someone she could go to to talk with, even though his general reaction to her situation and decisions is disbelief that such a stubborn girl could exist.

The next two volumes move away from romantic angst towards political issues with the Shinsengumi. In Kyoto a troop captain is managing to alienate the locals with his policies, and his extremely suspicious nature is damaging towards morale. When Kamiya goes to visit him along with Soji and Kondo, Sanjuro promptly fixates on Kamiya as a possible spy since she seems so friendly to men in different troops. Sanjuro tasks his younger brother to spy on her, and Kamiya yet again faces her secret being revealed. Soji comes to the rescue, but Kamiya decides she has to figure out what on earth is wrong with Sanjuro to cause him to act in such an extreme way.

It seems like factions among the Shinsengumi are being set up as an even bigger problem, as the sneaky Ito has decided to set himself up to subvert the leadership of the troop by recruiting the men to his side. We see Kamiya training on firing a gun, and the philosophical differences between those who prefer the way of the sword to gunpowder and bullets are explored. Soji tries to help the woman he has a long-term relationship with. Kohana served as a cover for his vow of celibacy, he visited her and used his time to take naps. He explores the possibility of setting her up in a house with her daughter, but she’s come to have feelings for him and refuses. Kohana doesn’t want to be with Soji due to his sense of duty, if he doesn’t actually see her as a woman. Kamiya finds out what’s going on, but as usual the unarticulated feelings between her and Soji mean that their relationship will continue to function mainly as mentor and mentee. While Soji is trying to look out for Kohana, he also commissions a special lightweight sword for Kamiya. The next problem everybody will face is the love of the Captain for a mysterious woman. Kamiya is tasked by the Vice Captain with finding out about her true nature, as the Captain suffers in silence.

I think Kaze Hikaru is best read in multiple volumes like this. The story unfolds at a measured pace, and even though plenty of things happen, it doesn’t usually have any real end of volume cliffhangers to incite anxiety in the reader. I always enjoy Watanabe’s notes at the end, where she’ll clarify some of the historical information and point out where she took artistic license with known people and historic practices. Except for a few stray volumes, I’m all caught up with the English release for this series! Kaze Hikaru might not be the flashiest series out there, but the rich historical detail and slow building romance reward the patient reader.

June MMF: Call for Participation

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MJ: So, Michelle, first of all, welcome to Manga Bookshelf! I must say, it feels like you’ve always been here.

MICHELLE: Probably because I have! I’m like the houseguest that wouldn’t leave.

MJ: No, you’re the houseguest we kidnapped and brainwashed as one of our own!

We’re thrilled to have you here as a permanent resident, and what better way to kick things off than to put out the call for this month’s Manga Moveable Feast featuring Kazuya Minekura’s Wild Adapter, a series beloved by us both!

MICHELLE: Oh, is that what happened? I’m a little fuzzy on the details. Must be the chloroform.

In truth, I am very happy to officially be part of the family, and delighted that this coincides with a celebration of Wild Adapter!

MJ: For those who are unfamiliar, Wild Adapter (from the creator of Saiyuki) is the story of a young yakuza who becomes involved in the investigation of a mysterious drug known as “W.A.” which turns people who take it into beasts. The series runs in a BL magazine, but there is no more overt BL content than you’d find in a series like Banana Fish. In fact, I often recommend it to fans of that series. That said, similar to Banana Fish, one of the series’ greatest draws is the relationship between the main character and another young man—a victim of W.A. whom he finds collapsed in the street. For people who don’t typically read BL, it’s an unusual example of the genre with broad appeal. It’s also told in an unsusual and effective style, with many chapters set from the POV of a side character. You can check out my review of volumes 2-6 for an overview, as well as some sample pages from the series. David described in on Twitter as, “an incredibly sly, sexy book that combines crime noir with BL goofiness,” which is as good a description as any.

So, the details! Michelle and I will be hosting the Feast here at Manga Bookshelf beginning on Sunday, June 19th through Saturday the 25th. We’ll post an introduction to the series to start, with a roundtable to follow later in the week, as well as a special edition of Let’s Get Visual and whatever else we can come up with. But of course, the real feast comes from you!

MICHELLE: It’s kind of like a potluck in that respect! If you’d like to contribute to the feast, all you need to do is… well, do it! Then send an email to either mj@mangabookshelf.com or swanjun@gmail.com and we will make sure your contribution becomes part of the official archive!

MJ: No blog? No problem! Just send one of us an e-mail with your contribution included and we’ll post it on your behalf! You may discuss this title any way that pleases you—reviews, essays, comparisons, character studies—whatever you’d like to share. If you have questions, feel free to ask us. You can also join the Feast’s Google Group to mingle with other participants and find out anything you need to know.

MICHELLE: Personally, I’d love to see someone express their appreciation of Wild Adapter through interpretive dance!

MJ: For that, my friend, I’d pay!

So join us on June 19th for the Manga Moveable Feast and Wild Adapter!

Upcoming 6/1/2011

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I love to travel, but I hate just about everything related to airports. Let’s just leave it at that and move on to this week’s ComicList, which is made bountiful by the presence of a single book.

It’s the English-language debut of Kaoru Mori’s A Bride’s Story from Yen Press. Many people, myself included, expressed an obsessive love for Mori’s Emma (CMX), and I think it’s safe to say that all of those people have been chomping at the bit to read Mori’s new series. I know I featured it in a license request seconds after I learned it existed, and early word seems to confirm that our anticipation will be rewarded. The sure-to-be beautiful period piece about an arranged marriage is currently running in Enterbrain’s fellows!

 

Soliloquy in Blue Joins Manga Bookshelf!

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Some might wonder “What took so long?” but personally, I’m sort of pinching myself. To be in the company of such esteemed bloggers as MJ, Kate Dacey, and David Welsh is a big honor, and I’m very flattered they wanted to make me officially part of the family.

You might notice regular Soliloquy in Blue features like Let’s Get Visual are now appearing on Manga Bookshelf’s front page, and there’s also a little corner there now for my reviews of prose works! MJ is responsible for the gorgeous site redesign—seriously, I find it hard to stop looking at it—which I actually find pretty inspiring. So, if there’s to be any change, it will probably be an increased frequency of posts!

Thanks for following me to my new home and if, for some inexplicable reason you’ve not visited the blogs of MJ, David, and Kate, I suggest you click the little ‘Manga Bookshelf’ icon in the top right and remedy that immediately!

Shojo Beat Quick Takes – Sakura Hime and Sand Chronicles

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Sakura Hime: The Legend of Princess Sakura Volume 2

I found it very amusing that in one of the author notes for this volume, Tanemura wrote that she’d been holding herself back from using very much screentone in this volume and thus was worried that it looked unfinished. To my eyes it doesn’t look like Tanemura’s trademark excess of screentone has been curbed very much, but I should probably dig up some of her other series and compare. This volume continues with the antagonistic relationship between Sakura and Aoba, her fiance who sometimes likes her and sometimes wants to kill her. Now there are a couple of additional men vying for Sakura’s attention, as Aoba’s older brother Fujimurasaki seems more than willing to step in to help her out. There’s also the handsome Lord Enju who seems determined to send assassins to kill Aoba because he doesn’t want Sakura to be touched by “dirty humans”. Sakura decides to save Aoba despite his professed hatred of her in a gesture of senseless self-sacrifice that is fairly typical of Tanemura’s heroines, and the reader sees that Aoba’s feelings are wavering. The plotting is a tad incoherent, and I’m having trouble keeping some of the supporting cast straight. I still enjoy Tanemura’s illustrations and I’m looking forward to seeing Sakura grow stronger and confront her fate.

Sand Chronicles Volume 10

Sand Chronicles is one of my favorite dramatic shoujo series, and this volume provides a nice coda for the series. I really wish the concluding volumes had contained more Fuji. There’s just a couple glimpses of him here, and I would have liked a chapter or two just devoted to him. This volume is extremely Daigo-centric, as it shows him all grown up, married to Ann, and fully engaged in teaching Elementary school. Daigo’s relationship with an influential teacher from his past is explored, as his class gathers together to dig up a time capsule they buried 20 years ago. Ann and Daigo face a difficult issue with strength, and it is nice to see their marriage functioning so well as a support system for them both. Daigo is wrestling with becoming the type of teacher he wants for his students, and the idea that he may have an indelible effect on such young minds. He deals with the personalities in his class with compassion, spending extra time with the students of his that need more attention. After spending so much of the series seeing things from Ann’s point of view, it was nice to read a volume focused on Daigo. I felt like at last the characters were all going to be ok, and after so many turbulent twists and turns earlier on it was nice to see them fully engaged in daily life without much drama.

Review copy of Sakura Hime provided by the publisher.

A Few Weekend Links

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Good morning, readers! We took a Memorial Day break here at Manga Bookshelf yesterday, but we’ll be back to normal next week with our regular Monday features.

In the meantime, here are a few links you may have missed over the weekend:

At The Manga Critic, Kate reviewed Jiro Taniguchi’s A Zoo in Winter, due out at the end of June from Fanfare/Ponent Mon. Definitely this weekend’s must-read review.

At Soliloquy in Blue, Michelle and I looked for manga artwork illustrating the concept of mono no aware for this month’s installment of Let’s Get Visual. To that end, I take a look at several pages from Kiriko Nananan’s Blue while Michelle ponders a two-page spread from Peach Pit’s Shugo Chara! Do we know what we’re talking about? Come over and let us know!

At The Panelists, Derik Badman wraps up this month’s Manga Moveable Feast and announces the June selection, Kazuya Minekura’s Wild Adapter, which will be hosted right here at Manga Bookshelf! More on that soon!

Keep an eye out on Manga Bookshelf for tomorrow’s special announcement! Much more to come as the week goes on!

Cross Game Volume 3

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I was so happy that Cross Game was selected to be featured in the May Moveable Feast. It is very rare to come across anything that is so well executed that it immediately wins me over, but that was my reaction to the first and second omnibus volumes. In broad strokes, a battle for the soul of baseball has been set up over the first few volumes, and the third volume (which contains the Japanese volumes 6 and 7) shows the ultimate confrontation between the corrupt new coach’s handpicked team of elites vs Ko’s natural talent and the enthusiasm of the second tier Portable team. I love the cover for this volume, which shoes Ko and Aoba standing shoulder to shoulder and snarling at each other. It serves as an excellent illustration for the way their relationship is simultaneously close and antagonistic.

The portable team’s game against the main team also becomes a battle for the main coaching position. The Seishu coach Daimon continues to be blind in his pursuit of success. He and the interim principal don’t realize that the scruffy old man hanging out at the baseball field is actually the chairman of the board. Daimon assumes that the portable team’s losing streak means that they’ll be easy to beat. Seishu team start Azuma has been observing his teammates leave and Daimon’s complete unconcern for the health of his players. He announces that he isn’t going to be playing in the game, slamming his hand into the wall and saying that he’s too injured to play. Azuma only wants to play baseball with the best team, and if the Seishu team can only win with him, he knows where he really be should be.

Aoba is recruited to play with Ko’s team and objects to being assigned to play center because she wants to pitch. Akaishi comments that she hasn’t faced off against Ko in a long time. Ko pitches to her, and Akaishi confirms that center is now ok with her. The match starts, and the score remains tied at 0-0 for a long time. Azuma keeps making pointed comments at Daimon, wondering if he even knows the names of the teams the portable team lost to. It turns out that they were practicing against elite teams, and Ko was deliberately allowing hits for most of the game in order to give everybody fielding practice. The game progresses and the look of dawning horror on Daimon’s face is quite enjoyable.

One thing I liked about this volume is it gave increased insights into Azuma’s personality and motivations. He’s always seemed a bit like a grim warrior of baseball, but now I can finally understand why he’s so driven. Azuma’s older brother Junpei appears and starts trying to chat up the oldest Wakaba sister, Ichiyo. On the surface Junpei seems goofy and laid back, but when he comes across his brother training Junpei picks up a baseball with a practiced grip. Azuma tells his brother that he promises that he’ll get to Koshien. Junpei just replies that Azuma should have more fun with baseball and walks away, leaving the ball on a chair. Junpei was an athletic star, but his dream was derailed when he was injured.

After the long buildup to the confrontation between the coaches and baseball teams, it was a relief to see that the rest of the volume was focused on shorter slice of life stories. It felt to me like the characters finally had a bit of breathing room. Azuma moves in with Ko’s family when the dorms are shut down. Aoba is getting hit on all the time. Memories of Wakaba continue to cascade through Aoba and Ko’s lives. This volume felt like the conclusion of the first major story arc of the series. I’m still loving the combination of action, romance, humor, and drama. It is rare to find a series that functions well on so many levels. I’m eager to see the next chapters that show Ko working to get to the ultimate baseball tournament at Koshien.

A Bride's Story Volume 1

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I think it is nice that Kaoru Mori’s manga inspires special treatment. The editions of Emma from CMX featured matte paper stock that gave the volumes an old timey feel. A Bride’s Story gets the deluxe treatment from Yen Press, with the first volume arriving as an over sized hardback with a lovely wraparound illustration on the dust jacket. The painstaking research, sympathetic characters, and lovely detailed illustrations that readers enjoyed in Emma are in full effect in A Bride’s Story, with the bonus of a heroine who enjoys hunting rabbits from horseback with a bow.

The story takes place along the Silk Road in the 19th century. Amir is twenty years old, and she’s sent to marry a twelve year old boy named Karluk. Amir comes from a more nomadic tribe than Karluk’s family, with the result that she brings with her some skills that her new family hasn’t possessed in awhile. Amir seems anxious to fit into her new place, trying to be helpful whenever possible and she seems to be waiting for her new husband to grow up. Evidently twenty years is an unforgivably old age for a bride, and the backstory behind the marriage isn’t shown. Karluk is an uncommonly calm twelve year old, who seems to take his responsibilities very seriously. He jumps at the chance to try to locate his uncle’s clan of shepherds, wanting to be reintroduced to his relatives as a married man.

I’d always thought that Mori’s slice of life stories are particularly good at portraying children and how they negotiate the world. Rostam, the youngest member of the household, becomes fascinated with the local woodcarver and he neglects his chores to observe him. This gives Mori the excuse to showcase some dazzling panels of woodcarving patters, as well as showing the reactions of Rostam’s family. His mother sends him to bed without dinner, then tasks Amir with sneaking him food later. When it is clear that this is a general pattern of Rostam getting punishments that his mother immediately regrets, Amir declines to participate. She’s nervous and wants to please her new family, but when they start discussing rabbit stew she seizes the opportunity to grab her bow (part of her dowry) and race off on her horse to hunt.

A Bride’s Story would be plenty entertaining if it just showcased Mori’s research and charming illustrations, but she decides to introduce a note of suspense when it seems like Amir’s family has started to regret sending her off to marry Karluck. Amir gets an unexpected ally when the matriarch of the family (an enjoyable example of the kick-ass grandma character that often appears in manga) decides to defend the new bride. Karluck’s grandmother received a bow with her dowry too! With publishers going out of business and series going out of print or left unfinished, I’ve been feeling a little less enthused about manga lately. Reading A Bride’s Story has reminded me about the possibilities for storytelling unique to manga, and I’m happy to find a great new series to read.