Anna N

Dengeki Daisy Volume 3 by Kyousuke Motomi

Dengeki Daisy is one of those series that just keeps getting better with every volume. I put this volume down disappointed that I’m going to have to wait until April to read volume 4. The characters in Dengeki Daisi just seem to have both more depth than I expect, and Motomi’s slightly off-kilter approach to shoujo storytelling always ensures some surprising moments in this manga. One of the things that I find hilarious is the way Teru’s friends just casually accept the fact that she’s living with a older, supposedly lecherous high school janitor. As the volume opens she’s preparing to move in with her new friend Riko and she’s trying to come up with ideas for a parting gift for Kurosaki. She decides that she’ll cook a meal, but she has to ask Kurosaki to pick up the groceries because she’s so busy moving. I just love the interaction between Kurosaki and Teru. He orders her to restate her request as a servant and she says “Master, I would appreciate it if you bought the groceries…please” and flashes her belly button at him. He ends up cooking her farewell dinner and teasing her too much, so she starts crying. Kurosaki gives her a hug and the comforting words “You’re my servant, remember? I’m going to work you to the bone at school. And you can keep coming here to cook and clean for me.” She thinks “This is so cowardly…I won’t do this again. Putting the one I love on the spot with my tears and expecting him to do what I want.” Teru then leaves, in order to move into her new apartment right next door. The first chapter of this volume contained everything I like about Dengeki Daisy: character interaction, self-reflection, and a quirky twist.

I enjoyed spending more time with the main characters in Dengeki Daisy. I’m a big fan of shoujo heroes who look slightly dissolute, like Yoh from High School Debut with the horrible bags under his eyes. Kurosaki fits well with this character type, as he’s often snarling with a cigarette dangling from a corner of his mouth. He only seems to have unguarded expressions when Teru can’t see him, because he’s locked away the more protective and gentle side of himself into the personality of the mysterious person “Daisy” who Teru can only reach through her cell phone. As I was reading this volume I was wondering how much longer the secret of Daisy’s identity would last. Teru’s been on the verge of discovering that Daisy is Kurosaki so many times, it is hard not to wonder if her lack of knowledge might be a protective mechanism. For an orphaned girl who might possess a secret computer program her brother was killed for, she’s amazingly level headed even if she is subject to the normal amounts of moodiness any teenager would be expected to have.

Teru comes into her own in an unexpected way in this volume. Takeda comes after her, separating her from Kurosaki during an important cake shopping trip. Takeda tries to sneakily manipulate her into showing him her cell phone so he can search it for the mysterious software program her brother wrote, she sees right through him. Even though Takeda’s manipulations have caused her a ton of trouble, she ends up telling him that she wants to see him again the next time he wants to to go a cake shop. It is clear that Teru and Kurosaki have a deep emotional connection, but they aren’t ready for the push their relationship would get if it was revealed that Kurosaki is actually Daisy. Daisy functions as an emotional safety net, and if that communication mechanism were to vanish, Teru and Kurosaki’s emotions might be too difficult to handle. This volume tended to focus more on the emotional connections between the odd couple and less on the corporate espionage mystery that was featured more in the first couple volumes. At this point I’m happy to read whatever Motomi comes up with for the rest of the series.

The Secret Notes of Lady Kanako by Ririko Tsujita Volume 1

This manga mash-up of Harriet the Spy and Mean Girls ends up being a great read due to a uniquely acerbic heroine and the unexpected friendships that she finds. It is obvious that The Secret Notes of Lady Kanako was originally intended to be a stand-alone short story that was expanded later on because the first chapter has a very self-contained conclusion. Kanako holds herself apart from her classmates because she’s entertained by the idea of being the perfect outside observer. Her notebook is full of detailed notes about the behavior and secrets of the kids that surround her even though they don’t really know she exists. The focus of her current research are the boys and girl that are the most popular students in the school. Haru is the most handsome boy in school, but his beauty is combined with a somewhat sadistic personality. The prettiest girl in school is Momoka, who is nursing a crush on Haru. Haru encourages her crush just because he wants to see Tota, the boy who is hopelessly in love with Momoka, squirm in agony. Kanako sits back and watches the drama unfold, but her notes are discovered and she soon finds herself growing closer to her observation subjects than she originally intended.

Kanako finds herself gradually won over by Momoka’s innocent gestures of friendship and her stoic response to bullying from the other girls in the class. Since Momoka won’t do anything to defend herself, Kanako decides to take over the PA system to announce that the bullying better stop or she’ll reveal everyone’s darkest secrets. Tota thinks Kanako’s direct way of speaking is cool and he begins to look up to her. Haru’s snarky personality and tendency to call Kanako out on her behavior makes him a great foil. Haru is tall, dark, and conventionally handsome while Kanako is drawn as a very short girl who is always peering over her glasses with a knowing smirk on her face. Haru comments to Kanako that she’s strong, and “It’d be more interesting if all the girls were like you.”

One aspect of this manga I was initially unsure of was the portrayal of female friendships. It is fairly typical for there to be plenty of backstabbing and bitchiness in shoujo manga, and it gets repetitive after awhile. I’m also a little tired of reading stories aimed at girls where the normal behavior of other females is constantly portrayed so negatively. But The Secret Notes of Lady Kanako manages to avoid getting trapped in cliche. Kanako prides herself on seeing through all facades. She transfers from school to school to maintain her prized outsider status and when she hears a someone comment on a nice girl, she thinks to herself “Sweet girls like her? You’re awfully gullible.” Kanako’s observational habits end up uncovering secrets at her new school, but instead of becoming an enemy of the two-faced girl that was the object of her studies they end up becoming unexpected allies, bonding over the fact that they both have twisted personalities. Kanako says that she observes because she doesn’t need friendships, but she usually ends up helping the people she watches. She doesn’t tolerate hypocrisy, and she celebrates the quirky behavior that other students find off-putting.

There’s an element of knowing cynicism in Kanako’s personality that is really refreshing for someone who’s been reading a lot of shoujo manga that features sweet but ditsy heroines. In many ways Kanako is the exact opposite of the typical shoujo heroine, but she does display a few moments of softness when encountering the first friends she’s made in school. Haru occasionally pops up in a chapter here and there to tease Kanako, and she returns to her first school at the end of the volume for the cultural festival. She finds out that while she prides herself on observation, her old friends were actually watching her and use their knowledge to try to do something special for her.

This manga isn’t perfect, as there are repetitive introductions at the start of every chapter and the episodic nature of the manga actually made me wish for more Haru/Kanako interaction. I was surprised to read in the author notes that this was Tsujita’s first volume of manga, because she managed to create such a compelling heroine on the first try. This series is only three volumes long, and is worth picking up if you’re looking for shoujo that manages to combine cynicism with sweetness.

To celebrate the upcoming (Next week! Are you ready and excited to talk about android girls?) Manga Moveable Feast for Julietta Suzuki’s Karakuri Odette, I’m giving away a copy of the first volume of her latest series, Kamisama Kiss. Just leave a comment in this post answering the question:

How would you force your hot fox-spirit familiar to bend to your will?

Snorgles? Bungee cord? Making an excellent moussaka? Leave your comment and I’ll select a random winner, to be announced at the close of the MMF.

Biomega Volume 2 by Tsutomu Nihei

Biomega continues to be one of the most stylish action manga I’ve read. There might not be a whole lot of substance there, but the style is dialed up so high that I find myself not caring so much that Nihei’s vision of a dystopian future seems like it has been cobbled together from a variety of sources. Zoichi is determined to rescue the captured Eon Green. We get a little more background about Zoichi and his world in this volume – Zoichi seems to be a rogue synthetic human developed by Toa Heavy industries, and now we see that he isn’t the only person with those unique abilities as Nishu Mizunoe is shown to be pursing the talking bear Kozlov Grebnev. There’s plenty of zombie splattering action, but my favorite part of this book came relatively early when Nihei displays a spectacular example of manga physics.

Zoichi is on the run from a group of fighter planes. From his motorcycle, he shoots one down with his handgun. He dodges missiles on the highway, then jumps the motorcycle into the air while holding an axe. He then proceeds to pilot the plane, anchored by the axe, as he sends his always helpful computer program into the cockpit to take over the plane. Honestly, I was so happy with the handful of panels in that action sequence the rest of the book could have been a 188 page instruction booklet on mumblety-peg and I still would have found it a satisfying reading experience.

Biomega Volume 3 by Tsutomu Nihei

The third volume doesn’t feature an action sequence as iconic as riding on a plane with an axe, but there’s plenty of action as the synthetic humans from Towa Heavy Industries confront the Data Research Foundation and their plans for transforming the earth. There’s a synthetic compound that dramatically reacts with the infected zombie/drones, giving the DF foundation a chance to remake the earth and ensure their own immortality. There’s mecha fights, fleshy monsters, motorcycles with handy claw tools, and Zoichi finally manages to get to Eon Green.

Part of the reason why I like this manga so much is that it is the only seinen science fiction title I’m actively collecting. So it functions as a nice palate cleanser when I’ve read too much shoujo. I can certainly see why some people might find not very compelling due to the somewhat erratic nature of Nihei’s storytelling. Biomega sometimes seems like a pastiche of many similar manga and anime. I find though that the artwork in Biomega compensates for the storytelling. Nihei’s character designs are sometimes really unsettling, as many of the characters are hidden behind creepy-looking masks to prevent infection. The synthetic humans are the perfect action heroes, the sometimes display some unsettling powers as their bodies react to injuries or extrude biomechanical parts to make climbing up giant mecha that much easier. For all the non-stop action in Biomega, the most memorable images I found in the third volume were a few panels of Zoichi’s dream after he’s been poisoned. He’s standing in an alien landscape in outer space, looking out at the stars when a man with his skull half caved in comments that there are no humans left. Nihei is great at juxtaposing moments of stillness with his inventive action sequences, and that’s why I’m going to be looking for the next few volumes in this series.

Cross Game Volume 2 by Mitsuru Adachi

The first volume of Cross Game was my favorite new shonen manga of 2010, so when I got a new box of Viz goodies, this was the first manga I grabbed. I was happy to see that the second volume delivers on all the character development that was built up in the first volume. This omnibus edition contains volumes 4 and 5 of the manga. At the end of the first volume Ko and his “farm team” companions are gearing up to play against the elite varsity team at their high school.

The second volume opens with one of those deceptively simple scenes that serve to illuminate the relationships between the characters. Ko shows up at the Tsukishima household, asking to see Aoba. Mr. Tsukishima is slightly perplexed, but tells him to go into the house. Aoba’s oldest sister pops up suddenly into the panel with her hand on her forehead in disbelief, “Ko..? Here for Aoba?” Ko tells Aoba to follow him, and she goes with him, striking a fighting pose when he turns to throw her a baseball glove. It turns out that Aoba is the only person Ko can trust to give him a realistic assessment of his pitching abilities. His teammates haven’t said much to him, but they wouldn’t say anything to disrupt his confidence. Ko starts throwing the ball to Aoba and the sound effects start to kick in. Boom! Couples strolling in the park turn and stare. Boom! The sounds of Ko’s pitch echo in the night. Aoba catches every ball and when asked for her assessment, she says “You’re okay…I guess.” Ko is psyched and pumped up for the game, because Aoba’s “okay” is the best compliment she could give him. He challenges her to a bet, if he only lets the opposing team score 10 times, she’ll buy him a treat. Aoba changes the terms of the bet by yelling “Five runs!” Ko says “No fair.” and walks off into the night. Aoba nurses her battered catching hand and thinks “No fair for who?”

The game begins, and the corrupt coach and principal of the high school are unprepared for the farm team that they previously dismissed. The better players on the varsity team are aware of Ko’s talent, even while the coach tries to pretend that Ko’s pitching ability isn’t extraordinary. Even though the baseball game stretches over a good portion of the book, I was kept entertained by the skillful ways Adachi manages his cast of characters. Azuma, the ace batter on the opposing team begins to view Ko as a true rival. Aoba sits in the stands and provides a running commentary on all the players, which demonstrate that since she isn’t able to play with the boys on the field she might be better employed as an additional coach. The ancient but tricky coach of the farm team demonstrates some underhanded but effective ways of managing players, as he tells a false but inspiring story to his selfish third year players, and secretly arranges a different type of bat for a player who swings too hard but won’t work to change his approach.

One of the many things I appreciate about Cross Game is that the more poignant moments aren’t milked for melodrama. Ko’s still dealing with the tragedy that struck in the first volume, and the reader sees this in a couple scenes. He works himself tirelessly in the secret summer training camp of the farm team, saying that summer is a time he doesn’t want to think too much. He willingly humiliates himself just to get an item on Wakaba’s birthday list. These scenes are presented in the same slice-of-life manner as the rest of the manga, but I can’t help but think that in the hands of a less skilled creator, something like that would be presented with extra tears or emphasis. Cross Game just shows events unfolding with a natural rhythm that is deceptively effortless.

Review copy provided by the publisher.

Mizuki Episode 1 by Nao Yazawa

I’m happy to see that Digital Manga Publishing is bringing out more shoujo manga, but I’m a little disappointed that Mizuki is going to be available only in electronic format for the foreseeable future. It seems like magical girl shojo has fallen out of favor a little bit in recent years, but I’m hoping that the reprinting of Cardcaptor Sakura and series like Mizuki might signal a return to more magical girls manga being available. I am a sucker for transformation sequences, and the general frivolous tone of much magical girl manga makes it a perfect thing to read when I want to relax. I haven’t read Nao Yazawa’s other series Wedding Peach, but I do admire it from a distance just because I think magical girl transformations involving wedding dresses are hilarious.

Let’s sit back and bask in the bridal glow of Wedding Peach for a moment:

Mizuki has an interesting twist on the magical girl conventions, because instead of transforming into something sparkly with ribbons, her transformation option is limited to turning into a half-demon, complete with horned head. Mizuki’s family is descended from traditional Japaneses demons (oni) and as a result Mizuki is extremely uninterested in using her mystical powers. She doesn’t want to turn into a demon and have her classmates think that she’s scary or gross. The boy next door Seikito just thinks she should stop whining and get to work fighting mystical disturbances. Seikito’s family and Mizuki’s family have teamed up for generations to fight ghosts, and now he thinks that it is his turn to be Mizuki’s partner. Mizuki has a crush on popular baseball player Yamaguchi, so she just wants to be a normal girl.

Of course, there is some haunting near the school and Mizuki has to go into Oni-battle mode despite her reluctance. Yazawa’s character designs are attractive in a very retro sort of way. Her art style reminds me a bit of a slightly less skilled 1980s Rumiko Takahashi, which isn’t a slam on Yazawa at all because 1980s Takahashi was pretty awesome. Sekito has long hair that he keeps tied back, as befitting a ghost hunter who embraces his family tradition. Mizuki’s hair is short and sassy, which fits with her personality. Even though Mizuki looks plenty cute in her half oni form, I thought her reluctance to transform and the lack of traditional magical girl accessories and ribbons made this series interesting. I’m guessing Mizuki will have to deal with both a love triangle and her growing demonic powers in the future. Horrible ghosts do seem to have a habit of taking up residence near Japanese schools inhabited by teen ghost hunters. I’m looking forward to future episodes of this manga, it looks like a big first chapter is currently available on emanga now.

Access to electronic copy provided by the publisher

Silver Diamond is one of those series I think of as being a bit under the radar. I don’t see many posts about it on manga blogs, and this shonen ai manga itself is a bit odd, since it focuses on the adventures of a boy who can magically grow plants as he journeys to another world and all the cute men who enjoy hugging him. Sometimes I’m not sure if I can hang on for another 13+ volumes, but then I pick up a volume of this manga and I’m reminded again how much I like Sugiura’s creative world building and cozy atmosphere.

Silver Diamond Volume 6 by Shiho Sugiura

The sixth volume of this manga shows the demonic ayame prince (who looks suspiciously like green-thumbed hero Rakan) issuing a new prophecy: a god of death will bring new calamities on the desert world, but the people will persevere as long as they continue supporting him. The prophecy is issued as a response to the presence of Rakan, whose sanome powers to make plants grow have the potential to make the world green again. Rakan and his companions are journeying with a group of lost boys who were cast off from their families. Rakan is furious at the implied threat from the prince, and his anger manifests itself as a field of glowing flowers. Cut off from their new followers, Rakan, Senroh, Narushige, and Tohno continue to march towards the capital.

Silver Diamond Volume 7 by Shiho Sugiura

I liked the seventh volume a little more just because there was more wacky plant action and hugging, which are the main features I have come to expect from Silver Diamond. Rakan wakes up to find Narushige holding his hand, telling him to “get out of there.” The “there” in question is Senroh’s arms, who calmly announces that he decided to be Rakan’s pillow. The group is taking shelter in a storehouse with some unique seeds. Rakan is able to create plant-fences and plant-spiral-staircases with some of the preserved seeds. The domestic idyll ends quickly when an assassin from the prince sends in lizard-dogs made of stone and controlled by mystical garnets to kill Rakan.

Senroh takes care of things, aided by a plant rifle that Rakan grows quickly. One of the nice things about Silver Diamond is the cool action scenes. It was fun to see Senroh spring into action as a sniper with his dark glasses and vine entwined rifle. The stone lizard-dogs look appropriately mindless and creepy. The assassin confronts the group, and we see that there is at least one person Rakan can fail to charm. Finally, we get a female to join Rakan’s revolution as a giant stone-eating wolf decides to take up with the group after she dines on the assassin’s lizard dogs. Rakan welcomes her with the same openness that has won over his other companions in the past. Cute animal sidekicks is a plot element that Sugiura seems to specialize with. I wonder how the cynical snake Koh will get along with Kuro, who just seems to have a crush on every human boy she meets.

Even though Rakan and his companions are launching a rebellion against a prince and his cronies who have mystical powers of their own, Silver Diamond has a certain lack of urgency that I find relaxing as opposed to boring. The constant affirmation of friendship and the unique details of Sugiura’s fantasy world remain interesting, even if the general plot might be a little less drawn-out if this manga was being produced by a different author.

Ooku Volume 5 by Fumi Yoshinaga

I like this series, but I am feeling a little impatient about all the flashbacks establishing the world of Yoshinaga’s gender-flipped Edo period. When the first couple volumes introduced Yoshitsune, we saw a female shogun who was pragmatic, practical and horrified by the excess of court life. Yoshinaga shows how the court gradually grows more excessive and corrupt, as well as the desperation of the previous shogun to conceive a child. Even though Japan now functions as a matriarchal society, it isn’t necessarily any better with women in charge. The scarce men are valued only for their sperm, and the Shogun’s harem of men is a demonstration of of her wealth.

The fifth volume details the rise to power of Emonnsuke, as he manipulates the other men around him in the Inner Chambers. He has special palaces designed for the Shogun’s chosen men, ostensibly to honor them but they serve to keep her support system at a distance. The Shogun’s close female confident the Baron of Dewa confronts Emonnsuke, and while both acknowledge each other’s power nothing much gets changed. It is hilarious when Emonnsuke starts calling for salt to purify himself after talking with the Baron, thinking to himself “Is she the love-child of a demon and a human, perhaps!?” When the shogun’s daughter and heir Matsu dies the pressure on her to produce a new heir is immense, and the resulting antics in the Inner Chamber grow more and more corrupt. While some of the non-chosen men in the Inner Chamber view it as a respite from their previous duties servicing women for money to support their families, the Shogun is forced to sleep with a succession of lovers and isn’t allowed to fully mourn the child she lost. She’s lost in despair when she confesses to Emmonnsuke, “I’ll tell thee what a shogun is — ’tis a base sordid woman, lower by far than those men who sell themselves in the cheapest bawdy houses.”

There’s a huge contrast between the rituals of the Ooku and the inner lives of of the people who are caught in its rituals. The Shogun starts making foolish laws. A shocking act of violence is committed by one of the last Samurai families controlled by men, and the Shogun’s reaction is to create a new law placing even more power in the hands of women. There’s a glimmer of something new towards the end of the volume, as the Shogun meets her young relative O-Nobu. O-Nobu’s freedom in speaking exactly what’s on her mind and her confession that since she’s not pretty she doesn’t value pretty men delight the elderly Shogun. O-Nobu will grow up to become the Shogun Yoshitsune, and I’m hoping that the next volume will tell more of her story. The strength of Ooku is the world building and the careful and measured way Yoshinaga presents the rituals and history of the Inner Chamber. But at the end of this volume, I have the feeling that most of this story is just prologue, leading to the possibility of Yoshitsune doing something to change the static matriarchal society of Yoshinaga’s alternate history.

Review copy provided by the publisher

Twin Spica Volume 2 by Kou Yaginuma

I am woefully behind on this series, but I guess that can be a good thing as I can look forward to reading plenty of volumes to get caught up. One of the things I was struck with in this volume is Yaginuma’s economy when packing the story full of emotional beats. He manages to create many genuinely affecting scenes in only a few pages. Twin Spica might be a little sentimental, but the sentiment is earned. Asumi has been admitted to space school and prepares to follow her dream of becoming an astronaut. The second volume starts out with a melancholy note as Asumi has to say goodbye to her spiritual companion Mr. Lion. He runs along her train yelling at her not to cry and to do her best. Asumi promptly gets her skirt stuck in the train door.

When she arrives at space school, she’s reunited with her fellow recruits. They have to face grueling physical training and hard science classes. Even though Asumi is one of the smallest in her class, she’s one of the quickest due to some of the training exercises Mr. Lion has put her through. Asumi’s natural tenacity might not be enough to overcome her being singled out by a teacher who doesn’t approve of her father and her need for an expensive custom flight suit. The flashback episodes in Twin Spica are the most affecting. While the first volume dealt with Asumi’s trauma over losing her mother, the second volume focuses on a friend from Asumi’s childhood who was also affected by the spaceship crash that overshadows Asumi’s current life and dreams. Asumi’s relentless pursuit of friendship and her refusal to give up even when facing rejection will hopefully carry over into a triumph over her issues at space school.

There’s a contrast in Twin Spica between Asumi’s natural innocence and optimism and the cynical approach of many of her teachers at space school. Asumi’s persistence despite her obstacles makes her a heroine you want to root for. While she may be starry-eyed in her quest for space, the administrators at space school aren’t willing to make sacrifices for a promising student that doesn’t fit the exact physical profile for an astronaut. Asumi stands out, and that can be a bad thing as she learns more about her father’s involvement in the crash. This was a good second volume, but I have a feeling that the series really starts to get going in the next couple volumes. I need to get caught up soon!

To Marry a Stranger by Renee Roszel and Takako Hashimoto

I decided to read this title mainly because the hero of the story has an eye patch. Eye patches are a feature of romantic heroes that seem to be sorely neglected recently, although I think for some reason they were more prevalent in the 80s. Helen wants to know who her destined man is, so she decides to visit the conveniently located Love Mansion, a haunted house that is located near the bed and breakfast she’s opening with her sisters. She runs into the current habitat of the Love Mansion, Damien Lord. He happens to be horribly scarred due to accidents he suffered as a reporter in Afghanistan, but he’s taken up residence in the country to recuperate. Damien is cranky and Helen decides to tame him by feeding him plenty of home-cooked meals. To Marry a Stranger follows the typical Harlequin formula of a woman’s beauty and domestic talents winning over a tortured yet handsome man. It is enlivened by Hashimoto’s art which is relaxed, with a feminine cartoony style. I do believe that more romance heroes need eye patches.

To Woo A Wife by Carol Mortimer and Yoko Hanabusa

This was an entertaining title, simply because Hanabusa’s art has an old fashioned look to it. The characters have long noses and limpid eyes that wouldn’t look out of place in a 1980s manga. When you combine the old school art with a socially maladjusted hero given to making random women hating comments hilarity ensues. Jarrett Hunter is a millionaire bachelor who is trying to buy a hotel from a “Black Widow,” a woman who conveniently married a very elderly rich man who died a couple years into the marriage. Jarrett has managed to avoid the snares of women, because he’s been severely messed up by his mother running out on his father. So when he meets Addie, he assumes that she is a very high-priced hooker, because he thinks she’s visiting a hotel alone. Unfortunately Addie is the widow he’s been sent to woo for the purposes of acquiring her real estate. He has golden eyes! She has violet eyes! Will their bickering lead to love? Will he be charmed by her relationship with her young daughter? Will he relentlessly pursue her? Does he have two unmarried brothers so the author will be able to write a trilogy? The answers to all these questions is of course a resounding yes. Even though there were a few rough spots in the adaptation for this manga, I found it entertaining simply because of Jarrett’s horrible social ineptness, which would have probably caused him to get beaten up if he wasn’t a handsome billionaire.

Access to electronic copies provided by the publisher

Black Gate Volumes 1-3 by Yukiko Sumiyoshi

Usually I love omnibus editions because they give me a good excuse to devour two or more volumes of manga in an afternoon. I found it hard to get excited about Black Gate, an omnibus of a complete 3 volume series that features attractive art that is hampered by a lack of compelling storytelling. In Black Gate, there are light and dark gates that exert a powerful influence on human spirits. When someone is ready to die, they naturally go through a gate into the next world. Black gates are malign forces that try to take human souls too soon. Mitedamashi have the power to seal gates. Senju is a guardian to Hijiri, a rather bratty boy with a powerful mystical heritage. The fate of humankind may hang in the balance as Hijiri finds out the secret of his past, but will he be mature enough to harness his natural power?

One of the more unfortunate aspects of Black Gate is the lack of real character development. Hijiri’s main mode of expression is irresponsible brat, and while he exhibits a little bit of character growth he mostly remains static. Senju is haunted by the death of Hijiri’s parents, but he keeps plugging away at his part-time job (being a gatekeeper pays very little) and raising Hijiri as best he can. I found Senju a more compelling protagonist than Hijiri, so I was disappointed when he abruptly disappears for a long stretch of the book. Senju is replaced in Hijiri’s life by the sudden appearance of the Sugawara cousins, a pair of teen boys who also serve as guardians. Hijiri struggles to become a gate keeper himself and he tries to partner up with with Michizane, the half brother of one of the guardian cousins. The second and third volume become weighted down with a bit of plot mish mash involving a gate keeper serial killer, spirit possession, inadvertent immortality, and a struggle between the human and spirit worlds.

I usually tend to enjoy manga with themes like Black Gate, but I found it hard to get interested in this manga because Sumiyoshi tends to gloss over character development. None of her characters have terribly unique personalities, and the protagonist Hijiri isn’t very nuanced. I found myself not really caring what was going to happen to Hijiri, and that made it difficult to work up much enthusiasm for this manga. Sumiyoshi’s art is slick and competent, and she has a knack for creating attractive character designs. I really wish she’d been partnered with a different author because I think the work would have been so much better if the art was created in service to a more interesting story. I tend to place a little more importance on story than art when reading manga, but the art has to be absolutely gorgeous for me to overlook dull storytelling. Biomega might be incoherent, but it has the advantages of lovely art and a gimmicky supporting character that I adore. Bride of the Water God is gorgeous, and relies more on mood and extra pretty characters than story. Unfortunately there wasn’t enough in Black Gate to compensate for its narrative shortcomings. I read all three volumes of Black Gate, hoping the story would get better and I ended up disappointed. Someone who reads manga primarily for the art might find Black Gate much more fun than I did.

Review copy provided by the publisher.

Kurozakuro Volume 1 by Yoshinori Natsume

This manga about a bullied schoolboy who makes a pact with evil forces to gain strength wasn’t really to my taste, but Kurozakuro offers a glimpse of something a little different as it incorporates the horror genre into an otherwise conventional shonen tale. Kurozakuro starts out by introducing an overly familiar shonen hero. Mikito is mild and meek, and thus the target of bullies at school. His humiliation is doubled when the girl he has a crush on attempts to come to his rescue. A strange creature comes to Mikito in a dream. Mikito crawls across a desolate landscape towards a barren tree where an impish child with sharp teeth commands him to name his desire. Mikito says that he wants to be stronger so “no one will push me around anymore.” The child says he’ll give Mikito power and in return he has to make the tree bloom. Mikito wakes up the next day with heightened senses, a quick temper, and super strength.

Mikito starts finding joy in violence, and his crush Saki is disgusted by him. He starts dealing with odd compulsions, and finds out that there are demon hunters out to get him. Mikito is slowly turning into an ogre and starts craving human flesh. To make matters worse, a teen demon hunter girl has just transferred into his class. Trying to hide from demon hunters, eating raw meat, and struggling with the compulsion to kill people can make it tough to function effectively in high school. Other than his new habit of thinking of people as meat, there isn’t much to distinguish Mikito from every other bullied shonen manga hero who wants to get stronger. Natsume’s art is a little stiff. The lack of fluidity works fine when he’s referencing the visual language of horror manga, with weird lighting and shading on Mikito’s face as his ogre personality starts to take over, but isn’t as effective during the action scenes when the ogre hunters start to take out their prey.

I enjoyed a couple things about Kurozakuro. The shonen/horror mash-up was interesting and the dark tone set it apart from the more typical fighting manga I tend to expect. But none of the characters were particularly compelling, and I didn’t put the manga down feeling all that invested in the story. I wouldn’t hesitate to recommend this title to someone who enjoys horror manga. For me, the stock plot elements and lackluster art overwhelmed the more interesting way Natsume was playing with genre. If the art had been a bit more surreal or the characters more unique I’d probably like this title a lot more.

Papillon Volume 5/6 by Miwa Ueda

I was happy to see signs of life in Kodansha’s North American arm with the recent summer lineup, but I was a little disappointed that the only ongoing Kodansha title that I actively purchase was left off the list. I’ve slacked off on getting Tsubasa and xxxHolic just because they seem to have gotten so weighed down by continuity. Wallflower is so episodic that I don’t feel like I’m missing much if I skip volumes, and while I enjoyed the first few volumes of Nodame Cantible, I haven’t gotten back into collecting that series. Papillon is pure trashy fun.

As I was reading this omnibus volume I was struck with how addicting Ueda makes this series despite the fact that none of her characters are sympathetic. Nice girl Ageha may be the heroine, but she’s essentially spineless and prone to collapsing under the weight of her own drama. Ageha’s twin Hana has a myriad of psychological issues that lead her to dress up as her sister to see if her boyfriends will fall for her twin, and she’s now trying to steal Ageha’s boyfriend away. Ageha’s boyfriend Ichijiku is a guidance counselor in training who somehow finds it appropriate to date a high schooler even though he might be trying to help build up her self-confidence. If the ending of Papillon involved the main characters dying in a fiery bus crash, I would not be all that disappointed. Yet Ueda’s soap opera makes me want to keep reading.

Ageha starts a part-time summer job at a restaurant where Hana’s ex-boyfriend Shinobu Shindo happens to be working. Shinobu used to have a crush on Ageha too, but when he told her about his feelings she thought he was teasing her. Hana confesses her feelings to Ichijiku and he rejects her. Then Ageha talks to Ichikiku in guidance counselor mode, telling him all about Shinobu without realizing that her new co-worker might inspire feelings of jealousy in her boyfriend. Angst and misunderstandings abound, and Hana start to act even more reprehensible than before when she disguises herself as Ageha and attempts to seduce Ichijiku. Meanwhile, a woman from Ichijiku’s past makes a sudden return, bringing yet another set of psychological problems for him and Ageha to deal with.

Ageha begins to show vague signs of self-awareness as she begins to analyze her own behavior. She actually helps Ichijiku with some of his problems, instead of being her usual flailing and helpless self. Hana keeps acting out so much, I am really hoping that she gets hit by a meteorite and dies. I hope that Kodansha decides to wrap up this series because even though I doubt my hopes of fiery death will be satisfied, I do want to see what happens next.

For this week’s Saturday Morning Cartoon, let’s enjoy the goggles, billowing coats, and steampunk airships of Last Exile:

Kamisama Kiss Volume 1 by Julietta Suzuki

Karakuri Odette was such a pleasant surprise when I first started reading it, I have been eagerly waiting for another Suzuki series to be translated. I was excited to see that the Shojo Beat line was adding her series about yokai, Kamisama Kiss. Much like Karakuri Odette, Kamisama Kiss takes a premise that might initially seem to be a bit worn out and makes it absolutely charming.

Nanami is a fairly typical heroine. She’s bright and enthusiastic but she’s dealing with a horrible home life. Her father is a hopeless gambler, and in the first few pages of the manga he announces that they’re broke again and vanishes while leaving a terse note behind. The eviction people are knocking on the door and Nanami soon finds herself homeless, railing at her situation in a park. She’s distracted from her own grumbling when she sees that a dog has treed a strange man. Nanami chases off the dog and finds herself talking to a man who admits that he’s a runaway too. He says something about how she’ll be a better master for his house, kisses her on the forehead and hands her a map.

Nanami checks out her new home, which turns out to be a seemingly deserted shrine. She’s attacked by Tomoe, a fox spirit who initially mistakes her aura for his missing master. Nanami is now the god of the shrine, and she has to deal with two tiny spirit servants as well as figuring out how to make Tomoe help her with her new duties. Nanami soon finds out that being in charge of a shrine involves a backbreaking amount of work, and her human nature means that she isn’t very good at using her new mystical powers. Tomoe and Nanami quickly develop the “they are bickering because they are secretly attracted to each other” type of relationship that is fairly typical in shoujo manga. But as I expected from Suzuki, there are many quirky touches that make Kamisama Kiss interesting.

While drawing a human doesn’t necessarily give Suzuki the free range in expressing slightly strange body language that she exercises in Karakuri Odette, I’m still drawn in by the facial expressions of the characters. Suzuki seems to be able to create incredibly lively people with ease. None of her characters seem stiff or have dead eyes, which is quite an achievement when you consider that Nanami’s Onibi-warashi servant duo only appear with masks on their faces. Tomoe spends most of his time looking fiendish with occasional lapses into sympathy as he finds himself liking Nanami despite his professed intentions of not accepting her as his new master. Kamisama Kiss isn’t as purely episodic as Karakuri Odette, but it manages to cover plenty of ground for a first volume as Nanami settles in to her new life, attempts to practice magic, visits the spirit world, and attempts to help another local deity with her love life.

I enjoyed Suzuki’s character designs for her yokai, as she managed to make everyone look both creepy and cute. When a swamp goddess visits Nanami she’s drawn to look like a heavily-made up lizard with saucer eyes and tiny webbed structures taking the place of her ears. While plenty of manga show girls disappearing into a fantasy world, towards the end of the volume Nanami goes back to town and she’s struck by the contrast of the modern town with her new life. This was a detail I appreciated, since usually heroines of this type of manga don’t seem to be able to move between both worlds with ease. I also liked the way Nanami was able to stand up to Tomoe. While he kept declining to help her in order to prove a point, she managed to work around him due to the strength of her stubborn personality. I’m happy that as many of the series I’ve been following are winding down or stalled, there are some fun fantasy series like Kamisama Kiss starting up.

Review copy provided by the publisher.