Anna N

I love the way there sometimes seem to be themes with the Harlequin manga that’s added to the emanga site. Sometimes it is all about billionaires, sheiks, or pregnant mistresses. I noticed today that there were three titles that incorporated the word “revenge” so I of course decided to read all of them. I’ve listed them here ranking from least to most favorite.

The Millionaire’s Revenge by Cathy Williams and Hiromi Kobayashi

This was the first revenge title that I sampled, and it was the least entertaining. I was hoping for some more vengeance but instead we got a simple story about a pair of star-crossed lovers. Rich girl Laura has an affair with stable boy Gabriel, but refuses to marry him. Years later, he returns having made millions of dollars while her father has gambled the family fortune away. Gabriel is determined to have his revenge by buying the estate of his former employer and enacting a scandalous plan to make Laura fall in love with him yet again, only to reject her. Of course, they find love after all. I generally tend to prefer my Harlequin titles to be a bit loonier than The Millionaire’s Revenge. There was no murder, kidnapping, or any other shenanigans, so this title didn’t really inspire much enthusiasm from me while reading it. The art is the fairly standard rushed adaptation, and some of the dialogue felt a bit on the stilted side. You can safely give this Revenge title a pass, because the next two are much better.

The Italian’s Passionate Revenge by Lucy Gordon and Junko Okada

Passionate Revenge! I was hoping for more excitement in this title, and it did amp up the drama a little bit. Elise was forced into a loveless marriage by her father, leaving behind her Italian boyfriend Angelo. Years later, her husband’s employer shows up at the funeral and whisks her away to Italy. Elise is mesmerized by Vincente’s “fiery eyes” and they start an affair. But what is Vincente’s true motivation?! It turns out that he’s been employing a private detective to assemble a profile on Elise. He’s the cousin of the long-lost Angelo and he has decided to avenge the death by suicide of his broken hearted cousin. But the past may not be what it seems! This title was a little more exciting than The Millionaire’s Revenge, since it featured past suicides, seductive Italians, and a private detective who walked around wearing an inexplicable eyepatch. The art was as good as you can expect from a Harlequin adaptation, but sometimes the characters were drawn with odd facial angles that were not very attractive. There were plenty of tearful inner monologues about revenge, and overall I found this much more entertaining than The Millionaire’s Revenge.

Purchased for Revenge by Julia James and Masako Ogimaru

This was by far my favorite of the three revenge titles, as it features a cracktastic plot and better than usual art. I knew that I was in for a treat when I read the first page of the manga and saw that it featured a cute guy in a tuxedo being thrown out of a casino into a dirty alleyway. In the South of France, Eve is being forced to endure the odious company of her father’s business associates. When she steps out for some fresh air she meets a handsome stranger. They share a kiss in the moonlight, and they part. She never expects to see him again, but she finds out that the man she was mesmerized by is her father’s most hated business enemy Alexi. Oh, the humanity! Ogimaru’s art is fluid, with more interesting panel layouts than I tend to see in most Harlequin manga adaptations. The higher quality art combined with the crazy plot elements made this manga very enjoyable for the lunacy factor alone. Alexi assumes that Eve is a prostitute because there are rumors circling that her father has a habit of pimping her out to his business partners. When Eve is roofied by her father who then invites Alexi to sample her unconscious body, Alexi’s fears are confirmed. So in just a few pages, Purchased for Revenge has inadvertant attraction, a hostile business takeover, mistaken prostitution, and a destitute heroine. It gets even crazier as it goes on, although the consummation of Eve and Alexi’s romance features the rather tortured gender dynamics that you might expect from a Harlequin manga circa 1985. I haven’t even touched on the alcoholic mother, charitable foundations, and past murder that come into play later in the story. Purchased for Revenge was the best by far of this bunch of Harlequin manga.

Access to electronic copies provided by the publisher

Sakura Hime: The Legend of Princess Sakura Volume 1 by Arina Tanemura

Arina Tanemura can be a somewhat polarizing manga creator. Some people love her detailed art and others might find overly cluttered. Some people may enjoy her plotting and characters which are girly to an extreme. Others might find her manga a bit hard to relate to. The main series of Tanemura’s that I’ve read in its entirety is Kamekaze Kaito Jeanne, about an art thief named Maron who is the reincarnation of Joan of Arc. I have a lot of lingering affection for Tanemura due to Kamekaze Kaito Jeanne sheer craziness (Maron goes to talk to God in the final volume), and I’ve been slowly collecting volumes of her other series Full Moon and Gentlemen’s Alliance Cross. So to people who say “Artwork too busy!” I say “Galaxy Eyes!” If somebody says “Too many shoujo cliches!” I say “Look at the ribbons! LOOK AT ALL THE BILLOWING RIBBONS!”

Sakura Hime is set in the Heian period, which gives plenty of room for Tanemura to display her love of detail with all the flowing costumes the nobles wear. Sakura is a princess who has grown up in isolation, promised in marriage at a young age to Prince Oura. The introduction page of the manga encapsulates the whole story, as it has a picture of our cheerful heroine and a potentially tortured young man with the text “Always I watch you. I hate you. I hate you. Always I’ve hated you. Always….I watch you.” This might be getting a little dark, despite all the magical girl trappings of Tanemura’s story. Sakura is visited by an arrogant emissary named Aoba who claims to be a representative of the prince. Sakura wants to make her own decisions and isn’t happy about being sold into marriage. Aoba (who is of course the prince in disguise) and Sakura naturally fall in to the type of bickering relationship that usually signals a romance drawn out over at least four volumes. But there are complications, as it turns out that Sakura is a descendant of one of the legendary Moon Princesses and thus her fate is to transform into a fighting sailor outfit and armed with a sword that she can’t exactly control, fight demons!

The rest of the volume shows Sakura gradually starting to stand up for herself. Romance isn’t working out for her, and she has to flee, accompanied only by her tiny sidekick. She soon makes new friends but dealing with Aoba and her own mystical nature ensure that she’s still going to experience rough times ahead. If you have a low tolerance for silly magical girl manga, Sakura Hime isn’t for you. If you have a tendency to be distracted by billowing ribbons and always appreciate it when characters yell things like “Sakura Descends! There is no escaping the moon’s divine retribution!” Sakura Hime seems like an amusing way to pass the time while you’re waiting for the new Kodansha editions of Sailor Moon. Tanemura’s billowing ribbons really are the best.

Review copy provided by the publisher.

One nice thing about the insanely cheap prices for first volumes in the Viz Media iPad store last month is having the opportunity to try out some new titles that I wouldn’t ordinarily read. Sometimes this will make for a pleasant discovery, and other times I will just confirm that certain manga titles aren’t for me.

Rosario Vampire Volume 1 by Akihisa Ikeda

Rosario Vampire is a fairly standard harem manga that provides the slight twist of a monster school setting. Tsukune is an average human boy who finds himself inexplicably attending a high school for monsters where they practice their skills in pretending to be human. Tsukune is promptly befriended by the most beautiful and powerful girl in the school, a vampire named Moka. She’s drawn to him as a blood source, but she also acts as his only friend. The story in Rosario Vampire is pretty much what you’d expect. There’s plenty of accidental touching and viewing of young monster babes in their underwear. Tsukune’s status as an undercover human is occasionally threatened, and Moka is able to unleash her mystical powers to defend Tsukune whenever he needs rescuing. The art is clear and easy to follow, and for a shonen harem manga this series does seem competently done. But there wasn’t anything extra to engage me, as a reader who isn’t really in the shonen harem manga target demographic. If I want to read a manga about a schlubby human boy tormented by a oblivious girlfriend with amazing powers, I’d just go back and track down some Urusei Yatsura.

Nura: Rise of the Yokai Clan Volume 1 by Hiroshi Shiibashi

I’ve written before about having “yokai fatigue”. There are so many manga series that feature people fighting spirits, it really takes a special series like Kekkaishi to win me over as a dedicated reader. Nura: Rise of the Yokai Clan does exhibit some cliched shonen plot devices, but the basic premise provides an interesting counterpoint to the standard super-powered teen fighting evil spirits plot that manga readers have come to expect. In Nura, the hapless teen with hidden powers isn’t an ordinary human. Rikuo’s been born as the heir to the Yokai Clan – a group of powerful spirits that functions a little bit like a powerful mafia family. Nura’s grandfather the supreme commander is powerful, but he tends to use his mystical powers to perform a dine and dash when he takes his grandson out to eat at local restaurants. Rikuo grows up in two worlds, surrounded by strange spirit guardians who present themselves as heroic and his classmates at school who think that yokai are evil and annoying. Rikuo doesn’t want to become a yokai, but his monstrous side comes out when his classmates are threatened.

Nura: Rise of the Yokai Clan starts out with the familiar framing device of showing Rikuo as a small child in the first chapter, while the second shows him as an adolescent still struggling with the demands of his family and normal school life. One of the things I look forward to in yokai manga are the monster character designs, and Shiibashi comes up with some whimsical supporting characters. I was fond of the spiral-eyed Yuki-Onna, and the neckless Kubinashi, whose head floats above his torso. The first volume of Nura: Rise of the Yokai Clan just seems to be setting up many of the story elements. Rikuo is unaware of his stronger Yokai side. His classmates are fascinated with ghost busting. A powerful girl exorcist transfers into Rikuo’s class. These events are pretty familiar to anyone who has read a lot of Yokai manga, but the positioning of the Nura clan as a powerful Yokai family and their interactions with Yokai from other clans was much more interesting. These elements reminded me a bit of The Godfather, if the mafia families in question were all ancient Japanese spirits. Nura: Rise of the Yokai Clan does seem like a promising shonen series and I’m going to read the next volume to see if the more interesting aspects of the first volume continue to be developed.

Library Wars: Love and War Volume 4 by Kiiro Yumi and Hiro Arikawa

I’ve read reviews from other manga bloggers that find this series somewhat insipid, but Library Wars will always be the perfect comfort reading for me. Not only does it feature action hero librarians, but the romance in this manga is sweet even if it is a bit predictable. In the last volume Dojo sent Iku out on protection duty to get her out of the way of a combat mission. Unfortunately his plans to keep her safe were disrupted when Commander Inamine is kidnapped by document censoring terrorists and Iku accompany him into captivity in order to protect him.

One of the things that I like about this series is even though Iku is often portrayed as the female equivalent of a dumb jock, she always seems to be able to show her intelligence in flashes of tactical brilliance. When the terrorists make their demands, she’s able to tip off her comrades about her location. Much of this volume is devoted to showing Dojo’s thought processes, with flashbacks to the day he became Iku’s mysterious prince when he helped her rescue a book as a schoolgirl. Seeing Dojo’s motivations and worries for Iku made me want to root for them as a couple more, even though I’m sure they’ll end up together. I also enjoy the haphazard way the Library Corps follows rules. They aren’t allowed to pull their guns on property they don’t own, so they quickly purchase the building where Iku and Inamine are being held captive so they can rush in ahead of the police tactical units.

This volume ended up having a good balance of action and introspection, as we are treated to Dojo’s inner life for the first time. When the crisis is over, Iku has to cope with her parents visiting. We see the reasons why she’s estranged from them and determined to succeed on her own terms. I was happy to see this volume hit the New York Times manga bestseller lists. I hope this series does well enough that we can get some of the other versions of Library Wars translated too.

It was funny seeing all the manga bloggers explode into a twittergasm yesterday, and I was among them because when the news broke that Kodansha was going to bring back Sailor Moon into print I was absolutely delighted . I’m glad that I never tried to assemble a complete collection through the exorbitant prices the old Tokyopop editions go for on ebay – I bought a few used copies of Sailor Moon when I could find them reasonably priced, and ended up selling them in a more reasonably priced bundle on ebay myself.

I have an erratic history with manga. I started buying it in the first wave, when Mai the Psychic Girl, Area 88, and Nausicaa were coming out in small monthly editions instead of the larger books that are ubiquitous today. The entire comics market in the 90s really turned me off comics in any form, including manga. I was still interested in Japanese culture, and managed to study Japanese in college and go over there on a study abroad program, and I read absolutely no manga while I lived there. I stopped reading comics and manga regularly and only started again when I was in graduate school. I actually rediscovered manga when I was house sitting for a librarian who had a teenage daughter who was crazed for Sailor Moon and Rurouni Kenshin. There were volumes of manga scattered around the house, and when I picked up and read them I was reminded of why I enjoyed manga so much in the first place. Sailor Moon was so wonderfully goofy, with its magical girl incantations, Tuxedo Mask running around with a rose clenched between his teeth, and Usagi the ditsy yet powerful heroine.

Sailor Moon might have silly moments, but it combines them with a surprising number of fights. The story grows more complex as the series progresses. The cultural impact of Sailor Moon was huge in Japan and here, where it was a gateway manga for many girls. I’m not sure if those girls will pick up these new deluxe editions or if new readers will be picking up the series. I’m just selfishly happy that I’ll be able to read this series again.

Beast Master Volume 1 by Kyousuke Motomi

Motomi’s Dengeki Daisy is one of my favorite new shoujo series, so I thought I’d check out the earlier series Beast Master. I think often mangaka’s earlier series tend to suffer in comparison when compared with the manga that become hits. But while Beast Master doesn’t have the more stylish illustrations and emotional depth that Dengeki Daisy does, it does share the same quirky sensibility that makes it stand out from more run-of-the mill shoujo series.

Yuiko is a typical teen girl with a passion for animals. Unfortunately she has an uncontrollable tendency to smother any animal she meets with too much affection, causing them to flee from her. Leo is an animalistic boy whose demonic eyes and strange mannerisms cause him to be misunderstood by everybody he meets. Leo transfers into Yuiko’s school, and she is the first and only person to make friends with him. She treats him a little bit like a stray pet at first, but as they get to know each other a real friendship develops. Where Beast Master stands out is in its depiction of Leo. While he is handsome, his animal-like rage is contrasted with a playful mode where he’s drawn to look a little bit like a playful giant cat. It is unusual to see the male lead of the series being portrayed in an unhandsome way so many times. Although there’s a little bit of a Jane taming Tarzan dynamic in Yuiko and Leo’s relationship, seeing how she was gradually able to integrate him into school life was fun. Leo’s tendency to watch over Yuiko saves her from some sticky situations. I’m not feeling as invested in this story as I am with Dengeki Daisy, but since there’s only one more volume in this series, I’m going to finish reading Beast Master. After trying both of Motomi’s series that are available in English, I’m hoping that more from this creator gets released over here.

Claymore Volume 1 by Norihiro Yagi

Claymore is one of those series that’s been on my radar for awhile because I remember reading several online reviews that pointed out it was a shonen manga series with some potentially interesting gender dynamics. So I was happy to spend .99 cents on the iPad version of Claymore volume one. This manga seems like a fairly standard fantasy action story, made much more interesting by the fact that the ultimate bad ass warriors in Yagi’s world are all women. Demons called yoma prey on hapless pseudo medieval villagers, and their only recourse is to hire claymores, women who have become part-demon themselves in order to be able to fight the yoma. The world of Claymore is introduced through the standard shonen set piece of having a young boy discover how claymores protect the world. Raki is orphaned, and he meets the claymore Clare when she is hired to protect his village. Clare is everything you might expect from a shonen action hero. She’s terse, business-like, and doesn’t hesitate to dismember a yoma by hacking off limbs before splitting it in half with her giant sword. Clare doesn’t even deal with the mercenary details of payment for her services. When the head of the town offers to give her money before she heads out on her killing mission, she tells him to wait and pay after she’s done with her job, “If I get killed…there’ll be no reason to pay.” Clare is followed from job to job by Rubel, a mysterious man who collects the money for her services.

Raki ends up following Clare and she agrees that he can tag along as her cook, telling him that he can stay with her until he finds another town he would like to live in. Clare isn’t one to sit around and talk about her feelings, but it is heavily implied that she’s taking on Raki as a sidekick because his companionship might be a way to help her regain some of her humanity. When the claymores transform themselves into human/yoma hybrids, they’ve started a process where they will eventually lose their human qualities and become yoma. A claymore who senses that she’s about to transform sends a black card to the next member of the organization requesting that she be killed.

Overall, I found this manga very intriguing. It is unusual to find a shonen manga that features a female main character that doesn’t feel exploitative. There were a couple scenes of Clare changing clothes taking a bath to wash the blood off of her self after battle, but these didn’t feel very gratuitous to me. Clare’s characterization is strong and forceful, and I’m curious to see what happens in the rest of her journey. I really liked the bleak tone of Claymore as well. It has been some time since I’ve read a grim fighting manga, so I actually found it a bit refreshing. Yagi’s art falls into the category of serviceable but not spectacular. I can see how it will probably improve over time, but Claymore doesn’t display the insane composition of something like Bleach that would prompt me to pick up several volumes for the action scenes alone. I’m very interested to see what’s going to happen with Claymore’s group of hybrid women/demon yoma hunters.

One of the things I like about reading manga on the iPad is that when reading it in the portrait or single page orientation, the art is automatically blown up to omnibus edition size. Also, being able to magnify individual panels is fun. The only thing that is making me a little hesitant about picking up this series is that it is so long! I will try to at least check out the second volume to see if I’m still interested. Can anyone whose read more Claymore let me know what they think about it? Does it get stronger as it goes along?

When it comes to my iPad and buying digital content, I tend to spend the most money buying ebooks. While it is great that Viz is one of the few companies to put multiple manga series on the iPad, the initial offerings were either series that I wasn’t that interested in or manga that I’d already collected in print format like Death Note or Kenshin. But the month of March is Manga Madness Month and ALL VOLUME ONES ARE .99 cents in the VIZ MANGA APP(picture me saying that in the voice of a crazy car salesman). Viz has also added a few series that I haven’t already read, and at .99 cents it is very cheap to sample the first volume of a manga I might find interesting.

Captive Hearts Volume 1 by Matsuri Hino

Captive Hearts is the first series by Vampire Knight powerhouse Matsuri Hino. I’ve read the first few volumes of Vampire Knights, traded them away, regretted it, and am slowly building up my print collection again. I’ve also read Hino’s frothy fantasy MeruPuri. Captive Hearts is very cute, but the first volume shows very little traces of Hino’s detailed art style and the story is fairly predictable. Megumi is the son of the butler to a rich family. He grows up in an empty mansion because the Kogami family went missing on a trip to China, and the late master’s will (written before the birth of his daughter) left his fortune split between his wife and his butler. Megumi’s lesiurly life as a student is interrupted when his father announces that the Kogami family has been found. The long-lost daughter Suzuka has been found. Megumi’s father makes dark pronouncements about Megumi finding out about his fate and a family curse, and when Megumi meets Suzuka the curse takes effect.

As soon as Megumi sees the new mistress of the house something is triggered in his brain, and he becomes the perfect servant. He finds himself saying “Welcome home, Princess” and kissing her hand while on the inside his thoughts are protesting. It turns out that one of Megumi’s ancestors tried to steal from the Kogami family and a guardian god appeared to place a hundred generation curse on Megumi’s family, forcing them to become the perfect servants. Megumi spends his time helping Suzuka adjust to life in Japan, and his tendency to have random attacks of subservience hinders their relationship. Does he care about her because of the curse? What would happen if the curse was broken? Suzuka seems to like Megumi, but she’s extremely distressed about the effect she has on him and just wants to spend time with him normally the way they did as children.

There are faint suggestions of Hino’s eventual drawing style, which features plenty of detail and characters that all seem to be wearing a healthy coating of eyeliner, but Captive Hearts isn’t nearly that refined. As a first volume, I would expect that the art gets a lot better as the series progresses. Hino’s later facility with extreme angst isn’t really on display here either. Instead there are plenty of sweet and humorous moments between Megumi and Suzuka as they strike up a friendship in between his uncontrollable servant attacks. For .99 cents, I was happy to have the chance to try out this series. Even though there were quite a few cute moments it didn’t really draw me in, partially because I think that while Hino’s other series might be less funny they are executed much more competently. Although after seeing the sense of humor on display in Captive Hearts, I am tempted to reread Vampire Knight again as paranormal romance parody.

I had no problems downloading and reading this manga on the iPad, and the pages looked very clean and crisp. Even though I wasn’t hooked by this first volume, I wouldn’t hesitate recommending it for anyone who wants to sample some insanely cheap shoujo manga during this March promotion.

Rasetsu Volume 8 by Chika Shiomi

I generally enjoy Chika Shiomi series. She has a predilection for creating male leads that are both attractive and somehow possessed by demons, which causes her heroines to be tormented by their love for these ultimate bad boys. I tried the first 4 volumes or so of Rasetsu and then stopped getting the series. While I enjoyed it, I wasn’t feeling as much of an emotional connection to the story as I did with Yurara, the series it was spun off from. But dipping back into it, I was pleasantly surprised by how much I enjoyed this volume. The more episodic monster-hunting plot elements are cast aside in favor of the ongoing dilemma of Rasetsu’s love life. If she doesn’t find true love by the age of eighteen, a demon is going to come to claim her. Rasetsu and Yako’s attraction has been growing, but she doesn’t want to use him to escape her curse. Kyuru has always been Shiomi’s prototypical bad boy, and the reader finally gets an explanation as to his true nature. The series finally seems to be heading towards a final confrontation between Rasetsu and the demon who cursed her, and I’m curious to see what happens next. I am team Yako all the way, if he doesn’t get the girl at the end of Rasetsu after his heartbreak at the end of Yurara I am going to be very disappointed.

Butterflies, Flowers Volume 6 by Yuki Yoshihara

After six volumes Butterflies, Flowers isn’t exactly heading into new territory as it details the odd relationship between “Lady” turned office worker Choko and servant turned boss Masayuki, but each volume of this series usually has at least one incident that really makes me laugh. The panel in this volume that I thought was hilarious was Masayuki’s crestfallen expression when he realizes that Choko has been stolen away from him and he realizes that he has neglected to place his customary tracking bug in her underwear.

There’s plenty of the usual office hijinks as the staff travel to a hot springs for a vacation and Masayuki tries to protect Choko from potentially lecherous coworkers. Choko shows her tougher side when she faces down a bunch of thieves to protect Otaki, a strict new boss who transfers in to her company. Unfortunately seeing Choko in action causes Otaki to develop a strong crush on her and Masayuki is faced with more trouble ahead when his ex-girlfriend returns to work with him again. I’m actually impressed that the evil ex hasn’t made an appearance in this series until the sixth volume. For all the machinations and problems that get thrown in Choko’s and Masayuki’s path, they still seem to have a strong foundation as a couple. I’m still enjoying this manga’s combination of heartfelt proclamations of love and bizarre sex comedy.

Dragon Girl Volume 2 by Toru Fujieda

I think it was a good decision for Yen Press to go with the omnibus format for this five volume series. I enjoyed this series very much, but if I was reading it spaced out over five volumes my interest might have started to wane a little bit. Being able to sit down and devour huge hunks of shoujo goodness with this slightly quirky manga made me enjoy it even more. Even though many of the plot elements in Dragon Girl evoke typical shoujo cliches, I am still amused by the odd and humorous elements Fujieda inserts in her story. For example, the hottie on the cover that heroine Rinna is embracing isn’t a high school boy who has a crush on her – it is her long lost father Sakuya, the globe trotting former traditional cheerleader captain/anthropologist. I think Sakuya, with his long hair, creative accessorizing, and breezy attitude would easily take the title in a coolest manga Dad contest.

Rinna and her friends in the cheering group struggle with getting their club officially reinstated and dealing with their rival high school. Rinna confesses her crush on childhood love Subaru, but finds out that a romance with him is impossible. Yatome and Rinna grow even closer but it seems like cheering captain Hasekura might finally get up the nerve to tell Rinna how he feels. There’s nothing particularly earth-shattering about this title, but it is great comfort reading. I challenge anyone not to enjoy a manga where the heroine’s response to rumors being spread about her is to stand outside the school with a megaphone yelling her side of the story in order to set the record straight. Even thought the ending of Dragon Girl was predictable, I enjoyed seeing Hasekura’s reaction when he was finally able to meet Sakuya, his cheering idol. Also, when Hasekura finally changes his “manly” look, the response of the female students to actually being able to see his shaven face was hilarious. Even the evil scheming student council president doesn’t turn out to be so bad after all. Dragon Girl lets the reader momentarily escape into a world filled with camaraderie and costumed high school students yelling their hearts out. I finished this manga with a smile on my face.

I’m probably much harder to please with monster-hunting manga than any other subgenre. There’s just so much of it, it usually has to be both outstanding and irresistible to really catch my attention. Butterfly doesn’t really fit into this category for me, but there are a few things about it that make it quirky and potentially interesting. First of all, this series is actually seinen manga written by a woman. I have great fondness for other seinen by female authors like Soryo’s ES (Eternal Sabbath), so those publication details did make me more intrigued about the title. While this is a seinen series, it is set in high school with a male main character who is not all that great at school. Ginji refuses to write any career goals as he heads into his final months of school. His life is changed when he meets Ageha, an elementary school kid with glasses and long hair who promises to pay his debts if Ginji will work them off by doing some ghost busting.

Ginji hates the idea of ghost, but he’s haunted by an event that happened to his older brother. When Ageha suddenly appears before him, asking if he wants to “Go and kill…all the ghosts in the world together,” Ginji is extremely skeptical. He tags along on one of Ageha’s missions and finds out that the exorcisms he’s going to be involved in are a little different than he expects. It turns out that Ageha has the ability to manifest images of the things that haunt people, and Ginji has the ability to destroy them. So Ageha is effectively exorcising people’s worries and fears by giving them a form that Ginji battles with. Ageha and Ginji have complementary powers, but the way they work isn’t fully explained in the first volume. Ageha is a bit of a mysterious being as well, because while people tend to assume she’s a girl, others maintain that she’s a cross-dressing boy.

Aikawa’s art is clear and easy to follow during the action scenes, but lacks a unique style. I was fond of Ageha’s mannerisms, just because after reading The Secret Notes of Lady Kanako, I’m happy to see yet another glasses-wearing protagonist with social issues. While Butterfly didn’t totally win me over with the first volume I was intrigued by the idea that Ageha is manifesting people’s internal demons, and Ginji’s destruction of those illusions brings the afflicted some peace. I’m curious to see if some of the mysteries behind Ageha’s origin and the nature of the duo’s complementary powers are explored more in the next volume. I think that Butterfly would probably appeal most to older high school students and adults who want a slightly different spin on monster hunting manga.

Review copy provided by the publisher

X-Men: Misfits Volume One by Raina Telgemeier, Dave Roman, and Anzu

Of all the American manga-style productions, I think X-Men: Misfits must be one of the oddest ones. Why did Marvel lend out one of their franchises for manga treatment? Who had the idea to write a reverse harem shoujo version of the X-Men? What audience was this supposed to appeal to? I think most X-Men fans wouldn’t be fans of the loose way general X-Men continuity was handled in this book, and would manga fans care about the opportunity to look at Quicksilver’s tanned abs? I’ve read plenty of X-Men comics and I’m a big fan of reverse harem shoujo so I found this title incredibly entertaining, if a little flawed.

Kitty Pryde is having a rough year. She keeps accidentally falling through things. Silver Fox Magneto shows up at her house to announce that she has a scholarship to the Xavier Academy. When she gets there, she finds out that she’s the only female teen student in a school full of boy mutants and she’s the object of everyone’s attention. When I realized that this X-Men adaptation was going to be a blatant reverse harem scenario, I thought it was a stroke of genius. The original X-Men comics were essentially reverse harem anyway, with Jean Grey being the only female mutant surrounded by boys. Kitty is torn between FIRE! (Pyro) and ICE! (Iceman). Bobby acts incredibly cold towards her, because he is AS COLD AS ICE! Pyro ensures that Kitty is invited to the Hellfire Club, which turns out to be a separate student faction headed by Angel and including Forge, Havok, Quicksilver, and Longshot.

Anzu’s art is a little overly pretty and occasionally features some stiff poses. I wish she’d spent more time on character design, because there are a few glimmers of enjoyable insanity in the way she depicted some of the older characters. The Beast is a puffy, Totoro-like cat. Colossus switches to his metal form and looks like a cross between one of the Mario Brothers and Tik-Tok of Oz. Sabertooth hangs around the Hellfire club wearing a choker collar and a chain, serving fondue. I think that reverse harem series are generally more effective if there are a manageable number of handsome male characters. X-Men: Misfits has far too many attractive men hanging around Kitty, to the point where they become indistinguishable from each other. I kept getting confused about who Havok and Longshot were, despite the fact that Havok always appears to wear sunglasses pushed back on his head. Gambit is introduced without wearing his customary trench coat, so I didn’t even recognize him. There are amusing cameos from some of the established X-Men characters. Cyclops is a cranky vegan, and Storm appears in her mohawk mode.

Despite some flaws, X-Men: Misfits has a certain loopy charm. I was amused by the endless parade of hot mutant guys and Kitty’s awkward reactions to dealing with her new social environment and her mutant powers. She spends the early portion of the manga wearing a bicycle helmet and skating pads because she can’t really handle her abilities. Kitty does well filling the traditional role of slightly clumsy shoujo heroine, and she discovers that her friends in the Hellfire Club aren’t as benign as they might appear. I’m honestly disappointed that there won’t be a second volume of this series published. As it is, X-Men: Misfits will remain a hilarious artifact of some of the inexplicable aspects of the manga publishing boom.

Are hot janitors a Thing? After reading Dengeki Daisy and Skyblue Shore, which both feature handsome yet tortured twentysomething janitors, I am now convinced that anyone who wants to find cute men in Japan needs to start staking out custodial closets in local high schools. Skyblue Shore is a fun shoujo manga, with some hints of darkness that keep it from being overly sweet.

Skyblue Shore Volume 1 by Nanpei Yamada

Tomo used to visit the beach daily as a little girl. One day she met a boy who gave her an agate that he found while beach combing. While she went back to the beach daily, she never saw him again. Years later, Tomo’s grown older and she’s left her love of the beach behind. She’s on her way to school when someone starts feeling her up on the bus. A tall, dark and handsome man notices what’s going on and throws the groper off the bus, yelling that no one is going to touch one of his students. He leaves behind a keychain that has the same type of agate that Tomo keeps as a souvenir. This is a fairly formulaic beginning to a manga. Stories about children who reconnect as teenagers are common but even while Skyblue Shore evokes plenty of shoujo cliches, it does so in a refreshing way. The teenage Tomo is a fairly typical shoujo heroine. She’s pretty, popular, and enthusiastic but considers herself average. What makes her stand out a bit from her character type is her tendency to exhibit a strong nurturing streak due to the fact that she’s had to take care of her flighty mother. Tomo stumbles across a sullen boy who has a hairtie that exhibits the same construction techniques as the mysterious stranger’s broken keychain. Ten offers to fix her keychain and she trails him back to a shack on the roof of the school. She barges in and finds an apartment furnished with things from the beach, with elaborate driftwood assemblages. Ten, is of course, the boy who gave Tomo the agate when they were children. While he figures out who she is fairly quickly, she doesn’t connect Ten with her long-lost friend. His older brother Riku is the junior janitor at the school who has a habit of defending high school girls from perverts.

The pairing of an enthusiastic girl and sullen boy can be found plenty of times in shoujo manga. But I enjoyed seeing the relationship between this particular couple in Skyblue Shore. Ten starts taking Tomo beachcombing, and she’s delighted to rediscover one of her favorite childhood pastimes. She exhibits the same degree of excitement about being on the beach that she had as a little girl, but what happened to change Ten from being a happy little boy to a prickly teenager who hides behind his hair? Tomo spends more time with Riku, and promptly develops a hopeless crush on him despite his tendency to treat her like a little sister. Ten clearly cares about Tomo too, so the classic love triangle is all set up. Tomo starts appearing by Ten’s side after school, asking if he’s found any treasures at the beach. When Ten tells Riku that he’s taken on Tomo as his apprentice beachcomber, he says “I think…she’s been waiting a long time for me.”

I enjoyed all the details about the sea that Yamada included. Ten shows Tomo how to bleach sand dollars, and you can practically smell the salty air when the characters go down to the beach. Yamada’s character designs are clean and attractive, and I like the way she varied the body types of the brothers. Riku is clearly more mature, with more of a weighty, adult look while it is clear that Ten and Tomo haven’t finished growing yet.

Skyblue Shore Volume 2 by Nanpei Yamada

Skyblue Shore might initially seem like a charming, slice of life shoujo series that is only differentiated from other similar manga by the beach setting. Where it starts to stand out is the theme of past psychological trauma and potential insanity that is interwoven with all of the nice scenes of Tomo and Ten hunting for agates. A dark female character with unhealthy ties to Riku is introduced in the person of Michiru, who only sporadically attends school. When she comes back she definitely doesn’t approve of Tomo and Riku’s friendship. Tomo observes some close encounters between Riku and Michiru, and is dismayed. While Riku doesn’t cross any lines, it is obvious that they have a shared history and Michiru seems very emotionally damaged. Ten can see straight through Michiru and warns Tomo to be careful of who she makes friends with. Riku shares the fact that he and Ten lost their sister to the sea when Tomo almost drowns. She comforts him, and he asks her to be a good friend to Ten and Michiru. She starts to treat Michiru like a bit of a project, trying to bring her out of her shell and getting her to socialize with some of the other students. When Michiru stops coming to school, Tomo gets her to come by using the only threat she can. She says “Unless you drag your lazy carcass to school, I’m going to claim Riku for myself!”

Riku and Ten are clearly emotionally damaged by their loss, even though Riku might seem to do a better job of appearing normal. It doesn’t seem quite fair for Tomo to be put in the position of emotional caretaker for her group of friends. The blend of slice-of-life stories inter cut with past revelations of tragedy reminded me a little bit of Oyayubihime Infinity without the fantasy elements. Skyblue Shore is only six volumes long, and I’m curious to see if the characters actually manage to work through their various emotional issues and achieve some form of happiness.

Review copies provided by the publisher.

It has been far too long since I’ve read some harlequin manga! Much like the romance novels themselves, these manga are perfect to read when you want to switch your brain off for a little while. I’m coming down with a cold, so I relished the opportunity to read about pregnant women who somehow manage to attract the attention of millionaires. I think millionaires must really like motherly types, I have no other logical explanation. All of these books are available for rental at emanga.com.

Claiming his Pregnant Wife – Sometimes it can be tricky to adapt books, even formulaic ones like Harlequin novels. This is a middling example of Harlequin manga, just because there were so few transitions between scenes it felt more like an outline of a story than the story itself. Erin is a tourist in Italy when she becomes stranded and happens to meet a beautiful Italian man named Francesco. They start to date during her vacation and she discovers that he’s been hiding the fact that he’s an incredibly wealthy businessman. They quickly marry, but their new marriage starts to disintegrate when Erin suspects him of being a womanizer like her father. Some of the character motivations seemed to come out of left field – all of a sudden Erin starts not trusting Francesco due to her psychological issues with her parents’ marriage, but this isn’t really hinted at earlier in the manga. It generally had a very choppy feel, with characters suddenly introduced, and various reasons for the couple to be apart worked through. The art was a little static, and looked rushed, with the characters sometimes displaying awkward poses. Not the best example of a Harlequin manga.

The Millionaire’s Pregnant Mistress – This title had more of the loopy plot developments that I expect and enjoy in a good Harlequin manga. Tess is a hard-working chambermaid at a resort hotel who had a one night stand with a rich guest. He turns out to be Benjamin Adams, a millionaire movie producer who is haunted by the death of his wife and unborn son. He wasn’t haunted enough to stop himself from having a one-night stand with a maid though! He makes sure to tell Tess just how emotionally damaged he is after she tells him that she’s pregnant by saying “”Your existence itself will dig deeper into my wounds!” Benjamin decides that he doesn’t want a repeat of his past tragedy and will move her into his mansion to make sure she and the baby are safe during the pregnancy. While he’s planning on taking responsibility for the baby, he doesn’t plan to give Tess anything other than support payments after the baby is born. Tess has a hard time adjusting to the millionaire lifestyle and keeps trying to work at the hotel while she’s living at the mansion. Benjamin and Tess bond over their shared love for the movie Psycho (!) and begin to strike up a friendship. While the art in this title showed most people having problems with triangle-shaped chins, overall the art was a little more fluid and Tess’s glossy hair, limpid eyes, and devotion to her beater of a car made her an appealing heroine.

Marriage Scandal, Showbiz Baby!

I was happy when I started reading this volume and saw that instead of the rushed, less detailed art provided for many of these harlequin titles, it opened with a detailed scene of married but estranged actors confronting each other on the red carpet, complete with glossy hair and borders of floating flowers. If there aren’t flowers used as backgrounds in every few pages of a Harlequin manga I feel cheated. Jennifer is an actor and married to Italian superstar Matteo. They’re in the process of divorcing because Matteo romanced the actress that played the evil temptress in their most recent movie. Apparently she is also a temptress in real life. Temptress! There’s a series of flashbacks that show how they first fall in love, when Jennifer was appearing in a play and lured Matteo in because she didn’t care about his fame and wealth. Matteo liked a challenge! Now, as they split up Jennifer’s harpy of a mother keeps lecturing her about the evils of men, and Matteo’s trusty staff don’t put her phone calls through to him. Harpy! Betrayal! Jennifer gets cornered at a party by another womanizing actor named Jack, whose hairstyle, plucked eyebrows, and eyeliner somehow reminded me of John Taylor circa 1983. Duran Duran! Actually many of the fashions in this series ranging from Jennifer’s side-ponytail to the harpy mother’s blouse with attached bow evoked a certain over the top 1980s glamour, which I found amusing because this manga was produced in 2008. Matteo saves her, they get trapped in an elevator, and they make love. Love in an elevator! Jennifer finds herself pregnant, and she and Matteo begin to rebuild their relationship. Because if you need to trap a man, get pregnant! This was highly entertaining, and the lush art did a great job of evoking the fabulous lifestyles of the protagonists.

I thought for the Manga Moveable Feast, I write a little bit about where I first encountered Barefoot Gen, in the back of the classic Frederik L. Schodt book Manga! Manga! The World of Japanese Comics. This might be a thinly disguised way of attempting to hide the fact that I didn’t hunt down the collected volumes so my only way of participating in the MMF is to go with what’s on my shelves, but the manga excerpts translated in the Schodt book were also some of the first manga I read. After presenting an overview of the history of manga, Schodt chose the following creators to illustrate the variety stories found in manga for an English speaking audience: Osamu Tezuka’s Phoenix, Reiji Matsumoto’s Ghost Warrior, Riokyo Ikeda’s Rose of Versailles, and Keiji Nakazawa’s Barefoot Gen.

I can’t think of a more jarring transition than flipping from the tribulations of Marie Antoinette to the aftermath of the atomic bomb. The story opens at the start of a normal day, with Gen getting ready to go to school. The bomb drops and his neighborhood becomes a nightmare of destruction, filled with injured people he can’t even begin to help. The schoolboy runs from person to person, seeing a woman with her face melted off, a burned man begging for water, and a little girl with a face full of glass shards. Finally Gen finds his family only to discover his father and most of his siblings trapped beneath a house while a fire rages nearby. Gen gets his pregnant mother away, and she gives birth to his little sister. The child’s first sight is the devastation of war.

Going back and reading this excerpt many years after first encountering it, I’m finding it easier to read. I think when I first read this sample of Barefoot Gen back in the eighties, I didn’t have the background in the visual vocabulary of manga to easily parse the contrast between the stylized, cartoony art style and the images of the bomb’s aftermath. After reading more Tezuka in the intervening years (whose deceptively simple artwork is used to portray any number of heavy situations), I’m finding these pages of Barefoot Gen less strange than I remember. Barefoot Gen is the essence of a didactic manga, with the sole aim to show the horrors of Hiroshima. I wonder if its value as a cultural artifact might be equal to or greater than its literary value. Shodt effectively added Barefoot Gen to the manga canon for English readers by just including it in his book.