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ristorante paradiso

Don’t Fear the Adaptation: Ristorante Paradiso

June 4, 2011 by Cathy Yan 9 Comments

Ristorante Paradiso | by Natsume Ono | Manga: Ohta Shuppan / Viz | Anime: David Production / Crunchyroll

Whenever you write a review of Ristorante Paradiso, you always have to get one thing out of the way first: which one is your favorite gentleman? When I read the manga, Luciano was mine, because I fall pretty hard for the gruff types who despite their claims of disinterest can’t help but meddle. And while the anime cemented my love of Luciano, I have to say anime Teo is exactly the handsome aniki I’d fall in love with at Casetta dell’Orso. It helps that he’s a dessert chef, mouthy, and also rides a motorcycle. (Lorenzo is disqualified from my rankings — he’s too perfect and there’s no way to avoid being in love with him and horribly, horribly jealous of Olga.)

Ristorante Paradiso is primarily about Nicoletta, a twenty-one year old determined to exact revenge on her mother Olga, who left Nicoletta behind in order to marry Lorenzo, a restaurant owner in Rome. But when she arrives in Rome, Nicoletta falls in love with Claudio, a waiter at Lorenzo’s restaurant, and ends up staying there as a kitchen apprentice. Like most of Natsume Ono’s stories, it’s a mature slice-of-life production with a slow plot and an ensemble cast filled with enigmatic men and self-assured women. The manga is short at one volume but has a three-volume prequel-sequel entitled Gente: The People of Ristorante Paradiso. The anime mixes and matches the overall Nicoletta-and-Claudio plot of Ristorante Paradiso but detours heavily into the backstories of Gente. The end product is very, very much House of Five Leaves meets Antique Bakery. Why else do you think I pleaded with MJto let me do a Natsume Ono double punch? ;)

Ristorante Paradiso the anime is a feel-good jousei version of a dating game crossed with a butler café. It falls somewhere in between the beloved reverse harem romcoms like Ouran Host Club and the “counseling session of the week” trope of Bartender (which, incidentally, was also adapted into an anime). Like Antique Bakery, Ristorante Paradiso has its moments of drama — some might even argue, melodrama — but it’s one of those series that ultimately boils down to its playful sampling of human life. It’s bursting with little stories about romance, family, growing up, and, well, more romance. There’s a particularly memorable side story about a woman whose husband keeps cheating on her. The dell’Orso staff, especially Gigi and Vito, get involved, and the episode caps off with a very serious, but touching, lesson about marriage and coincidence that even O’Henry would have been proud of. Episode eight and nine owe more to Giuseppe Tornatore than Iron Chef, and episode four, which chronicles the founding of dell’Orso, could be a movie all by itself.

All the characters, especially the gentlemen, get a boost from being animated and paired with a voice actor. Gigi and Lorenzo as twenty-somethings are heartwrenchingly adorable when animated, and Claudio as a young and awkward server trying to find off the amorous intentions of a rich patron will make you swoon. Of special note for me are the relatively unknown Mitsutaka Tachikawa as Luciano and Jin Yamanoi as Claudio. Listening to Yamanoi really makes you believe you’re in the presence of a saint, while Tachikawa’s Luciano is beyond endearing, especially when he growls.

The additional materials from Gente, on top of keeping the anime from having to stretch out one volume’s worth of material into eleven slow episodes, also gives more depth to Nicoletta and her relationship with Claudio. Nicoletta’s observation that love comes in different shapes makes more sense when you get to meet all the significant others of the dell’Orso staff. That they spend more time together and go through a lot more troubles together makes their ending in the anime far sweeter and more conclusive. An unexpected benefit of getting to know Luciano better in the anime was that Claudio, in the process, came into better focus. Their friendship and comparable statuses (Luciano as a widow and Claudio, a divorcee) meant Claudio comes off in the anime as more than just a nice guy. You struggle with him over his idealistic nature, sympathize with his inability to move past his ex-wife Gabrielle, and really, truly wish for his happiness. You feel like you understand just what it is that Nicoletta sees in him.

David Production is a smaller, newer studio compared to Madhouse, the studio responsible for Ono’s other anime adaptation House of Five Leaves. The style in Ristorante Paradiso is less obviously Ono’s this time around, but David Production still did an excellent job translating Ono’s art style. The glimpses of food in the series are mouthwatering, and the shots of the staff’s favorite enoteca, with shelves and shelves of wine bottles, make me want to follow Nicoletta’s journey and spend an extended vacation in Rome. There’s some awkward use of CG as well as a laughable moment in episode six, where if you pause the video in Olga’s office, you can see that the certificate behind her is issued to “Bob Fields”, Cambridge, and qualifies the recipient to teach English to adults. Other than that, the animation is top notch. Episode seven introduces Luciano’s daughter Margherita who is almost indistinguishable from Nicoletta, but that, I think, is more the fault of Ono herself and not the studio’s.

For fans of the manga who were frustrated with the slowness of Ristorante Paradiso‘s first few chapters, but liked Gente‘s character development, the anime is the best of both worlds. (It’s just a terrible shame that Crunchyroll took down their videos.) For those of you who have yet to read the manga, while some have complained that the anime’s flashbacks were too confusing, I would recommend watching the anime over reading the manga. The meshing of Gente with Ristorante Paradiso makes for a fuller, more fleshed out cast and also tempers the ending of Nicoletta’s storyline, which I found unsatisfactorily abrupt when reading the manga. It’s far from realistic, the initial conflict between Olga and Nicoletta is still solved too easily, and very few of the staff’s backstories cover truly original ground. But if you like food, are a people-watcher, or simply enjoy a little romanzo in your life, Ristorante Paradiso welcomes you to Casetta dell’Orso.

Filed Under: Don't Fear the Adaptation Tagged With: anime, gente, Natsume Ono, ristorante paradiso

3 Things Thursday: The Daily Grind

November 18, 2010 by MJ 9 Comments

For a woman in her early forties, I’m relatively new to the traditional workweek, and from a former outsider’s perspective, I can recognize that it has its pros and cons. On one hand, I’ve found it fairly restrictive–imposing an alarming level of structure and routine on parts of one’s life it seems as though it shouldn’t even touch. On the other, having spent years churning out eight shows a week on a pretty steady basis, the vast bulk on Saturdays and Sundays, I’ve come to fully appreciate the previously unknown wonder that is “the weekend.”

Either way, whether it’s the theater, the office, the restaurant, or any of the other seemingly infinite number of workplaces operating daily in the world, the one thing nearly all of us have in common is the imperative of work. And that imperative ensures that we will encounter any number of long, difficult days.

Most of us have our own ways of dealing with the stress of the daily grind. For instance, I usually play music in my office while I’m working, which helps me to stay focused and (hopefully) relaxed. I also bring my lunch to work, so that I can spend my lunchtime hanging out on Twitter or writing midday blog posts, like 3 Things Thursday, which has become a nice noontime break for me each week. Then there are days like today, of course, where my workload is so overwhelming that even lunchtime becomes a forgotten luxury.

So. Since it was the workday, today, that kept me from posting 3 Things in a timely manner, I thought I’d pick out a few favorite manga that center on the workplace! Too bad I wrote about Antique Bakery just last week!

3 favorite manga that take place at work:

1. Ristorante Paradiso | Natsume Ono | Viz Media – It’s a rare workplace, of course, that offers up such a smorgasbord of distinguished older gentleman, and isn’t it a shame? A short summary from my discussion at Off the Shelf: “A young woman, Nicoletta, seeks out her mother (who abandoned her for love) with the intention of outing her as a divorcée to her current husband. But things immediately become more complicated as she finds herself torn between resentment over her mom’s happiness and a desire to be a part of the life her mom has built for herself. Meanwhile, everyone else is similarly conflicted over something–the mom, everyone at the restaurant she runs with her husband, and the much older man Nicoletta develops feelings for. No easy solutions are presented, but nothing becomes overly-dramatic either. It’s a fairly quiet story about a bunch of people just being people, for better or worse.”

If only restaurant work was always as elegant as the world of Ristorante Paradiso!

2. Suppli | Mari Okazaki | Tokyopop – I’ve fallen behind on this smart story about a twenty-something office lady and her trials in work and love. I’ve also never reviewed it.

Here’s a quick summary from the lovely Michelle Smith: “When Minami’s boyfriend breaks up with her, she realizes she has no friends, and so instead throws herself into the only thing in her life—her job at an advertising agency. Gradually, her eyes open to the people around her, and she gets to know them. Two of her male coworkers are also interested in her, one who kind of ineptly pines around and says the wrong thing all the time and another who has suffered his own heartbreak and attracts Minami by virtue of his neediness.”

Far too little of this type of josei has made it over this way. I cross my fingers for more!

3. Black Jack | Osamu Tezuka | Vertical, Inc. – It’s an unconventional choice, perhaps, but the world is Black Jack’s workplace, and I can hardly think of a another manga character as consumed by his work as he is. From my discussion of volume ten: “Though Ode to Kirihito provides the kind of overarching narrative I generally prefer, the sheer length of Black Jack allows for a more intense study of a single character than you’re likely to find almost anywhere. Black Jack is absolutely, gorgeously ambiguous in just about every way … He’s not really above anything, including lying, cheating, and outright revenge. One of the most riveting stories in this volume, for instance, is one in which he’s approached by his estranged father who begs him to perform a vital facial reconstruction on his current wife (the woman he left Black Jack’s mother for). Black Jack agrees to do the surgery, but he wreaks his vengeance in a truly coldblooded fashion.”

Aaaaand, that makes my day seem really not so bad. :D


So, readers, what are some of your favorite work-centered manga?

Filed Under: 3 Things Thursday Tagged With: black jack, ristorante paradiso, suppli

Off the Shelf: Now With Reduced Woe!

September 29, 2010 by MJ and Michelle Smith 13 Comments

Welcome to another edition of Off the Shelf with MJ & Michelle! I’m joined, once again, by Soliloquy in Blue‘s Michelle Smith.

This week, we take a look at some recent volumes from Yen Press, Tokyopop, Viz Media, and Vertical, Inc.


MICHELLE: Wednesday’s child may be full of woe, but somehow I doubt the same can be said about what we’ve been reading this week. At least not my picks. How about you, MJ?

MJ: You’re absolutely right! I caught up with a couple of universes I’m particularly fond of this week. Shall I just jump right in?

MICHELLE: Jump away; the water’s lovely.

MJ: *Sploosh* Okay! Well, having complained just this week about the shortage of new manhwa licenses, I figured it was only fair of me to give some attention to one of my favorite currently-running series, SangEun Lee’s 13th Boy from Yen Press. This is a series that hooked me early on with its quirky mix of romantic comedy and supernatural oddities (TALKING CACTUS). Though it was a bit all over the place in its first volume, it found its feet pretty quickly and now, five volumes in, it feels wonderfully sure and comfortable in its strangeness.

This is a pretty eventful volume, filled with some serious revelations for several of its main characters, particularly heroine Hee-So and her friend/sort-of-rival, Sae-Bom. What really makes the romantic aspect of this series work is Hee-So’s unyielding personality. Anytime the series seems in danger of becoming sentimental or melodramatic, she brings it right back to earth like a giant bulldozer, ripping everything apart with a moment of brash honesty or blatant self-involvement. She’s a character who manages to be totally obnoxious and still incredibly likable. How can you dislike anyone who is so open and honest about her own worst thoughts and so transparent in her painful attempts at guile? Hee-So is like a cup of tepid water in the ceaseless desert of teen romance comics– flawed, but extremely welcome.

Also, a stuffed rabbit comes to life and chews out Whie-Young for giving him a crappy personality. That’s worth the price of the volume alone. …

Read More

Filed Under: OFF THE SHELF Tagged With: 13th boy, chi's sweet home, gente, neko ramen, off the shelf, ristorante paradiso

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