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One Piece

Weekly Shonen Jump Recap: April 1, 2013

April 3, 2013 by Derek Bown Leave a Comment

April 1 CoverpageIf I might, perhaps, offer a piece of well meaning criticism to the Weekly Shonen Jump team at Viz? This may not bother many other people, but it does bother me when it takes longer than it should to figure out which series comes in which order while putting this column together. The layout of the contents page is very nice, as far as just the looks are concerned. But functionally it has terrible flow. Meaning, I can’t tell which series comes next just by allowing my eyes to flow from one to the next. I actually have to take a second and check the page numbers. Part of the purpose of the table of contents is to actually let the reader know what order the chapters are in. And while many weeks you achieve some form of flow that makes sense, what you’ve given us this week, and a few other weeks as well, is harder to decipher than it should be. Just putting that out there, the design could use a bit of work.

Now, let’s talk about the manga itself.

One Piece Ch. 703
I absolutely love One Piece this week. Even though I (and probably everyone else) saw Luffy’s gag coming a mile away, it still managed to get a broadside in on us. Or at least that’s what it did for me. I was in hysterics by the end of the chapter. Not only was this chapter funny, but it also promises something we’ve never seen before, namely, Luffy fighting without using his powers. Since he has to keep a low profile, he won’t be able to use his powers. It’ll be worth the tournament arc just to see him fight normally. Of course he’ll end up giving himself away; the question is how long will it take? And the answer is, it will be unexpected when it does happen. Because somehow Oda can do that. What he’s going to do will be obvious, and yet the impact will be as strong as if it were a complete surprise.

One Piece

I’m looking forward to seeing what Oda does with the Hans Christian Andersen references this arc, and particularly what the role of the toy soldier will be. And whatever Sanji is getting into—whether he gets lucky or just gets stabbed—I’m looking forward to seeing how all these separate elements tie together.

Sakuran (Tentative) One-Shot
Random fanservice aside (and I mean really random), I quite liked this one-shot. I wonder what exactly the purpose was in putting it into our edition of WSJ. It’s either an experiment to see whether one-shots work well in this format, or it’s because there is a strong push for this to become a series, and the main Shonen Jump offices want as much exposure for the story as possible.

I find it interesting how many new series are all romance series. It’s as if aspiring manga artists are afraid of going against the big three (four if you count Toriko) action series. Does this mean we won’t get a new big shounen hit until after the big three have finished? I certainly hope not, I like shounen action series. And while I’m perfectly happy reading romance series, I would still like to see some more action series.

Toriko Ch. 228
Speaking of action series, nothing like an action-centric episode involving a character we only just met a few months ago, and an antagonist we never met. But somehow Shimabukuro makes it work. Brunch has been a great character ever since his introduction, and I love how his lightning powers are supposed to work in the natural world. That’s what’s great about Toriko; it takes abilities that occur in nature, and amps them up to the nth degree.

Though I am a bit miffed that Shimabukuro used the power I thought up years ago for my X-Men O.C. I’ll sue! (This is a joke, I won’t actually sue, Shueisha lawyers that may be reading).

Nonetheless, Brunch is fun, his opponent is OP as heck, and I look forward to seeing how this fight turns out.

Toriko

Naruto Ch. 625
That’s it! I’m getting those buttons made. “Tobirama was right,” is my new catchphrase. I really enjoyed Hashirama when he first was introduced. But literally every single decision he made was the wrong decision. He wanted to make Madara the Hokage. I’m sure that would have turned out swimmingly—it’s not like his entire family is emotionally unstable. And even in this chapter alone, we find out that he’s so emotionally unstable that he turns evil because Tobirama says the leader should be chosen democratically and that everyone would choose Hashirama. I’m so glad that the ultimate villain of the series turned evil because he lost a popularity contest!

Nisekoi Ch. 68
Somehow Naoshi manages to combine comedy with drama in the same chapter. The pattern that I’ve noticed is that he’ll go with comedy for a few chapters, and then he’ll end a chapter with a dramatic question. In this case the question in…question is in regards to who Chitoge likes. This is a big deal because it’s Onodera asking the question. While we all know that Chitoge is the main romantic interest, Naoshi manages to keep the stakes high for the other girls. Chitoge’s answer to Onodera’s question will most definitely set the course for the rest of the series. Hopefully Naoshi manages to find a way to keep it going without dragging the plot out unnecessarily. Which wouldn’t be too hard, since he could keep filling in the gaps with comedic chapters, but he seems to be moving the plot along much faster than I would have expected initially. Still, I’ve enjoyed this series greatly, so I will have faith in Naoshi for the rest of the series.

World Trigger Ch. 008
I enjoyed this chapter well enough. We finally get an explanation for how Osamu got his arm back. But by now I’d already figured the basic idea out. It seems like Ashihara is answering questions that most readers have already figured out. Which says some iffy things about the pacing of this series. I’d have to say, it’s been going far too slowly. Pacing in manga is a tricky beast. Even long serialized pros sometimes have a hard time getting it right. And while we had some good action this chapter, overall I’m still lukewarm. I really enjoyed the first chapter, but right now I can’t say I’m too excited. Action is all good and fine, and I want more action, but it needs something a little more for me to really get into it.

Cross Manage Ch. 027
Cross Manage continues to give us a lot more focus on the characters, in this case the current antagonist Chihara. Since Cross Manage is set in a version of the real world, Chihara is refreshingly not some kind of cookie cutter antagonist. She’s the kind you find in real life. She’s not there to ruin the protagonist’s life; she’s just there, doing her own thing, and just happens to be an opponent for the protagonist. She manages to be the opponent without actually being evil. While this is refreshing, it does leave little to the imagination as to what her fate will be. She’ll lose, she’ll learn something, then she’ll become a friend. But at least she’d be that type of character without going further than would be realistically forgivable.

Also, Toyoguchi makes some terrifying faces when she’s happy.

Cross Manage

Bleach Ch. 531
I grew up in Germany. I speak German, though it’s a bit rusty at the moment. So it drives me crazy seeing Kubo make some pretty basic grammatical errors (or just plain make up words). And I know that he likes Germany—his notes have been talking about the trip to Germany he took. But still, it’s one of those little things that is driving me up the wall.

Also, Ryuuken starts talking about “mixed breeds” and all that. Man, the Germans can’t catch a break even from their old allies. Overall, an enjoyable enough chapter, though I find the random soul reaper worried about jurisdictions while Isshin is fighting the unknown hollow to be absolutely laughable. I’m pretty sure jurisdictions aren’t that important in the middle of combat.

And then Aizen shows up and attacks Isshin. Can we please have an arc where he doesn’t come back as the villain? All goodwill from his reveal at the end of the Soul Society arc was wasted with the Fake Karakura Town arc.

Dragon Ball Z Ch. 009
And thus, Goku begins his cycle of death and rebirth. I don’t find there’s much I can say about this chapter. Mostly because this isn’t a brand new chapter for me. I’ve watched the anime, and read the manga ages ago. So all I can really say is that this current arc is definitely one of my favorites of the Dragon Ball manga. I think as far as shonen action series go it flows the best. The transition from Goku’s death to his training will be a lot of fun to read, but the individual chapters are a bit difficult to comment on. While good, they tend to lack in substance.

One-Punch Man Ch. 011
Once again, the same basic joke, supplemented by a new twist. I just…I really just love this manga. It’s the funniest manga running in WSJ online, with Nisekoi being a close tie. And yet, we somehow still rely on the same basic premise and the same basic gag. Fortunately there was plenty to enjoy this chapter, beyond just the buildup for the final joke.

One-Punch Man


And that’s it for this week. Let me know in the comments which chapter you liked best. And what do you think of the table of contents layout? Am I just overreacting? (The correct answer is: No.)

If you want to hear more, check out the Manga^3 Podcast Archives. Or go directly to last week’s episode, Episode 041 – March 25, 2013 – Manga Art Styles | Toriko Vol. 3.

Filed Under: FEATURES & REVIEWS, WSJA Recaps Tagged With: bleach, naruto, nisekoi, One Piece, one punch man, toriko

Off the Shelf: Supernatural Sunday

March 31, 2013 by Melinda Beasi and Michelle Smith 8 Comments

MICHELLE: Hey, Melinda! Why did the Easter egg hide?

MELINDA: Hmmm… I don’t know, Michelle. Why did the Easter egg hide?

MICHELLE: ‘Cos he was a little chicken.

MELINDA: Ouch. Ouch, ouch. Er. I mean. Ha ha!

MICHELLE: It actually genuinely makes me giggle, but I am predisposed to find chickies amusing.

Anyway! Encounter anything amusing in the realm of manga this week?

sabrina1MELINDA: Indeed I did! My first read this week was volume one of Tania del Rio’s Sabrina the Teenage Witch: The Magic Within, a manga-style graphic novel collecting the first ten issues of her series, which began its run in 2004. This came out just last week from Archie Comics, and though I realize it’s comprised of previously released material, I’m surprised it hasn’t gotten more buzz.

Sabrina’s been an Archie Comics staple since the 1960s, and she’s appeared in such a variety of mediums (comic books, animated television, live-action television), it’s difficult to imagine that more than a handful of Americans my age and younger could have avoided running into her one way or another. When this graphic novel appeared in our mailbox, my husband—who’d been a fan of the 1996 live-action sitcom starring Melissa Joan Hart—grabbed it up to read before I even had a chance. I was in the thick of my own professional acting career during most of that series’ 7-year run, and I hadn’t been a fan of comic books growing up, so my own history with Sabrina was fairly minimal. Yet here she is now, right in my wheelhouse!

For the two or three people who’ve never encountered her, Sabrina Spellman is a typical North American teenager—mostly. Her days are spent navigating the treacherous world of high school, friendships, and teen romance. Her nights are spent in another world entirely—the Magical Realm, where she studies her true birthright, witchcraft. As one of a growing number of witches who have chosen to live in the mortal world (Sabrina shares a house with her two grownup aunts and a talking cat, Salem), Sabrina delicately balances two separate lives and two separate love interests—shy jock Harvey in the mortal world and charismatic player Shinji in the Magical Realm.

If this sounds like ideal fodder for shoujo manga, Archie Comics obviously agrees—and they’re not wrong, for the most part. Though the series’ episodic format is initially a bit lacking in the kind of depth and character development we tend to expect from manga, later chapters really begin to gel, growing into a character-driven supernatural romance with one hell of a cliffhanger at the end of the volume. And if I’d like to see the story tip a bit more towards supernatural adventure and a bit less towards romance, that’s a very personal quibble.

Where the series really betrays itself as North American manga style comics, is in the artwork—not that this is a big surprise. For my tastes as a manga fan, The Magic Within fails where a whole lot of OEL manga fails, and that’s with cramped, over-toned pages filled to the last inch with ink. As a shoujo manga fan accustomed to delicate line art, sparse backgrounds, and gracefully flowing panel layouts, Sabrina begins as a cluttered, disorienting, inky assault. Fortunately, it’s engaging enough to ultimately render this a non-issue, and by the end of the book I was anxious for more.

MICHELLE: I actually watched some of the live-action Sabrina, though not avidly. And so it feels weird to me that there’s suddenly a love interest called “Shinji” in this comic. Perhaps this is jaded, and I am completely overlooking all of the good things you just mentioned, but this strikes me as “manga fans will think it’s manga if there’s a Japanese guy in it!”

MELINDA: I definitely get where you’re coming from, and maybe my minimal exposure to earlier versions of Sabrina makes that easier for me to swallow. But the truth is, Shinji is so charming a character, it’s difficult not to just plain like him. I think a chapter later in the book where we meet more of his family (including a mortal uncle who visits from Japan and popularizes Salem as a stuffed mascot—much to Salem’s dismay) helps, too, by giving him some real background. And I’ll admit I can’t help rooting for him in the ongoing Harvey-Shinji romantic showdown (where, as Guy #2, he’s obviously doomed), though at this point, I’m more interested in the volume-end cliffhanger, which is actually all about Shinji, and looks to be potentially quite serious.

The truth is, I enjoyed this book a lot. And for what it’s worth, my Sabrina-fan husband gave it an enthusiastic thumbs-up as well.

So what have you been amusing yourself with this week?

onepiece66MICHELLE: The most amusing manga I read this week was our mutual read for today’s column, but I suppose we’ll get to that in a moment.

My solo read this week was volume 66 of One Piece, which you totally still need to read. This series experienced a two-year time jump prior to volume 61, and volume 66 wraps up the first arc of the “New World,” in which the Straw Hat pirates have reunited and helped thwart an attempt by some human-hating fish-men pirates to take over Fish-Man Island.

This arc has not been an emotional one for our characters—they’re helping, but they’re not personally invested. Rather, the arc is about a fresh start, and so far seems intended as a backdrop against which our heroes can show off the new techniques they’ve learned in the past two years, as well as some of the insecurities they’ve conquered—Chopper no longer has stigma about being a monster, Usopp no longer reacts to taunts about being the weak link in the crew. That isn’t to say that there aren’t some truly nice moments—I’m particularly fond of the several pages depicting the celebratory feast after the battle is won.

A lot of the other things I thought were nifty were more plot-related. I always like it when there’s talk of adding someone to the crew, for example, and then there was a lot of stuff about the mystery of the missing 100 years of history—a subplot that’s been on the back burner recently—and a suggestion that Luffy might possess an ability rare for a human, one which only the previous Pirate King possessed. The one sour note was the depiction of a large female villain, but then I realized that Oda actually does extremely well at involving large heroic people in his series (of both genders), so my brief flare of irritation quickly faded.

Ultimately, this arc’s been fun, but not One Piece at its best.

MELINDA: I suspect any really long series is going to have its less exciting arcs, and at 66 volumes One Piece has certainly earned a rest. I hope for your sake that it is leading up to further greatness, and not petering out like most long series eventually do. I’ll admit it’s that 66 volumes that makes venturing further than the three I’ve personally read feel really daunting, but I keep planning to dig back in!

MICHELLE: I think if you could just get to volume nine, you’d see what the fuss is about!

Feel up to introducing our mutual read?

bloodlad2MELINDA: Sure! Our mutual read this week was volume two of Yuuki Kodama’s Blood Lad, a sort of horror/comedy seinen manga currently running in Kadowaka Shoten’s Young Ace and being released here in double-length omnibus editions by Yen Press. I read (and enjoyed!) the first volume of the series back in December, but Michelle’s just catching up now, so for those of you who are also tuning in for the first time, I’ll briefly go over the premise.

Staz is a young vampire who is also boss of a largish territory in the lower (read: slummier) levels of the demon world. He’s also obsessed with mortal Japanese pop culture, so when a Japanese teenager named Fuyumi accidentally turns up in the demon world, he latches on to her right away, demanding her opinions on manga, anime, and video games. As a human, Fuyumi’s chances of survival are slim in the demon world, and it isn’t long before she’s killed and becomes a ghost. This leads Staz on a quest to bring her back to life—partly for his own sake (he’s dying for some real time in the human world) and partly for hers, which is surprising to Staz, as he generally cares little for others. This leads to all sorts of mayhem, including a run-in with Staz’ friend/rival (a werewolf creatively named “Wolf”), who ultimately joins him in his quest to resurrect Fuyumi.

One thing that’s mentioned a few times in volume one is that though Staz lives in the lower-class area of the demon world, he’s actually a pure-blood vampire—a direct descendant of Dracula, even—and this becomes even more important in volume two, where he finds himself in the thick of a family plot, hatched by his manipulative older brother Braz and carried out with the help of their ruthless little sister, Liz. Though volume two begins with Staz directly at odds with his siblings, one of the volume’s nicest surprises is the evolution of Liz’s character as she begins to realize just how controlling and self-serving her oldest brother is. The series’ other delightful surprise—in my opinion at least—is its genuinely funny comedy, but I probably should let Michelle weigh in before going on further about that.

MICHELLE: Originally, I really didn’t think Blood Lad would be something I’d enjoy, but after your experience with it, I couldn’t help but be curious. And now I’m quite glad I decided to check it out, because I liked it very much!

While I like Staz and Fuyumi and am reasonably interested in the fulfillment of his quest, the thing I like best about this series is how it doesn’t do what I expect. For example, one might expect female characters as blatantly buxom as these to be put into fan service poses at every turn, but that doesn’t really happen too often. And that friend/rival, Wolf? He actually takes a break from a fight he’s losing, allowing Staz to take over. Like, with absolutely zero posturing or hurt pride! That is certainly rare!

The very best part, though, is the comedy. Many of the best lines go to Mamejirou, a three-eyed, prescient, low-level demon critter who is pretty much as adorable as it gets. There’s a recurring gag in this volume where boisterous teleportation expert Bell makes a grand entrance to a scene, at which point Mamejirou says something like, “Seriously. Rude.” I love him. (I suppose this is not surprising, considering my love for Koh in Silver Diamond.) The adaptation is also well done, and incorporates a few meme references that I found fun.

So I suppose I need to thank you for convincing me to give Blood Lad a chance!

MELINDA: I’m both thrilled and relieved that you ended up enjoying this manga, because I would have felt very guilty if you hadn’t! And yes, yes on the comedy. Volume two in particular contains a lot of older manga references as well, from Lupin III to Dragon Ball (chapter 15’s Dragon Ball bit is just plain awesome), though probably these are most enjoyable for long-time manga fans. That’s really much of the series’ charm, though. It’s a love song to otaku, through and through, and who can resist that?

MICHELLE: I had expected it to be longer (only seven volumes appear to be out in Japan right now, with the eighth due next week, if I am interpreting Amazon.jp correctly), but I guess because it’s seinen, it’s serialized less often. Which means after the third Yen Press volume in May (comprising volumes five and six), we might have to wait a while. I will miss Mamejirou in the interim!

MELINDA: As will I! Thanks for bringing this over, Yen Press!

Filed Under: OFF THE SHELF Tagged With: blood lad, One Piece, sabrina the teenage witch

Weekly Shonen Jump Recap: March 18, 2013

March 22, 2013 by Derek Bown Leave a Comment

Screen Shot 2013-03-23 at 3.25.33 PMWell, this is the week that One Piece is not the best manga chapter in the magazine. But not so much thanks to the merits of the other contenders, rather it’s because One Piece was on hiatus this week. It’s kind of amazing how the only way other manga seems to have a chance is when One Piece isn’t around to act as a comparison.

Toriko Ch. 226
It looks like Sunny and Tommyrod’s fight is about to come to a close. Considering how large this arc is and how many fights we have to get through, I’m not surprised that one of the main fights of this arc is going to be resolved in what will apparently be less than five chapters. It definitely helps that this week’s chapter explains where Sunny got his power up from. As long as they’re done with style, I don’t mind unexplained power ups, but the fact that we actually got an explanation helps a great deal. This arc has been a lot of fun, and while it may not be the best for non-action fans, anyone already enjoying Toriko is most definitely enjoying this along with me.

Bleach Ch. 530
I generally avoid places where manga fans congregate, but even my absence from tumblr wasn’t enough to keep me from feeling the waves of “shipping enthusiast” metaphorically breaking over me. There’s just a sense—a disturbance in the force I suppose you could say—whenever I see something that could be used as fuel for shipping debates. And while I try to avoid those debates with a passion, I can’t help but chuckle every time I find a nugget. I’ll leave you to find out what exactly I’m talking about here.

As for the chapter itself, I’m continuing to enjoy seeing the previous generation. Ryuuken was a lot more sympathetic than I thought he would be, after all the times we’ve seen him in the manga before. It’s the small pieces in the manga that make it all the more enjoyable. Ultimately though, I can’t wait to find out what the deal is with the apparent Vasto Lorde revealed at the end of the chapter. I think Bleach fans will recognize that particular design, hm?

Screen Shot 2013-03-23 at 3.26.12 PM

Cross Manage Ch. 025
After all the romance and relationship elements this manga has been throwing at us, I’ve started to refer to it as a shoujo manga in disguise. This was the first chapter in which a clear shounen element was introduced. Until this point, we’ve never really heard the characters flat out say how much they want to win. Seeing them confronted by an insurmountable opponent and having them decided to win no matter what is such a shounen element that I’m surprised it took so long to introduce into this series. Here’s hoping Cross Manage has a chance to keep moving forward.

Screen Shot 2013-03-23 at 3.26.22 PM

One-Punch Man Ch. 009
One-Punch Man‘s greatest charm is its refusal to play by the rules. When faced with the villain’s lair, do the heroes fight their way up from level one to the very top? Nope. They just blow the place away. Fortunately for the villains, the real complex is underground. Still, there is a sense of logic to the series. After all, if you have the power to demolish a building of bad guys, why not just do that, rather than bothering to fight your way through the complex? One-Punch Man is a satire not just of the superhero genre, but of shounen action adventure series in general. Granted it does make for shorter arcs, but we already know how each fight will end, so why not have some fun with the tropes of the genre?

Screen Shot 2013-03-23 at 3.26.30 PM

Dragon Ball Z Ch. 007
Quick question, was the Kamehameha ever shown in color in the original Dragon Ball manga? If yes, was it colored yellow? Did the anime get the color wrong by coloring it blue? It’s not like this would be the first time that an anime got the color scheme wrong. However, if it never was colored in the manga before, then why is it being colored yellow here? It may not seem like a big deal, but it’s such an arbitrary change, and I can’t see how anyone wouldn’t know what color the Kamehameha is meant to be. It’s only the most iconic attack of the series, and in every incarnation I’ve seen it in it’s been blue. And yet, somehow, they got the color of Picolo’s attack correct. Does anyone know who exactly has been coloring these chapters? Because either they made the silliest mistake in the world, or I’ve had it wrong this entire time. I’m going to stick with the colorist making a mistake until proven otherwise.

World Trigger Ch. 006
I liked this chapter. I can’t really put my finger on why exactly why I liked it more than other chapters (after the first one), but there’s just something about this week’s that works better. Perhaps it’s the interaction with the other Border characters. Perhaps it’s seeing Yuma lay the smack down on the pretentious Ai. Perhaps it’s Jun’s unexpected reaction. Perhaps it’s Yuma having to explain to Osamu that he, Osamu, was the one to save everyone (the only one who Yuma saved was Osamu, when the latter couldn’t protect himself). Either way, I’m looking forward to seeing whether this series continues to rise or starts the rapid descent into cancellation.

Nisekoi Ch. 066
Once again, Nisekoi manages to combine adorable and hilarious in the same neat package. The class finally have to switch seats, but because of the teacher’s relaxed attitude, they keep switching them over and over. Again, this is a chapter that needs to be read; it’s just too funny and adorable to explain without spoiling the experience. Just be warned, this chapter contains Shu’s crowning moment of the series.

Screen Shot 2013-03-23 at 3.27.00 PM


Which was your favorite chapter this week? Or are you holding out choosing until One Piece returns next week? Do you have any suggestions that would make this column better? We’ve been running this for a while, so I would love to get feedback for what I could be doing better.

If you want to hear more, check out the Manga^3 Podcast Archives. Or go directly to last week’s episode, Episode 039 – March 11, 2013 – Women in Shonen Manga | Toriko Vol. 1

Filed Under: FEATURES & REVIEWS, WSJA Recaps Tagged With: bleach, naruto, nisekoi, One Piece, one punch man, toriko

Weekly Shonen Jump Recap: March 11, 2013

March 14, 2013 by Derek Bown 7 Comments

Title CardThe one downside of Weekly Shonen Jump Online is that not everyone wants to play along. Tumblr has become a cesspool of spoilers for me. Even deviant art is dangerous ground to tread. But where in the past I didn’t care, because I was reading scanlations when they came out, now I find myself caring very much. Has anyone else been having trouble with spoilers, now that you’ve been waiting for the chapters to be officially released?

Also, would anyone like me to give each chapter a grade? I know people like grades when reading reviews, so I’ve been wondering if that’s something I should adopt for this column, or if it wouldn’t work well. Leave your answers in the comments if you please.

Nisekoi Ch. 065
All I have to say about this week’s chapter is, what did they do to Raku!? Someone please tell me, otherwise it’s going to be left up to my imagination, and my imagination is a dark, scary place!

Either way, this was a great chapter. As I’ve said, I love me some comedy, so the more comedic Nisekoi gets the happier I get. And a chapter focusing on all the girls in the series getting drunk off liquor candies? All the better. Reviewing comedy is a bit tricky, because my gut instinct is to tell you all about the jokes, but I can’t possibly do them any justice, so please, if you haven’t yet, go read this chapter.

Nisekoi

One Piece Ch. 701
Once again, every week I think to myself, “I should really give the number one spot this week to a different series. I ALWAYS give it to One Piece, people are going to start thinking I have inflexible taste.” And every week I read the chapter, and my first reaction is, “Well sonnuva…” I really, really don’t want anyone thinking I rate One Piece as high as I do just because it’s my favorite series, not because of the merits of the individual chapter. But when the individual chapters are just so good, what else can I do?

This week’s chapter is so good partly because we get our first look at Dressrosa, and partly because we get introduced to a character who was most likely first mentioned last week. Creative world building, well written comedy, and great action—this week has all of that, as One Piece usually does. If you aren’t reading this series yet, then you need to take the plunge and invest the necessary time to get caught up. It really is that good.

One Piece

Naruto Ch. 623
I’ll say this about this week’s Naruto, it was better than last week. There was much less misplaced comedy and the confrontation begun at the end of this chapter looks like it will be a lot of fun, and was well set up. I’m finding myself enjoying this flashback a bit more, now that I’m a few weeks removed from remembering that it is awkwardly placed in the story as a whole. And I have to admit that I’ve been interested in this time period in Naruto history. So for now I’m looking forward to more.

Dragon Ball Z Ch. 006
The big problem with Dragon Ball Z, for this column at least, is that because of how action-intense it is there will be weeks where I find myself with nothing to say but, “Well, there was punching.” Though I suppose that might be more than could be said for some episodes of the anime.

In this case I find that the action was of course well executed and, unlike the anime which more people are familiar with, the fights actually move at a good pace. Rather than ending the chapter at a stalemate, Goku and Picolo are both injured, with only one chance to take down Raditz. In my own opinion this version of the story is the superior version, and any fan of Dragon Ball Z who hasn’t read the manga yet should be using this chance to become familiar with where it all started.

Cross Manage Ch. 024
It’s strange how Cross Manage has been embedding itself in my heart. I can’t think of any clear, specific reason for why I like it so much, but with every new chapter I find myself thinking that I would hate to see it go. Perhaps it’s the absurd humor, it might even be the surprisingly frequent fanservice, but whatever it is, it’s an entertaining read even if it has little to do with the titular sport.

Really it’s all about the character humor. In this case, Namine Chihara, is such an odd duck that I can’t figure out what her personality is meant to be. Either way, it’s entertaining. Currently she’s the closest thing to an antagonist we have, but she doesn’t seem like she is actually evil. Which of course works much better for the real world setting Cross Manage is going for, where antagonism is generally less about all out evil and more about people with opposing goals coming into contact with each other. I really liked this chapter, and hope that we get many more in the future.

Cross Manage

World Trigger Ch. 005
World Trigger, for its strong start, has been a bit lackluster these last four chapters. This week, however, we did get some answers about how the triggers work. But rather than have a character explain it, we pick up nuggets of information from Yuma behaving the way a proper character is supposed to. He doesn’t explain anything, but his dialogue still reveals important information. I can appreciate this level of writing, after reading many, many series where any and all exposition is imparted to the reader through clunky dialogue. I’m still wary about whether this series will go anywhere, but there is some real skill behind this writing. So we shall see.

One-Punch Man Ch. 008
If you want a quick explanation to share with people about what exactly One-Punch Man is, you’re welcome:

One-Punch Man is the story of a world where everyone is trying to have regular superhero fights, but one man refuses to play by the rules.

I had this revelation after seeing Saitama interact with more than just the villain of the week. And with the story eight chapters in, I think it’s safe to say that the one punch joke somehow just isn’t getting stale. I’ll let you find out for yourself why exactly, but the last page of this chapter was the funniest thing I read this entire issue.

Bleach Ch. 529
Ah, sweet, sweet answers. It’s been a while since I’ve been invested in Bleach. And while I refuse to ever get involved in the fandom again—once burned twice shy after all—I am slowly getting interested in the series again. After all, we’re finally getting Isshin’s story, something fans have been wanting forever. And so far it isn’t terribly written, so I think I can get properly invested. This chapter was nothing but answers. For one, we finally find out why Ichigo and Kaien were practically identical, and unlike the reveal of Ichigo’s mother, while there was a theory that Ichigo and Kaien were related, the reveal was handled properly this chapter, in that it didn’t act like the reveal was bigger than it was. So, kudos to Kubo.

Toriko Ch. 225
Ah, nothing like powerups out of nowhere. It takes a certain kind of clout to properly pull that off. And where before only One Piece was able to do that without annoying me, Toriko seems to be aiming for similar heights, because Sunny’s powerup may be out of nowhere, but it’s far too cool for me to care.

Toriko

The majority of this chapter really was just Sunny and Tommyrod’s fight, but that was more than enough for me. I’m not sure exactly how using sensor attached to hair is meant to be culinarily themed, but I think I’ll give it a pass, just because it is unique from all the other methods of fighting this series provides. And the only way to keep multiple fights interesting is by having varied fighting styles. And Toriko never disappoints in that aspect.


If you want to hear more, check out the Manga^3 Podcast Archives. Or go directly to last week’s episode, Episode 038 – March 4, 2013 – What is Josei Manga? | Nanatsu no Taizai.

Filed Under: FEATURES & REVIEWS, WSJA Recaps Tagged With: bleach, naruto, nisekoi, One Piece, one punch man, toriko

Weekly Shonen Jump Recap: February 25, 2013

February 28, 2013 by Derek Bown Leave a Comment

Title PageIt has been said, that while one lives the other must die, and so on throughout the ages while memory still exists. I’m talking, of course, of two of the big Shonen Jump three—Bleach and Naruto. While listening to one of my favorite podcasts, Weekly Manga Recap (you should check them out, they’re pretty good), the hosts mentioned they’d noticed that when Bleach was good Naruto was bad, and vice versa. I’m not sure how accurate that is, but after this week’s chapter it’s certainly a thought worth considering.

One Piece Ch. 699
Chapters like this one always remind me that as good as the action in One Piece is, the comedy is just as good. Perhaps this is part of its secret of success, but either way there are a variety of different types of chapters Oda can write that will all satisfy. In this case a good chunk of the enjoyment came from the comedic value of this chapter. All I really need to say for this week is, Momonosuke is a quite possibly the most evil character in this entire series. Never have I laughed at, and simultaneously hated, a little child so much.

The reveal of Doflamingo’s decision not only came much faster than expected, but his choice was not entirely what I was expecting either. I look forward to see what Oda does next chapter, as the big seven hundred finally arrives.

One Piece

Toriko Ch. 223
Toriko this week continues the series’ current creed by giving us nothing but action, action, and action. Oh, and also a certain character turns out to be a woman in disguise. I wonder if there is some kind of connection between how much of a sausage fest this manga usually is, and the fact that we’ve had two women disguised as men in this series.

For fans of brutality in shounen fighters, Toriko has you covered in spades. While most fighter series don’t shy away from depictions of extreme violence, Toriko is the only one that regularly shows characters getting brutally maimed and treats it like it’s absolutely nothing. Yet somehow, despite the fact that even the lower level combatants are tough enough to survive lethal blows, each time someone gets seriously injured I still have to wince a little.

Naruto Ch. 621
What can I say, there was way too much fighting, though the thousand-armed kanon was a cool technique, for very little payoff. I like fighting, don’t get me wrong, I like it a lot. Why else would my favorite series be shounen fighters. But there has to be a reason for it. And going from a fight in a flashback, to not-a-fight in an even deeper flashback bugs me just a little bit. I imagine it will take a while before we get some sense for what is supposed to be going on, but for now I can’t say I’m particularly enjoying the ride. Manga on a weekly serialization schedule needs to make each chapter count, rather than asking readers to be patient for the payoff. Perhaps it would make for a good read in the collected tankobon, but on a weekly basis Naruto has been leaving a bit to be desired.

Nisekoi Ch. 063
I never realized how well cute and hilarious go together. I will let the page speak for itself, with just a little bit of setting. This page takes place right after Onodera finds out Rakku and Chitoge did not in fact spend the night together at a luxury hotel.

Nisekoi

I think that speaks for itself. This was a great chapter, the reactions to the misunderstanding were great, and somehow the joke worked without getting stale. It’s not like this is the first time that characters have misunderstood each other. Perhaps what helps most is that Rakku immediately sets everyone right after finding out what everyone thinks happened.

Bleach Ch. 527
FINALLY!

Bleach

I have been waiting years, literally years, for this moment. And what’s even better is that it isn’t a disappointment. Kenpachi finally hears the voice of his zanpakuto. I’m still standing by my prediction that Kenpachi’s shikai isn’t meant for fighting at all, but that instead it will give him healing powers. Mostly because it would be a way to keep Unohana in the story, but also because it would be a fun bit of irony for Kenpachi.

I am amazed that Kubo actually addresses the fact that Ichigo never had an asauchi. It’s not a plot hole, he’s actually addressing it, and the fact that Ichigo created his zanpakuto without having the physical sword first is brought up as being unusual. I can’t wait to find out what the answers are, and hope that they will be satisfying.

World Trigger Ch. 003
Could we please stop with the bullies? They really aren’t that interesting, mostly they’re just cliche and the kind of villains I would rather wee disappear completely. I’ll admit that seeing Yuma intimidate them is amusing enough, but I just can’t stand seeing such an old cliche dragged out again. I will say, though, that I am intrigued by what Yume’s role in the story is. My current theory is that, as a neighbor, his presence is drawing the monsters to wherever he is. That would explain why both attacks happened so close to him.

Cross Manage Ch. 022
You wouldn’t think the fanservice chapter would be so good, but here we have it. This chapter was as good as I expected. Nacchi got the necessary character development she needed, and while the cheesecake in this chapter smelled of desperation to rise in the rankings, I enjoyed the rest of the chapter quite a bit. There were plenty of funny moments to go along with the character building at the end. I hope Cross Manage is able to survive the next set of cuts from the magazine.

Cross Manage

One-Punch Man Ch. 006
One-Punch Man continues to be great. Less time was spent focusing on Saitama, in favor of our new character Genos. I like where the series is going with him as the first proper supporting cast member. The joke of the chapter is of course the same as before, but somehow, despite being a straight rendition of the basic joke, it manages to still be funny every single time. Perhaps this week it’s because Saitama finally gets the catharsis of slapping a mosquito.

Dragon Ball Z Ch. 004
This is where things get good. Goku and Picolo team up to battle Raditz, and the story feels like it is really starting now. It’s a bit harder to review these chapters, mostly because I’ve read them before and don’t really have my gut reaction to go off of. Still, I’ve been enjoying the current run of chapters, and look forward to more. Reading them again after so long I do notice a few things here and there. Mostly how fast the plot seems to be moving forward. I know Dragon Ball Z isn’t exactly known for its speedy plots, but this feels a lot faster than I remember. And not necessarily in a good way. Keep in mind, the status quo of the series changed just now, with the revelation that Goku is an alien. It’s a lot of information that we’re supposed to comprehend right away. Granted we’ve had a few years to internalize it all, and most fans knew about this part of the story before the original Dragon Ball. Still, I can only imagine what it must have felt like reading this all those years ago. I wonder how many people were decrying Toriyama for jumping the shark.


If you want more, check out my podcast at the Manga^3 Archives. And listen to last week’s episode at Episode 036 – February 18, 2013 – What is Shoujo Manga? | Fairy Tail Vol. 6.

Filed Under: FEATURES & REVIEWS, WSJA Recaps Tagged With: bleach, naruto, nisekoi, One Piece, one punch man, toriko

Weekly Shonen Jump Recap: February 11, 2013

February 14, 2013 by Derek Bown Leave a Comment

Cover PageThere will never be anything like a perfect issue of WSJ. But for what it’s worth, I think this week we got close to it. There was not a single chapter that I hated this week. There were a few I was less excited about, but none that incited any kind of rage. All in all, it was a good week.

World Trigger Ch. 001
I think I can honestly say that this might be the best first chapter in Weekly Shonen Jump Online. Sure we haven’t had all that many first chapters in this magazine, but the point still stands. While I am getting tired of the typical high school setting—I’ve come to realize that it’s a staple of the medium and something I’ll just have to live with—everything else about this first chapter was great. Even the stereotypical bullying, which from what I understand is a real problem in Japan so I can understand the need to bring more attention to it, was used effectively.

Ultimately what sold me on this new series were the two twists at the end. Manga-ka Daisuke Ashihara played with our expectations for an action series like this and was able to use that to turn the tables at the end of the chapter. If he can keep this up throughout the entire series, then I can see a bright future for this new manga.

World Trigger

One Piece Ch. 698
I’m sure anyone who isn’t as big into One Piece as I am must be getting tired of this section of the column. But can you really blame me this week? Sure, the majority of the chapter is just character interaction—no big action scenes here. But it’s that kind of writing that draws us closer to the characters and is ultimately one of the most entertaining aspects of One Piece.

One Piece

And lest we forget—though how could we forget—that cliffhanger. I guess now we know who that mysterious stranger sleeping in the middle of the ocean a few chapters ago was, but ending the chapter by pitting Doflamingo and Kuzan together (and doing so right before taking a week break), is nothing short of gloriously sadistic.

One-Punch Man Ch. 004
I would probably be talking out of my behind were I to say that One-Punch Man was a serious drama whose entire appeal revolves around the pathos of the main character (whose strength is his one true weakness). But I feel entirely justified in saying that this chapter emphasizes how well Saitama’s ennuie can be used for comedic purposes. It also allows us to see that even though Saitama killing people in one punch could become a tired gag, author One is skilled enough to stretch the humor of the situation further by switching up the formula here and there. Possibly the funniest chapter of the series to date.

Naruto Ch. 619
Finally, a chapter of Naruto where I can legitimately say something nice. I know that I start this section every week wishing I could find something nice to say. I feel bad for hating on Naruto so much when I know there is a richness of readers out there who love the series and who I am probably chasing off by hating on their series so much.

Fortunately, this week was my favorite chapter of Naruto in a long time. I do hate Kishimoto’s poorly timed comedy at times, particularly when it is used during what should be an emotional scene. But when Kishimoto manages to insert his comedy appropriately, it is still really funny. Getting to meet the first two Hokage for the first time (Orochimaru’s initial use of their corpses back before the time skip does not count since their personalities were sealed at that point) was a treat that made this a surprisingly funny chapter.

Even more surprising is that I was able to read this chapter without devolving into frothing rage anytime Sasuke was in the scene. Even more so, being able to learn a bit more about the Uchiha was a long overdue blessing. Granted, I don’t buy the idea that “they feel too much love, so they feel too much hate,” and the concept that the Sharingan is ultimately created by the power of love makes me laugh. (Not in a good way. More in a “let’s make fun of Ma-Ti from Captain Planet” kind of way.)

Dragon Ball Z Ch. 002
There’s really not much to say about this chapter, except that I’d forgotten how accurate and justified Krillin’s characterization in Dragon Ball Z Abridged is. I mean, really, he just waltzes up to someone Goku said is strong, who is skilled enough to be able to fly, and expects what to happen? Well he clearly does not expect to get owned, and I have to admit the temptation to keep a “Krillin Owned” count of my own is overwhelming.

The translation, which I assume is the same translation Viz has been using ever since they first started licensing Dragon Ball, could really use an update. If nothing else, we could use an updated spelling for Krillin’s name. I won’t admit to knowing exactly which spelling is correct, but I do know that nobody has spelled it Kuririn ever—at least nobody who has grown up reading and watching the series. There are some other aspects of the old translation that stick out, such as the typesetting and some of the diction. The color is all good and fine, but I would much rather see an update to the translation.

Cross Manage Ch. 020
While I really loved last week’s chapter, this week was a bit weak. The first half or so was fun, mostly because Komatsu featured prominently. But the fact that the game itself only got half a chapter tells me exactly where the focus of this series is. So fans of sports manga can probably give up on learning anything significant about lacrosse.

Cross Manage

The romance between Sakurai and Misora feels rushed, suggesting that the series is probably not going to survive the next round of cancellations. Perhaps it’s a curse for any romance series, but I find the side characters more interesting than our two leads. Sure Misora is quirky and entertaining, but she suffers from protagonist bias, meaning that because of how much time we spend around her she just doesn’t measure up against the other quirky characters that have less time spent on them. Not to mention that I find it hard to care about a romance for a series that hasn’t been around long enough for me to care about the characters. Perhaps that’s why series that don’t focus much on romance at all get all the rabid shippers. The more time you spend with the characters, the more you care about them. And it’s a lot easier to becoming attached to romantic relationships when they aren’t being forced on you in less than twenty five chapters.

Toriko Ch. 221
I don’t know why some series bore the snot out of me when they do nothing but show fight after fight, but for some reason Toriko just gets away with it. Perhaps it’s because of how imaginative the powers are. Or perhaps it’s because in this chapter we finally get to see some neglected characters match up for their own fights. Mansam and Rin have not had much time in the story, compared to others. For someone watching the anime at the same time, they may come across as one-note characters, which they very much are since they have not had any real development before this chapter. Thus, the anime has to go with what they’ve got, and what they’ve got is a collection of tired old jokes that weren’t really funny in the first place.

Toriko

Hopefully we get to see a bit more of those two, particularly Rin, whom I liked from the start for her non-traditional design. Unfortunately while she doesn’t look like your typical girl from a shounen manga, she sure does act like it. So with a bit of luck she will actually get to look like the badass I thought she was supposed to be.

I’m still a bit peeved that we didn’t get to see the rest of the cooking fest, but by this point I’m so excited by all the upcoming fights that I can’t really complain anymore.

Nisekoi Ch. 061
It’s amazing what a difference a single chapter can make. I wasn’t that big on the drama between Chitoge and Hana, but somehow this chapter managed to explain Hana’s neglect in a surprisingly satisfying way. The joke quota for this chapter was still somewhat low, but we seem to be rushing to a conclusion here so hopefully Nisekoi will be par for the course shortly.


If you want to hear more, check out the Manga^3 archives. For last week’s episode check out Episode 034 – February 4, 2013 – Overarching Goals and The Legend of Koizumi.

Filed Under: FEATURES & REVIEWS, WSJA Recaps Tagged With: bleach, naruto, nisekoi, One Piece, one punch man, toriko

Weekly Shonen Jump Recap: January 28, 2013

January 30, 2013 by Derek Bown 5 Comments

CoverThere’s a topic that I feel might need to be addressed, and while I do talk about it on this week’s episode of Manga^3, I think it wouldn’t be out of place to at least take a few lines to talk about it here. As you all know, Weekly Shonen Jump has started publishing chapters simultaneously with Japan. So, some may wonder why exactly scanlation sites seem to have the next set of chapters up just two days after WSJ is published. Some may think that we have been lied to—that in fact we are not actually simultaneous. After having to explain why this is not the case to a friend, I figured I should put this information out there where others can see it.

The fact of the matter is that scanlation sites get their hands on the chapters well before they are actually released in Japan. There is no way for VIZ, or anyone, to publish those chapters you see on the scanlation sites until next Monday because they have not been legally released.

I know the old excuse, “I read scanlations because how else am I going to get these chapters?” And I’m not about to pass a judgement call on whether one should or should not read scanlated manga. In my personal opinion the most important thing is that the creators get paid for their efforts.

Where this excuse stops working is when it morphs into, “I’m paying for WSJ, but those new chapters are right there, nobody will care if I read them now.” That becomes problematic because, well, people will care. Those chapters should not have been released yet. The paying Japanese audience has not even had a chance to read them yet. This goes beyond providing manga that has no other outlet, and goes straight into outright stealing intelectual property before it has been officially released.

I assume most of you would not watch a low quality leak of a movie before it has even hit theaters, so please, do the same for manga, and no matter how tempting it may be to read those scanlated chapters, please wait for the official release wherever such a release is possible. After all, the more success WSJ has in its digital format, the more likely other companies might be to attempt something similar. You want to read Fairy Tail day and date as it is released in Japan? Let the publishers know that you are willing to pay the money for an official digital magazine. And for those series that are being published in WSJ, please show your support by reading them only as they become officially available.

And that took a lot longer than I thought, but it’s an issue that needed to be addressed. There is literally no way for us to get chapters legally faster than they are being published in Japan. So please, have some patience, and enjoy your manga.

Toriko Ch. 219
While I would have preferred to see more of the cooking competition, after this chapter I find myself at least pleasantly resigned to seeing this war play out. The chapter sets up the standard one-on-one fights we’ve come to expect in shounen series, while managing to pull off several excellent scenes. I still question the motives behind this attack. While I can imagine that it’s the easiest place to kidnap cooks since they are all gathered in one place, it does seem like the hardest place to kidnap cooks since they are all gathered in one place and to a man they are all supreme badasses. I doubt this is the final battle, or even the lead in to said final battle, so I expect we can’t do much more than sit back and wait to see what the ultimate goal is here.

Toriko

One Piece Ch. 696
I sometimes feel bad for how much praise I lather on One Piece. But then I remember that One Piece has done everything it can to deserve said praise. It’s not One Piece‘s fault that the other manga can’t keep up. That being said, while I know this series isn’t for everyone, I still stand by the assertion that even a slow chapter like this, with little to no action, is the crown jewel of WSJ. Anyone who hasn’t put the time into reading this series is doing themselves a serious disfavor.

There are plenty of entertaining moments throughout the chapter, and they are executed in such a way that I even forgive Oda once again for not actually killing off any of the characters he apparently killed during the arc. We get a great pair of scenes for Sanji and for Nami, with Sanji actually reminding us that people wasting food is one of his berserk buttons. And Nami’s scene where she is talking about Tashigi and reminiscing about her own mother is a great character piece in a cast that at times does run the risk of stagnating.

While I do love this series, it does constantly run the risk of Luffy’s crew becoming irrelevant. Especially in recent arcs the focus has been on new characters, rather than developing those that we have become comfortable with. Everything past the Shabaody arc has demonstrated that Oda may be growing tired of using the same cast constantly, as I can easily see him removing the crew from the story as him using a chance to play around with some new characters. I hope this is not the case, and that we get some deeper scenes with the crew, and not just a constant barrage of “Look how powerful they are now”.

One Piece

See, I can be harsh even with my favorite series. And speaking of harsh…

Naruto Ch. 617
I’ve made no secret that Naruto is not exactly one of my favorite series. And it wasn’t until recently that I found out why this is. A friend and I were discussing overarching plots in manga, and whether it’s better for a series to just have them go on adventures, or if they need an overarching goal even if the resolution of said goal won’t happen for decades.

It was because of this discussion that I finally figured out why I haven’t been nearly as excited about Naruto as I once was. The simple matter of the fact is that when I started reading, Naruto had one goal, namely to become Hokage so that people would accept him. If you strip away the part about becoming Hokage, we are left with the desire for people to accept him. And the best parts of the series were Naruto fighting against the perception that he is a screwup. For me that was the driving force of the narrative.

Unfortunately that goal can’t be stretched out too long without becoming stale. And with the Invasion of Pein arc Naruto finally achieved his goal. He is not yet Hokage, but he has been accepted and admired by his entire village. For me that was the climax I had been waiting for.

And then the series kept going. Granted Naruto still needs to bring Sasuke back, but I neither care about that plot, nor do I think it would have been very out of place had it been addressed and concluded right after the Pein arc. The problem is that Kishimoto introduced many elements that need to be resolved. Without those elements the series could have been completed satisfactorily with the defeat of Pein. Since that point the series has felt like it has been meandering, and most of the events that I have not cared for have happened during the period after said arc. The last time I was really excited about Naruto was just before and during that arc. Since then the series has been lacking a clear goal that I’ve yet to care about, all because what I perceived as the ultimate goal has already been accomplished.

Oh yes, and why was Sakura missing from this chapter? I know a lot of people don’t like her, but I’ve actually liked her character arc through the series. If she’s been completely dropped from the series—and do remember that she used to be the female lead for the series—then I honestly can’t say that Naruto is still the series I once loved. I know a lot of people are enjoying the current arc, and while it is big and epic, it is still missing every single element that I ever loved about the series, leaving it feeling stale beyond belief and not nearly close to something that I would feel comfortable recommending to anyone with similar tastes to mine.

And here I started this part of the column, with the intention of being nicer this week. But I’m afraid that might not be possible until Naruto gives me a reason to start liking it again. And the chances of that are slim considering my complaints for the series.

Nisekoi Ch. 59
In the hands of a good writer, give me single chapter stories any day. And even when Nisekoi branches out into longer stories, there is still plenty for me to enjoy. I thought that when Chitoge realized her feelings for Rakku the series would start to go downhill, since my favorite part of the series was the uncertainty of who Rakku would be with. Even though Chitoge has almost certainly been decided as being the girl he will fall in love with, I still find myself entertained week by week.

Chitoge’s mother is the typical scary mother, but somehow Nisekoi manages to take common tropes in romantic comedies and make them feel fresh. While I do question Chitoge’s father, given how young his wife is, I find myself not thinking about potential squicky relationships by how terrified he is of her. Nisekoi always manages to put me in a good mood.

One Punch Man Ch. 2
I was a bit surprised that this series is going through from chapter one onward rather than skipping to the most recent. And I applaud the editorial staff for making this decision. One of the biggest weaknesses with publishing weekly series is that there is no feasible way to publish everything that has happened since the first chapter to the most recent. But since One Punch Man is a monthly series there is plenty of time to play catch up.

This was the chapter that had the biggest effect on me. If nothing else, the gruesome way in which Saitama dispatches the crustacean monster stands out as being both incredibly nasty and the most effective way to defeat a monster.

While we don’t get anything on Saitama’s training, I love the straightforward approach this manga is taking to telling its story. Rather than wasting time, everything important about his backstory is taken care of in a single chapter.

Bleach Ch. 524
Did anyone else get the image of Kenpachi pinning for Unohana throughout the rest of the series? I can’t help but imagine him thinking, “Please notice me, Senpai” and the image made me enjoy this chapter a lot more than I probably should have.

To be fair, this was a pretty good chapter. Bleach has always lacked a clear overarching goal, so I’ve grown used to the meandering feeling I get from series that don’t have a clear final goal. So it’s best to enjoy each arc on its own, and each chapter on its own. Which is why it’s a shame that not much happens chapter to chapter.

I enjoyed the fight, though I have to question how exactly just fighting is supposed to teach Kenpachi to use two hands. I suppose Unohana needs to beat it into him? Either way, Kenpachi and Unohana have been favorites of mine for a while, and even though I don’t quite like this development from Unohana I have to admit it is the most interesting thing she’s done in the entire manga.

Bleach

Cross Manage Ch. 18
I think this chapter solidifies the idea that it isn’t about the sport. Cross Manage is entirely a shoujo manga disguised as a shounen manga. And I quite like it for that. Sure I would love to see some hot-blooded shounen sports action, but there’s a place for manga like this. The question is how long that place will remain open.

Hayami manages to be an endearing, entertaining character, despite being the rival love interest. it feels more real that she is perfectly likable, and not an antagonist at all, compared to series where all love rivals are scheming shrews. It certainly makes for a much more entertaining manga.

Kintoki
I like Dragonball Z, I really do. The anime version may be infamous in its execution, but the manga really was something special. I won’t say it’s my favorite of all time, but it’s pretty high up there. That being said, getting a new Toriyama manga, even if it is just a one-shot is special. Unfortunately I can’t say that it was necessarily anything groundbreaking. It was essentially more Toriyama, which works perfectly well for anyone who wanted nothing but to wax nostalgic, but for anyone looking for something as groundbreaking as Dragonball was, chances are this one-shot will come off as a bit of a disappointment.

Its biggest downside is the fact that a lot of Toriyama’s weaknesses shine through. The villain of the story, for example, emphasizes that Toriyama was not exactly one for nuanced villains. He created great characters, but his villains never really got beyond the “I have power so I will mess things up” stage. In such a short format we get that essence distilled so far that it exposes flaws in prior villains Toriyama has written.

Despite that major flaw in the story, I have to say that I would have most definitely read this had it been turned into a series. While ending a one-shot or a failed manga run by saying “there were more adventures but I won’t tell them to you” is a trope I’m not entirely fond of, I have to say that I believe Toriyama would have spun an interesting web out of the premise. On its own it’s more of the same, but it’s overall a good same, so I can’t complain about anything else.


If you want to hear more, check out Manga^3 at Burning Lizard Studios for old podcast episodes. For last week’s episode check out, Episode 032 – Shounen Hero Asexuality.

Filed Under: FEATURES & REVIEWS, WSJA Recaps Tagged With: bleach, naruto, nisekoi, One Piece, one punch man, toriko

Combat Commentary: One Piece (Overview)

July 31, 2012 by Derek Bown 2 Comments

If anyone hasn’t already noticed that One Piece is my favorite manga series of all time, then my upcoming Alabasta Arc special will put any doubts to rest. For now, allow me to focus on discussing the treatment of fighting scenes in One Piece in general, before I get into details later on.

One Piece‘s strength lies in a large variety of different powers. While early on in the series it had to rely on characters with different fighting styles, once the story entered the Grand Line the Devil Fruit powers were expanded upon. The basic idea behind this power is that anyone who eats one of the devil fruits will gain a power tied to the fruit, but lose the ability to swim.

Examples of powers include a body made of rubber, a body that can split apart, the ability to turn into animals, and the ability to turn into any of the classic (and some not classic) elements, such as fire, ice, smoke, etc. Each of these powers bring very different fighting styles to the table, while the powers all originate from the same place, taking care of the problem of having too many different magic systems, or not enough variety to make the fights interesting. It’s a tough line to walk, but One Piece manages to pull it off beautifully.

Accompanying the devil fruit powers are several different fighting styles as well, but they all fit inside the same world. The introduction of Haki is a bit of a concession to the tropes of shonen fighter manga, but it fits into the world Oda created as a whole.

Thanks to these varied powers the fights are not only creative, they can be tense or humorous when necessary. The writing is just top notch, some of the best in the genre. Some series suffer from boring uninteresting fights, One Piece does not have that problem. The fights themselves are what make the manga good, along with other things.

Best of all, the entire cast gets their time to shine. While there is a bit of an emphasis on the men in the main cast, this being a comic for boys, as Oda likes to remind people, the women do still get their moments. In fact, as far as representation of women in shonen manga go, One Piece is one of the best at avoiding allocating its female characters into one-note roles.

But even when I love something so much I will tolerate no ill word spoken about it, I cannot deny that nothing is perfect. Especially in recent arcs One Piece hasn’t had any really strong fights. Or at least it hasn’t had any fights that match the grandeur of past arcs. Most of the fights have been cut somewhat short, and while that works for the story, it does show that Oda has not been as creative with his fights as he was in the past. Nami and Robin have gotten the shaft as well, while before they played big parts in the climactic fights, this time around they stood off to the side and did not get their own opponents to fight. While this is the first arc after the crew got back together, it is still a little disappointing to see after such a strong track record.

The only other main complaint I have about the fights in One Piece is that powerups come out of nowhere. While we do have a two year timeskip to explain where the characters gained their new powers, in the past they’ve pulled new abilities out of nowhere without proper explanation. The biggest examples of this is during the Enies Lobby arc, where Luffy, Zoro, and Sanji each have new final attacks, without any sign that they’d been training or practicing to use these moves. I hate to make the comparison, but I’m reminded of the Uchiha characters in Naruto, each pulling out brand new powers without any indication that they’d been training to unlock these abilities.

But while I will continue to complain about Kishimoto, Oda gets a pass, because every single one of those moments in Enies Lobby was pure awesome. When a manga has so much substance, it can be forgiven for a few moments where style rules supreme. Especially when the rule of cool is applied so hard that it takes several years before you start thinking, “Hey wait a minute…”

In the end, even my complaints don’t add up to much. One Piece is just one of those series that is fun on all levels, but most importantly the fights are just amazing. And while Oda has not yet wowed me with his most recent fights, I have every bit of faith that it’s just a matter of time before I get to see something amazing.

Filed Under: Combat Commentary, FEATURES Tagged With: One Piece

Combat Commentary: One Piece Ch. 656

March 14, 2012 by Derek Bown 1 Comment

Warning: Spoilers follow for the more recent chapters of One Piece, published in Weekly Shounen Jump Alpha. Proceed at your own discretion.

click image to enlarge

Is there a minimum length for a fight? A character getting knocked out in one panel hardly counts, but how many panels are necessary for something to qualify as a real fight? How many pages are needed? Is a quarter of a chapter the minimum? Half a chapter? Maybe an entire chapter is the bare minimum for something to qualify as a fight. Of course this is mostly semantics, and everyone will have his or her own opinion. But opinions are nothing without evidence, so here is a piece of evidence that a fight can, in fact, be just one chapter long.

What Happened?
After leaving Fishman Island, Luffy and crew make their way to the surface of the New World to find the sea around them aflame. Through the flames, they see a burning island. Luffy picks up a distress call from the island, naming it “Punk Hazard.” The person calling for help says they are being attacked by a Samurai, and strangely complains about how cold it is. Luffy, Usopp, Zoro, and Robin draw the short straw and are chosen as the ones to go and find that person. They make their way onto the island, and after a bit of searching (somehow avoiding being set on fire) they find themselves face-to-face with a Dragon.

(click images to enlarge)

What Happens?
At first, the Dragon is too strong for Luffy and Zoro to fight it. Its scales are too thick to be cut, and too hot to even touch. The dragon’s breath keeps the two fighters at bay, and it seems like the dragon can shrug off any of Luffy’s blows. Even stranger, the dragon seems to be talking!

The dragon takes to the air, and Luffy jumps up to knock it out of the sky so that Zoro can finish it off. While on the dragon, Luffy sees that there are a pair of legs sticking out of the dragon’s back. The dragon tries to bite Luffy, but ends up biting its own wing. As the two fall, Zoro uses one of Usopp’s plants to jump into the air, and finishes off the dragon.

What Does it Mean?
First off, the appearance of an actual dragon in the manga makes the Apis Filler Arc in the anime look absolutely ridiculous now. Those dragons were feathery pussies. This dragon—now this is the real deal. Too bad for it, Luffy and Zoro are beyond overpowered now.

It's still badass, it just had the misfortune of living in a time where Skyrim taught us not to fear dragons.

Out of all the fights in shounen manga, this one stands out for not only its brevity, but for following all the required phases of a shounen fight. Just like Toriko’s battle against the GT robot, the heroes go from being unable to defeat their opponent, to figuring out how to do it and winning—the difference being that rather than changing tactics, it is just a matter of time before one of them lands a solid hit and finishes the dragon off.

The problem is, that though the first half of the fight sets the dragon up as a legitimate threat, the ease with which it is finished off ruins that. Luffy and his crew are in the strange position of essentially getting to experience the beginning of the series all over again. One Piece started off with fights that were no real challenge—that served the purpose of showing off the characters’ strength. As the series progressed, the opponents got harder and harder to beat, and the Strawhats had to struggle more and more to win. But at this point, after the two year training period, there will be fights like this one, where the opponent seems dangerous, but in reality are no match for any of the Strawhats.

Except for some.

With the exception of the ending being a disappointment, this is still a fun fight to read. Not only is there the novelty of seeing our heroes fight a mythical creature, but it bodes well for the rest of the series. If the creatures found here are so badass, what does that suggest about future villains?

That they're out of shape astronauts?

This fight currently holds the honor of being the shortest fight ever covered in this column. And yet it still works. Oda shows that he knows not only how to be entertaining, but how to fit as much entertainment value as possible into each of his pages. Unlike some creators who waste their pages with white space, Oda fills every panel with as much detail as possible. Though this may come across as cluttered for some, it provides the most content in the least space. And while this is not a column about One Piece in general, it still bears noting that out of all the manga series available weekly, this remains one of the most satisfying reads around.


All images from Shonen Jump Alpha, © Eiichiro Oda/SHUEISHA Inc. Chapter available in full at vizmanga.com.

Filed Under: Combat Commentary, FEATURES Tagged With: One Piece

Combat Commentary: One Piece Vol. 3, Ch. 18-20 – Luffy vs. Buggy

January 31, 2012 by Derek Bown 2 Comments

And we save the best for last. Not necessarily the best fight, but most certainly the best series. One Piece is interesting when compared to the others of Jump‘s Big Three. As opposed to starting strong and losing steam as the years passed, One Piece did the exact opposite. It has become a war cry for One Piece fans trying to get new readers into the series, “Just make it past the first nine volumes, make it to the Arlong Arc and you’ll be hooked.” With oddly cartoonish art and stories that fans generally rank among the series’ worst, the early chapters of One Piece belie the powerhouse of a manga it would later become.

But surely there must have been something that drew readers in? After all, every manga fan knows that One Piece is easily the world’s number one manga (at least sales-wise). So what let it survive beyond its infancy? Well, if you’ve been reading this column for the past two weeks, chances are you have an inkling of my answer to this question.

Also, since this column is still new, I’m always testing new ideas for formats. Let me know what you think of this version.

What Happened?
After defeating the tyrannical Axe-hand Morgan, Luffy and Zoro find themselves drifting on the ocean with no food and no way to navigate. Luffy tries to catch a bird to eat, but ends up on an island occupied by the dread pirate Buggy the Clown. Luffy runs into Nami, who initially turns him over to Buggy in order to get to his treasure map, but then saves him at the last second. Luffy beats Mohji the beast trainer, and Zoro beats Cabaji the acrobat, leaving Luffy and Buggy ready for the final battle.

(click on images to enlarge)

What Happens?
Buggy’s devil fruit powers give Luffy a hard time at first, but before long he is able to take advantage of Buggy’s weaknesses. Buggy tells Luffy about the time he was an apprentice on a pirate ship with Luffy’s idol, Red Haired Shanks. After Shanks inadvertently ruin’s Buggy’s plan to sell a valuable devil fruit, Shanks then saves Buggy’s life, but earns his eternal ire. With some help from Nami, Luffy is able to defeat Buggy easily, sending him flying with most of his body parts missing.

What does it mean?
Compared to the straightforward action scenes in Bleach and Naruto, One Piece can often rub fans of those series the wrong way with how it portrays action. The early fights, especially the first three in the series (Alvida, Ax-Hand Morgan, and Buggy) come across as just ways to show off how cool the main character is.

Buggy stands out among the early fights, because he is the only antagonist Luffy faces (before Logue Town) that has devil fruit powers. While later on in the series every villain worth his (or her) salt has devil fruit powers, this early in the game it was a big deal. None of the other characters had powers like Luffy. What makes this fight stand out so much is how creatively these powers are put to use. Luffy always finds ways to make his strange power combat-worthy, but to see another character doing the same thing makes this fight stand out in a sea of sword-swinging and punching fights.

This is what makes Buggy’s status as a “joke villain” so strange. While he is portrayed as a serious threat, the ease with which Luffy deals with him (after some minor set backs) doesn’t quite match up. It feels as if Buggy could have either been taken seriously or written off as a complete joke, and seeing him as a little of both is jarring to say the least—still fun, but a little too much in the middle to make for easy classification.

Though Luffy is still portrayed as an invincible protagonist, Oda manages to throw in some tension by giving Luffy a weakness that Buggy can exploit. Luffy’s hat, given to him by Red Hair Shanks, is the only part of him that can be effectively damaged, and Buggy takes advantage of this.

But Buggy is not the only person who can take advantage of others’ weaknesses. As he learns to his suffering. Luffy takes advantage of Buggy still feeling the pain of his separate body parts. And with only two eyes, Buggy cannot both hunt down Nami (who is getting away with his treasure) and protect his lower half.

After this point, the seriousness of the fight dissipates, and Buggy goes from being a threat to being the the fight’s buttmonkey. While the transition is a little jarring, it helps that Oda does not switch back and forth. When Buggy is threatening, he is threatening, but once his weakness is discovered, Luffy takes full advantage of it, and Buggy becomes a joke. So in its own way, the shift from serious to gag goes as smoothly as it possibly could have.

This fight ranks as one of the best in the East Blue arc, solely because it stands out as the first real threat Luffy faces, as well as only one of two villains that have devil fruit powers. Compared to Kuro and Don Krieg, Buggy is one of the more memorable One Piece villains. The shift from serious threat to comedic foil may be jarring for some, but it’s One Piece in a nutshell. No matter how dangerous the situation, there’s always a good laugh to be had.

Filed Under: Combat Commentary, FEATURES Tagged With: Combat Commentary, One Piece, VIZ

Show Us Your Stuff: Burning Lizard’s Collection

October 4, 2011 by Katherine Dacey 5 Comments

Welcome to the third installment of Show Us Your Stuff, now back at The Manga Critic! If you missed Daniella Orihuela-Griber’s contribution, click here. I’ve also created an archive for this feature here at The Manga Critic, which you can access from the “Features” menu or by clicking here. Today’s contributor is Derek Bown, a writer, student, and shonen manga enthusiast who runs the review site Burning Lizard Studios. Without further ado, here’s Derek in his own words.

Hey, I’m Derek, sometimes known as Burning Lizard. I run an anime, manga, and anything-that-catches-my-fancy review blog. I’m an avid reader and collector of manga, and in the past few years my manga collection has doubled several times. (Especially since the Borders liquidation.) I figured that since I’m like every collector out there: I’m just not satisfied unless I show my collection off to someone. So here you go internet, here is my manga collection.

What was your first manga?
Either One Piece or Ranma 1/2. Both were series that I originally experienced as anime. After my local TV stations started airing only reruns, I turned to the manga to get the rest of the story — which turned out to be crucial for One Piece, since there was an actual story to continue. Ranma 1/2 just managed to both entertain and piss me off towards the later volumes….

Read More

Filed Under: Manga Critic Tagged With: Awesome Manga Collections, One Piece, Shonen

Bookshelf Briefs 6/27/11

June 27, 2011 by Michelle Smith, Melinda Beasi, Katherine Dacey and David Welsh 3 Comments

This week, Michelle, Melinda, Kate, & David take a look at new releases from Viz Media, Yen Press, and Archie Comics.


Bleach, Vol. 35 | By Tite Kubo | Viz Media – The battle to rescue Orihime and foil Aizen’s plans to destroy Karakura Town continues! Too bad that it mostly does so in the form of an interminable match-up between Kenpachi Zaraki, badass Soul Reaper captain, and Nnoitora, the irksome Arrancar. You just know that when an opponent in shounen manga brags incessantly about how it’s impossible to cut him, he is gonna wind up getting cut. And so it goes, though the fight itself is a confusing mess of blows, explosions, and sound effects like “wooo” and “klang.” There’s finally a bit of progress in Aizen’s plans, and if I cared enough I’d ferret out what seems to be either sloppy plotting or a retcon, but the truth is that it’s really best not to think too much about such things when reading Bleach, which in this volume embodies mindless entertainment at its best. – Michelle Smith

Blue Exorcist, Vol. 2 | By Kazue Kato | Viz Media – Exorcist-in-training Rin has been slacking in class, but when a tough-looking classmate proves to be surprisingly smart, it acts as some motivation to get his act together. Then he and the other students are thrust together for the Esquire Examination, with the pleasing result that we get to know quite a few other kids in a short period of time. There’s a real Hogwarts vibe happening too, with the varieties of courses and specialties available for exorcists. One aspect of the story leaves me cold, though, and that’s Rin’s ultimate goal. Now that I have insight into the Shonen Jump editorial process courtesy of Bakuman。, I can’t help but think that “I’ll become an exorcist so I can defeat Satan!” is someone’s calculated attempt to meet the requirements of a popular battle manga. – Michelle Smith

Highschool of the Dead, Vol. 3 | Story by Saisuke Sato, Art by Shouji Sato | Yen Press – After escaping school grounds, resisting the authority of a charismatic but dangerous teacher, and rescuing a small girl from an undead mob, our heroes stumble across a band of paranoid survivors who believe that the zombies are, in fact, an elaborate government hoax. Though this twist provides welcome relief from the endless parade of panty shots and girl-on-girl teases, Highschool of the Dead is still a chore to read; the dialogue is so stiff and unnatural that it’s hard to suppress a giggle, even when the authors are dead serious. Sloppily staged fight scenes and poorly drawn figures do little to make the very thin story more palatable to discerning zombie fans. – Katherine Dacey

Kimi ni Todoke, Vol. 9 | By Karuho Shiina | Viz Media – As sweet as Kimi ni Todoke is, its one potentially frustrating element is its heroine Sawako’s inability to see herself as equal to her would-be suitor, Kazehaya. Fortunately, her friends (and even one of her foes) finally give her what for in in volume nine, the results of which leave us waiting breathlessly for volume ten. As usual, Karuho Shiina plays things out in perfect high school shoujo romance fashion, while also refreshing the genre as she goes. Shiina pushes Sawako’s stubborn self-deprecation to the point of parody early in the volume, without damaging the series’ sincere tone in the slightest. Meta has never tasted so sweet. Always recommended. – Melinda Beasi

One Piece, Vol. 57 | By Eiichiro Oda | Viz Media – I never thought I’d type these words about this series, but I’m ready for the current story arc to be over. Luffy, our pirate hero, is struggling mightily to save his brother Ace from a terrible fate. He’s inadvertently assembled an army of new friends and old foes along the way and is waging a pitched battle against the forces of the Navy. This is all executed well, and there are some particular highlights. (Any story arc that heavily features a super-powerful, anarchist drag queen can’t be all bad.) But I can’t get past how much I miss the participation of Luffy’s regular crew, the Straw Hats, and I’m not able to see the virtue in sidelining them during such an important milestone in their captain’s life. Eye-popping mayhem is all well and good, but it’s better when there are old friends in the thick of it.– David Welsh

Time and Again, Vol. 6 | By JiUn Yun | Yen Press – In the final volume of Time and Again, author JiUn Kim explores the family curse that ultimately set Baek-On on the path to becoming an exorcist. A deft mixture of folklore, horror, and intergenerational conflict, Baek-On’s back story would be a stand-out in any ghost-of-the-week drama; here, however, it provides a fitting capstone to an ambitious, if sometimes uneven, collection of stories about a young man struggling to carve out his own path, even though his divination skills all but ensured that he would assume his father’s profession. Kim’s artwork is elegant yet restrained, striking the right balance between sumptuous period detail and spare staging of events. N.B. Die-hard fans of Time and Again will enjoy the afterword to volume six, in which Kim cheerfully discusses the historical and continuity errors she made in the course of writing the series. – Katherine Dacey

Veronica Presents: Kevin Keller #1 |By Dan Parent, Rich Koslowski and Jack Morelli |Archie Comics – It’s awfully cool of Archie Comics to introduce a gay character and commit to him as an ongoing citizen of fictional Riverdale. Even nicer is the fact that, aside from a few troll-ish comments from people who’ve probably never read an Archie comic in the first place, response to the addition has been overwhelmingly positive. The net result, at least based on the evidence of this particular comic, is that Riverdale has another uncomplicated, good-natured teen resident, sort of a gay male Betty. Kevin is out to his family and friends, and readers get to see flashbacks to that process. The underlying plot is more about Kevin’s hopes to serve in the military someday, following in his supportive father’s footsteps. Basically, though, it’s an Archie comic about nice kids being nice. Seriously, did anyone honestly think there’d be any other outcome? That the White Party would swing through Riverdale? – David Welsh

Filed Under: Bookshelf Briefs Tagged With: Archie Comics, bleach, blue exorcist, Highschool of the Dead, kimi ni todoke, One Piece, time and again

Off the Shelf: Deliver us from slugs

June 8, 2011 by Michelle Smith and Melinda Beasi 9 Comments

MELINDA: Well, hello there, colleague! I’m still really enjoying that.

MICHELLE: Why, hello! Fancy meeting you here.

MELINDA: What a lovely space we have here. Makes me feel like talking about books. And you?

MICHELLE: Now that you mention it, I am experiencing an odd tingle, so I’m going to take that as an invitation to begin! My reads this week provoked wildly different reactions in me. One was epic and impressive while the other was icky and confusing. Saving the best for last, I shall begin with the latter.

I didn’t have very high hopes for Amnesia Labyrinth, the two-volume (so far) series released this year by Seven Seas, but it is a mystery manga penned by Nagaru Tanigawa, the man behind the Haruhi Suzumiya light novels, so I at least expected to derive a modicum of enjoyment from it. Alas, while the first volume is merely not very good the second is downright craptacular.

The story begins promisingly enough. Readers witness the murder of a high school student who turns out to be the class president of the school our protagonist, Souji Kushiki, is transferring into. Two other students have died over summer break, as well. One of Souji’s classmates, the perky Yukako Sasai, is attempting to investigate and enlists his help because he’s very smart and she thinks his politician dad might be able to get her access to the police department’s information. By this point, I was expecting a Haruhi-esque story, in which stoic Souji goes along with energetic Yukako’s efforts to unravel the mystery. Instead, the story goes in a completely different direction, as we begin to learn more and more unpleasant things about Souji’s deeply creepy family.

The back cover of the first volume tries very hard to depict the “inappropriate” and “clingy” behavior of Souji’s sisters as something new, but it quickly becomes apparent that this is par for the course, given that Souji’s been having sex with his half-sister, Saki, since at least middle school. This doesn’t prevent his full-blooded sister, Youko, from coming on to him nor his innocent step-sister, Harumi, from wanting to be his bride. On top of this, Souji suspects Saki and Youko of committing the murders, and volume two attempts (in as baffling a manner as possible) to flesh out the family history as (I think) supernatural assassins of some sort who also possibly suffer from multiple personality disorder. It’s monumentally unclear and surreal in a bad way.

Natsumi Kohane’s art doesn’t help matters any. Faces are generic and stiff, anatomy can occasionally be very strange, and the action scenes in the Heian-era flashback are utterly incomprehensible. Plus, there’s a lot of squicky images like this one. Seriously, is that supposed to be sexy? It looks like she’s barfing out a slug!

Apparently, this is all that’s been written of this series so far, and the second volume is padded out with an illustration gallery and a preview of Blood Alone. Normally I’d be sorry to see a manga go unfinished, but in this case, I think we should all be grateful.

MELINDA: Well, wow. After that image, I find that I have nothing to say. Except maybe, “Ew.”

MICHELLE: “Ew” is certainly the prevailing thought I’m left with after that second volume. After that image, we’re both probably in need of a mental palate cleanser. I hope you’ve something that can do the trick!

MELINDA: You know, I do! I liked both my reads this week, but I’ll start with one I know you’ve read and liked as well to help with that cleansing. I’m talking about Bakuman, by Tsugumi Ohba and Takeshi Obata, the fifth volume of which has been released just this week.

Mashiro and Takagi have gotten their manga serialized, but their success begins with a shock as their editor, Hattori, is being replaced by Miura, a man they’ve never met before. Though they have no choice but to accept the change, things get off to a rocky start as their series takes a while to catch on with Jump readers.

I’ve blown hot and cold with this manga in some ways, but I think I’ll never stop being fascinated by the look it provides into the process at Weekly Shonen Jump, however pro-Jump it might read to someone with more knowledge of the business in Japan. I’m charmed, too, by the way its creators use the Jump formula to comment in Jump itself.

For a long time, these things were the series’ only decisive draw for me, but more and more I’m drawn in by the series’ supporting characters, especially eccentric prodigy Eiji Nizuma and Takagi’s girlfriend, Miyoshi, who are probably my favorite characters in the series.

Volume five warms me to some potential new favorites, including reluctant mangaka Hiramaru who, when asked if he wanted to be a manga artist, replies, “Maybe, for like a fraction of a second.” I’m also becoming increasingly fond of self-possessed writer Aoki, who manages to lower her defenses a bit in this volume.

More astonishingly, the series’ protagonists have started to matter to me. While this should perhaps be a given for most series, this is the first volume in which I’ve found myself really at the edge of my seat, wondering what will happen as they receive each week’s reader survey results. Finally these characters mean something to me, which makes the whole thing that much more worthwhile. It’s a real treat.

MICHELLE: I love Nizuma so much now that I can’t believe I ever found him irritating. My favorite moment in the whole volume occurs when Mashiro and Takagi encounter him at the Jump New Year’s party, dramatically quaffing soda from a champagne glass.

I’m with you, too, on finally caring about Mashiro and Takagi as people. I think it helps that other characters are acknowledging the ridiculousness of Mashiro’s arrangement with Miho, the girl he likes, not to see each other until their dreams come true. Plus, Miyoshi is so awesome that Takagi grows more awesome for liking a girl like her.

It’s really become a series that I actively anticipate.

MELINDA: You’re absolutely right about Miyoshi’s awesomeifying effect. And I think it helps, too, that Miho is really struggling, so we’re seeing some nuance in that relationship even within its ridiculous construct.

So go on now and hit me with “epic and impressive!”

MICHELLE: I know that you, historically, have not had an easy time getting into Eiichiro Oda’s One Piece, but I have to say, it really is a stunning piece of storytelling. Oda has created not just a cast of likable characters, but a fully realized world for them to inhabit, and in this world, conflict has long been brewing between the pirates and the navy.

In volume 57 of the series, this conflict comes to a head on the island of Marineford where Portgaz D. Ace, brother to series protagonist Monkey D. Luffy, is about to be executed by the navy. Luffy’s on his way to save him, along with a plethora of pirates he helped escape from the impregnable prison Impel Down, but does not actually appear until midway through the volume. Instead, we witness the beginnings of an epic clash between the navy and Whitebeard, a powerful pirate and Ace’s captain.

The battle is huge, sprawling, and fascinating. It’s made doubly more impressive by the fact that, with the exception of the tardy Luffy, it’s entirely being carried out by supporting characters. That is how fleshed out this world is—there’s a whole cast of semi-familiar navy officials (and hired security of sorts in the form of the Warlords of the Sea) to go up against Whitebeard and his allies. Part of the draw is the cool Devil Fruit powers nearly everyone seems to possess, but Oda does a great job conveying the importance of this encounter as well as linking the public revelation of Luffy’s parentage to events that occurred much earlier in the series. Continuity has always been one of the series’ strongest suits.

I must also mention that many of Luffy’s allies are drag queens who rush into the fray whilst wearing fishnets and high heels. No one bats an eye, because in this universe, it’s a given truth that anyone can be brave and awesome, even if they’re a man wearing a tutu.

MELINDA: Well, if you think about it, is there anyone braver than a man wearing a tutu? I think not.

I know I need to get further into this series, and every time you or David talk about it, I remember why.

MICHELLE: That’s a very good point!

And yes, you do. I wish everyone had a public library as awesome as mine, because it’s ever so much easier to commit to a 62-volumes-so-far series like this one when you have that kind of resource. Even so, I find myself seriously tempted to start compiling my own collection. It’s just that good.

What else did you read this week?

MELINDA: Well, I’m way behind, but I finally read the third volume of Natsume Ono’s House of Five Leaves, one of my very favorite current series.

It’s difficult to discuss plot when talking about this series, because though things do happen in the world of broken samurai Masa, the story’s actual events are never really the point. There’s a missing member of the Five Leaves gang and the theft of a candle merchant’s seals, but the real story here seems to be about Masa’s acquaintance with a man from the magistrate’s office and the strain that acquaintance is putting on his relationship with Five Leaves leader, Yaichi.

This series is built on deeply private characters and layers and layers of atmosphere. Even when nothing particular is going on, you can feel the weight of Masa’s world on his slouched shoulders. Even in his most contented moments, his world feels heavy, yet he’s quietly grateful for all of it, somehow. He’s the soul of this story in all his passive reticence, and it’s his personal journey that most interests me.

That said, some real tension begins brewing in the plot department during this volume, which should offer a clearer thread of action as the story continues on. And if I’m content to sit with Masa as he quietly waffles through life, I admit that this extra momentum is a bit exciting. One gets the feeling that it wouldn’t take much for the entire world Ono has created to shatter into pieces, should something happen to break the tension she’s built up so slowly.

This series is one I find myself rereading already just to pick up extra nuances as I head into each new volume. It’s that compelling for me.

MICHELLE: I haven’t read beyond volume one yet myself, but even from the beginning the weight of tension is tangible. Now I’m excited by proxy at the idea of actual plot momentum. I wonder if that’s an IKKI thing, because Saturn Apartments is similar—I’m perfectly content to wallow in its slice-of-life charm, but small stirrings of actual plot seem to be cropping up in earnest now, meaning the series might become even more enjoyable.

MELINDA: Yes, I’m really looking forward to what the next volume has in store.

In other news, every time I look up at that slug-tongue image, it creeps me out more. I had to make it smaller, just to lessen the effect.

MICHELLE: I keep looking at it, too, as if to remind myself of its utter awfulness. Now I feel compelled to apologize to the readers for exposing them to it.

MELINDA: Hopefully they will forgive us … and possibly save us from it.

MICHELLE: We can only hope.

Filed Under: OFF THE SHELF Tagged With: amnesia labyrinth, bakuman, house of five leaves, One Piece

Behold the power of emotional peril

February 26, 2011 by Melinda Beasi Leave a Comment

Once again, it’s time for Let’s Get Visual, a monthly column in which Michelle Smith and I take a stab at analyzing manga art.

This month, we look at two scenes with heavy emotional impact, one from Ai Yazawa’s rock n’ roll soap opera, NANA, and another from Eiichiro Oda’s shounen epic, One Piece.

What both of us found extraordinary is just how powerful subtle details like body language can be in conveying the emotional resonance of a scene, even with the author’s dialogue completely stripped away.

“And while one might think that it’s the dialogue that makes it romantic (Nobu does say “I love you” right at the end, of course), I think the real testament to Yazawa’s skill here is that, even if you take all the dialogue away, the scene reads the same.”

Check out this month’s column to see what we have to say, and please let us know how you think we’ve done!

Filed Under: UNSHELVED Tagged With: let's get visual, nana, One Piece

3 Reasons to Read One Piece

December 2, 2010 by Katherine Dacey 19 Comments

Why would any sane person commit to reading a series that’s still going strong after sixty volumes? I can think of three compelling reasons why you should set aside your shonophobia — that’s Latin for “fear of incredibly long series with interminable fight scenes and characters who do their best” — and give Eiichiro Oda’s One Piece a shot.

1. THE ARTWORK

Though many shonen manga-ka love to populate their stories with flamboyantly ugly villains, Eiichiro Oda’s character designs are more memorable than his competitors’. That’s because Oda doesn’t just add a few scars and a crazy hairdo to distinguish the bad guys from the good; he creates every villain from scratch, making each garment, prop, tattoo, wart, and weapon a direct reflection of the character’s personality and personal history. The same goes for other supporting players: Oda emphasizes the greenness of one pirate’s kiddie followers by giving them vegetal hairdos, and the isolation of a pirate castaway by stuffing the character’s body into an empty treasure chest, with only Gaimon’s unkempt hair and feet poking out. (Gaimon gets one of the series’ best lines: “I used to have two eyebrows!” he exclaims, musing on his twenty years stranded on a remote island.)

Oda’s entire approach to drafting shows a similar thoughtfulness: his pirate ships, tropical islands, and sea coast villages are rendered in clean lines, with a minimum of screen tone. Oda relies instead on playful shapes to help set the stage, from a sea-going restaurant that looks like a cross between a carp and a Hong Kong dim sum parlor, to an island populated by rabbit-cobras, pig-lions, and rooster-foxes.

The only blind spot in Oda’s artwork is his female characters. Though he can draw a marvelous, gnarled pirate queen, as gloriously repulsive as any of the series’ other villains, his young, attractive girls are blandly interchangeable. Even as more female characters are introduced in later story arcs, their appearance seems more calculated to satisfy the male gaze than reveal much about their personality — besides, of course, the near-universal tendency among shonen artists to make a girl’s bust- and neckline a reliable predictor of her villainy.

2. THE LOVING SEND-UPS OF SHONEN CLICHES

One of the reasons I don’t read more shonen manga: I find the characters’ compulsion to shout the name of their fighting techniques kind of silly. (OK, a lot silly.) If anything, it brings back memories of the old Super Friends TV show in which the Wonder Twins clinked rings and announced that they’d be taking “the form of an ice sled!” or “the form of a green-striped tiger!” (If that was meant to be comedy and not a complete abdication of imagination on the writer’s part, I missed it.) Granted, InuYasha and Naruto boast cooler-sounding and more effectual powers, but the minute InuYasha yells “Wind Scar!”, I’m ripped out of the scene, pondering the need for such verbal displays.

In One Piece, however, Oda pokes fun at the practice by assigning his characters goofy powers with goofy names that are fun to say. Monkey D. Luffy’s Gum-Gum attacks are the most frequent and obvious example, as he pretzels himself into a Looney Tunes assortment of weapons and shields, but his crew mates also have a few tricks up their sleeves. The best of them, by far, is Tony Tony Chopper, a blue-nosed reindeer who also happens to be the ship’s doctor. His Human-Human powers enable him to assume a variety of forms, including a gargantuan were-reindeer that wouldn’t be out of place in the pages of Lycanthrope Leo.

Oda also walks a fine line between openly mocking his hero and using him to exemplify the “friendship, effort, and victory” motto that undergirds every Shonen Jump title. Monkey is, to put it nicely, one of the dumbest shonen heroes in the canon — and that’s part of his charm. Unlike, say, Naruto or Lag Seeing (of Tegami Bachi fame), Monkey’s single-minded pursuit of treasure is portrayed as a kind of insanity, not a sign of a stellar character. Monkey goes to extreme lengths to prove himself — not unusual for a shonen hero — but his behavior is clearly meant to be ridiculous. (In the very first pages of the series, he stabs himself in the face with a knife to demonstrate his imperviousness to pain, much to the horror of the assembled pirates.) Yet for all his ill-advised bravado, he’s a kind-hearted goof; anyone who demonstrates valor or integrity is invited to join his crew, regardless of the original circumstances under which they met Monkey. Again, those qualities don’t make Monkey unique, but they do make him appealing; he’s an indestructible hero who’s utterly fallible.

3. THE EXCELLENT ADAPTATION

Any text as thick with puns and pirate-speak as One Piece runs the risk of falling flat in translation, but the English-language adaptation is fluid, funny, and eminently readable. I can’t gauge how faithfully the VIZ edition adheres to the original Japanese, but the script’s buoyant, goofy tone complements the artwork perfectly, leading me to think that VIZ’s editorial team has given American audiences a reasonable approximation of the Japanese-language reading experience. Heck, they’ve even made Oda’s reader correspondence sound like a real, mischievous person answered those fan letters. Now that’s a good adaptation.

Filed Under: Manga Critic Tagged With: Comedy, One Piece, Pirates, Shonen, Shonen Jump, VIZ

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