My Week in Manga

My Week in Manga: December 19-December 25, 2016

December 26, 2016 by Ash Brown

My News and Reviews

Nothing other than the usual My Week in Manga feature was posted last week at Experiments in Manga. However, I still have a few things in store before the year is through. Later this week you’ll want to be on the lookout for the monthly manga giveaway for December. I’ve also been hard at work on my list of notable manga, comics, and other books that I’ve read that were released in 2016. That list should be ready to post in the very near future as well!

Quick Takes

The Demon Prince of Momochi House, Volumes 2-6 by Aya Shouoto. It was the beautiful artwork and yokai that first drew The Demon Prince of Momochi House to my attention and that continues to be a large part of the series’ appeal for me. I’m also enjoying the story’s melancholic atmosphere as the manga explores themes of loneliness and the desire to belong. Himari, who is an incredibly sweet and caring person, is steadily building her relationships and friendships with the locals, ayakashi and humans alike. However, more the romantic elements of the series are admittedly less convincing. Although there is an underlying story about the mysteries surrounding Aoi and Himari’s efforts to free him from his tragic fate, The Demon Prince of Momochi House frequently almost seems episodic in nature as Himari is introduced to a variety of supernatural wonders and dangers. The seemingly directionless and less-than-cohesive storytelling can be frustrating and sometimes even feels a little shallow, but overall I find the series to be alluring and provocative and look forward to reading more.

What Did You Eat Yesterday?, Volumes 9-11 by Fumi Yoshinaga. I am incredibly happy that What Did You Eat Yesterday? is being released in English, so it makes me sad that the series doesn’t seem to be doing especially well in translation. It’s a shame, because it really is a wonderful manga. While I certainly appreciate the food aspects of What Did You Eat Yesterday?, I particularly love the realistic and nuanced characterizations found in the series. The food is all well and good, not to mention beautifully illustrated, but it’s the characters and their relationships that really make the series work. Shiro’s character development has probably been the most interesting and satisfying. I’m very glad to see his relationship with his parents improving even after some significant setbacks. While he’s still not out in his professional life, it is clear that he is becoming more comfortable publicly expressing his sexuality. Fortunately, Shiro and his long-term boyfriend Kenji have the love, support, and acceptance of others which makes that easier. More recently, rather than their homosexuality, what they’ve had to worry about are Shiro’s aging parents and the rising cost of living.

Yowamushi Pedal, Omnibuses 3-4 (equivalent to Volumes 5-8) by Wataru Watanabe. Out of the recent spate of new sports manga being released in North America, Yowamushi Pedal is currently one of my favorites. I have seen a fair amount of the anime adaptation so at this point I am very familiar with where the plot is heading, but even so I still find the original manga to be immensely engaging. Before Yowamushi Pedal, I actually didn’t realize how much of a team effort cycling could be; it’s interesting to learn about the various strategies that can be used to win a race. These couple of omnibuses largely focus on Sohoku’s intensive training camp and also introduce some of the major competition. The characters are fun, some of them are frankly pretty cool, too, and they all have distinctive personalities. The Sohoku team especially is made up of a group of quirky but likeable and talented young cyclists. Art-wise Yowamushi Pedal could almost be described as ugly, but I really like its highly dramatic and energetic style. Watanabe probably uses more speedlines than any other artist I’ve seen, but the effect is great.

Legend of the Galactic Heroes, Volumes 2-3 by Yoshiki Tanaka. Despite the nearly constant war and political upheaval present in the Legend of the Galactic Heroes novels, the series isn’t really that action-oriented. I suspect some people will actually find it to be rather dry and perhaps even textbook-like. With only the occasional bout of melodrama, the series quickly moves from one event or venue to the next and the cast of characters only continues to grow. (Granted, as this is war, not all of them survive very long after being introduced.) Because the scope is so sprawling sometimes it feels as though Legend of the Galactic Heroes lacks depth of story and characters, instead opting for a wider view and summary of major events. However, Tanaka does show how the complexities of societal, political, economic, and militaristic influences can impact one another. The books frequently read like a popular history, and the series actually reminds me a bit of Romance of the Three Kingdoms, too. So far I’m really enjoying the series and find its story and characters interesting. I like the focus on tactics and strategy as well as the influence that real-life history has had on the series.

My Week in Manga: December 12-December 18, 2016

December 19, 2016 by Ash Brown

My News and Reviews

After a slight delay, November’s Bookshelf Overload was posted last week at Experiments in Manga. Last week I also came to the sad conclusion that my feature on Ichigo Takano’s Orange simply isn’t going to happen despite the progress that I’ve made on it and all of my best efforts. I’d like to extend an apology to everyone who was looking forward to that post, myself included. Orange deeply resonated with me and my own experiences and I wanted to share that with others. Specifically, I wanted to write an essay exploring its sensitive, honest, and compassionate portrayal of the very personal challenges surrounding issues of guilt, depression, and suicide. Ironically, it’s partly due to my own mess of anxieties, et al. that I’m having so much trouble lately. Even when I have the inspiration and desire, I’m still having a terribly difficult time actually writing. So, I’m not sure when my long-form features will return–even though I miss writing and sharing them, I’m trying to be kind to myself by giving myself a bit of a break–but I hope that it is sooner rather than later. However, I can at least still commit to regularly posting My Week in Manga, Giveaways, and Bookshelf Overload features! It’s not much compared to my past output, but at least it is something. Oh, and I’ll definitely be posting my list of notable 2016 releases at the end of the month!

Quick Takes

The Boy Who Cried Wolf by Mentaiko Itto. Bruno Gmünder’s Gay Manga line began in 2013 and the publisher has been slowly but steadily releasing gay erotic manga in English translation ever since. The Boy Who Cried Wolf is the second collection of Mentaiko Itto’s erotic doujinshi to be published by Bruno Gmünder. The volume collects three of Itto’s short manga: “Hamu and the Boy Who Cried Wolf,” “Holy Night,” and “As Swift as Lightning.” As I’ve come to expect from Itto’s work, in addition to uninhibited sex scenes there is also a fair amount of humor to be found in The Boy Who Cried Wolf as well as a great deal of heart. Unlike Priapus, Itto’s previous collection in translation, The Boy Who Cried Wolf is generally more realistic and less fantastic in nature. Granted, as a historical comedy of sorts, “As Swift as the Lightning” deliberately includes its fair share of anachronisms. But Itto actually incorporates some autobiographical elements in “Hamu and the Boy Who Cried Wolf,” a manga about a young man who is initially so deeply closeted that he unintentionally hurts the person he cares most about. However, because this is Itto, the story isn’t nearly as gloomy as that description sounds. The Boy Who Cried Wolf is a great collection of highly entertaining erotic manga. I truly hope that more of Itto’s work will be translated in the future.

In/Spectre, Volume 1 by Chasiba Katase. Although In/Spectre is based on the novel Invented Inference: Steel Lady Nanase by Kyo Shirodaira, Katase seems to have been given plenty of freedom in adapting the story as a manga series. If the note from the original author is to be believed, the currently ongoing In/Spectre manga is actually the more popular of the two renditions. Unsurprisingly, I was primarily drawn to the manga because yokai play a prominent role in the series. Considering the title I thought it might also be a mystery manga which, as it turns out, in some ways it is and in some ways it isn’t. I didn’t find the first volume of In/Spectre to be as engaging as I hoped it would be–at times the pacing can be agonizingly slow–but I am still greatly intrigued by the series. Now that the setting has been established and the rather peculiar characters have been introduced, I’m hoping that future volumes have more energy to them because I really do like the basic premise of the series. In/Spectre largely follows a young woman named Kotoko Iwanaga who has become a god of wisdom to Japan’s yokai. This has its benefits, but it also cost her an eye and a leg. She is responsible for helping to mediate disputes between yokai, but also for keeping the more unruly ones in check when humans are in danger.

Persona 4, Volumes 2-5 by Shuji Sogabe. Though I suspect that I would enjoy it, I still haven’t actually played the original Persona 4 video game, so it’s difficult for me to directly compare Sogabe’s manga adaptation. However, I can say that for the most part the manga can stand alone as its own work. However occasionally it does feel as though the characters are being railroaded and the story has only one possible path to take, probably a remnant from the manga’s RPG origins. While overall the artwork is attractive and stylish, the action-oriented scenes and fight sequences can be somewhat lacking in their execution. But I love the themes that Persona 4 deals with, especially those of personal identity and self-acceptance. As the series progresses, concepts of gender and sexuality come into greater play as well which (as always) I find particularly interesting. In general like all of the characters, too. Yosuke can unfortunately be a homophobic ass from time to time, but I absolutely adore Kanji, a tough guy with a good heart who has traditionally feminine interests and hobbies. Much of the character and story development in Persona 4 is ambiguous enough that multiple and sometimes opposing readings and interpretations are possible, some of which are frankly unflattering. Personally, I prefer and am more comfortable with the more positive interpretations.

Stand Still, Stay Silent, Book 1 by Minna Sundberg. The first book of Sundberg’s ongoing Stand Still, Stay Silent collects the award-winning webcomic’s prologue, first five chapters, and additional bonus content. It’s available in both digital and physical editions, but the hardcover print volume is absolutely gorgeous. Much like Sundberg’s earlier epic A Redtail’s Dream, Nordic influences are a major part of Stand Still, Stay Silent. The comic is stunningly illustrated with beautiful, full-color artwork. Stand Still, Stay Silent is a post-apocalyptic tale of adventure and exploration with an ominous touch of horror and the unknown. At the same time, the comic manages to be lighthearted and humorous. The prologue establishes the comic’s fascinating setting–a seemingly harmless disease which turns out to be fatal quickly spreads across the globe. Ninety years later, Iceland, which was able to completely close itself off from the rest of the world, has become the center of known civilization, but a team has been assembled to see what can be found beyond the relative safety of the Nordic countries. Despite scenes of intense terror and action, the plot of Stand Still, Stay Silent is actually on the slower side; the focus is almost entirely on the characters and their interpersonal dynamics. The character writing, worldbuilding, and humor in Stand Still, Stay Silent is simply fantastic.

My Week in Manga: December 5-December 11, 2016

December 12, 2016 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I announced the winner of the Kodansha Comics Collection manga giveaway. The post also includes a list of Kodansha Comics’ 2016 print debuts, the variety of which quite impressed me. I’ve made a little more progress on my Orange feature, but not as much as I originally intended as I found myself working on a job application instead (which is greatly stressing out my current supervisor).

Anyway! There were a few things that caught my attention online last week: Manga translator Jenny McKeon was interviewed for Forbes. Sally Ito, one of the translators of the marvelous Are You an Echo?: The Lost Poetry of Misuzu Kaneko, was interviewed over at Tofugu. In licensing news, Kodansha Comics recently announced the acquisition of the anthology Otomo: A Tribute to the Mind Behind Akira, which sounds like it should be fantastic, and Haruko Kumota’s Descending Stories: Showa Genroku Rakugo Shinju, which I am extremely excited about. (I’ve actually known about the licenses for a while now, but I didn’t want to say anything until the official announcement was made.)

Quick Takes

Gate: Where the JSDF Fought, Volume 1 written by Takumi Yanai and illustrated by Satoru Sao. Sekai Project primarily localizes visual novels and video games but has very recently expanded its catalog to include manga. Gate is Sekai Project’s first manga publication. The Gate manga is based on an ongoing series of light novels by Yanai. After a gate to another world opens up in Ginza, the Japanese Self-Defense Forces successfully fights off an invasion of knights and dragons and establishes a base on the other side. What I especially liked about Gate is that it addresses the real-world politics and implications of the gate alongside those encountered in the fantasy-like environment. Japan obviously wants to maintain control of the gate and the resources to which it can provide access, but the United States (supposedly Japan’s ally) and China are both preparing to leverage their weight, too. On the other side of the gate, the standing empire is using some less-than-ethical tactics as it struggles to maintain its power and control after such a tremendous defeat. Despite some peculiar name choices (the princess Piña Co Lada, for one), so far the setting and culture clashes of Gate are interesting. It’s also really nice to see so many competent female characters in prominent roles.

Intense, Volumes 2-4 by Kyungha Yi. The first volume of Yi’s boys’ love manhwa Intense was, well, intense. The rest of the series continues to be psychologically and emotionally heavy and at times is outright bleak. However, it is beautifully drawn. The second and third volumes of Intense aren’t quite as compelling as the first–though necessary and important to the story, I didn’t find the temporary focus on the political dynamics of organized crime to be especially engaging–but the fourth volume more than makes up for that. Overall, Intense was a very satisfying series. Jiwoon and Soohan’s happy ending does not come easily. (Honestly, I was afraid they wouldn’t get one at all and was steeling myself for the tragedy that I hoped wouldn’t come.) Even after they are able to extricate themselves from the crime syndicate that more or less owned Jiwoon, things do not go well. Though they deal with them in vastly different ways, both Jiwoon and Soohan struggle with abandonment issues. Soohan is surprisingly controlling and overbearing, desperate to be indispensable, while Jiwoon hasn’t yet developed a sense of self-worth or the ability to stand up for himself. This combination of traits is devastating and heartbreaking. They both care tremendously for the other, but initially neither of them are in a healthy enough place to make the relationship work.

Kuroko’s Basketball, Omnibus 1 (equivalent to Volumes 1-2) by Tadatoshi Fujimaki. In Japan, Kuroko’s Basketball has been hugely successful. English-reading fans have been clamoring for the series to be licensed for years, but it was only picked up relatively recently. There has been something of a renaissance when it comes to sports manga in translation, and Kuroko’s Basketball is one of the major series to usher in that trend. However, while I did enjoy the first omnibus a great deal, so far I’m not quite as enamored with it as I am with some of the other leading sports manga, namely Haikyu!! and Yowamushi Pedal. Still, Kuroko’s Basketball has quite a few things going for it and even turns a few well-worn tropes on their heads. Rather than being overly realistic, Kuroko’s Basketball takes a more fantastic approach–the abilities of the highly-skilled players and coaches are almost supernatural. Kuroko, the lead, is deliberately one of the most nondescript and unassuming characters in the series, but he is able to use this to his a team’s advantage on the court. Kuroko’s Basketball can actually be quite clever and entertaining. I was also absolutely delighted to discover that instead of having an attractive young woman as its manager (which is fairly standard for a sports manga), Kuroko’s team has an attractive young woman as its coach. I hope that remains the case as the series progresses.

Yona of the Dawn, Volumes 2-3 by Mizuho Kusanagi. I enjoy epic fantasies and seem to have a particular proclivity for epic shoujo fantasies specifically, so reading Yona of the Dawn was an obvious choice. While the first volume did an excellent job of setting the stage for the unfolding drama, Yona herself spent much of it in shock and barely functioning. Fortunately, although she is still devastated by her father’s death and the betrayal of her cousin Su-won, Yona recovers in the second volume and by the third she begins to show her mettle by actively taking control of her life and destiny. These couple of volumes also expand on the series’ worldbuilding, introducing myths, legends, and prophecies that will have a direct impact on the story. Seeking a way not only to protect herself but also the people she cares about and those who are doing all that they can to keep her safe, Yona sets off on a quest to secure the help of the descendants of the four dragons who aided the country’s first king. Yona’s close friend and bodyguard Hak continues to accompany her but others begin to join them on their journey as well–Yona is proving to be a leader worth following. No longer the sheltered and naive girl she once was at the palace, Yona is working to improve and strengthen herself in addition to making an effort to learn more about her country and its people.

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My Week in Manga: November 28-December 4, 2016

December 5, 2016 by Ash Brown

My News and Reviews

November may have come and gone, but there’s still time to enter November’s manga giveaway for a chance to win the first volumes of Shuzo Oshimi’s Happiness, Hiroyuki Takei’s Nekogahara: Stray Cat Samurai, Hico Yamanaka’s The Prince in His Dark Days, and Tomo Takeuchi’s Welcome to the Ballroom. The winner will be announced on Wednesday, so get those entries in! Other than the monthly giveaway, last week continued to be rather quiet at Experiments in Manga. Happily though, I was able to make some progress on my feature for Ichigo Takano’s Orange.

In case you’re looking for more giveaways, Manga Test Drive’s annual holiday giveaway is currently underway. (Also, if you’re looking for some great manga reviews, Manga Test Drive is well-worth checking out.) As for other interesting things online: Vertical has posted its novel survey which includes the opportunity to make a license request; Justin at The OASG has compiled a list of Princess Jellyfish‘s chapter title pop culture references; and the final part of The Sparkling World of 1970s Shojo Manga has been posted at The Lobster Dance.

Quick Takes

Interviews with Monster Girls, Volume 1 by Petos. I’ve come to associate monster girl manga with Seven Seas and so initially I was a little surprised to learn that Interviews with Monster Girls was actually being released by Kodansha Comics. Of course, there’s nothing wrong with another publisher giving a recently but immensely popular niche some attention! Tetsuo Takahashi, a high school biology teacher, has both a personal and professional interest in demi-humans. He has always wanted to meet one but has never had the opportunity until he suddenly and unexpectedly encounters not one but four demi at his school. Three are students–an energetic vampire, a lonely dullahan, and a meek yuki onna–while the fourth is both a succubus and one of the school’s math teachers. One thing that’s different in Interviews with Monster Girls from many of the other monster girl manga that I’ve read is that the demi don’t seem to be a separate species from humans but are instead a sort of spontaneous, rare genetic mutation. So far, Interviews with Monster Girls is fairly innocuous. The story tends to be fairly quiet and even introspective with touches of humor, focusing on the daily lives, troubles, and worries of the young demi women.

Magia the Ninth, Volume 1 by Ichiya Sazanami. I had previously read and enjoyed Sazanami’s earlier series Black Bard which would have been enough to interest me in Magia the Ninth but when I heard that the series was about magic-wielding, demon-hunting, bishonen composers I knew that I wouldn’t be able to resist it. The manga follows Takeru, a young man whose parents were killed by demons. He wants revenge and so seeks the aid of the magia, a group of people imbued with the souls of classical composers who use musical masterpieces as exorcism tools. Specifically, he tries to convince Beethoven to make him his apprentice. Honestly, at times Magia the Ninth is barely coherent. The worldbuilding is a mess and the story nearly nonexistent. The manga is a spectacle without being spectacular but even so, I absolutely loved the first volume. It’s an absurd but highly entertaining and energizing manga. And due to my classical training, I’m in a position to appreciate Sazanami’s nods to the personal quirks and histories of the original composers. Apparently Magia the Ninth is actually only two volumes long. I don’t know if Sazanami planned it to be that short or if the series was canceled early (which wouldn’t surprise me), but I definitely plan on reading the second half.

Prison School, Omnibus 3-5 (equivalent to Volumes 5-10) by Akira Hiramoto. I’m not sure if Prison School could be any more different than Me and the Devil Blues, currently the only other manga by Hiramoto to have been licensed in English. The only immediate similarity between the two series is Hiramoto’s exceptional artwork. Many people will find Prison School appalling and rightly or at least understandably so, especially if they’re expecting something more akin to Hiramoto’s earlier work. Prison School is blatant in its highly sexualized and fetishized characterizations, story, and illustrations. The fanservice is frequently so extreme as to be grotesque. But it’s all done deliberately–Prison School is so absolutely ridiculous and over-the-top that it’s impossible to take seriously. While it’s not exactly a parody, it is a romantic comedy of sorts. Assuming someone isn’t simply outright offended by the manga, Prison School is legitimately funny and at time even hilarious. It’s definitely not for everyone, but I’ll admit to enjoying the series. These particular omnibuses conclude the first major story arc and begin the second which delves more deeply into the pasts of several characters.

Sweetness and Lightning, Volume 2 by Gido Amagakure. I really enjoyed the mix of food and family present in the first volume of Sweetness and Lightning and so was looking forward to reading more of the series. The second volume continues in very much the same vein with perhaps just a little less melancholy. Granted, there are still a few heartwrenching moments, it’s just that there are plenty of heartwarming moments to go along with them. Inuzuka’s skills as a single dad and as a cook continue to slowly grow as the series progresses. One of his most recent stumbling blocks is trying to find a way to incorporate green peppers and other bitter vegetables into meals and have them be acceptable to his young daughter Tsugumi. The father-daughter relationship between Inuzuka and Tsugumi is one of my favorite relationships in Sweetness and Lightning and is one of the main reasons I enjoy the series so much. The dynamic is very sweet in addition to being portrayed very realistically–sometimes there are smiles and sometimes there are tears, sometimes there is laughter and joy and sometime there is yelling and frustration, but most importantly there’s always love. All of the good food doesn’t hurt things, either.

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My Week in Manga: November 21-November 27, 2016

November 28, 2016 by Ash Brown

My News and Reviews

With American Thanksgiving, traveling, and visiting family, last week was once again a quiet one at Experiments in Manga. However, I am at least still reliably posting the My Week in Manga feature. Yen Press, though, was a little busier than I was last week and announced three new licenses: Asari Endō’s Magical Girl Raising Project light novel, Mutsumi Okubashi’s Grimgar of Fantasy & Ash manga, and the first Sound! Euphonium novel by Ayano Takeda. Of the three, Sound! Euphonium is definitely the one that I’m most interested in and am looking forward to. Even if I wasn’t a brass player (fun fact: I actually have a degree in horn performance), that would probably still be the case.

Quick Takes

Attack on Titan: Lost Girls, Volume 1 written by Koji Seko and illustrated by Ryosuke Fuji. Considering how well Hajime Isayama’s Attack on Titan has been doing in North America, it’s not too surprising that most of the various spinoff series have been licensed as well. I actually didn’t know much about Lost Girls before reading it except that the series focuses on some of the more prominent female characters of Attack on Titan. The first volume of Lost Girls is a complete story in and of itself featuring Annie during the time she served as part of the Military Police Brigade. (Interestingly, it’s one of the few spinoff stories to take place within the context and timeline of the original series.) What I didn’t anticipate was that the first volume of Lost Girls is basically a murder mystery, or at least that’s what it turns into after Annie agrees to investigate the disappearance of a young woman. I’ll admit, I was pleasantly surprised by the first Lost Girls; it’s actually pretty great. The manga follows Annie as she searches for clues, uncovering some of the seedier aspects of the city and kicking ass as necessary. It also delves into her backstory. After reading the first volume of Lost Girls, I’ve come to appreciate even more how interesting a character Annie is.

Fire Force, Volume 1 by Atsushi Ohkubo. Although Fire Force isn’t the first manga by Ohkubo (who is probably best known as the creator of Soul Eater) to be released in English, it is the first one that I’ve actually read. I really like the basic premise of Fire Force. In order to fight back against something akin to demonic possession combined with spontaneous human combustion, brigades of Fire Soldiers have been formed. These teams are essentially exorcism units with unique firefighting capabilities, including pyrokinetic members who can control and create fire. The series’ main character is Shinra, a young fire user with a tragic past who has recently joined one of these brigades and who has the unfortunate habit of grinning maniacally whenever he’s nervous. Fire Force has the potential to be a fun and exciting manga with some great action sequences, but the first volume managed to extinguish most of my enthusiasm for the series. Ohkubo’s exposition is incredibly heavy-handed, frequently stating the obvious and relying on forced conversations to tediously explain everything that is going on rather than using more natural methods of worldbuilding or allowing the artwork to convey the action on its own.

His House, Volumes 1-3 by Hajin Yoo. If I recall correctly, the first manhwa that I ever read was Yoo’s boys’ love series Totally Captivated and it remains a series of which I am quite fond. And so, when I learned that Netcomics was releasing His House, one of Yoo’s most recent full-color manhwa, I was immediately interested. The series follows Gangyoo, an orphan trying to finish college while struggling to make ends meet. In order to earn enough money for room, board, books, and tuition, he’s been renting himself out to women who for one reason or another temporarily need a fake boyfriend. Fortunately, his most recent gig pays so well that he won’t have to worry about his finances for a long time, however it’s a challenging and strange situation–not only is his client Soohyun a man, he doesn’t seem to actually like Gangyoo or even be interested in his services. The strongest points of Yoo’s manhwa tend to be the lead characters and their well-developed personalities. The stories, while engaging with excellent pacing, can sometimes run a little wild and end up somewhat convoluted. This is true of His House, too, but I still enjoyed the series. The manhwa is a page-turner as Gangyoo and Soohyun’s relationship evolves and their hidden pasts and true motivations are slowly revealed.

My Love Story!!, Volume 7-10 written by Kazune Kawahara and illustrated by Aruko. I absolutely love My Love Story!! and yet I still somehow manage to forget just how much I enjoy the series between readings. This, of course, means that I get to rediscover my love for the manga on a fairly regular basis which isn’t necessarily a bad thing. My Love Story!! is one of those series that just makes me incredibly happy to read it and sometimes that’s just exactly what I need in a manga. It’s a funny, charming, and upbeat series with loveable and endearing characters which, incredibly, doesn’t come across as being overly sweet or idealistic. Takeo and Yamato’s earnest and pure romance is marvelously refreshing. But while I have no doubt that their relationship will continue there is still some uncertainty in it and it still takes communication and work on both of their parts. They have moments when they feel insecure or lack confidence, often because they love each other so much and want the absolute best for the other. Takeo and Yamato’s friendships with the other characters in My Love Story!! are likewise wonderful. I especially appreciate Sunakawa’s presence in the series and the closeness that exists between him and Takeo. I continue to adore My Love Story!!.

My Week in Manga: November 14-November 20, 2016

November 21, 2016 by Ash Brown

My News and Reviews

Nothing except the usual My Week in Manga feature was posted last week at Experiments in Manga. I was hoping to have my random musings on Ichigo Takano’s Orange ready for November, but the month has been particularly stressful and energy-draining so at this point it looks as though December will be far more likely. Hopefully, I’ll have an in-depth feature of some sort to share soon. I also have my list of notable release from 2016 to work on, too!

There is one thing from last week that I’m very excited for–the most recent Sparkler Monthly Kickstarter! The campaign is raising funds to support the print edition of Heldrad’s highly-amusing send-up to shoujo manga Orange Junk. I greatly enjoyed the first volume of Orange Junk, which I’ve previously reviewed, but the series gets even better as it goes along. Never read any of Orange Junk? Give it a try over at Sparkler Monthly and if you like what you see please consider contributing to the Kickstarter!

Quick Takes

Ajin: Demi-Human, Volumes 3-8 by Gamon Sakurai. For a variety of reasons, while I’ve continued to stockpile Ajin, I’ve been rather lax when it some to actually reading the manga. The eighth and latest volume in English was released relatively recently, so I figured it was probably about time that I finally got around to catching up with the series. In retrospect, I’m actually kind of glad that I had a whole stack of Ajin to read all at once. The manga generally tends to be very quickly paced so it was nice to be able to move directly from one volume to the next in succession. Ajin is best, both in art and in storytelling, when there’s action going on. Sakurai’s fight sequences are tremendously dynamic and exciting. The use of the demi-humans’ immortality and black ghosts can actually be quite clever at times, too. While the series continues to be exceptionally violent and brutal, it doesn’t seem to be as gruesome and grotesque as it once was when the demi-humans were shown to be the subjects of live experimentation. The story can be a little heavy-handed, especially when it comes to government corruption and the revelation of everyone’s tragic backstories, but the psychological elements do tend to be handled well in spite of this.

Happiness, Volume 1 by Shuzo Oshimi. I’m not especially interested in vampires and they seem to have been so overdone lately that there often has to be some sort of extra impetus for me to actually pick up a vampire manga. In the case of Happiness, the additional push that was needed came from the fact that Oshimi is also the creator of The Flowers of Evil, a manga series which left a pretty big impression on me. Oshimi is incredibly skilled at establishing the mood and atmosphere of a series. Happiness is about Okazaki, a bullied high school student who survives being attacked by a vampire only to become one himself. The pacing of Happiness is leisurely, showing only the first few days of Okazaki’s new existence as he struggles to adjust to his emerging symptoms. Given how the first volume unfolds, Okazaki’s descent into vampirism can easily be read as a metaphor for puberty and sexual awakening; it will be interesting to see if the manga continues in that direction. Happiness has an underlying sense of eroticism mixed in with its horror which, at least in my opinion, is exactly how a vampire story ought to be. There is also a fair amount of angst in the manga, something that I’ve come to expect from Oshimi’s work.

Kitaro, Volume 2: Kitaro Meets Nurarihyon by Shigeru Mizuki. I am still absolutely thrilled that more of Mizuki’s Kitaro manga is being released in English. However, I was a little sad that the second volume of Drawn & Quarterly’s new series didn’t include the same sort of bonus activities that were present in the first. Those were fun. But then again, Kitaro Meets Nurarihyon is plenty of fun in and of itself. In addition to an opening essay and a closing set of yokai files by the series’ translator Zack Davisson, the volume collects seven of Mizuki’s short Kitaro manga, most of which are from the latter part of the 1960s although one is from the late 1970s. Generally when I think of yokai, I think of traditional Japanese folklore. However, the term can also be applied more broadly. In Kitaro, Mizuki doesn’t limit himself and incorporates mythology, urban legends, and popular culture from both within and outside of Japan. For example, in Kitaro Meets Nurarihyon, a descendant of Dracula plays a very important role in one of the stories. Sometimes the results are more cohesive than others, but I particularly enjoy and find it interesting how Mizuki is able to meld seemingly disparate elements and traditions together.

Nekogahara: Stray Cat Samurai, Volume 1 by Hiroyuki Takei. Best known as the creator of Shaman King (which I somewhat surprisingly haven’t actually read yet), one of Takei’s most recent manga series is Nekogahara. Story-wise, it’s a fairly familiar tale of a ronin wandering the country, doing good deeds while trying to outrun past tragedies. There are numerous manga, novels, anime, and film that follow a similar premise. What makes Nekogahara stand out from all of those is that all of the principal players are literally cats. Granted, they’re cats dressed in kimono, carrying swords, and so on. Humans exist in Nekogahara, too, more or less as the daimyo, though they are generally discussed rather than seen. The lead of Nekogahara is Norachiyo, a scarred tom who was once a kept cat but who is now living his life as a stray. He is an extremely capable fighter and legend has it that he once even killed a person. Both the story and the visuals of Nekogahara rely on chanbara tropes. The actual flow of movement and action can sometimes be difficult to discern, but overall the artwork and character designs are rather stylish. Nekogahara is played fairly straight, but the characters’ more cat-like behaviors do bring levity to the manga.

The Black Cat Takes a Stroll: The Edgar Allan Poe Lectures by Akimaro Mori. Bento Books doesn’t release very many titles, but the publisher’s books tend to be interesting so I make a point to keep an eye out for them. The Black Cat Takes a Stroll is one of Bento Books most recent releases. In addition to being the first volume in Mori’s Black Cat series, it was also the winner of Japan’s inaugural Agatha Christie Award for mystery fiction. The book collects six largely episodic but related short stories featuring the Black Cat, a young but respected professor specializing in aesthetic truth, told from the perspective of his personal assistant, a female graduate student whose research focuses on Edgar Allan Poe. I really wanted to like The Black Cat Takes a Stroll more than I actually did. I love the series’ basic concept and all of the literary and cultural references found in the stories. Sadly, the mysteries come across as trying too hard to be intellectual or overly academic and their solutions are frequently convoluted and coincidental. In addition to that, despite having a few charming and endearing quirks (such as his fondness for strawberry parfaits), the Black Cat tends to be infuriating more than anything else, misusing his intelligence in a way that is deliberately cryptic and intentionally manipulative of both the narrator and readers.

My Week in Manga: November 7-November 13, 2016

November 14, 2016 by Ash Brown

My News and Reviews

Last week was pretty quiet at Experiments in Manga (like most weeks these days, really) but I did finally get around to posting October’s Bookshelf Overload for those interested in some of the cool things I picked up last month. Last week was pretty stressful for a variety of reasons so I wasn’t online much, but I did recently find out about two Japanese novels scheduled to be released in translation next year that I’m very excited about. In May be on the lookout for Minae Mizumura’s Inheritance from Mother. Only two of Mizumura’s long works have been translated so far–A True Novel which in part is a reimagining of Emily Brontë’s Wuthering Heights, and the utterly fascinating nonfiction treatise The Fall of Language in the Age of English–both of which were tremendous, so I’m really looking forward to reading more by Mizumura. And in June look for Tomoyuki Hoshino’s Me, a novel exploring themes of identity. Hoshino’s stories are frequently challenging and unsettling but I find that it’s well-worth the effort it takes to read them. Like Mizumura, currently there are only two books by Hoshino available in English–the novel Lonely Hearts Killer and the short fiction collection We, the Children of Cats which in particular left a huge impression on me–so I’m happy that there will be a third.

Quick Takes

Cells at Work!, Volume 1 by Akane Shimizu. Sometimes the premise of a manga is so fantastically odd that I can’t help but be curious. Cells at Work, in which the cells of the human body, bacteria, and such are literally personified, is one such series. It’s also an educational manga–readers may very well learn a thing or two about microbiology and human anatomy and physiology thanks to Cells at Work (assuming they weren’t already familiar with how the body functions). Although there are recurring characters, the first volume of Cells at Work is fairly episodic, mostly focusing on the immune system’s response to injury and potential infection. Things are more exciting when the world seems like it’s about to end and a catastrophe must be averted. Bacteria are portrayed like monsters and villains out of some sort of super sentai show. White blood cells are fairly cool and laid-back, at least until they’re fighting off invaders and are completely overcome by maniacal bloodlust. Influenza causes a zombie outbreak. Cedar pollen triggers an apocalyptic allergies. Sneezes take the form of enormous missiles. Cells at Work is actually kind of ridiculous and over-the-top (with artwork to match), but it’s a great deal of fun.

The Ghost and the Lady, Volume 1 by Kazuhiro Fujita. As far as I can tell, The Ghost and the Lady actually makes up the last two volumes of the three-volume series The Black Museum. I don’t believe Kodansha Comics has any current plans to release the rest of The Black Museum, but if it’s anywhere near as good as the first volume of The Ghost and the Lady then I hope to one day see it. The Ghost and the Lady is admittedly somewhat peculiar. Basically it’s a supernatural retelling of the life and legends surrounding Florence Nightingale. Tormented by eidolons–spectral manifestations of ill-will and malice–Florence seeks her own death, asking a ghost known as the Man in Grey to kill her. He agrees, but declares he will only take her life once she reaches the depths of despair. (Grey, who haunts a theater, has perhaps seen Shakespeare’s tragedies one too many times.) The Ghost and the Lady is intense and enthralling with both Grey and Florence precariously balanced on the edge of insanity. The series is a little difficult to describe in a way that conveys just how great it is. Honestly, I wasn’t quite sure what to expect from The Ghost and the Lady, but I loved the first volume and am looking forward to reading the second half of the story.

Requiem of the Rose King, Volumes 4-5 by Aya Kanno. I continue to thoroughly enjoy Requiem of the Rose King, Kanno’s dark and sensual reimagining of Shakespeare’s plays Henry VI and Richard III and of the historical Wars of the Roses. Shakespeare took some liberties when dramatizing England’s dynastic conflicts and Kanno has as well. The most notable difference in Requiem of the Rose King is the deliberate ambiguity of Richard’s sex–the perceived imperfection of his physical body contributing to his supposed demonic nature and already established mental and emotional anguish. Kanno’s artwork in the series is fittingly provocative, moody, and atmospheric. Dreams and reality are heavily intertwined which can occasionally make some of the transitions in the story difficult to follow, but for the most part it’s a marvelously effective technique. Anyone even remotely familiar with Shakespeare or history will know that Requiem of the Rose King can only end in tragedy. The never-ending political and personal betrayals along with the characters’ constant struggles to determine the destiny of the kingdom and of their selves makes for an immensely engrossing and provocative tale. I absolutely love the series.

Welcome to the Ballroom, Volume 1 by Tomo Takeuchi. Even with the resurgence of sports manga in translation, I still wasn’t expecting that Welcome to the Ballroom would be licensed. Competitive ballroom dancing, despite being very physically demanding, probably isn’t what immediately comes to most people’s mind as a sport. In addition to that, in my experience many people are unfairly dismissive of dance and especially of men who dance. I, however, more than welcome a series on the topic. Welcome to the Ballroom is about a high school student, Tatara Fujita, who ultimately becomes interested in dance after finding refuge from a group of bullies at a local studio. At first he’s embarrassed and he hides the fact that he’s taking lessons, but at last he’s finally found something in his life to be passionate about. Unfortunately for him, he doesn’t seem to have any natural talent for dance except for the uncanny ability to shadow and mimic another dancer. The first volume of Welcome to the Ballroom didn’t engage me as much as I thought or hoped that it would and some of the characters’ casual sexism was bothersome, but I’m still curious to see where the series goes from here, in part because it ends with quite a cliffhanger.

My Week in Manga: October 31-November 6, 2016

November 7, 2016 by Ash Brown

My News and Reviews

Last week at Experiments in Manga the winner of the Sweetness & Lightning manga giveaway was announced. The post also includes a list of some of the manga available in English that feature notable fathers or father figures. As for more in-depth features, I’m (still) currently working on some random, but rather personal, musings about Ichigo Takano’s manga series Orange. Progress on that post is a little slower than I would like it to be, but hopefully I’ll have something to share in the relatively near future.

As for interesting things that I’ve recently found online: The Honolulu Museum of Art recently hosted a series of lectures and discussions called Manga in Japan, Hawai‘i, and Throughout the World; many of the recordings can now be watched online. The proceedings of the Manga at a Crossroads symposia are available to read or download from The Ohio State University. Anna Madill has also posted the slides from her 2016 Comics Forum keynote address–Genre, genealogy, and gender: Reflecting on Boys’ Love manga–which includes some interesting results from her BL Fandom Survey. And speaking of boys’ love, Digital Manga’s Juné imprint is seeking the print rights for Asumiko Nakamura’s Classmates (Doukyusei).

Quick Takes

Haikyu!!, Volumes 3-5 by Haruichi Furudate. The new Karasuno team has made it through its first game, but the members still have some practicing to do before they can completely shed the nickname of the fallen champions. But considering their tremendous talent and potential, that might not take them too long. With these volumes, a few more Karasuno veterans are introduced, as are their rivals, before the series quickly moves from training to tournaments. Although there are some very exciting moments, I actually find the games to be the least interesting part of Haikyu!!, which may (but not necessarily) present a problem in the long run for what is primarily a sports manga. Some of the action was a little difficult for me to follow until I got used to Furudate’s visual language, probably because I’m not actually all that familiar with volleyball gameplay. Growing up, my family’s anything-goes backyard games followed vastly different rules; Haikyu!! is actually teaching me how volleyball as a sport is really played. However, I am still enjoying Haikyu!! immensely. I particularly love the series’ focus on teamwork and even more so its unflagging positivity. Haikyu!! manages to be competitive without being mean. I also really like the distinctive personalities of the characters, and Furudate’s sense of humor and comedic timing is great. The manga continues to be great fun.

Neo-Parasyte F by Various. Hitoshi Iwaaki’s series Parasyte happens to be not only one of my favorite horror manga, but one of my favorite manga in general. That’s probably the main reason I was so excited that the Parasyte shoujo tribute anthology Neo-Parasyte F was licensed, but the list of contributors is exciting in and of itself, too. I was especially happy to have the chance to read more of Asumiko Nakamura’s work, but there are other creators that English-reading fans will likely recognize as well, such as Ema Toyama, Kaori Yuki, and Yuri Narushima among others. Neo-Parasyte F collects fifteen short manga that in one way or another pay tribute to Parasyte. Some of the stories take place within the same world as Parasyte–Shinichi and Migi, the main characters of the original series, even make a few appearances–while others are set completely apart. Many of the manga are still horror-themed, but there are a surprising number that actually take a more humorous approach. Ever wonder what Parasyte would be like as an otome game? Neo-Parasyte F presents one possible interpretation of just that. Overall, the volume is a great anthology containing an excellent variety of genres and styles. Neo-Parasyte F will likely appeal most to readers who are fans of or at least familiar with Parasyte, although a few of the contributions can stand completely on their own.

The Prince in His Dark Days, Volume 1 by Hico Yamanaka. In Japan, Yamanaka is probably better known for her boys’ love manga, but that’s not all that she’s done. For example, The Prince in His Dark Days, Yamanaka’s English-language debut, does not fall into that particular genre. However, it is poised to explore gender and sexuality in interesting ways, which is what first brought the series to my attention. The story follows Atsuko, a high school student from a broken and abusive family who is struggling to make ends meet. She is more or less coerced into becoming the stand-in for Itaru, the wealthy heir to a major corporation who has gone missing. Very possibly he ran away due to some of his own unfortunate circumstances. Until Itaru is found, Atsuko will be taking them on in his place. Although she’s not exactly leading a life of luxury–parts of Itaru’s own life are less than ideal–at least she’s no longer quite as miserable as she once was. The initial setup of The Prince in His Dark Days is a little rough and feels a somewhat forced, but it does establish understandable reasons for everything that follows. Admittedly, the whole situation is rather strange, but once Atsuko has adopted her new role she devotes herself completely to it. In the process, she begins to create meaningful if somewhat peculiar relationships with the people around her. I’m not entirely sure where The Prince in His Dark Days is heading, but I do know that I want to find out.

Princess Jellyfish, Omnibus 3 (equivalent to Volumes 5-6) by Akiko Higashimura. I am still incredibly pleased that Princess Jellyfish manga series is being released in print. I thoroughly enjoyed the anime adaptation and was left wanting more after it ended, so I’m thrilled to finally have the chance to read the original manga. The anime began around the same time that the sixth volume was originally being released in Japan, so from this point on more and more of what is seen in the manga will either be new or significantly different. It has been a while since I’ve watched the anime so I may be misremembering parts of it, but already I can identify where notably different choices were made as to plot and characters. However, the heart of both the manga and the anime are definitely the same. Despite the various romantic and relationship dramas, Princess Jellyfish is largely a comedy. Serious matters like familial and social expectations are addressed and explored in the series, but Higashimura primarily does so through humor, sometimes more successfully and sometimes less so. Princess Jellyfish is an energetic manga that can be over-the-top and ridiculous, but it can also be very touching. As the women of Amamizukan search for a way to save their beloved home they are finding new ways to express themselves through skills and talents that they never realized they had, slowly coming out of their shells in ways they never expected.

My Week in Manga: October 24-October 30, 2016

October 31, 2016 by Ash Brown

My News and Reviews

Although I was finally around for most of last week (as opposed to traveling and being busy with family stuff and such like I was for previous two weeks), all that was posted in addition to the usual My Week in Manga feature was the monthly manga giveaway for October. Experiments in Manga is currently following a more relaxed posting schedule which, while it does still frustrate me that I’m not currently able to post more, is better than not posting anything at all. Anyway! There’s still time to enter for a chance to win the first two volumes of Gido Amagakure’s Sweetness & Lightning. All you have to do is tell me a little about your favorite dad or father figure from manga.

Seven Seas was celebrating its twelfth anniversary last week and announced a slew of new licenses including Yurino Tsukigase’s Otome Mania!!, Aikawa Shou’s Concrete Revolutio, Isaki Uta’s Generation Witch, Aoki Spica’s Beasts of Abigaile!, Nozomu Tamaki’s Don’t Meddle With My Daughter, Hachijou Shin’s Red Riding Hood and the Big Sad Wolf, Aosa Tsunemi’s Akashic Records of the Bastard Magical Instructor, Shiramine’s Tales of Zestiria, and Kabi Nagata’s My Lesbian Experience With Loneliness (which is probably the manga that I’m most curious about). Also of note, it looks as though Seven Seas might be getting back into the light novel game and the first print run of Kore Yamazaki’s The Ancient Magus’ Bride, Volume 6 will be accompanied by a booklet with a bonus chapter.

Not to be outdone, Yen Press announced three new acquisitions: Delicious in Dungeon by Ryoko Kui, the original novel, manga adaptations, and spinoff novel of Makoto Shinkai’s Your Name, and No Game No Life, Desu! by Yuu Kamiya and Kazuya Yuizaki. Also, Bento Books is preparing to release some more manga, including second volume of the Math Girls adaptation and the first two volumes of Female Math Major. After a bit of a mishap the first time around, the relaunch of Digital Manga’s most recent Kickstarter is well on its way to raise funds to release several of Osamu Tezuka’s short manga collections: Under the Air, Melody of Iron, and The Crater (which has its own history of mishaps separate from Digital Manga’s). Other Kickstarters that have recently caught my eye include the queer, supernatural, erotic comic Letters for Lucardo and the supernatural horror-comedy comic Not Drunk Enough.

Quick Takes

Fairy Tail: Blue Mistral, Volume 3 by Rui Watanabe. Out of all of the various Fairy Tail spinoffs (and to some extent even Fairy Tail itself), Blue Mistral is the manga that I’m most enjoying so far. I find this particularly interesting because out of all the series, Blue Mistral is the one aimed at a demographic farthest from the one that technically I belong to. I believe Blue Mistral is currently the only shoujo version of Fairy Tail (or at least is the only one to have been published in English at this point) and the magazine in which it was originally released is generally geared toward middle school girls. However, this audience is fitting for a series which follows Wendy Marvell, Fairy Tail’s twelve-year-old dragon slayer magic user. Although other characters from Fairy Tail do make appearances in the series, Blue Mistral is absolutely about Wendy and her adventures apart from the rest of the guild. In this particular volume, she spends much of her time posing as a boy for her own safety as she investigates the disappearances of a group of young women in the town of Aiya. After joining the town guard, she comes to discover that the circumstances are much more complicated than they first appeared. Romantic feelings play an important role in the story, but generally the romance occurs between characters who are not Wendy. Her heart does beat a little faster from time to time, though. Blue Mistral, even with all of the danger that Wendy must face, continues to be a generally upbeat, fun, and charming series.

Forget Me Not, Volume 4 written by Mag Hsu and illustrated by Nao Emoto. Although by and large I have been enjoying Forget Me Not, the third volume managed to frustrate me immensely. However, the fourth volume worked much better for me. Serizawa’s romantic relationships and attempts at romantic relationships continue to be utter utter wrecks (which considering the premise of the series is entirely expected), but at least he’s finally gained some more maturity and is able to begin to understand his own feelings. The fourth volume also delves into Serizawa’s family history which reveals some of the likely reasons that he has so much trouble forming relationships to begin with–raised by his mother after his father abandons them for another woman, he hasn’t really had a good model to follow. That’s actually something that I really appreciate about Forget Me Not. Many series which focus on romance and love tend to idealize them when in fact relationships of any sort take a tremendous amount of work. Serizawa is in the process of learning this, and it can be painful to watch as he not always successfully navigates his romances, but he is making some progress, slowly recognizing what he needs is not necessarily what the other person needs. What is missing from the fourth volume of Forget Me Not is its connection to the series’ hook, the reason why Serizawa is currently looking back on his disappointing love life; I’m hoping that the series will explore this again soon.

The Gods Lie by Kaori Ozaki. Even though it was never fully released in English, I loved Ozaki’s Immortal Rain (or Meteor Methuselah as it was originally titled). And so when The Gods Lie was licensed, I was understandably thrilled that I would have the opportunity to read more of Ozaki’s work. Other than the fact that I recognized the creator, I didn’t actually know anything about The Gods Lie. However, I was very happy to discover that it was just as beautifully drawn and emotionally resonant as Immortal Rain. Ozaki’s storytelling in The Gods Lie is just as strong if not stronger, too. It’s also a more mature work aimed at a more mature audience, seinen rather than shoujo. The Gods Lie is a heartwrenching and devastating manga. The themes that Ozaki explores with the work are pretty heavy and hard-hitting–death, abandonment, and desperation being some of the most prominent. But there’s also love and righteousness to be found. Interpersonal relationships and families, both good and bad, provide the manga’s center. The story takes place during a very limited span of time, primarily over the course of Natsuru Nanao’s sixth-grade summer vacation, but the events that occur will have a tremendous impact on the young man. Natsuru’s characterization is incredibly well done. In part The Gods Lie is a cutting coming-of-age story. Natsuru changes and matures in very believable ways, losing some of his innocence while gaining a better understanding of and dealing with some of the world’s more unfortunate realities.

Otherworld Barbara, Omnibus 1 (equivalent to Volumes 1-2) by Moto Hagio. Fantagraphics doesn’t currently have a huge line of manga (and sadly we may never see the rest of Takako Shimura’s Wandering Son translated), but the works it does publish are quality ones. I was very excited for the release of the first half of Otherworld Barbara; the manga was one of my most-anticipated titles for 2016. Although Hagio is a very influential creator in Japan, not much of her work has been published in English. I’ve loved everything that has been translated but have a particular fondness for Hagio’s science fiction. Otherworld Barbara is very much a part of that genre–it’s even one of the few manga to have won the Nihon SF Taisho Award–but it also includes strong elements of fantasy and the supernatural in addition to some significant family drama. Dreams, reality, past, present, and future all overlap with one another in Otherworld Barbara. Tokio is a dream pilot with the ability to enter other people’s dreams, gaining insight into their psyches in the process. Often he’s called upon to use his ability to help with criminal investigations, but more recently a group of researchers has asked him explore the dreams of a young woman who has been asleep for seven years. Surprisingly, his estranged son seems to somehow be tied to her case. The deeper Tokio probes, the more strange coincidences he uncovers, and the more dangerous the situation becomes for him and everyone else involved. I’m immensely curious to see how the story plays out.

My Week in Manga: October 17-October 23, 2016

October 24, 2016 by Ash Brown

My News and Reviews

Last week was yet another week during which I wasn’t online much, though this time it was because I was on a short family vacation in Ohio to visit my folks. I did however still manage to post my review of the absolutely wonderful children’s book Are You an Echo?: The Lost Poetry of Misuzu Kaneko. The book, fully illustrated by Toshikado Hajiri, combines a biographical narrative of Kaneko’s work and life written by David Jacobson along with a selection of Kaneko’s poems presented in both the original Japanese and in English translation. Are You an Echo? is a beautiful book that adults will be able to appreciate, too; I wasn’t previously familiar with Kaneko’s poetry and am incredibly glad to have been introduced to it.

Although I was busy with family last week, a few things did catch my eye online: Vertical’s Fall 2016 manga licensing survey is now live for those interested in suggesting titles that they’d like to see the company publish in English; The Mystery Writers of Japan have released a very useful website in English which includes great information such as an outline of the group’s history and a list of recent English translations of the members’ works; As for cool queer comics Kickstarters, there is a newly launched campaign to collect Tab Kimpton’s delightful Minority Monsters comics in a single volume along with additional bonus content.

Quick Takes

Fairy Tail, Volume 55 by Hiro Mashima. With all of the recent developments in Fairy Tail it seems like the series might in fact be reaching its final story arcs. Granted, Mashima could just as easily stretch things out for quite a bit longer as he has repeatedly done in the past. Often Fairy Tail feels rather directionless to me, as though the creator is making things up as he goes (which he has admitted to) or isn’t sure exactly what he wants to do with the series. That being said, when Mashima actually manages to bring together disparate storylines and plot developments together in a way that makes sense and seems planned from the beginning (even if it actually wasn’t) the results can be thrilling. The fifty-fifth volume of Fairy Tail opens with one of the biggest game-changing reveals in the series as Natsu and Zeref face each other down. It’s a dramatic encounter and works tremendously well. Sadly, the rest of the volume isn’t quite as strong as its opening and many of the other plot twists and backstories feel forced at best. Still, this most recent story arc is probably my favorite out of those that I’ve so far read. (I started reading Fairy Tail part way through, so there are several arcs that I’ve missed.) I especially appreciate how it gives the tournament arc, which grew increasingly tedious, a greater purpose in the series as a whole. The action sequences and battles continue to be an exciting part of the manga as well, and there are plenty of those to be found in this volume.

Intense, Volume 1: Night on the Red Road by Kyungha Yi. I’ve deliberately been keeping a lookout for new print releases from Netcomics, but even if I wasn’t Yi’s Intense would have caught my attention. The series’ cover artwork is stunning and the manhwa’s production values and quality is some of the best that I’ve seen from Netcomics. Intense was originally released in six digital volumes, but the print edition has been collected into four. The interior artwork, though it’s not in color, is just as beautiful, striking, and moody as Yi’s cover illustrations. The story is likewise very moody and at times can be extremely dark and violent. The series follows Jiwoon, an assassin and bodyguard for a crime syndicate who has been temporarily assigned to a red-light district. There he encounters and is drawn to the mysterious Soohan who works there as a sort of handyman. With their melancholic, slightly detached personalities, it seems as though the two young men likely share a fair amount in common, so much so that the tragic backstory revealed in the flashbacks interspersed throughout the first volume could easily belong to either of them. If nothing else, Intense is certainly well named. The manhwa is heavy and intense both emotionally and psychologically, moreso than many other boys’ love stories I’ve read. I definitely plan on reading the rest of the series and I’m very curious to see how the relationship between Jiwoon and Soohan develops.

Paradise Residence, Volume 3 by Kosuke Fujishima. Admittedly, it has been quite some time since I’ve read the first two volumes of Paradise Residence, but I really don’t remember the characters being especially infatuated with motorbikes and motorcycles which is something that is quite prominent in the third and final volume. Maybe I just completely missed it before and that’s why it seemed to suddenly come out of nowhere, but the resulting story is nice. However, it’s another sudden development that becomes the dramatic focus of the rest of the volume–due to some unfortunate circumstances, the dorm is scheduled for demolition rather than renovation and the young women living there must do all that they can to save their beloved home. They come up with a rather creative solution to their problem that, while it strains believability, is impressively audacious and clever. Paradise Residence is a series that I enjoyed much more than I thought or expected I would. It doesn’t really have a lot of substance or depth to it, but it’s a pleasant slice-of-life manga set in an all-girls high school. Though not particularly nuanced, most of the characters are generally likeable. Even with the occasional bit of drama, Paradise Residence tends to be a fairly quiet and low-key series. The artwork is attractive, too, although Fujishima seems fond of drawing characters with one eye closed; I’m not sure if they’re supposed to be winking or what.

Spoof on Titan, Volume 1 by Hounori. In general the manga spinoffs of Hajime Isayama’s Attack on Titan depend on readers having at least some familiarity with the original series, although to varying degrees. Spoof on Titan perhaps requires a little more than many of the others as the humor relies heavily on knowledge of the characters and their personalities. Unlike Attack on Titan: Junior High, the other Attack on Titan comedy series, Spoof on Titan is firmly set in the world of the original manga. Granted, it’s a much more friendly version of that world–the Titans, though mentioned frequently, barely make an appearance and the death, destruction, and violence has been greatly toned down. The gore and darkness of Attack on Titan aren’t really to be found in Spoof on Titan. Hounori’s illustrations and character redesigns are pretty cute, too. Spoof on Titan is a four-panel comedy manga which is a format that I tend to really like when it’s done well, but the comics in Spoof on Titan tended to be fairly hit-or-miss for me. Some of them legitimately made me laugh while I barely cracked a smile at others. Overall, though, I am largely enjoying the series and find it amusing. I’m not sure that I would necessarily want to binge-read Spoof on Titan, but the series can be fun in small doses. The first volume reads like a collection of comedic Attack on Titan bonus manga, which is essentially what it is even if Isayama himself isn’t directly working on the series.

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My Week in Manga: October 10-October 16, 2016

October 17, 2016 by Ash Brown

My News and Reviews

I was a little preoccupied last week, dealing with some unexpected developments at work and home, so I wasn’t online much at all. However, I did still manage to post September’s Bookshelf Overload in which I reveal the manga, comics, books, and anime that I picked up last month. Also, a few weeks ago I mentioned the short story “The Mud God” which is tangentially related to a commission that Jenn Grunigen wrote for me. Well, it’s now freely available to read online!

Quick Takes

Monthly Girls’ Nozaki-kun, Volumes 2-4 by Izumi Tsubaki. My introduction to Monthly Girls’ Nozaki-kun was through the anime series which I adored. Because I loved the anime, it only made sense for me to seek out the original manga as well. Unsurprisingly, I enjoyed the first volume immensely. Despite that, it’s actually been quite a while since I’ve read any of Monthly Girls’ Nozaki-kun, which just means that I had the chance to fall in love with the series all over again. And I did, wholeheartedly. The series’ comedy is largely based on the characters and their personalities. The characters themselves are all a little odd but they are also incredibly endearing. Monthly Girls’ Nozaki-kun plays around with expectations, so the personality quirks of the characters intentionally defy stereotypes and are deliberately unexpected. In part, Monthly Girls’ Nozaki-kun is also a romantic comedy. The cast is fairly large and there could be any number of couples among the members except for the fact that most of the characters are completely oblivious of or misinterpret their own feelings. No one is actually together in the sense that they are dating in Monthly Girls’ Nozaki-kun (at least not yet), but in many cases they might as well be. The various relationships in Monthly Girls’ Nozaki-kun are close ones and are yet another major source of the manga’s good-natured humor.

The Prince and the Swan, Volumes 1-2 by April Pierce and Gareth C.J. Wee. Pyotr Ilyich Tchaikovsky’s ballet Swan Lake, itself based on Russian folklore, has been the inspiration and basis for countless other works. One of the more recent retellings that I’m aware of is the webcomic The Prince and the Swan which began in 2013. I discovered the comic while at the 2016 Toronto Comics Arts Festival where the second print volume was making its debut; I couldn’t pass up Swan Lake reimagined as a queer fairytale. Knowledge of the ballet’s story isn’t at all necessary to enjoy The Prince and the Swan although readers who are familiar with it will be in a better position to appreciate the changes made for the comic. The basic premise of the story remains the same, but in the case of The Prince and the Swan Odette is now Odet, a prince who suffers from a curse that transforms him into a swan during the day. The other lead character in the comic is Prince Siegfried who is reluctantly preparing for his coronation and marriage as king. A chance encounter between the two men will change the course of both of their lives. The pacing of The Prince and the Swan seems a little slow at first, but the artwork, characterization, and storytelling quickly improve and gain confidence as the comic progresses. I look forward to seeing how The Prince and the Swan continues to develop.

Say I Love You, Volume 15 by Kanae Hazuki. One would think that after fifteen volumes Say I Love You would no longer surprise me, but I continue to be impressed by its honesty and authenticity. I do wonder if the recently introduced Aoi twins will continue to play a role in the series as most of the main characters are graduating high school in pursuit of their individual futures. While I was initially a little unsure of the addition of prominent new characters so late in the series, I ended up really liking them and their story arcs–I’d now hate to see them discarded so soon. (Granted, Kai still has another year to go before he graduates, so I wouldn’t be surprised if the twins will continue to make appearances.) The fifteenth volume of Say I Love You would have been a natural ending point for the series. As many of the characters are preparing to go their separate ways, either by immediately entering the workforce or by continuing their education, a fair amount of time is devoted to introspection and reflection on the past. Mei in particular has changed significantly since the beginning of the series, but all of the characters have grown and matured as individuals. The characterization in Say I Love You has always been one of the series’ strong points. It will be interesting to see where the manga goes from here as both the story and characters move beyond high school.

Run, Melos! and Other Stories by Osamu Dazai. I forget exactly when it was that I first learned of Dazai’s short story “Run, Melos!” but it’s more or less a staple of the Japanese education system so references to the work are fairly common in Japanese popular culture. I’ve been wanting to read to story for quite some time but was under the mistaken impression that it wasn’t actually available in English. However, I recently discovered that it had indeed been translated as part of the Kodansha English Library series… which was only ever released in Japan. Thanks to the power of inter-library loan, I was finally able to read “Run, Melos!” along with six of Dazai’s other works of short fiction: “A Promise Fulfilled,” “One Hundred Views of Mount Fuji,” “Schoolgirl,””Cherry Leaves and the Whistler,” “Eight Scenes of Tokyo,” and “One Snowy Night.” I had previously read another translation of Schoolgirl but the other stories were all new to me. Normally when I think about Dazai it’s his tragic novel No Longer Human that immediately comes to mind; I had actually forgotten how humorous some of his stories can be. Even though there is still a fair amount of melancholy to be found, this humor is much more apparent in Run, Melos! and Other Stories. Overall, the volumes a charming collection of stories mostly set in early twentieth-century Japan (the exception to that being “Run, Melos!” itself) with surprisingly relatable characters.

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My Week in Manga: October 3-October 9, 2016

October 10, 2016 by Ash Brown

My News and Reviews

Last week at Experiments in Manga, the Yona of the Dawn Giveaway Winner was announced. The post also includes a list of a variety of shoujo fantasy manga available in English that have compelling female leads. That was about it from me last week other than the usual My Week in Manga post, but I am currently working on a feature for Ichigo Takano’s Orange and a review of Are You an Echo?: The Lost Poetry of Misuzu Kaneko which I should hopefully be ready to share soon.

In licensing news, Viz Media will be releasing Yuhta Nishio’s After Hours yuri manga and has announced the acquisition of Sui Ishida’s Tokyo Ghoul:Re, Matsuri Hino’s Vampire Knight Memories, and Satoru Noda’s Golden Kamuy (which is the one I’m most interested in). Kodansha Comics announced a whole slew of licenses at New York Comic Con: Regarding My Reincarnation as a Slime by Fuse, Fairy Tail: Rhodonite by Shibano Kyouta, Kigurumi Defense Squad by Lily Hoshino, Kiss Me at the Stroke of Midnight by Rin Mikimoto, Waiting for Spring by Anashin, Love and Lies by Musawo Tsumugi, Ahogaru: Clueless Girl by Hiroyuki, Wake Up, Sleeping Beauty by Mei Morino, Frau Faust by Kore Yamazaki (the creator of The Ancient Magus’ Bride, so I’ll definitely be trying the series), and Land of the Lustrous by Haruko Ichikawa.

As for Kickstarter projects, Digital Manga announced that Under the Air and The Crater will be part of it’s upcoming Osamu Tezuka project, though I’m not sure when that will actually take place. As for a few projects that are currently underway that have caught my eye there’s the contemporary comics essay zine Critical Chips, the Johnny Wander omnibus Our Cats Are More Famous Than Us, and the second volume of O Human Star, which is a fantastic science fiction comic with queer themes.

Quick Takes

Attack on Titan Anthology edited by Ben Applegate and Jeanine Schaefer. While I wouldn’t consider myself to be a diehard of Hajime Isayama’s Attack on Titan, I do largely enjoy the series. One of the things that I actually find most interesting about the series is how it has become a worldwide phenomenon. Attack on Titan Anthology is a prime example of that, bringing together works by numerous Western comics creators which explore the world and characters of Isayama’s original Attack on Titan. There are some pretty big names among the contributors from both mainstream and independent comics. The result is spectacular and even better than I expected. I love the variety found in the works included in Attack on Titan Anthology. The stories range from darkly comedic to deadly serious (Asaf and Tomer Hanuka’s “Memory Maze” actually almost made me cry), and each work is different from the others in both style and tone. Some take place directly in the world that Isayama has created while others parody or completely reimagine it. Attack on Titan is an exciting and engaging collection. As someone who is a fan of both Western and Japanese comics, I greatly enjoyed seeing some of my favorite creators tackle Attack on Titan in their own unique ways. I suspect the anthology will appeal most to people who are already familiar with Attack on Titan, but others might be drawn to it simply due to the specific creators involved. Either way, Attack on Titan Anthology is simply fantastic. The volume’s production-quality is probably the best that I’ve seen from Kodansha Comics, too.

Avialae, Chapters 1-2 by Lucid. Every once in a while, I pick up a comic knowing nothing about it other than the fact that I really like the cover art. That’s how I came to find out about Avialae–I saw the first chapter at the Toronto Comics Arts Festival in 2016 and had to read it. Avialae is actually a webcomic, the second chapter of which was just recently released in print. The artwork in the series is absolutely gorgeous, easily on par with the cover illustrations, and is able to effectively convey both body horror as well as erotic encounters as demanded by the story. The comic follows Gannet, a gay high school student who suddenly, and quite painfully, grows a pair of wings. Initially his next-door neighbor and classmate Gilbert is the only one who knows about Gannet’s transformation. As a result, their relationship undergoes some significant changes, too, and eventually becomes rather intimate. As far as sex goes, the first chapter is fairly tame while the second is much more explicit, easily earning the comic its 18+ rating. Avialae is marvelously sex-positive, the steamy scenes are entirely consensual, the sex is loving, and there’s plenty of communication between those involved. I find both Gannet and Gilbert to be endearing and I’m enjoying seeing how their relationship develops both physically and emotionally. Actually, all of the characters and their relationships, whether familial, romantic, or platonic, are incredibly well-realized in Avialae. Also, much to my delight and surprise, Avialae includes a transguy and his portrayal is excellent.

Complex Age, Volume 2 by Yui Sakuma. The first volume of Complex Age surprised me. Since I don’t have a particular interest in cosplay which is a major part of the manga’s premise, I was completely taken aback by how much I was able to identify with the series and Nagisa, its main character. Complex Age is about cosplay and reading the manga has even been somewhat educational, but to an even greater extent the series is about adult fans who have hobbies that many people feel are more suited to a younger age group. It’s about women in fandom and about keeping up appearances. It’s about finding a balance between work, family and friends, and personal interests and happiness. The first volume of Complex Age also included the Sakuma’s original one-shot manga “Complex Age” which deals with similar themes. It wasn’t initially clear exactly how or if the series would tie into the original. I was very happy to discover in Complex Age, Volume 2 that the one-shot and the series actually are directly related to one another–Sawako (from the one-shot) is in fact Nagisa’s mother. I’m excited to see Sawako’s story explored more in Complex Age. It’s interesting, and in some ways a little heartbreaking, to see the impact her decision to let go of her hobby has had on her life. Now that Nagisa knows more about her mother as a person I wonder how the knowledge of Sawako’s past will influence Nagisa’s own decisions in regards to her pursuit of cosplay. Complex Age continues to surprise and impress me; I’m looking forward to reading more.

The Heroic Legend of Arslan, Volumes 4-5 by Hiromu Arakawa. Neither the characters or the story of The Heroic Legend of Arslan are especially nuanced and they come across as fairly standard for the genre, but the series is nevertheless engaging and the battles are exciting. That and I’ll always glad to see more work by Arakawa (and in this case by proxy Yoshiki Tanaka) available in English. At this point in the series, Arslan and his small group of allies are fighting for their lives as they try to reach what remains of the Parsian forces along the border hoping to find reinforcements. They must face the Lusitanian invaders, confront Parsians with dubious loyalties, and contend with unknown powers working against them from the shadows. Not only that, the legitimacy of Arslan’s claim to the throne has been called into question. I enjoy historical fantasies which incorporate court and political intrigue, and The Heroic Legend of Arslan certainly has plenty of that. The forces of both Pars and Lusitania are fragmented and suffer from betrayals and infighting. The chaos this causes makes the situation increasingly dangerous and unpredictable; it is difficult know exactly what will happen next as alliances are made only to fall apart again. The Heroic Legend of Arslan can actually be pretty brutal–death, whether from battle or assassination, is a frequent occurrence. Arakawa’s artwork, while not being overly grotesque or gruesome, does still show enough blood carnage that there’s no question as to what is happening. The horses have a very rough time of it, too.

My Week in Manga: September 26-October 2, 2016

October 3, 2016 by Ash Brown

My News and Reviews

Although it is now October, there is still time to participate in September’s manga giveaway. This time around everyone has a chance to win Yona of the Dawn, Volume 1, the beginning of Mizuho Kusanagi’s shoujo fantasy epic! I came across a few interesting things online last week that I’d like to share: “Strip!”: The Manga Art of Anno Moyoco” at Nippon.com (once upon a time, I hosted the Moyoco Anno Manga Moveable Feast); The Lobster Dance posted The Sparkling World of 1970s Shojo Manga, Part 8 which focuses on the influence of The Rose of Versailles on Ouran High School Host Club and Haken no Osukaru; and Anne Ishii, manga translator and one of the founders of Massive, was featured on the fifteenth episode of Hey, Cool Job. There were a couple of license announcements from Viz Media that caught my eye, too: Ryoko Fukyuama’s manga Anonymous Noise will be released by Shojo Beat, and Haikasoru will be publishing the next three novels in Yoshiki Tanaka’s Legend of the Galactic Heroes!

Quick Takes

Goodnight Punpun, Omnibuses 2-3 (equivalent to Volumes 3-6) by Inio Asano. The first omnibus of Goodnight Punpun was tremendous and left a huge impression on me. Likewise, the second and third omnibuses are incredibly well done. Goodnight Punpun is not always an easy series to read and can actually be pretty depressing and emotionally devastating. The direction of the story can often be anticipated simply by expecting that the most awful thing will happen at any given point. There are moments of joy, but for the most part the manga is a surreal and incredibly dark coming-of-age story. The worldview is extraordinarily pessimistic and bleak; most of the characters are miserable or broken in some way, and more than a few are frankly terrible people. And yet, I continue to find Goodnight Punpun to be a remarkable and compelling work even while it’s deliberately uncomfortable and heart-breaking. I find that I can empathize and even identify with most of the characters in at least some small way, which can actually be a little terrifying. Although Punpun is the series’ lead the second omnibus of Goodnight Punpun spends a fair amount of time delving into his uncle’s unfortunate past and one of the major perspectives explored in the third omnibus is that of his mother. Artistically, Asano portray’s Punpun and his immediate family more abstractly than the other characters except for during the more sexually-charged scenes, making them even more unsettling than they already are. I’m not entirely sure where Asano is going with the series or what sort of point he will ultimately make with all of the philosophical gloom, but I am willing to find out.

Princess Princess Ever After by Katie O’Neill. Originally released online as a webcomic, O’Neill’s Princess Princess (not to be confused with Mikiyo Tsuda’s manga Princess Princess which is a completely different work) has now been collected in its entirety along with a new epilogue by Oni Press in a slim but beautiful hardcover edition titled Princess Princess Ever After. The comic is an absolute delight, suitable for younger readers but still enjoyable for adult audiences. After the dashing and daring Amira rescues from a tower the kind and thoughtful Sadie (with her permission first, of course), the two princesses travel together on an adventure aiding those they come across are in need of a bit of extra help. Eventually they must confront Sadie’s older sister who is the one who locked Sadie in the tower to begin with and who is an even bigger challenge than the ogre they faced while on their journey. Princess Princess Ever After is an incredibly sweet, adorable, and charming comic. Although Sadie and Amira encounter plenty of danger along the way, there really isn’t any question that they’ll get their happy ending. The comic is a lighthearted fairytale with a number of lovely twists on some of the standard tropes, most notably the romantic pairing of two princesses, neither of whom is the stereotypical damsel-in-distress, but there’s more to the story than just that. O’Neill’s artwork in Princess Princess Ever After is colorful, energetic, and cute, fitting the tone of the comic perfectly. While it’s nice to have a self-contained story, it’s almost a shame that the comic is so short and moves along so quickly; I would love to read more about Amira, Sadie, and their adventures together.

That Wolf-Boy is Mine!, Volume 1 by Yoko Nogiri. Though it’s not necessarily a new trend, ayakashi and yokai seem to be fairly prominent in many of the supernatural shoujo manga that are being licensed of late. I’m not especially bothered by this since I have a particular interest in yokai and tend to enjoy the subgenre. The presence of pretty spirit boys doesn’t hurt anything, either. But when I can easily name a half-dozen ongoing series with a similar elements (not to mention those that have already been completed), I do start to wonder what a new series has to offer that is different or unique. One of the most recent examples of a series of this type is Nogiri’s That Wolf-Boy Is Mine! from Kodansha Comics. After only one volume it hasn’t really set itself apart from other manga with ayakashi themes and it seems fairly typical for the genre, and yet it’s a very enjoyable beginning to a series. The story plays out pretty safely in the first volume and there are no real surprises, although there are hints that things might be more than they initially seem. The characters are generally likeable and endearing as well; I’m especially fond of the titular wolf-boy and his easygoing nature. While many of the characters are close to being “types,” they do have a bit more depth to them than may first appear. However, I would like to see a bit more development in the characters and their relationships as the series progresses. I do suspect that Nogiri will deliver, though. So, while I wasn’t blown away by the beginning of That Wolf-Boy Is Mine! by any means, I did like it. The manga is off to a good start and has potential. Even if Nogiri doesn’t move beyond well-worn tropes, I’m still interested in reading more of the series.

The Paper Menagerie and Other Stories by Ken Liu. My introduction to the work of Liu was through his short story “Mono no Aware” which was collected in the anthology The Future Is Japanese. That story was enough to convince me to seek out more of his work. This turned out to be a wise decision as his debut novel The Grace of Kings was one of my favorite books from 2015. However, at least for the moment, Liu is probably best known and recognized for his shorter works which frequently earn him awards and accolades. Although The Paper Menagerie and Other Stories is Liu’s second book to be published, it is his first compilation of short stories and novellas to be released. It’s an exceptional and well-thought out collection, bringing many of Liu’s award-winning stories together with some of his personal favorites. Normally when it comes anthologies of short stories I find that their quality and strength can significantly vary from one to the next. However, all fifteen examples of Liu’s work in The Paper Menagerie and Other Stories (which includes “Mono no Aware”) are excellent. Some are certainly more powerful pieces than others, but they are all engaging, meaningful, and thought-provoking. One of the things that particularly impressed me about The Paper Menagerie and Other Stories is Liu’s ability to work in a variety of styles and genres. As a whole the collection tends to be fairly serious in tone and can be broadly described as speculative fiction, and Liu frequently incorporates aspects of Chinese and Asian culture and history, but there is still tremendous range among the individual stories. Even the stories which share common elements or themes are ultimately different from one another, offer fresh perspectives, and are each remarkable in their own way.

My Week in Manga: September 19-September 25, 2016

September 26, 2016 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I posted an in-depth review of Human Acts, an incredibly beautiful, tremendously powerful, and absolutely devastating novel by South Korean author Han Kang. (Some may recognize Kang as the author of The Vegetarian which has earned her a fair amount of international attention and acclaim.) Human Acts is one of the best books that I’ve read in quite some time, but it’s a chilling and challenging read due to its subject matter. The book focuses on the violent Gwanju Uprising and its long-lasting aftermath, however it’s not at all necessary to be familiar with that particular incident to understand and appreciate the novel.

Elsewhere online, there was some very exciting licensing news: Pantheon Books will be releasing Gengoroh Tagame’s My Brother’s Husband! The impending English-language release has been hinted at, but now it’s official and I’m absolutely thrilled. Digital Manga’s Juné imprint also had a few licensing announcements from Yaoicon: Velvet Toucher’s Eden’s Mercy, the third volume of Yoneda Kou’s Twittering Birds Never Fly, and Junko’s The Prince’s Time. And over the weekend Yen Press slipped in an announcement for the acquisition of Tsukumizu’s Shojo Shumatsu Ryoko. A few other interesting things that I came across last include a video of Viz Media’s SDCC 2016 Panel, the Comic Book Resources feature “20 Years Ago, Dragon Ball Z Came to America to Stay,” and Otaku Champloo’s BL Manga Starter Kit. Also, a couple of recent queer comics Kickstarters caught my eye: Ngozi Ukazu’s already massively successful campaign to release Check Please!, Year Two and a project to raise funds for the final volume and omnibus edition of Jennie Wood’s Flutter.

Quick Takes

Attack on Titan, Volume 19 by Hajime Isayama. For a while there I was starting to become a little weary of the sheer number of plot twists in Attack on Titan. Instead of renewing my interest in the story, I started to lose confidence in it. However, the more recent volumes of the series have regained some focus. The story developments and turns in the story are more exciting because of it, even if there are still a few major mysteries which have yet to be fully explained. The nineteenth volume of Attack on Titan is an exciting one as a massive confrontation between a contingent of intelligent Titans and the decimated Survey Corps begins. Eren, Mikasa, Armin, and the rest will have to directly face off against the Armored Titan and the Colossus Titan, knowing that the humans controlling them were once their comrades. It’s a kill-or-be-killed situation with very little room for negotiation. The action sequences in the nineteenth volume are dramatic and well-done, but the most notable aspect of the manga is probably the psychological impact that the battle for survival against one-time friends has on the characters. Also, for Attack on Titan fans who are interested in Levi and Erwin, the special edition of the nineteenth volume comes along with the second and final part of the No Regrets OVA anime adaptation. I haven’t had a chance to watch it myself yet, but I am glad that it’s available and am looking forward to seeing it.

Curveball by Jeremy Sorese. Although I’m only now finally getting around to reading Curveball, I’ve actually been meaning to for a while now. The comic was first brought to my attention when it became a finalist for the 2016 Lambda Literary Award for best LGBT Graphic Novel. And then at TCAF 2016 I had the opportunity to hear Sorese talk about Curveball specifically and queer science fiction in general. There are two things in particular that I especially love about Curveball. The first is the inherent queerness of the characters and worldbuilding. Numerous genders are represented in the comic and relationships, romantic and otherwise, occur in a multitude of combinations. The main character, Avery, is non-binary and there are a fair number of others who are genderqueer or genderfluid as well. This isn’t at all a big deal in the comic, it’s simply a natural and unobtrusive part of the setting. The second thing that I particularly enjoyed about the comic is Sorese’s use of color. The illustrations in Curveball are primarily grayscale except for the use of an extraordinarily vibrant and literally fluorescent orange to represent technology, and more specifically energy. The effect is very striking. Curveball is mostly about relationships, but the characters are also dealing with a developing energy crisis. The fluorescent orange and the occasional lack thereof is a constant visual reminder of this.

The Seven Deadly Sins, Volume 15 by Nakaba Suzuki. The stakes can’t get much higher than they are at the moment in The Seven Deadly Sins seeing as the fate of the entire world is in grave peril now that the extraordinarily powerful demons known as the Ten Commandments have been released. Granted, just about everyone and everything in The Seven Deadly Sins is extraordinarily powerful, so it’s sometimes difficult to get a good feel for the grand scale of the series; the shock and awe is frequently lost. Despite the tremendous abilities that everyone has and despite the massive amounts of damage dealt to both people and property, it ends up coming across as common rather than impressive. Recently Suzuki has resorted to having Hawk actually announce the combat classes and magic levels of the various characters are, but that just seems superfluous when there is effectively no difference between a class level of 3,370 and 5,500 on the page. Even so, the fight scenes and battle sequences somehow still manage to be engaging and entertaining and are honestly one of the best things about the series. The fifteen volume of the manga sees the Seven Deadly Sins starting to fight off the Ten Commandments on two separate fronts. First they must try to fend off the Commandment’s minions and are largely successful, but eventually one of the demons appears to confront them directly. By the end, things aren’t looking good for the Deadly Sins.

Yona of the Dawn, Volume 1 by Mizuho Kusanagi. Even if it wasn’t for the fact that I tend to enjoy epic fantasy series with strong female leads, the amount of excitement surrounding the anime adaptation and the licensing announcement for the original manga series in English would have been enough for Yona of the Dawn to catch my attention and interest. Admittedly, Yona spends a large part of the series’ first volume in shock and barely able to function. The reason is understandable–she has witnessed the murder of her beloved father the king at the hands of one of the people she most loved and trusted in the world. The unexpected betrayal leaves her stunned; the only reason she avoids a similar fate is that her personal guard whisks her away from the palace. However, the very beginning of the volume implies that Yona will take control of her own destiny. That’s the story that I really want to read. I want to see Yona overcome her tragic circumstances, to find the strength to protect herself and those she loves. If the manga is able to deliver its promise (and I suspect that it will), Yona of the Dawn will indeed be a series well-worth following. While Yona comes across as weak and helpless for a significant portion of the first volume of Yona of the Dawn, showing Yona at her lowest does provide the necessary setup required for dramatic story and character developments. I’m definitely looking forward to reading more of Yona of the Dawn.

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My Week in Manga: September 12-September 18, 2016

September 19, 2016 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I posted the Bookshelf Overload for August. I picked up some great out-of-print (or soon to be out-of-print) manga and comics last month in addition to some highly-anticipated new releases. I was particularly busy with work and taiko last week so I wasn’t online much, but there is one thing that I’d like to draw attention to–the thirty-eighth and most recent issue of Sparkler Monthly. In it is the first part of a Skyglass side story written by Jenn Grunigen and illustrated by Mookie called “The Mud God” which, in addition to being adorably cute, is partly my fault as it’s related to another Skyglass commission that the author is working on for me. (Hopefully that one will be able to be shared soon, too!)

Quick Takes

Inuyashiki, Volume 4 by Hiroya Oku. The fourth volume of Inuyashiki begins immediately where the third volume ends, with the devastating and gruesome aftermath of Inuyashiki’s confrontation with an powerful organized crime group. It then turns to follow Shishigami’s story again. One thing that I found to be particularly interesting about Inuyashiki, Volume 4 is the character development of the two main leads. Since the beginning of the series, Inuyashiki and Shishigami have been opposites, using their newly-granted powers in vastly different ways. Though they both are mechanical monsters with many of the same abilities, Inuyashiki has focused on helping others, whether that be by curing major illnesses or fighting on behalf of those who are weaker, while Shishigami has been going on killing sprees for his own selfish reasons. Inuyashiki abhors violence, even when he is a willing participant; Shishigami delights in it. But the fourth volume of Inuyashiki sees some of that change. Inuyashiki is learning to consciously use and control his more deadly powers, specifically in order to put an end to Shishigami. He still considers it to be a necessary evil, though. As for Shishigami, his mother’s illness inspires him to use his abilities for less destructive purposes, but it’s still difficult to sympathize with him since he shows very little regret or remorse for the suffering he has wrought in the recent past.

One-Punch Man, Volumes 4-8 written by One and illustrated by Yusuke Murata. I continue to be greatly impressed by both the artwork and writing of One-Punch Man although the series is not without its flaws. The manga plays around with many of the tropes of the superhero genre and makes use of plenty of stereotypes in the process. Unfortunately, that means the introduction of an unquestionably gay hero and the perceived threat of his sexuality is intended to be comedic, resulting in an uncomfortable setup in which implied sexual assault is treated as a joke. Personally, I didn’t find this to be particularly funny. However, other than that glaring misstep, the humor in One-Punch Man is fantastic. A slew of new heroes and villains have been brought in; their powers are frequently over-the-top and frankly ridiculous, fitting the overall tone of the series perfectly. Murata’s artwork can be absolutely stunning and is incredibly dynamic, shifting from simplified illustrations to those that are nearly photo-realistic depending on the needs of the story and humor. The action sequences are great, filled with intense battles between absurdly powered opponents and accompanied by a suitably tremendous amount of destruction. It’s not at all surprising that One-Punch Man has been adapted into an anime series–the manga as a whole but especially the visual components seem to beg for it.

Queen Emeraldas, Volume 1 by Leiji Matsumoto. Older manga are not often released in English, so I was very excited to learn that Kodansha Comics would be publishing a classic series. I was even more interested when I found out that series would be Matsumoto’s space opera Queen Emeraldas which takes place in the same universe as his Captain Harlock stories. Although the hardcover English-language edition is based on a Japanese release from 2009, Queen Emeraldas was originally serialized in the late 1970s. The story largely follows a young man by the name of Hiroshi Umino, a runaway from Earth who crash lands on Mars in a spaceship he cobbled together himself. The titular Emeraldas is charismatic and enigmatic woman, a living legend who metes out justice as she wanders the stars. She takes a particular interest in the boy, repeatedly aiding him in his struggle to survive in space. Initially her concern seems to emerge from the fact that his story shares so many similarities with her own although later it is implied that she may have a deeper connection to him. However, like much of Queen Emeraldas, the nature of that connection is still a mystery. So far, I am thoroughly enjoying Queen Emeraldas. The manga is moody, atmospheric, and melancholic with a Western frontier flair. The characters are ambitious, seeking a life of freedom in a world that is harsh and unforgiving.

Yamada-kun and the Seven Witches, Volume 9 by Miki Yoshikawa. It’s fairly common for bodyswap manga to incorporate a fair amount of fanservice, especially when different genders are involved, and Yamada-kun and the Seven Witches is no exception to that trend. Generally, the fanservice in the series doesn’t bother me that much especially considering the context, but every once in a while it’s more of a distraction than anything else. A case in point is a completely inexplicable panty shot in the ninth volume which completely threw me out of the story; it served no purpose for either characterization or plot, and even how the scene was illustrated didn’t make any sense. Usually, Yoshikawa is much better than that. Otherwise, I really enjoyed the ninth volume of Yamada-kun and the Seven Witches. There are some interesting twists and revelations as Yamada tries to find a way to return everyone’s missing memories. I’m not always very fond of amnesia plotlines in stories simply because they can be a lazy way for creators to write themselves out of a corner or cause unnecessary drama, but in the case of Yamada-kun and the Seven Witches it actually works really well. At it’s very heart the series about friendship and overcoming isolation. Yamada, intentionally or not, was the one who brought so many of the characters together in the first place and he will do everything that he can to bring them together again.

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