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The Twelve Kingdoms, Book Five: A Thousand Miles of Wind, the Sky at Dawn, Part 1

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By Fuyumi Ono and Akihiro Yamada. Released in Japan as “Kaze no Banri, Reimei no Sora” by X Bunko White Heart. Released in North America by Seven Seas Entertainment. Translated by Kim Morrissy. Adapted by Monica Sullivan.

If you recall, when I reviewed the first volume of this series, I pointed out that it being divided in two meant that the first half was mostly unrelentingly miserable, with good things only starting to happen in the second book. You can assume the same thing for this one, and if you want to leave this arc with your spirits high, you may want to wait for September for the other half. That said, fear not, this is still brilliantly written and compelling. And yay, Youko is back! Admittedly she’s not all that happy, but she’s in this one! As are two other main characters, also young women. This book is about growing up and learning about the world around you, and how closing yourself off to the world around you can lead to you being immature and disliked. Youko has learned this lesson, at least partly. The other two, not so much.

There are three interlocking plot threads, which I will streamline for ease of reviewing. 1) Youko is now Queen, but that has not magically solved everything. The people have had too many bad queens lately, and worry she’s just another one. They want a king. Also, her underlings are all conspiring against each other and taking advantage of her ignorance about this world. And Keiki, frankly, is being no help. She goes on a journey in disguise to learn about this world. 2) A hundred years ago, a girl in Japan sold as a slave falls off a cliff during a storm and ends up in the Twelve Kingdoms. After suffering at first, she becomes a servant to ex-king’s mistress Riyou… and suffers for much longer, mostly so she can speak the language. Now, though, she’s thrown out, and told she needs to learn to be less whiny and passive. 3) The king of Hou and his Queen are executed in a coup, and their daughter, Shoukei, is disguised and thrown into a shabby village in lieu of execution. She hates it, and hates being poor, but stays selfish through most of the book, till she meets a familiar face… to the reader, that is.

Not gonna lie, but Youko is easily the best thing in this, mostly as we only get a tiny bit of character development from Suzu and Shoukei, who will get most of theirs in the next book. (As a reminder for anime watchers, the high school kid who came with Youko in the anime doesn’t exist here.) She’s doing her best, but has never really been a politician, and people are running rings around her. Meanwhile, Keiki just sighs at her. I don’t blame her for running off. I did like Shoukei’s journey as well, though she’s easily the hardest to take for a good 4/5 of this volume. Meeting Rakushun is the best thing that happened to her, and she’s learning about life for non-princesses. As for Suzu, she’s very whiny and hard to like, and unfortunately her character development is also in the last fifth of the book. I’m sure she gets better.

The book ends with all three of these women converging in the same place, and I suspect the next one will have them meet up. I hope they get along. I suggest Youko not mention who she really is. In any case, essential as always.

Welcome to Olivia’s Magic Jewelers, Vol. 3

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By Rinrin Yuki and Suzaku. Released in Japan as “Olivia Maseki Houshokuten e Youkoso: Ka to Mise wo Oida Sareta no de, Outou ni Mise wo Kamaetara, Naze ka Moto Konyakusha to Gimai no Kekkonshiki ni Dero to Iwaremashita” by Mag Garden Novels. Released in North America by Cross Infinite World. Translated by Jordan Taylor.

It’s always hard, when you’re dealing with light novel series that have been adapted from webnovels, to tell whether a series is finished, on hiatus due to the author’s life getting in the way, dropped as the author started to write something else and got bored, or cancelled by the publisher. This seems to be mostly the third version: the author is certainly writing plenty of other series, while the webnovel of this series ends with the events of the second book (though confusingly the webnovel is split into three books) and various short stories. I wasn’t able to find the contents of this volume at the Narou site. And the author definitely says the series is finished in the afterword. As for why I’m filled with doubt? It resolves nothing. Not even an engagement or wedding. Just “meh”.

We open with a relatively content Olivia dividing hwer time between her successful jewelry shop in the capital and her family home and business a ways in the country. However, Olivia’s Magic Jewelers relies on Olivia’s anxiety as a plot mover, so we can’t have that. As a result, she’s asked to become a temporary researcher for the Magic Institute, which had been researching how to fly airships but recently had a Hindenburg-esque disaster, albeit with no loss of life, so they’re searching for an alternative. As Olivia has been in a creative rut recently owing to her desperate attempts to be as good as her genius father, she agrees, and finds herself paired off with easygoing Daisy and anxious but nice guy Robin. Despite the odd sneering from the obligatory noble girl, she’s doing well, and her magic powers seem to be fantastic – though not at her father’s level. So… what’s the catch?

I’m grumpy because this book doesn’t resolve anything, but I’m also grumpy as it makes use of one of my least favorite romantic plotlines, the “who are you going to believe, your loving boyfriend or the guy you work with who’s telling you your loving boyfriend is an elitist jerk?”. Now, this does make some sense in context – class remains built into this series, which is probably why Olivia and Elliot are still just going out here, and her “daughter of a baron, i.e. basically a commoner” status makes her susceptible to this sort of thing. And she’s always been a sad sack because of her abusive upbringing after her father died. Still: EURGH. The other issue is that the series seems to be shifting away from its premise, trying to turn Olivia into a genius scientist/inventor sort, and while there’s part of that in the previous two books, I miss the jewelry shop. I’m glad she said no. I did, however, really like Daisy, her co-worker and friend in the Institute, who is exactly the sort of girl to leap out of a plane to test if the magic “don’t crash” things work.

If you’ve read the first two books and want to know what happens, you can read this. But it’s not essential, and lacks the feel of a final volume. Alas.

Repeated Vice: I Refuse to Be Important Enough to Die, Vol. 3

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By Kuroakawa Hitsugi and Kushiro Kuki. Released in Japan as “Repeat Vice: Akuyaku Kizoku wa Shinitakunai node Shitennou ni Naru no wo Yamemashita” by HJ Bunko. Released in North America by J-Novel Club. Translated by piyo.

I do enjoy this series, but it seems every book has something there to tick me off specifically. Last time it was the rape victim recovering by basically being told “get over yourself”. The issue with this book is not one unique to this series alone… in fact it’s in a large number of light novels… but it’s made more annoying because Lofus is in a constant state of rage, and thus it’s handled even worse. This series focuses on a noble kid with lots of power trying to escape his fate. He has met a few commoners, and he does not like them at all. “Know your place” is literally said at one point. And lest we think it’s just Lofus, the love interest from the first book is told that if she wants to get anywhere with Lofus, she’s got to be a noble, and perform great deeds to get there. I get that this genre invites this sort of thing, but don’t make it sound like a goal.

Picking up from where we left off at the end of the last book, Warm has been arrested for trying to save his father, who was arrested for pointing out the corruption of the corrupt but vital to the nobles merchant. Oh yes, and the captain of the sky pirates we met last time? Also arrested. So Lofus has to go rescue everyone, despite the fact that you sense he’d rather chew glass. He’s being egged on by Warm’s little sister, who is a cutie pie; by the mysterious white-haired girl from last time, who remains mysterious and white haired till suddenly she isn’t; and by the rest of the pirates, particularly Lilka, who has started acting very weird… and not in the “I am madly in love with Lofus” way that she was before. With all this going on, will Lofus still find the free time to do what he does best, be an asshole?

No fear there. I’m going to skip the flashy battles that are about half the book, because we know already I don’t care about those. There were some very effective scenes in this book. Most of Lilka’s subplot plays out here. As it turned out, she was indeed playing dumb in the second book, and is in a similar situation to Lofus. But while he’s a “I was reincarnated into this game” sort, she’s the “I am redoing my past life” sort. As such, a lot of her “I’m absolutely smitten with you” bullshit is a false front… though you get the sense not all of it is. I also likes the scenes with Lofus and Warm once he got over his annoying “why are you so weak I kill you” routine. Sometimes keeping an animal alive when they’re hurting is more painful than letting them go, and that’s a lesson Warm needs to learn. It’s done very well.

So will Lofus and his merry band really manage to cure Iz? Or will they get drawn into some other plot instead? If Iz dies, does she reincarnated into the Bofuri LNs? For fans of “villain” novels who like their villain extra pissed off.

The Apothecary Diaries, Vol. 16

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By Natsu Hyuuga and Touko Shino. Released in Japan as “Kusuriya no Hitorigoto” by Hero Bunko. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

Compared to the last volume, this one feels a lot more laid back and relaxed. Of course, that’s likely only because the Emperor isn’t in it. There’s still a lot going on. We’re in the middle of the Smallpox arc, after all. It’s deadly, it’s horribly, and a cure is still very elusive, though Maomao moves things along by enlisting the help of Kokuyou, the smiling wandering doctor who has facial scarring but also a heap of experience. Also, a noble family asks Maomao about a cursed jar, and that unearths a heaping helping of family… drama seems the wrong word. Family horror. Fortunately, the worst is avoided, at least for the victim. And for Jinshi, who every volume seems to have to try to finagle his way out of something that has as its result “and then he can never be with Maomao again”. Still, at least he knows Maomao does kinda like him, in her own “I try not to care unless I am literally at the end of my rope” way. Other couples need more help.

I’ve talked before about how I quite like Yao and En’en, Maomao’s kinda sorta friends and medical partners. Maomao does as well, but she also finds them exasperating. Fandom has a bit of a hate on for Yao, who is given several good canonical reasons to be very immature and then actually *is*! Gasp! (It’s totally because of that, and not because she’s fallen for the fandom’s chief hottie who isn’t Jinshi.) But even I admit she needs a talking to. More importantly, she needs to have En’en removed from her hip. En’en being gay for Yao has been quietly dialed back in the last few volumes, with it more being presented as a co-dependent big sis/mom thing, but it’s certainly the case that a Yao who has En’en doing everything for her is not going to get anywhere with either Lahan *or* her family. Which Yao understands. (En’en also does, but she’s in denial.) Good volume for them.

And then there’s our favorite couple who really, really really need to fuck but unfortunately autocorrect has ruined everything and all they do is duck. Lishu has shown up so infrequently since Book 6 that any appearance of her is welcome, but she and Basen are still at the “gosh, isn’t the weather nice” stage of things, and everybody else around them, particularly Maamei and Chue, are shouting “JUST BANG ALREADY!”. It’s pretty clear that the Emperor wouldn’t object to this. It’s also pretty clear that Basen has done more than enough to merit it, especially near the end of this book, where he once again saves Jinshi at the possible cost of his own life. (It’s fine, he can get rid of smallpox by pullups somehow.) The question is, did this current crisis and Basen’s quarantine afterwards actually get Lishu to leave the duck village? Can we actually get another fricking couple?

Maybe! Book 17? Book 17. Whenever that is. Not out in Japan. In any case, this book has Maomao in it, so it’s essential.

The Misdeeds of an Extremely Arrogant Villain Aristocrat, Vol. 3

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By Yukiha Kuroyuki and Uodenim. Released in Japan as “Kiwamete Gouman Taru Akuyaku Kizoku no Shogyou” by Kadokawa Sneaker Bunko. Released in North America by Airship. Translated by Ben Trethewey. Adapted by Kylee Yasin.

So the bad news is that this is still the last volume published for the moment. The good news is that, after a two-year break, the author has recently started writing more of the webnovel, so that may eventually change. Certainly absolutely nothing is resolved by the end of this book, so more of it would be welcome. As for the book itself, it continues to do what it wants to. If you like male power fantasies and are not too picky, it fills that need. Luke is a grumpy asshole who can’t help but get involved in his friend’s problems and have every girl in the series (except one, mercifully, this hasn’t turned into a cheating series yet) fall for him. What’s worse, his father has big plans for him… plans, I suspect, that Luke will very much not approve of. And there’s fanservice galore, of course. It also manages to, somehow, avoid being completely misogynist despite every love interest turning into a submissive masochist when they see Luke.

Note I said “completely” – the art still exists, and is pretty blatantly “Hope you like big tits”. In any case, after taming the ice dragon, Luke has to figure out what to do with… her? Yes, her, and while she stays in two forms in this book – big powerful scary dragon and cute fun-sized dragon – I suspect we’ll get a hot dragon woman soon enough. In a normal world, he’d be invited to the palace to be honored for this amazing feat. This is not a normal world, and his dad is pretty much openly trying to bring down the royal family by being much better at running a country than they are. As such, there’s a party being held where the second prince might drop by if he feels like it. (He does, though he’s not happy with what he finds.) But the author says this is Abel’s book, and… I guess? Abel definitely gets stronger, and suffers a lot, but it’s hard to pass someone like Luke.

Because I suspect readers of this series will want to know, yes, there’s an (offscreen) sex scene here, and Mia is now Luke’s lover as well as Alice. More to the point, it’s not just Abel – all of Luke’s lovers and potential lovers are desperate to remain useful to him, knowing he’s the sort to abandon anyone who isn’t, and so they push themselves desperately to become ludicrously powerful. Unfortunately, comparing themselves to Luke just leads to depression, as Mia finds out – she even gets a pep talk from Luke’s dad, who has to point out that she already can use multiple magic elements. Their desperation and co-dependency would be a bit sad and tragic if this series were not comedic and upbeat about it. The only despair in the book comes from Abel when he’s trying to rescue Lily, and even then most of this is just Abel hating himself, rather than actual danger. Luke, the most powerful man in the country, is usually depressed, and everyone around him seems to be getting that trait too.

We end in another country, with elf terrorists, and multiple invasions. Hopefully I remember all this by the time the fourth book comes out!

Nia Liston: The Merciless Maiden, Vol. 9

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By Umikaze Minamino and Katana Canata. Released in Japan as “Kyōran Reijō Nia Liston: Byōjaku Reijō ni Tenseishita Kami-goroshi no Bujin no Kareinaru Musō Roku” by HJ Bunko. Released in North America by J-Novel Club. Translated by okaykei.

I have to give the author credit. When I began this new volume, which starts after the epic tournament arc, I wondered if we really were going back to Nia films herself racing dogs again. I felt the story was somewhat played out, frankly. And much to my surprise, the main character agrees with me. The best scene in the book may be right at the start of the book, where Nia blithely asks Lynokis “what am I even doing with my life?”, and realizes that being the strongest means throwing away everyone near and dear to you… and she’s already done that in her previous life, and while she still can’t remember much it made her feel empty. She needs something new. Fortunately, the author agrees with us, as we ditch 9/10ths of the cast and go back to just Nia and Lynokis creating chaos wherever they go. So much chaos, in fact, that Nia forgets that’s not actually her goal.

The tournament was a resounding success. For Nia, for the winners (at least after they wriggle out of being a wanted criminal). and for the kingdom. Unfortunately, having not seen anyone in the tournament who could come close to beating her, Nia is a bit depressed. Moreover, when you have a huge event that gets everyone to buy Magivision, you need to follow up with more brilliant ideas or it will stagnate. And so the King orders the kids to come up with a brilliant idea… and reminds them that they’re kids, so as long as it’s not literally illegal, they can get away with just about anything. Nia is here to test that “just about”, and she finds that there are indeed limits. As while they do get a huge event that drives sales even higher, um, she’s now been thrown out of the country.

I will admit, this may be the single funniest book in the series. The entirely of the chapter “The King Falls Into a Pit Trap” had me giggling, and I appreciated that it started with the aftermath – the author wanted to create an absence of tension so we weren’t distracted from the hilarity of the king falling into a pit trap. Even the queen agrees. As for Nia’s exile, sure, I may miss the rest of the cast a bit, but not much, and my main disappointment is that Lynokis is still around, so we still have lolicon jokes. That said, I regret I must give a content warning that countless other light novels have: if you dislike starving orphans being snapped up by the heroine and given food and housing in exchange for working, well, here it is again. The orphans are pretty cute, though.

All this plus a new royal to torture. Nia is here to kick ass and spread the word of magivision, and she tends to forget about the latter, so kicking ass is what you get.

My Stepmom’s Daughter Is My Ex: “You, More Than Anyone Else”

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By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

So first of all, I’m going to be blithely ignoring the cliffhanger ending of this one, as well as its “oh no, it ends sadly after all” implications. First of all, no it doesn’t, and secondly, now that this series is down to once a year, we’re not gonna have to worry about it for a long, long time. Instead, let us revel in this book, which gives us a whole heaping helping of Isana. We even get a flashforward about four years, seeing her talking with a junior and seemingly having her life a lot more together than she does now. We also get a new girl added to the mix, who does us the courtesy of falling for Mizuto immediately, and so hard that he actually notices and rejects her. Of course, no fear, that takes the entire volume, because yikes, he’s still Mizuto. When Yume calls him Enemy of All Women she’s not kidding. This guy will be cripplingly nice at you until you have no recourse but to fall over dead.

It’s the Culture Festival, and Mizuto’s class needs to come up with something nifty. an escape room is a good idea… that everyone else is also doing. But hey, maybe if they have art by Isana! Yes, she’s outed at last for being a brilliant artist by hyperactive, scatterbrained Yoshino, and will thus be doing art for the day. She’s already stressed enough, as she has a job offer to do a light novel series, but is afraid of taking that big step. Meanwhile, Yume and her student council election rival are in charge of the entire festival, meaning Yume’s stressing out a bit as well. And then there’s the girl writing the play for her freshman class, who is a great writer who lacks passion, and ends up having Mizuto making some really good but really ill-timed advice. As for Mizuto… well, same ol’ same ol’.

This series has always been really heavy on the fanservice, but I was very impressed with this book, which not only stars Isana in terms of the plot but in terms of the artwork. Isana wears farmer’s overalls that emphasize her chest… and then back in her room, wears them without a bra or shirt. Towards the end of the book, we also see her in her underwear. The big fanservice, of course, cannot actually be drawn, alas, but at least she got her groove back. I also really liked her mother, who is well aware of Mizuto’s “kindness” in helping his friend being incredibly cruel in many ways as well. He deserved to be hit, to be honest. The idea they have for the escape room, with it essentially turning into a multiple endings sort of thing, is quite clever. Best of all is Isana coming to terms with the fact that people like her art, and while it may be embarrassing, it’s her, and she needs to embrace it.

And now we wait, and see if the author actually does pull the trigger on that cliffhanger. Till then, this is saucy romcom fun.

The Petty Villain Plays by the Rules: Rewriting This Otome Game with Honest Work!, Vol. 2

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By MIZUNA and Ruki. Released in Japan as “Yarikonda Otome Game no Akuyaku desu ga, Danzai wa Iya nano de Mattou ni Ikimasu” by TO Books. Released in North America by J-Novel Club. Translated by sachi salehi.

This continues to be in my Top 5 “I’m enjoying this far more than I thought I would, and possibly more than I should be” titles. Its biggest flaw is its pace. It’s not slow life – there’s a lot going on here, most of it involving princes and other high nobles – but it is definitely slow writing. This thing is fourteen volumes and counting in Japan, and by the 14th book he still doesn’t really look much older than he is in this book, which is to say six. This despite the fact that he meets his wife in this volume and officially gets engaged. While also, erm, causing a major international incident. Which, to be fair, he was gonna have to do anyway. Kinda hard to solve the other kingdom’s problems without going full ham. especially in this series.

After training in martial arts with his tutor and his father, and in magic with his other tutor (and accidentally revolutionizing all magic… again), Reid and his dad are off to the neighboring kingdom of Lenarute, home of the Dark Elves, where he’ll be meeting his fiancee… who is also six years old. Unfortunately, the Dark Elves are in a massive power struggle between the King and the traditional Evil Noble Who Wants Power And Also Things To Be The Way They Used To Be. Sadly, evil noble has poisoned his fiancee’s brother against Reid, turning him into a proud arrogant brat. So when Reid is forced to have a sword battle with him, he’s asked to humble the prince a bit. Not a problem. Unfortunately, the prince and the Evil Noble decide to make Reid mad by insulting his slowly dying mother. THIS is a problem. For them.

Most of this book runs on a six-year-old accidentally being really smooth, far too smooth than someone his age should be. That’s a pretty good gag, and it helps that we already know his future wife (she was the lost girl in the town in Book 1, hiding her elf ears.) But there are other really good gags, mostly character based. Farah (his fiancee) is adorable, and also shows her positive emotions by wiggling her ears, something she’s very bad at turning off. Her bodyguard, Asuna, is a battle junkie, and oh my God I wish Diana was not already in a relationship with her childhood friend, because Asuna and Diane would make an AMAZING lesbian power couple. There’s also a bittersweet side story from the POV of Reid’s mother, who wants to be an active, teasing mom who loves her kids, but is simply too bedridden, and she hates it. She also gets the funniest gag in the book, at the end of her chapter.

Basically, this is better than I expected – again. Despite it being nearly 400 pages, and the author STILL couldn’t finish the arc. I’ll read another one.

Unsung Epics of the Hero’s Journey, Vol. 1

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By Hachigatsumori and Nat. Released in Japan as “Yuusha no Tabi no Uragawa de” by Dre Novels. Released in North America by J-Novel Club. Translated by MPT.

It’s been interesting coming at all these fantasy light novels based on Japanese RPGs (which are in turn based on Japanese folklore) without really having played them. The idea of the hero going off to defeat the demon lord, and of course they’re accompanied by the warrior (who is usually “the hero, only not quite”), the cleric (healer girl), and the mage (varies the most, this one seems to be a sad sack of a man) is not one I have played, but I have read enough of these so that it’s as old hat as the author wants it to be. As such, and as you can no doubt tell by the title, this isn’t about the hero. They weren’t even in the original webnovel, and only get a few tiny scenes here. Instead, we follow another cleric and adventurer as they try to stop a prophecy from coming true… though both of them also have their own hidden agenda and hidden tragedies.

Rhuys is a young cleric who is trying to find a strong swordsman as she knows of a prophecy: the newly anointed hero will be killed off early in her journey, leading to devastation for the world. In a rundown tavern, she finds Ariagnée, who is very strong and very cool and wears a strange black gauntlet on her left hand. Everyone is already a bit on edge as the hero, who is supposed to be chosen every 100 years, has been chosen after only ten. Something weird’s going on. Rhuys asks Ariagnée to travel to where the hero is going to be ambushed and take care of the bad guys before the fact, which Ariagnée agrees to partly for hidden motives of her own, but also partly as Rhuys is cute. As they journey on, each one learns about the other’s secret past and horrible backstories, which both tie in with the reason that this hero journey has come so early this time around.

There is definitely yuri here, for those who seek it out, but this is not a romance per se; the focus is on the adventure. Both our heroines are pretty messed up, with Rhuys hiding her true powers and wracked with guilt over her childhood, essentially having become a very passive death seeker. Ariagnée has a past that is not as secret as perhaps it should be – I guessed a lot of it before the reveal – but that doesn’t make it less compelling in terms of the overall narrative. The two of them do make a very good team, and hopefully couple. I will admit that the big fight in this book, which takes up a large chunk of the back half, felt far longer than I would have written it. But this is a fantasy thriller, not a psychological drama or a yuri romance, so it makes sense there’s lots of sword battles and hidden moves and the like.

As with most Dre books, this reads like a one-shot but there’s more. Will we actually meet the hero? Who knows, but the hero certainly isn’t why we’re reading this. We’re reading for the lead couple.

The Fearsome Witch Teaches in Another World: Behold the Growth of My Students

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By Mitsuru Inoue and Suzuno. Released in Japan as “Isekai Teni Shite Kyoushi ni Natta ga, Majo to Osorerarete Iru Ken” by Earth Star Luna. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

It’s not a secret that this series definitely has an Agenda with a capital A. The most obvious part is trying to convey how to teach people, how to talk with kids and understand their own varied issues, etc. That certainly applies here as well, but the author also seems determined to kick back against all the cliches that you seem to see in light novels in this sort of world. Getting an arranged marriage without your consent to someone decades older than you? No you’re not. Country determined to prove that Magic A Is Magic A? No it’s not. Are those nobles who insist only those of the upper class can use magic and that filthy commoners should know their place? We’ll put a stop to that. Oh look, those dwarfs only care about magical weapons rather than using magic itself? Not gonna happen. Aoi is here to drag everyone into modern times with the best magic, and she will beat up the world to do so.

As with Tearmoon Empire, this series has trouble figuring out where to end a book. The first third of the book wraps up the trip to the Holy Maple Leaf Empire, as Aoi has to travel to Shenley’s home because her father has decided to pull her out of school. Naturally this pisses Aoi off, especially when she discovers a) he’s ignoring all her other accomplishments, b) he’s ignoring Aoi, and c) he’s marrying Shenley off to the one guy who didn’t grow to love her magic in the 2nd book. Needless to say, “Aoi Being Very Aoi” solves all these problems. The larger part of the book is essentially this world’s version of the culture festival, only it’s an international event, with the world leaders coming to see what cool magic tricks Fiddich Academy has come up with now. As such, it’s mostly the teachers who are stressed about presentations. No worries, though, Aoi is here to help.

There’s a lot of family stuff in this book. Once Shenley’s dad is given a talking to, he travels to the academy to see exactly what Shenley has been going through, and ends up sympathizing far more with her. (It helps that under Aoi’s tutelage she’s becoming a genius.) Dean’s mother is the classic “education mama” for whom no amount of good things is enough, you can always do better. (Admittedly, that plot will have to be resolved in Book 4, because we’re ending in the middle of an arc again.) Felter’s dad is, unsurprisingly, a guy who lives only for battle, and essentially comes every year to beat his son up and is now intrigued at this tiny powerful woman. And there’s even the commoner kid who Aoi teaches magic to show that it has nothing to do with breeding, whose dad may help pave the way for her to spread magic even further. Aoi may beat up a lot of her problems, but she’s also good at negotiation, bartering, and everything except common sense and facial expressions.

As ever, if you hate OP folks who win easily all the time, avoid avoid avoid. Otherwise, this series remains a lot of fun, and Aoi is ridiculous.

Sister Mafioso: O God, Let This Lie Stand

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By Adachi and Kyozip. Released in Japan as “Gisou Shi Shita Moto Mafia Reijou, Nidome no Jinsei wa Zettai ni Ikinobimasu ~Kamisama, Douka Kono Uso dake wa Minogashite Kudasai~” by Dre Novels. Released in North America by J-Novel Heart. Translated by Emily Hemphill.

It’s been a while since we’ve had a straight up thriller light novel. Oh sure, this is in the Heart imprint, and the romance is there, but the romance is not why you read this. You read this worrying that our heroine is about to die, and you do so for almost 300 pages. There’s lots of lies and deception, there’s a truly horrible family that does some truly horrible things (woe to the woman who poses as our heroine, you don’t want to know how she turns out), there is a very high body count, and there’s a lot of people who hate themselves. And of course, as the title might tell you, when I say family I mean “Family”. Like the Hotel California, our heroine discovers that you can check out any time you want (figuratively), but you can never leave.

In a remote nunnery, Novice Sister Dina Tosca has been there for ten years, being a pious young nun in training. Unfortunately, a ne’er-do-well comes looking for a Dina Ferletti, a blonde daughter of a mafia don who went missing ten years ago and was presumed dead. Now, Dina Tosca is not blonde, and she’s a year younger than the other Dina is supposed to be, but that’s good enough for the Ferletti family, who kidnap her and drag her back to the current head of the family, Aurelio… and if it tursns out not to work, well, they can always kill her. Fortunately, there’s a mole in the Forletti family who’s trying to take them down, and he wants to help Dina. Though to do so she’ll have to pose as Dina Ferletti. Which should not be hard, as well, she really *is* Dina Ferletti, and she really doesn’t want to tell her new ally as he may just kill her.

There’s some good intrigue here, much of it nasty. Dina’s dinner with her brother and his lover turns out to be “do you remember the right way to eat to avoid being poisoned?”, and when another “Dina Ferletti” shows up, our Dina worries that, even if she is the real deal, she may not be real enough. The romantic leads are both good, but my favorite character may be Luca, a member of the family who brought Dina there and who doesn’t like Teodoro… and the feeling is mutual. He’s the classic “I am mostly a terrible person, but I am also attracted to the main heroine” sort, and I was delighted by his character arc. Let’s also say that he and Teodoro are very lucky this is the Heart line and not the Knight line. If there’s a weakness it’s Aurelio, whose backstory didn’t really resonate for me, as well as a bit TOO much “are they really poisoned this time” set pieces.

This is very much told in a single volume… but it’s Drecom, so you know they were asked to write another, and it’s coming. If you like a good dark action thriller, this is right up your alley.

The Too-Perfect Saint: Tossed Aside by My Fiancé and Sold to Another Kingdom, Vol. 6

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By Fuyutsuki Koki and Masami. Released in Japan as “Kanpeki Sugite Kawaige ga Nai to Konyaku Haki Sareta Seijo wa Ringoku ni Urareru” by Overlap Novels f. Released in North America by Airship. Translated by Amelia Mason. Adapted by Shaenon K. Garrity.

I suppose if you’re going to have a romantic age-gap romance, you might as well lean right away into the fact that it’s very problematic. From the moment that Philia hears about Lena’s engagement to the knight Elmhardt, an engagement that was arranged right after Lena was born, and when Elmhardt was already a young man, her reaction is essentially the reader’s: what the heck? As it turns out, the engagement mostly comes down to a whole heaping helping of guilt from almost all parties – even Lena, whose innocent question to her fiance several years ago led to him just giving up and avoiding her. But Lena’s an adult now, at least by the standards of this world, and the book makes it very clear that everyone’s been going around doing things without asking what she wants. Fortunately, Philia, who is learning about this strange thing called friendship, is different.

Despite the fact that things are still fraught after the events of the last book, there’s a pilgrimage coming up, and Osvalt is in charge of it. The neighboring country of Alectron journeys there for religious reasons. Unfortunately, Philia also hears that assassins are plotting to kill her – again. So they’re adding lots of extra security, including knight (and friend of Leonardo) Elmhardt, who it turns out is Lena’s fiance. Though both of them seem very uncomfortable about it. After an attack on Philia (maybe?) by monsters, it turns out that the assassin is using a magical tool that’s been stolen from the kingdom’s vaults… a tool that was also used years ago, when there was a coup attempt. Which also involved the current king of Alectron. And Elmhardt.

I mentioned the friendship thing earlier, and it may be my favorite moment of the book. Lena’s been around from the start, but she’s basically been fulfilling a “maid/bodyguard” role. Philia has her mother and sister, she has other saints who are more like disciples, and she also has Erza, but she hasn’t been around for a while. More importantly, Philia is still having to deal with normal human emotions after repressing them for her entire life, so the idea that she cares about Lena and wants what’s best for her is more important than it normally would be. There’s also a convoluted plot and backstory here, which mostly checks out fine, though it feels like an excuse for romantic conflict more than anything else. If there’s a flaw here it’s probably Lena, who’s simply too nice about the whole thing – yes, even when she’s furiously attacking near the end – and who I wish would at least kick back a little against a setup she’s had since birth.

Still, overall this was solid. And next time we have Mia’s wedding. Which I’m sure will be trouble-free and totally boring. Right.

In Another World with Household Spells, Vol. 5

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By Rika and HIROKAZU. Released in Japan as “Isekai ni Kita kedo, Seikatsu Mahou shika Tsukaemasen” by Mag Garden Novels. Released in North America by J-Novel Club. Translated by sachi salehi.

For once, Patience ends up having a really good volume with minimal chaos. Sure, her summer vacation keeps getting interrupted with visits to every single noble family around, but as is pointed out to her, this is what noble girls her age are supposed to be doing, in preparation for her coming out party in a couple of years. It’s all about connections, and while she has made many connections with the eccentric nerd population of the school, her female friends pretty much consist of Princess Margaret and her relatives. What’s more, given this is one of those noble families in a magic academy books, everyone’s getting engaged when they’re eleven or twelve, and the option of “don’t get married but have a career instead” is likely not going to be happening. Alas for Patience, most of her suitors are obsessed nerds. Or literal royalty. Fortunately, there’s one exception, and he’s the one she is starting to fall for. A bit. Maybe.

Patience and her two brothers are headed off to Samuel’s family territory, which is near the sea. You know what that means, especially with that cover. Beach time! Which means it’s time for Patience to buckle down and invent waterproof swimsuits, even if she has to make them more modest than she’d like, and also use monster materials that gross her out a bit. The territory also has an extensive set of ruins, which are actually in very good shape, from the country’s shrouded past of war. Indeed, some of the ships shown in the murals are so advanced Patience suspects they were invented by other folks reincarnated from Japan. Elsewhere, she’s making dyes, making pool floats, and avoiding Albert’s father, who remains so obsessed with music he would happily marry an eleven-year-old just to lock her away. Fortunately, even her marriage-happy aunt realizes this is not the marriage Patience wants.

I appreciate that Patience, as she grows up, is getting some character development. For all that she suspects her poor horse-riding is due to the OG Patience’s reticence, in reality it’s likely more due to her just being too skittish of the horse, which is therefore skittish of her. That said, Patience is very much an “if all you have is a hammer” sort of character, so it should not come as a surprise to find that the solution is Household Spells. She also starts to realize that, Japanese knowledge or no, she’s very sheltered when it comes to THIS world, and like most nobles she has no idea what the value of money is here, or how she looks when she walks into a normal store dressed as she usually does. And it’s just going to get fancier, as she finally gets some good news about her father… who stays behind the entire book, so how that plays out will have to wait.

Technically this is a two-parter, as the rest of her obsessed alchemy friends have only just arrived to explore/excavate the ruins. We’ll see that next time. Stay strong, Patience, and stop using the word shotacon.

Tearmoon Empire: Short Story Collection, Vol. 1

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

It’s honestly rather surprising that we haven’t had one of these yet for Tearmoon Empire. Other light novel series are very fond of their .5 volumes or added bonus story collections – hell, Spy Classroom almost has more short story collections than regular volumes. But Tearmoon Empire has pretty much been too busy with Mia trying to save history and make it so she’s not guillotined, poisoned, or does not otherwise live to see her grandchild grow up. As a result, we not only have this collection, which seems to go up to about the 9th or 10th book in the series in terms of the timeline, but there’s a second already out in Japan. I’m not certain if they’re bookstore exclusive-type short stories or if they’re written for this volume. One thing is for sure, though, which is that while Tearmoon Empire is hilarious, and also a thriller, and sometimes a mystery, one of the things it does best is show off that doing good things, and paying it forward, makes everyone happier.

There are too many short stories here to give a breakdown as I sometimes do. I will therefore note some of my favorites, starting with the wraparound plot. Empress Mia, now a grandmother, is having trouble sleeping because her husband Abel is away visiting Sion, no doubt for another sword battle. As it turns out, Bel is also awake, mostly so she can get into mischief. To prevent this, Mia starts telling Bel old stories from back in her teenage years, i.e. around Book 1-10. Anne later shows up, and the whole vibe of these sections is just so nice to see. Seeing Mia at rest, having accomplished what she set out to do, and everyone else living their best lives, just puts a big silly grin on your face. I also loved the glimpses into Mia’s mother, and how this passes down into the wedding dress she shows her father before she marries Abel.

There’s also another ongoing plotline throughout this, which has to do with how Mia’s story is being retold. I’ve talked before about who I think the identity of the snarky narrator of this series is, and while we don’t delve into that we do get two other strands of the story escaping from the bounds of reality. Mia and company go to see a theater group putting on a “fictional” play that seems a little too real to Mia… it’s her life, right down to the time travel! The writer seems to get divine inspiration, rather than it being sinister, but I did love Mia wondering when she’ll tell Abel the truth about herself, as she knows she’ll have to one day. The other subplot shows Mia trying to stop everyone overselling her accomplishments – Elise’s history books have Mia literally flying, something that causes the actual Mia to cringe in embarrassment. She reassures herself that everyone will realize it’s exaggerated. That does not, in fact, happen. Sorry, Mia, you’re just that amazing to everyone. Even Ludwig. (The fountain pen gift, and how Mia makes him accept it, was also brilliant.)

Basically, these stories put a smile on your face and a song in your heart. Now let’s get back to the main plot, as if Mia is killed off in Book 17 all this may be irrelevant.

Royal Spirits Are a Royal Pain! Give Me a Regular Romance, Vol. 3

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By Rei Kazama and Fujiazuki. Released in Japan as “Tensei Reijō wa Seirei ni Aisarete Saikyō Desu…… Dakedo Futsū ni Koi Shitai)” by TO Books. Released in North America by J-Novel Heart. Translated by okaykei.

It continues to be entertaining watching Deirdre wondering why everyone in the cast considers her to be less of a human and more of a monster – or worse, a bomb. It’s especially amusing watching Chris and Alan doing it, because of course those two are also considered to be not quite the same as normal humans in their peer group. In this book full of nobles and their politics,l this is definitely a top-down series – the crown prince, dukes, and marquises are heavily involved, as are their children, and it tends to be counts and barons who end up wither as the villain of the subplot or struggling to accomplish what the rest of the cast can easily do. One reason that light novel authors have glommed onto noble teenage politics is that it’s the best of both worlds – you can write all the pretty rich kids and courtship you want, and then see them screw it up, as they’re teens. Albeit teens with assassins after them, in some cases.

Deirdre is ten yours old, which means at last she gets to attend the magical noble academy that’s a staple of all these books. If nothing else, that should at least slow down Prince Andrew, who continues to drop by their estate to chat whenever he feels like it. She also reunites with Kamil, the young boy she mistook for a girl four years prior. He and his suspicious merchant friend are trying to sell them chocolate… but alas, it’s “we don’t have modern conveniences” chocolate, so she’s not as delighted as they hoped. And there’s also a heaping helping of romantic tomfoolery, as almost all kids are engaged by the time they’re fifteen in this world. The prince is interviewing marriage candidates, an arrogant guy is trying to break up a true love couple (we know how that will go). As for Deirdre? Well, she’s not interested in anyone right now, but the author does give us a few hints.

Sorry to anyone thinking she’d end up with the prince, but a) clearly having her as a queen would be a disaster and they both know it, and b) Kamil is given over one-third of the entire novel, as we hear of his entire tragic backstory and his present struggles, including his own POV of his initial meetings with Deirdre. Foreign prince, still somewhat a secret prince, who’s handsome and clever but has also renounced his title so she can do whatever she wants with him? Yeah, this guy’s endgame, though it may take a while. Taking less time is Deirdre and her posse starting to grow up to be incredibly powerful young women… though admittedly with some of them it may be with regret. (Karla, you need to get it together, as I suspect you’re right in Andrew’s sights.) There’s also some really good heartwarming stuff among this intrigue – I enjoyed Deirdre’s happy memories of her family back in Japan, which had a “difficult dad”, and I was also surprised when the standard “there’s a rumor of a ghost” turn out to be not only 100% true but they even got the identity of the ghost right.

This thankfully lacks the high body count of the 2nd book, so is more relaxing (leaving aside Kamil’s backstory), but I’m still intrigued to see how things play out in future books. A lot of fun.