St. Dragon Girl, Vol. 2
By Natsumi Matsumoto
Published by Viz Media
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Discussion, Resources, Roundtables, & Reviews
by MJ 23 Comments
So I’m starting with this topic because it received the most votes, but I’ll be talking about each topic on the poll within the next week or so, and posting some reviews as well, so hopefully I will please everyone!
It’s kind of stunning now to go back to my original thoughts on yaoi, not because the things I have problems with in the genre have changed, because they really haven’t (though I probably have some new things to add). What’s changed is that I have finally nailed down what exactly it is I’m looking for in a boys’ love story, and the simple truth is that it is exactly what I’m looking for in any story, no more, no less.
I’ve read arguments from time to time (made by people I respect a lot, mind you) about certain things only being “okay” in a BL story–things they would not accept in any other kind of story. And while I can see the point that these things are potentially unavoidable in the vast majority of the genre, I still don’t like them, and wouldn’t purposefully read something with those elements included unless there was a lot of what I do like in there to balance the scale. So in this entry, instead of talking about what I don’t like in yaoi/boys’love/whatever, I’m going to talk about what I do.
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by MJ 18 Comments
My mind is quite scattered today. I spent my unusually long commute this morning (thanks, construction season) pondering Great Truths of Our Time, such as “Dunkin’ Donuts has better coffee than McDonald’s,” and “Those who ignore ‘yield’ signs are douchebags,” and since then I’ve encountered quite a bit of online conversation that has caused me to develop Deep Thoughts. First, some comments in Michelle’s blog got me thinking about my futile struggle with assigning grades in reviews, followed by an e-mail exchange that gave me a few new thoughts on yaoi (and wow, reading that old post, I’m struck with how much clearer a perspective I have on the subject now). Finally there came Lissa Pattillo’s post about Twitter which inspired some reflections on my own tweeting experience. In the end, however, here I am at lunchtime with no real direction to speak of. So I put it to you, dear readers (poll after the jump):
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From the back cover:
Joonha, the transgender headcase, and Taehyun, the hotshot rich kid, are actually becoming buddies—so much so that they even team up to take down a card shark at the casino Taehyun’s family runs. Is the friendship about to turn into something… more?
Meanwhile, figures from Joonha’s past keep popping up—and stirring up real trouble. His old friend Jinhoo, now a star piano player, is back in Seoul and not going anywhere. And former nice girl Heewon: is she really as nasty as she acts, or is it all a front? Could she be the reason why brainy Jihan suddenly isn’t wearing his glasses anymore?
Review:
I’m not sure what it is about Click that makes it so addictive. I think perhaps the emphasis on character relationships over anything else is partly responsible, because the plot itself is pretty much just day-to-day things, even though what passes for day-to-day in Taehyun’s life is his stepfather accusing him of being gay, plotting business takeovers, winning at high stakes poker games, et cetera.
Also, now that the mechanics of Joonha’s gender change are out of the way, the uncertainty of the other characters regarding her true gender is pretty interesting. Taehyun’s definitely attracted to her, but unable to really convince himself she’s a girl. Heewon, despite Joonha telling her outright that she’s a girl (though she made up a story about having been a girl all along) is in denial and insists to her friend that Joonha’s a guy. And Jinhoo is completely clueless, though the volume ends with a cliffhanger in which he seems poised to find out (or to at least spot Joonha in a girl’s uniform).
I also love the wordless reunion between Jinhoo and Joonha and the fact that when Joonha tells Taehyun she’s starting to like him, she doesn’t mean romantically (at least, I don’t think so), but rather means that she wants to be like him, a cool badass kind of guy. I can almost like Joonha now, but her nasty personality emerges once again when confronted with Jinhoo’s girlfriend. I also can’t stand Heewon, with her profanity, violence, and propensity for ordering people around like they’re her servants.
I think of a B- as meaning, “I enjoy this despite its flaws,” which fits Click pretty well.
by MJ 20 Comments
Hot Gimmick (VIZBIG), Vol. 1
By Miki Aihara
Published by Viz Media
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By Hiroko Ishimaru
Digital Manga Publishing, 200 pp.
Rating: M (18+)
Keigo Someha is a private detective who retrieves a boy he finds collapsed in the street and brings him home. To his shock, the boy (Emiya) asks to stay with him forever, which Keigo refuses until it turns out that Emiya has extrasensory abilities that can help Keigo in his work. Unfortunately, Emiya can also see Keigo’s hidden secrets, including the fact that he moonlights as an assassin. When Keigo discovers that Emiya has escaped from a secret government facility he tries to protect him, but with a tracking device implanted in Emiya’s neck the government is capable of finding him anywhere. Soon Keigo and Emiya realize they have fallen in love and Keigo becomes even more determined to wrest Emiya from the powerful grip of the government.
This manga has numerous elements that could make up an interesting story but they are all so underdeveloped that there is honestly no real chance. All the most intriguing bits–Keigo’s side job as an assassin, Emiya’s life-long isolation from the real world, the government project Emiya is being used for–are addressed only on the most surface level. Keigo mentions how surprised he is to fall in love after so many years as a killer, but he displays no evidence of any psychological damage or any real attachment to the job, so when he finally declares he is going to give it all up for Emiya’s sake, it’s about as dramatic as if he’d declared he was giving up sweets. Emiya’s innocence ends up being used only as running gag and a rather creepy device for explaining his ignorance in bed. The government project is barely explained and its main scientist’s sick fixation on Emiya is too shallow to be believed. The story’s art is serviceable and blandly attractive, but fades quickly from memory.
On the upside, Keigo and Emiya’s relationship is warm and consensual, even if develops much too quickly to be real, and there are a few nice scenes played out between them. Unfortunately this isn’t nearly enough to make up for the lack of depth throughout. Perhaps in a longer series, these characters could have been more fully realized, but as it is, Love/Knot fails to provide any real insight into the human heart.
Review copy provided by the publisher. Review originally published at PopCultureShock.
By Idumi Kirihara
Aurora Publishing, 174 pp.
Rating: T (13+)
Timid Theater Research Group member Mugi takes the stage in her first leading role in the performance that will determine whether the club must be forced to disband. After a rocky start, she finally comes into her own as an actress even while club president Nono loses her voice onstage. Unfortunately, the club’s best efforts are not enough, and it is the official theater club that wins the fight for its existence. After the Theater Research Group’s members part ways, spunky freshman Chitose (an official theater club member still harboring a crush on senior Research Group member Takashi) suggests to Mugi that they have a Christmas party with the senior members of both their clubs to bring them all together again. The party is a success, but there is heartbreak in store for both girls, as Chitose is rejected by Takashi and Mugi finds out that her best friend, Kayo, is leaving to study overseas.
This volume is short on focus but this actually matches the emotional states of the characters quite well, ensuring that the reader feels keenly the shaky ground everyone is treading on for most of the volume. With all the primary characters at loose ends, it’s hard to see where things will go at this point, but fortunately the story is strong enough now to carry that kind of uncertainty and still compel readers to care what happens next. Though Nono’s voice has become a serious problem, her story takes a back seat in this volume, giving more attention to Mugi’s personal relationships (both with Kayo and love interest Kai) and the void left in her life after the dissolution of the club.
Despite the scattered feel of this volume, Hitohira continues to become more appealing as it goes along, providing more insight into its engaging group of characters as they struggle to discover their individual paths.
Review copy provided by the publisher. Review originally published at PopCultureShock.
by MJ 9 Comments
Good morning, all! I have a couple of reviews in this morning’s Manga Minis, for volume three of Hitohira (see my reviews for the first two volumes here and here), and for DMP/June’s BL one-shot, Love/Knot.
So, something that keeps coming up between me and another reviewer dear to me is a deep insecurity about our own reviews that kicks in whenever we read something written by the other. I think her reviews have an incredible clarity and power of description that immediately tells the reader whether or not a book is something they want to read–something I feel entirely helpless to achieve. She thinks my reviews are thoughtful and especially insightful into the emotional world of the characters, which she envies on some level. Basically, she thinks her reviews are missing the “big picture” and I think mine are missing the point. Most of the time, I think we just admire each other in a very constructive way that inspires us both to do our best, but sometimes we become disheartened by our perception of our own skills, and that’s when I think I have to pull out some kind of lecture on the subject for both of us to listen to. This is my attempt at that lecture. …
Part companion volume to You Will Fall in Love and part sequel, You Will Drown in Love gives Reiichiro’s perspective of events as he reconnects with his long-lost best friend, Haru, and learns of Haru’s relationship with his younger brother, Tsukasa. After Haru rejects his confession of love, Reiichiro talks it over with his employee, Jinnai, who’s been giving him advice on a variety of topics ever since Reiichiro came on board as the manager of the fabric store where they both work. When Jinnai tells Reiichiro he loves him, both men must overcome some of their own bad habits if they’re going to be able to make a relationship work.
You Will Drown in Love is the kind of sequel that enriches rather than cheapens the original. Although Jinnai does not appear at all in You Will Fall in Love, by dovetailing the two storylines together, his friendship with Reiichiro is allowed to grow while the events of the first book play out and develop into love when Reiichiro’s involvement in the tale of Haru and Tsukasa comes to a close. As a result, he didn’t feel like an afterthought, but rather as someone whose opinions informed Reiichiro’s actions in the earlier work.
Like the first story, this is one of the more romantic boys’ love stories I’ve read, free from outside obstacles to the relationship or angst that makes no sense. The problems Reiichiro and Jinnai face arise because of their natures—Reiichiro is both naïve and sensitive while Jinnai uses humor as a defense—and are far more difficult to conquer than a mere lusty rival. My one real complaint is that Reiichiro’s naïveté is overdone to the point of unbelievability—what grown man would utter a sentence like, “Guys don’t normally kiss each other, right?” I do, however, adore his final line of the volume, which I will not spoil.
With its emphasis on communication and trust, this boys’ love romance is a cut above the rest.
Review copy provided by the publisher. Review originally published at Manga Recon.
by MJ 10 Comments