Anna N

For this week’s Saturday Morning Cartoon, let’s enjoy the goggles, billowing coats, and steampunk airships of Last Exile:

Kamisama Kiss Volume 1 by Julietta Suzuki

Karakuri Odette was such a pleasant surprise when I first started reading it, I have been eagerly waiting for another Suzuki series to be translated. I was excited to see that the Shojo Beat line was adding her series about yokai, Kamisama Kiss. Much like Karakuri Odette, Kamisama Kiss takes a premise that might initially seem to be a bit worn out and makes it absolutely charming.

Nanami is a fairly typical heroine. She’s bright and enthusiastic but she’s dealing with a horrible home life. Her father is a hopeless gambler, and in the first few pages of the manga he announces that they’re broke again and vanishes while leaving a terse note behind. The eviction people are knocking on the door and Nanami soon finds herself homeless, railing at her situation in a park. She’s distracted from her own grumbling when she sees that a dog has treed a strange man. Nanami chases off the dog and finds herself talking to a man who admits that he’s a runaway too. He says something about how she’ll be a better master for his house, kisses her on the forehead and hands her a map.

Nanami checks out her new home, which turns out to be a seemingly deserted shrine. She’s attacked by Tomoe, a fox spirit who initially mistakes her aura for his missing master. Nanami is now the god of the shrine, and she has to deal with two tiny spirit servants as well as figuring out how to make Tomoe help her with her new duties. Nanami soon finds out that being in charge of a shrine involves a backbreaking amount of work, and her human nature means that she isn’t very good at using her new mystical powers. Tomoe and Nanami quickly develop the “they are bickering because they are secretly attracted to each other” type of relationship that is fairly typical in shoujo manga. But as I expected from Suzuki, there are many quirky touches that make Kamisama Kiss interesting.

While drawing a human doesn’t necessarily give Suzuki the free range in expressing slightly strange body language that she exercises in Karakuri Odette, I’m still drawn in by the facial expressions of the characters. Suzuki seems to be able to create incredibly lively people with ease. None of her characters seem stiff or have dead eyes, which is quite an achievement when you consider that Nanami’s Onibi-warashi servant duo only appear with masks on their faces. Tomoe spends most of his time looking fiendish with occasional lapses into sympathy as he finds himself liking Nanami despite his professed intentions of not accepting her as his new master. Kamisama Kiss isn’t as purely episodic as Karakuri Odette, but it manages to cover plenty of ground for a first volume as Nanami settles in to her new life, attempts to practice magic, visits the spirit world, and attempts to help another local deity with her love life.

I enjoyed Suzuki’s character designs for her yokai, as she managed to make everyone look both creepy and cute. When a swamp goddess visits Nanami she’s drawn to look like a heavily-made up lizard with saucer eyes and tiny webbed structures taking the place of her ears. While plenty of manga show girls disappearing into a fantasy world, towards the end of the volume Nanami goes back to town and she’s struck by the contrast of the modern town with her new life. This was a detail I appreciated, since usually heroines of this type of manga don’t seem to be able to move between both worlds with ease. I also liked the way Nanami was able to stand up to Tomoe. While he kept declining to help her in order to prove a point, she managed to work around him due to the strength of her stubborn personality. I’m happy that as many of the series I’ve been following are winding down or stalled, there are some fun fantasy series like Kamisama Kiss starting up.

Review copy provided by the publisher.

One of my favorite places to shop for steeply discounted manga is BookCloseOuts.com. For a long time they have mainly stocked older Tokyopop titles, but they’ve recently beefed up their selection of manhwa and manga.

There are many Yen Press titles stocked. One of my favorites is Goong, but you can often find many other titles. I think they recently started carrying First Second remainders, as there are a ton of graphic novels from that publisher now available. There are often scattered Del Rey Manga titles listed too, but it makes sense to search for those by series title, as they are often listed under the umbrella publisher Random House. Between all the manga and fiction titles, it won’t be too hard to hit the $35 required for free shipping. Just thought I’d pass it along in case you need to be thrifty about your holiday shopping.

Here’s the stack of manga that has made its way into my house recently, a combination of my usual monthly DCBS order, early holiday presents and some review copies:

I’m always excited to see a volume of Vagabond I haven’t read yet. I had no idea that the 4th volume of 12 Kingdoms was so big! I’m glad that Tokyopop continues to translate this title so people who were fans of the anime can get an idea of what the non-truncated story is like. I’m looking forward to trashy shoujo in Papillon and talking bears in Biomega. I’m finally getting around to reading Batman and the Mad Monk, because I do enjoy Matt Wagner’s superhero work sometimes. I was so excited when I saw a copy of Julietta Suzuki’s Kamisama Kiss. I am probably going to read that and Papillon first, because I am suddenly in the mood for some shoujo.

I’m pleased to announce the next Manga Moveable Feast will be hosted here from January 16th-22nd. We’ll focus on Karakuri Odette, a great shoujo series about an android girl who wants to become more human.

I wanted to make this title the focus of my first time hosting the manga moveable feast because Julietta Suzuki elevates the android-girl genre, turning it into a series that is at times both sweet and philosophical. Suzuki’s a gifted cartoonist too, and the ways she subtly differentiates android Odette’s body language from her human friends is always a treat to see. Since it is well over a month away, you have plenty of time to add a volume or two of this series to your wishlists, or maybe pick it up with your holiday money. One of the nice things about this series is that it is fairly episodic, so even if you were to pick up one of the later volumes I think it would still be easy to enjoy the manga.

Here’s a sample first chapter on the Tokyopop site.
Here’s a sampling of reviews of the first volume from:
Comics Worth Reading
My old blog TangognaT
A Case Suitable for Treatment
About.com manga guide
And a bunch of review links on Manga Views.

I ended up with an extra copy of the first volume of The Story of Saiunkoku, a fun fantasy shoujo series that features a strong heroine!

To enter the giveaway, just comment with the title of the manga you’d most like to get for the holidays. I’ll randomly pick a winner next Sunday.

And the winner is: Yalimar. Congrats!

One thing that I’ve found a little off-putting about One Piece is the wide consensus that it takes quite a few volumes to really get going. I tend to follow a two book rule on principle when evaluating manga series to see if I want to collect them, because while I’ve read plenty of so-so first volumes that develop into an interesting series by volume two, I have a limited amount of patience when it comes to the idea of collecting several volumes just to get to the good stuff. But I only have the first two volumes on hand right now, so that’s what I’m going to look at today. I’m going to attempt to show what might lead a reader to assume that the series isn’t so great and also highlight the aspects that might cause someone to come back for more.

The first chapter of One Piece follows a very typical shonen formula. An adventurous proto-hero gets inspired by a total bad-ass and decides to become a hero himself. I’m sure there are numerous examples of other manga that have similar beginning chapters, but the ones that come to my mind immediately are Tegami Bachi and Gun Blaze West. The heroic quest idea gets a little bit of a twist in One Piece because Monkey D. Luffy decides that he’ll become “The King of the Pirates.” Luffy is aided in his ambition by his inadvertent ingestion of the fruit of the Gum-Gum tree, which adds him to the ranks of stretchy superheroes. I’ve often thought that elastic powers give a cartoonist the license to go absolutely crazy, but Luffy’s powers mostly seem to manifest in near-invulnerability and the ability to do devastating super-stretchy punches.

Luffy is a hero who is made engaging due to his almost stupid levels of enthusiasm and his tendency to leap into action without any fear for himself. He sets out in a dinghy for the fabled “One Piece,” the legendary pirate treasure that will make him Pirate King. Luffy’s early adventures show him gradually assembling a team that will help him fulfill his quest. He’s joined by Zoro, a swordsman with a hilarious three-sword technique (he fights with swords in both hands and one clenched in his teeth) and Nami, a greedy femme fatale of a navigator.

The art in One Piece is one aspect that might be off-putting to a new reader. Oda’s style is cartoony, with plenty of exaggerated facial expressions. If someone comes to One Piece wanting slick art featuring the giant blades and billowing costumes of Bleach, they’re going to be disappointed. I enjoyed the Oda’s art, just because it looks very different from most shonen titles. I especially appreciated the variety in the character designs for the villains Luffy faced, which ranged from a hideously gigantic pirate queen to a corrupt navy captain with an iron jaw and an axe for a hand. I wasn’t surprised to see that Oda once worked as an assistant on Rurouni Kenshin, because I always thought one of the great things about that series was distinctive villain character design. That’s something I look for when reading shonen manga, so that goes in One Piece’s bonus column for me.

The storyline in the first couple volumes will likely perplex anyone who is wondering why One Piece is a bestseller in Japan. Luffy pulls his team together due to his enthusiasm and genuine friendliness. Even if other characters initially think Luffy is crazy, they end up falling in with his plans despite their earlier intentions. The first couple volumes feature plenty of fights made more interesting by the unique qualities of the villains as well as some episodes that have a bit of after school special type moralizing about the power of friendship. Luffy meets a boy whose ambition is to join the navy and fight pirates, and he becomes Luffy’s first friend from outside his village. Later, a dog’s loyalty is shown to endure past the life of his master in a town decimated by pirates.

The emotional tone in the first couple volumes is one thing that I think hasn’t gelled yet. The series seems on the surface to just be fairly goofy, with the exaggerated villains, plenty of action scenes and jokes, and a hero who can’t be hurt by anything. But there are scattered scenes that emphasize the arbitrary nature of violence and death. Luffy’s hero gets his arm bitten off by a shark and seems largely unconcerned about the sudden amputation. Zoro’s back story is about moving on from tragedy and while Luffy is largely unharmed by fighting with pirates, his companions don’t have that luxury. Zoro fights past the point of exhaustion and announces his intention to sleep on the battlefield, and Luffy cheerfully flexes his muscles and decides to take over. The darker element of violence mixed with the more frivolous elements and usual shonen boosterism of friendship might hint at darker times ahead for Luffy and his crew, and that’s what I’d be interested in seeing later on in the series.

If I was just going by the first couple volumes of the series, I might just assume that One Piece was just a slightly better than average shonen series, with the added bonus of piracy. But seeing how many people are genuinely enthusiastic about this manga makes me think I should at least check out a few of the omnibus volumes even though I am frightened of getting hooked by a 60+ shonen series. I will be looking for One Piece at my local library too.

Today’s Saturday morning cartoon is one of my all time favorite anime: Read Or Die!

I tend to only run press releases I am genuinely enthusiastic about, which is definitely the case with the new Julietta Suzuki series Kamisama Kiss. I’d want to get it in any case because I think her series Karakuri Odette is fantastic, and now I’m intrigued with the premise of the story:

Nanami, alone & homeless after her dad skips town to avoid the debt collectors, saves a mysterious man from a dog attack. Grateful for the rescue, he offers Nanami his home with a kiss on her forehead. Little does she know, but Nanami has just taken over his home…AND his job as the local deity! Adjustments and new responsibilities lay ahead as Nanami faces a host of supernatural creatures, and finds what might be love with the recalcitrant yokai caretaker!

Suzuki managed to make the off-putting at first glance premise of an android girl attending high school genuinely interesting and heartwarming, so I’m very curious to see what she does with gods and yokai. Here’s the full press release:

VIZ MEDIA RELEASES DIVINE ROMANTIC COMEDY KAMISAMA KISS

A Kiss On The Forehead Is A Girl’s Ticket To A New Home And An Unexpected Life As A Deity

San Francisco, CA, December 2, 2010 – VIZ Media, LLC (VIZ Media), one of the entertainment industry’s most innovative and comprehensive publishing, animation and licensing companies, will release the shojo manga (graphic novels for female readers) romantic comedy, KAMISAMA KISS, on December 7^th. The new series, created by Julietta Suzuki, will be published under the company’s Shojo Beat imprint, is rated ‘T’ for Teens, and will carry an MSRP of $9.99 U.S. / $12.99 CAN.
Nanami Momozono is alone and homeless after her dad skips town to evade his gambling debts and the debt collectors kick her out of her apartment. So when a mysterious man she’s just saved from a dog attack offers her his home, she jumps at the opportunity. But it turns out that his place is a shrine, and Nanami has unwittingly taken over his job as a local deity!

“Plenty of surprises are in store for Nanami as she adjusts to life at the shrine, taking on new responsibilities and facing a whole range of hidden dangers that she doesn’t fully understand yet,” says Pancha Diaz, Editor. “A kiss on the forehead might have bestowed the land-god mark on Nanami, but she will have a lot to learn as she faces a bratty sky god, a mysterious swamp deity, and a strange, cute boy who might have supernatural powers of his own!”
Julietta Suzuki’s debut manga The Day One Becomes A Star appeared in Hana to Yume Plus magazine in 2004. Her other published works include The Devil And Sweets, Karakuri Odette, and Kamisama Kiss, which is currently featured in Hana to Yume.

For more information on KAMISAMA KISS, or other shojo titles from VIZ Media, please visit www.ShojoBeat.com.

I’m working on writing up a review of the first couple volumes of One Piece for the Manga Moveable Feast, but I thought I’d take the time to talk about other characters in comics who have similar stretchy powers as One Piece’s enthusiastic protagonist Monkey D. Luffy. While Luffy gained his rubber powers by eating the fruit of the Gum Gum tree, there are plenty of examples of super heroes with magical stretchy abilities in western comics. Here’s a brief overview of some stretchy superheros.

Reed Richards aka Mr Fantastic:
The leader of the Fantastic Four, Reed Richards gained his stretching abilities due to a scientific experiment gone horribly wrong. The funny thing about Reed Richard’s powers is that for someone with such goofy-looking powers, Reed is unquestionably a total stiff in terms of his personality. The contrast between his somewhat frivolous powers and his intellect make him an interesting leader of one of the classic super teams, even though he’d rather spend all of his time in a lab.

The Elongated Man

In an amusing coincidence, the Elongated Man’s powers are also fruit based. It seems like poor Ralph Dibney is always going to be a second-string character, because it doesn’t do much good to be a detective in the same universe as Batman. It also doesn’t seem to be all that wonderful to be super stretchy in a universe containing Plastic Man. He’s doomed to be second best and he and his wife seem to be mainly used as cannon fodder in DC crossover event comics.

Jimmy Olsen (Elastic Lad)

When Superman’s best friend travels forward in time to hang out with the Legion of Super-Heroes, he does so by taking on the abilities of Elastic Lad when he drinks a serum. Unfortunately his super powers do not enable him to make time with the Legion ladies very effectively. Jimmy’s transformation into Elastic Lad were part of a general pattern where he endured being changed into any number of strange creatures. If you’ve been transformed into a giant turtle boy, gorilla, or a radioactive dude having temporary elastic powers seems completely normal.

Plastic Man

Plastic Man is by far my favorite stretchy super hero, mainly because Jack Cole was an incredibly talented cartoonist who took full advantage of the idea of someone having elastic powers. Eel O’Brian was a thief who was splashed by a strange acid, gaining Most stretchy superheroes have some degree of invulnerability due to their malleable nature, but Plastic Man is able to transform himself into any shape imaginable while still retaining the distinctive red and yellow coloring of his costume. Plastic Man comics end up being delightfully surreal, but comics featuring other heroes with elastic powers often just focus on their stretchy limbs instead of taking full advantage of the possibilities of a person made of rubber.

Luffy seems to be partially invulnerable due to his rubber powers, but he mostly uses his elastic abilities to pack some powerful punches, just based on the first couple volumes. I’m curious to see how his elastic powers are used further into series.

20th Century Boys Volume 11

I made a conscious decision that I was going to invest in one Urasawa series, and that would be 20th Century Boys. I read the first three volumes of Monster, and a couple volumes of Pluto but I just feel more invested in finding out what’s going to happen in the sprawling narrative of 20th Century Boys than Urasawa’s other series. With the eleventh volume, we’re at the halfway mark for the series, and there’s plenty of emotional trauma and action as Kanna finds out the truth behind her parentage and the Friends are on the street persecuting any ally of Kanna’s they can find.

Kanna finds out that her father is the Friend, and lapses into a fugue-like state because she’s utterly unable to process that information. Her connection to her beloved uncle Kenji is severed when her old walkman finally stops working and she’s no longer able to listen to his songs. Seeing Kanna brought down so much made me realize again how young she is, even though she’s exhibited cleverness and charisma as she moves towards being the focus of a resistance movement against the friends. Kanna works through the revelation about her father only to find out that her missing mother was a biomedical researcher who might have contributed the disease outbreak that proceeded the Bloody New Year’s Eve. Sadakiyo makes a final decision about what to do with his life, and Kanna meets up with classmate Kyoko and some of Kenji’s other allies. A special bonus in this volume was the reappearance of Otcho, who is one of my favorite characters. I can see the different threads of Urasawa’s story start to come together, and I’m happy to be on board for the next ten volumes.

Children of the Sea Volume 4

I read the first volume of Children of the Sea and caught a few chapters online, but I’ve missed a some chapters. Fortunately so much of this series is expressed in the beautiful art, it was easy just to crack open the book and let the atmosphere created by the philosophical characters and gorgeous illustrations wash over me.

Ruka has vanished with Umi and quirky scientist Anglade. Her parents and Jim are left alone to unravel the mystery behind her disappearance. While sending out search parties is ineffective, Ruka’s mother who used to be a traditional shell diver sets out to find her daughter along with the wisewoman Dehdeh. Kanoko works through her own relationship with the sea as being on the ocean to find her daughter makes her recall her childhood. Other flashbacks feature the strained relationship between Anglade and Jim, with plenty of scientific theorizing from Anglade as he touches on issues of evolution, astronomy, and the nature of time and space. Ruka and Sora explore a strange underwater world in the presence of a mystical meteorite. I had no idea what was going on with Ruka and Sora, but the images of them encountering bizarre sea creatures were arresting. Igarashi creates this manga with such a unique atmosphere and reading experience. I wouldn’t have thought that the mysteries of the sea combined with child explorers and a healthy dose of scientific theorizing would be so compelling, but Children of the Sea pulls it off admirably.

Detroit Metal City #7

Detroit Metal City is a manga that I’m happy to read if I stumble across a copy, but I probably wouldn’t make a special effort to seek it out. I did think in my review of the previous volume that the hints of an ongoing storyline might combat the repetitive nature of the main joke behind this manga about the meek Soichi who is helpless in the face of his uncanny talent for being a profane front man for a death metal band.

Unfortunately I found that the story carried over from the last volume dragged a little bit. Soichi has found a substitute Krauser II to take his place, but a challenger named Krauser I may destroy DMC. Despite a truly odd sequence of Krauser I raping Tokyo Tower, there wasn’t a whole lot of interest in the Krauser confrontation, as it seems that every contest ends with establishing that Soichi can yell “rape” faster than any human on the planet. I did enjoy Soichi’s ill-fated attempt to connect with his desire to create pop music by entering an artists’ colony. Despite the fact that Wakasugi isn’t the most gifted cartoonist around, seeing the blandly happy faces of the art students and reading Soichi’s lame pronouncements like “the curry might get cold, but never our passion” was hilarious. The volume finished up with a few short chapters about a bad hair day for Soichi and the lengths he will go to in order to prevent his younger brother from losing his virginity. So overall, DMC 7 was a bit of a mixed bag – there were a few very funny moments mixed in with some episodes that were a bit long.

Review copies for Children of the Sea and Detroit Metal City provided by the publisher.

There are some pretty good deals on manga on Amazon right now:

$17 Drunken Dreams and Other Stories:

It looks like several random volumes from ongoing series are at 40% off, like:

Black Butler

Alice in the Country of Hearts

Hetalia: Axis Powers

Here are my picks for manga to give to people this holiday season! Here’s my guide from last year, in case you’re curious about my previous picks.

We’re lucky to be living in an age of awesome omnibus editions, and I think they make awesome gifts for manga fans. The books on this list are suitable for teens and adults, I didn’t read a ton of all ages manga this year.

For the fan of classic shoujo:

I don’t think it gets much better than the Dark Horse Clamp Omnibus releases. Some of the more recent Clamp series leave me a little cold, but it is hard to recapture the charm and whimsy of the original Cardcaptor Sakura. With plenty of outfit changes, a tarot card-inspired magical quest, and puppy-love crushes popping up everywhere, Cardcaptor Sakura is a must read for any fan of shoujo fantasy. I tend to be merciless about culling my collection if I have older volumes when I know I’m going to buy the same manga in a deluxe edition, so I don’t have my old stray volumes of the original Tokyopop release. I can’t compare the old and new translations, but I do appreciate the great paper quality of the new Dark Horse edition, as well as all the bonus color illustrations included in this volume. I’m looking forward to collecting the rest of this series.

Itazura na Kiss came out last November, but I didn’t read it until 2010 so I’m including it in this gift guide. The dim-witted heroine with lots of heart is a shoujo staple, and sometimes such a cliched character type can be a little annoying. However, one of the reasons why so many lazy mangaka turn to this character type is the classic and hilarious portrayal of Kotoko in Itazura Na Kiss. Kotoko’s hopeless and all-consuming love for the epitome of Japanese eliteness Irie inspires sympathy in me as opposed to resignation. Kaoru Tada surrounds her odd couple with a large and hilarious supporting cast, making Itazura Na Kiss much more interesting than you might think for a story that follows the romance of a nice but simple girl and her chosen snobbish but intelligent guy.

For the shoujo fan who has everything:

One of my pleasant discoveries late in the year was the omnibus edition of Toru Fujieda’s Dragon Girl. I enjoyed her series Oyayubihime Infinity from CMX, and Dragon Girl makes a slightly goofy premise (girl infiltrates a traditional Japanese cheering club) much more enjoyable than you might think. Rinna’s relentless pursuit of excellence in cheering and total lack of embarrassment even as some of her classmates attempt to pick on her are admirable, and Fujieda manages to create an interesting reverse harem story with plenty of humor. I’m looking forward to the second and concluding volume when it comes out later in the year, and I think the double omnibus edition will make a great addition to any fan of silly shoujo. I haven’t seen this title get as widely reviewed as other shoujo titles recently, so this is my under the radar new shoujo pick.

For the alternative comic fan:

If you know someone who tends to prefer alternative or indie comics, there are some manga out there that should appeal to them. Tops on the list is the Top Shelf anthology AX Volume 1. My full review is here, but the short version is that AX is a carefully curated anthology that gives the reader a new appreciation of the variety of storytelling and art styles that come out of the alternative comics scene in Japan. This would also be a great gift for the manga fan that appreciates volumes that fill in their knowledge of the history and development of the art form.

Other options would be almost anything from Viz’s Sigikki line which is filled with unique storytelling and distinctive art styles. My current favorites from this line are Children of the Sea, Afterschool Charisma, and House of Five Leaves. I think House of Five Leaves, with its slice of life account of a diffident ronin accidentally falling into a life of crime might appeal most to indie comic fans who are open to trying out some manga.

Fans of craziness in comic form – post apocalyptic sci-fi seinen version:

I’ve only read one volume of Biomega and I mean to track down the rest of the series at some point. However just from reading the first volume I wouldn’t hesitate recommending the title to anyone with a sense of humor who enjoys dark twisted science fiction. Tsutomu Nihei’s vision of the future is filled with stylish zombie fighters, abandoned places with interesting architecture, and a talking bear with a machine gun. I don’t think it gets much better than that. I can’t say that Biomega was terribly coherent, but the gorgeous art, creepy zombies, and the aforementioned talking bear with the machine gun goes a long way in satisfying me as a reader. Also: talking bear with machine gun.

Fans of craziness in comic form – cracktastic fantasy shoujo eye-candy version:

This was a really good year for shoujo. But the new series that immediately captured my attention was Demon Sacred, Natsumi Itsuki’s manga about mystical creatures from another dimension that manifest as unicorns and dragons, then take the form of super-hot idol singers when bonded to teenage girls. Add in the medical mystery surrounding the reverse-aging disease called Return Syndrome, a hot genius scientiic researcher, and angsty twin girls and you get one of the most genuinely crazy shoujo plots that I’ve seen since Moon Child. Priced at $5.99, it would be easy to pick up the first couple volumes for any fan of loopy shoujo series. While the first volume of Demon Sacred was a little dense, by the second volume I had given myself over to the craziness and I am eagerly looking forward to the third volume which is coming out at the end of the month, because I need another hit. Nope, this series isn’t addicting at all!

Shonen manga of the year:

I didn’t expect that I’d love Cross Game so much, but this slice-of-life story about a young baseball prodigy touches on issues kids face as they grow up with the baseball serving only as a backdrop. As the characters age and move up in school, they face challenges that go beyond just the baseball field. Ko is an engaging hero, and I’m genuinely curious to find out how he and his friends deal with the corrupt baseball coach at their high school. The three volume omnibus helps compensate for the slightly slow start to the series, but I appreciated being able to read a sports manga that showed time gradually passing for the characters.

Box Sets

Box sets might not be useful for established manga fans, but for newer fans who might not have collected the volumes yet, they could be a great way to get someone hooked.

Death Note Box Set (Vol. 1-13)

Vampire Knight Box Set

Fruits Basket, Vols. 1-4

As for what’s on my wish list, I’d probably want to fill in the gaps in some of the Viz signature series where I don’t have all the volumes, like getting the rest of Biomega, snagging volumes 2 and 3 of Children of the Sea, and the second volume of House of Five Leaves.

Happy Manga Shopping!

Today’s Saturday morning cartoon is one of my all time favorite anime series, Vision of Escaflowne:

I might have been introduced to anime first by Robotech, but Escaflowne was the show that reeled me back in to watching it again after a long absence. I caught one of the episodes when it ran on American TV and decided to seek out the Japanese version. I liked the way Escaflowne combined mecha with a historical fantasy setting. I tend to rewatch this show every two to three years, and sometimes dip in for an episode or two if I’m feeling sick. If you know of similar shows to Escaflowne that I might enjoy, please post your recommendations!

Summoner Girl Volume 1

I think with this series, I have contracted a severe case of yokai fatigue. This manga probably won’t interest older readers who are already very familiar with monster hunting storylines from other manga, but I think it would be a fun read for younger readers. Hibiki is a summoner, given the ability to call on spirits that embody the five elements. She’s set on a quest to gather mystical jewels in order to fulfill her destiny to become High Summoner. Hibiki’s sent on quests by her overly enthusiastic grandmother who urges her to ditch school if there’s a spirit nearby that needs hunting. Hibiki is aided by a slightly dim-witted boy named Kenta who possesses some spiritual powers of his own. One aspect of the manga that I thought was interesting was the way Hibiki takes on the personalities of the spirits she summons to help her, for example becoming angry and belligerent when she summons the aspect of fire. Even though Hibiki hunts spirits, her general approach is to try to understand them instead of pounding them into submission with her considerable mystical powers. Hibiki’s spirit aides take the form of cute animals that rest on her shoulders, offering a running commentary on the action

Kubota’s art has a mobile, thin line which blends in cute drawings of Hibiki with elements of the grotesque like a yelling wrinkled grandmother, a house filled with cobwebs, and a snarling fox spirit. The plot was exactly what I’d expect from a yokai manga, without anything extra to draw me in to want to read much more of it. While Summoner Girl didn’t fully capture my attention, I think the combination of Hibiki’s good-willed approach to spirit hunting, demon fighting, and jokey sidekicks would appeal to younger readers. I wouldn’t hesitate to recommend this volume to a young teen wanting a new action series featuring an engaging heroine.

Review copy provided by the publisher