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Guest Feature: Why You Should Read Evyione

Why You Should Read (and Want More) Evyione: Ocean Fantasy
Part I


Evyione: Ocean Fantasy is an extremely loose adaptation of Hans Christian Andersen’s “The Little Mermaid”. It is obvious just how loose the adaptation is the moment it is revealed that it’s not a story of love between a mermaid and a prince, but a merman and a princess. He eventually gets the name Yaxin Tapileile (note: I read this in Chinese. I have no idea what the European equivalent of ‘Yaxin Tapileile’ would be, so I am stuck with his sinicized name), and her name is Evyione.

Udon Entertainment published the first volume in English in 2008. Since then no new volumes have been published in English. You should want this situation to change. In this piece (and in part II) I’ll explain why.

The art was the first thing which drew me into this series, so it feels like the most appropriate place to start.

The Style

You know those comics where there are lots of diagonals, irregularly yet creatively shaped panels, flowers and other decorative embellishments, and half of the pictures illustrate, not what is happening in the material world, but what is happening inside the characters hearts? Like the shojo comics of the 1970s, for example? Evyione: Ocean Fantasy is not like that.

Instead, the art in Evyione: Ocean Fantasy embodies a spirit of orderly, natural, and refined elegance. This was the spirit of the Rococco style popular in the 18th century Europe prior to the revolutionary era, which is when Evyione: Ocean Fantasy is set. The artwork of Evyione: Ocean Fantasy is Mozart, not Beethoven.

All of the most beautiful illustrations in Evyione: Ocean Fantasy incorporate nature. As the name “Ocean Fantasy” suggests, much of the story takes place by the sea, which provides plenty of opportunities to show dramatic scenery. One of the most visually stunning sequences is when Yaxin goes horseriding through the countryside during a thunderstorm. Likewise, the best portraits of Evyione incorporate bits of nature – for example, in the picture I show below, her hair is wet and dripping with rain.


I went through the first 6 volumes, and counted how many unique dresses Evyione wears in each volume during the main story. They are all Rococco dresses, mainly based on the style of the 1750s-1770s. I did not count it when she wore the same dress again, only when she wore a dress she had never previously worn.

Volume 1 – 4 dresses
Volume 2 – 8 dresses
Volume 3 – 10 dresses
Volume 4 – 8 dresses
Volume 5 – 8 dresses
Volume 6 – 4 dresses

Most comic book characters, even main characters, rarely wear 4 never-before-seen outfits over 180 or so pages. While it is historically accurate that an 18th century princess would wear many different dresses, considering that the story is set up in the imaginary kingdom of Emvonia, there is no reason to be historically accurate. Furthermore, there is no story-related reason for her to wear so many dresses – rather, the dress count is so low in volumes 1 and 6 because the plot forces Evyione to be cut off from her wardrobe for an extended period of time. Even without her wardrobe, Evyione still gets to wear new dresses in volume 1 and 6 because other characters come in and say “Hey Evyione, I brought you some new clothes” – an action which is not necessary to move the plot forward.

And in my count, I did not include the extras at the end of each volume, where Evyione and other characters pose in various attires not seen during the main story.

There is only one logical explanation for this abundance of outfits. Kim Young-Hee loves drawing Rococco dresses.

Let’s look at one, specifically a dress from Volume 4.

(click image to enlarge)

The overall effect of the dress is to make Evyione look like a flower. Not in the literal sense, but to give her the qualities which make flowers beautiful. Notice first that the silhouette of her figure forms a soft bell shape, like a flower that is hanging down. The engageants (those are the extensions of her sleeves) are layered like petals. The layers of her gowns, with a flower-print upper layer contrasted against a lower white layer, have the same petal-like effect on her entire body. The lace-like material on her stomacher is cut into vertical strands, which are allowed for form a wavy, natural shape. Likewise, the vertical cuts of the lace-like material help form a bridge between the lower part of the dress and Evyione’s face. The large ribbon on Evyione’s stomacher forms a central point, giving the dress focus. The low neckline creates a sense of openness, while the choker shows restraint. And to, literally, top it off, the hat caps the entire picture, and the hat’s slight angle slants the viewer’s attention towards Evyione’s face. Like I said, this is orderly, refined, yet natural elegance.

Kim Young-Hee’s love for these clothes shines throughout the art. Many comics set in various historical eras uses the clothes only as a marker saying ‘this is [historical era]’. These comics often use various shortcuts to make the historical dress easier and faster to draw. And there is nothing wrong with prioritizing the story in a story-telling medium. But Kim Young-Hee never skimps on the details for the clothes. Instead, she plays with them – which is why there are so many different designs. Ultimately, I think it not the adherence to the Rococco style, but the love and sense of play which makes these dresses a delight to behold.

No Clothes!

While’s it’s fun to play dress-up with Evyione, it would be a bit much if other characters, specifically Yaxin and the queen, didn’t balance it out. With nudity. Rather than going against the Rococco aesthetic, the nudity actually complements it. Roccoco emphasizes the natural; nothing is more natural than the naked body. The nudity is very tasteful – no genatalia is ever exposed. Storywise, the nudity does not so much evoke eroticism (though it does that too) as help flesh out the characters.

Yaxin, of course, is the one who most often shows his natural assets. A fanservice element is operating here; Yaxin is a bishounen after all. It’s also a source a humor – I love it in Volume 6 when Evyione figures that asking him to put on some clothes would only make the situation even more awkward. But ultimately, the nudity shows that Yaxin does not belong in human society. While he sometimes wears clothes, and functions in society to some extent, he really belongs in the sea.

The queen’s nudity, on the other hand, shows how vulnerable she is. One of the most striking images in all of Evyione: Ocean Fantasy is also of the of few abstract images; it is an image in Volume 5 of the queen, naked. In that image, her back exposed as arms come from out of the shadows and wrap around her. It is part of a scene expressing grief, jealousy, and especially rage. Nudity expresses in a visual manner how defenceless the queen is.


Say what? This…

… is not enough for you? You want a plot? Well, as it happens, there is a story. The scenery, dresses, and nudity even help tell it.

The artwork has been very supportive to me. Reading Evyione: Ocean Fantasy in Chinese, which is not my native language, forces me to rely on the art to a much greater degree than if I were reading it in English. And the artwork delivers. What is going on is almost always clear. Even the fight scenes are easy to follow. That means Evyione does all of the right visual pacing. Whatever the techniques are, they work.

There is one particularly memorable page from Volume 6. There are only three panels and no dialogue. In the top panel, Evyione notices [spoiler]. In the middle panel, the reader gets a better view of [spoiler]. In the bottom panel, Evyione decides what to do about [spoiler]. She conveys her choice with her eyes alone. Because the story had been building up to [spoiler], the fact that Evyione made that choice would have been powerful stuff no matter how she communicated it. But the fact that she only used her eyes? Not only does that show Kim Young-Hee’s ability to tell a story with pictures, that makes that moment all the more moving. The first time I saw that final, bottom panel, it sent a shiver through my spine, and I had go through those three panels over and over again before I was able to turn the page. That’s what I call good visual storytelling.

Of course, Yaxin has to communicates things with his body language all the time, being a mute and all. I take it so much for granted that I didn’t realize until the final edit that Yaxin does things like I describe in the paragraph above all the time.

So, about that Story…

While the artwork is what first drew me in, it’s the story which keeps me reading, and stays with me after I close the book. I hope you’ll read Part II, which is all about the story.

In the mean time, if a picture is worth a thousand words, then the 33-page preview at Udon Entertainment’s website is worth about 20 times more than this piece.

See you when Part II gets posted.

Big thanks to Julie Engelbrecht for being an awesome teacher; I wouldn’t have been able to write this if I hadn’t been her student.

Sara K. has spent almost all of her life in San Francisco, California. She got tired of living in San Francisco, so one day she boarded a plane bound for Haneda Airport, and has never been back to San Francisco ever since. She currently lives in an Asian city you have never heard of.

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  1. Okay, now I really am sad that UDON hasn’t published more of this series. Also, I love your comparison of the art as Mozart vs. Beethoven. That actually made it clearer to me. :)

  2. Okay, if it were available I would definitely try it after this review.

    • Volume 1 is available, at least according to Rightstuf and Amazon. And if enough people buy Volume 1, Udon can probably be persuaded to put out Volume 2.

      • In the US it is, from what I can see – in Germany I can get it via Marketplace but not directly from Amazon.

        My Manga specialist has it in stock, so that’s good.

        • Volume 2 was announced and not published in 2008 – so I do doubt they’ll go and publish it three years later. Still – lovely artwork. I got myself Fever and Hotel Africa and neither of those are finished in English as far as I can gather.

          • There is *way* too much unfinished manhwa in the English-language market. I guess I can’t blame publishers if things weren’t selling, but I think it’s soured some readers on trying it at all, unfortunately.

          • I like to be optimistic and think of a volume published in English as a foot in the door. Udon did not go out of business, so I think it is possible that they could eventually put out volume two if there is enough interest/sales. There are a number of situations where a comic got rescued from hiatus. Evyione: Ocean Fantasy has far better prospects of seeing a full run in English than, say, Four Daughters of Armian, a manhwa I would very much like to try, but which I don’t ever expect to see in English (or Chinese, alas).

  3. Between this, Sara, and my ever-increasing love for SangEun Lee’s 13th Boy, I’m thinking that I must put together a post about under-appreciated manhwa.

    • I wish I could try 13th Boy, but it has not been translated into Chinese, and ordering the English-language edition is prohibitively expensive. Ironic, I know. Maybe it will get translated into Chinese, otherwise I’ll just have to wait until I’m on the other side of the Pacific Ocean.

  4. Maybe I should not admit to being so shallow (eh, I admit it often enough anyway, so I suppose it’s no secret), but this post could have just had the images, and I still would have been sold on this. I try so many things just based on artwork alone, it’s kind of embarrassing.

    Thanks for the post! I don’t keep up with manhwa much, so I had no idea this one even existed. In case I end up liking it, I’ll cross my fingers that more volumes get released in English.

    • I don’t think that’s shallow at all. Liking/loving the artwork is an excellent reason to buy a comic. I myself first got Evyione: Ocean Fantasy because of the artwork – my love for the story came later.

  5. ralphsmum says:

    Thank you so much for featuring this much under-appreciated manhwa. It seriously needs more love than it gets.
    I hope so very much that Volume 2 gets released in the near future. The first volume is seriously just a tease to the later volumes in this series.

    If anyone is interested, Book Depository sells Evyione Volume 1 and it’s where I got my copy:

    • Thanks for the info on the Book Depository.

      And I agree that Volume 1 is a tease (though a very lovely tease – even if Volume 2 never sees the light of day in English, Volume 1 is very much worth having). I also hope very much that Volume 7 gets released soon in Chinese – Volume 6 ends on one heck of a cliffhanger.

  6. I’ve been waiting for volume 2 since volume one came out. Now at least I know there is a volume 2. :) This work was so beautiful; I’m glad you’re bringing attention to it. Thank you!

    • Heh, glad to be of service :D Not only is there a volume 2, there is a volume 6! (I think volume 6 is the best volume yet, both artwise and storywise)

  7. I think you re-convinced me to love the series here. As much as I loved this first volume, it came out so long ago that I’d forgotten why. I wrote it up twice because I loved it so much, but you did a much better job of explaining all the best parts here. And getting a peek into what the rest of the series has to offer is tantalizing.

    Young-Hee Kim has one other series available in English, called Masca, which is a fantasy series that predates Evyione. I liked Evyione so much I picked that one up, but it’s an older series, so the artwork and story aren’t quite as polished. I was a little disappointed, since I imagined that Kim would be good at any sort of fantasy work, but it’s clear that Masca was a stepping stone to the wonderful work she does in Evyione. It was published by CPM, so it only has one volume in English as well.

    • Well without your reviews I probably would have never heard of Evyione: Ocean Fantasy, and thus never written these reviews ;) And it’s easier to write what makes it good because I’ve read ahead; Volume 1 is not the best volume, in fact it’s not even one of the better volumes in my opinion.

      Finding (and reading in Chinese) also re-convinced me to love the series. I remember that I was browsing through a comic book store, and when I saw it I thought that it looked familiar, but I didn’t think I had read anything called “Mermaid Lover” (‘mermaid’ and ‘merman’ are the same word in Chinese, and the Chinese title is in fact “Merman Lover”) And then I suddenly realized that it was Evyione: Ocean Fantasy, and that they had volumes well past Volume 1. It was an exciting discovery.

      Based on what little I’ve seen, the art at least improves a lot in the later volumes of Masca. If CPM were still in business, I’d have bought it already to encourage them to publish more. As things stand, there is no rush. I’ll probably get it when the Chinese-language edition of Evyione has caught up with the slow, slow Korean schedule. Unfortunately, Masca has never been published in Chinese (aside from the CPM volume, it’s only been published in Korean and Vietnamese).


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