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Taking a Close Look at Ultra Jump

This article was originally published at

As sure as boys become men, some boys who read manga become men who read manga. And, at some point, battles for ninja clan supremacy fail to fully meet the emotional needs of that audience. No, that audience wants more violence, less focus on teamwork and strangely uncomfortable series that resolve without ending or end without resolving. For these readers, Ultra Jump is the magazine of choice.

Running 16 series currently, Ultra Jump is heavy on the sci-fi/fantasy and action, with some martial arts and a soupçon of magic. Ultra Jump got it’s start in 1999, some 30 years after it’s younger brother Shounen Jump. UJ is a monthly magazine, retailing in Japan for ¥560 ($6.65USD at time of writing) for just over 500 pages and like Shounen Jump, it’s available pretty much anywhere manga magazines are sold in Japan and in most Japanese bookstores in America. The 2010 circulation for Ultra Jump is reported to be 73,20 which is slightly up from 2009’s 70,834 and close to the 2008 circulation.  Ultra Jump has a digital magazine called Ultra Jump Egg, which provides sample chapters of manga series that have just begun to run in the magazine or, are perhaps being considered for it.

Of the series running currently in Ultra Jump, several have had a checkered experience on US shores. Infamously, Tenjou Tenge, which recently finished, was originally licensed by CMX, who had the nerve to deprive the readership of a glimpse of girl’s underwear and was therefore censured strongly by the folks least likely to actually buy the thing anyway. Viz has rescued this audience from that hell of not being able to see girl’s underwear, and new omnibus volumes are starting to hit the shelves.  Hayate x Blade (the actual reason that I get Ultra Jump) has been licensed and published through volume 6 by Seven Seas. Because Sevens Seas licensed the title from the original publisher, Mediaworks (who ran it in Dengeki Daioh magazine through Volume 8, when it moved to Shuiesha and Ultra Jump,) there is some confusion among fans whether Seven Seas will be able to continue it at least through that point or whether Volume 6 will be as far as the series makes it in English.

Because Ultra Jump is a Shueisha book, it’s no surprise that Viz has a strong presence in the UJ license game. Hyperviolent dystopian Gumn, known here as Battle Angel Alita, has undergone only slightly fewer iterations on these shores as it has in Japan and has managed to successfully reach Volume 14 of the Final Order series. Volume 15 is slated to be released in autumn 2011 Bastard!!, which made it to Volume 19 in English, is known for going on hiatus with some regularity (and has reached that stage of “venerable old series, which means it is serialized on the order of twice a year, perhaps.) Bastard!! is now on hiatus in English, as well. Also currently published by Viz is the hyperviolent dystopian Dogs, Bullets and Carnage.

Ultra Jump series have a tendency to be very long-running as manga series, (Ninku, Tenjou Tenge, Gunm, Steel Ball Run) but if they are turned into an anime at all, the anime tend to be OVAs or short series without second seasons. The overwhelming feeling as a reader is that this is a magazine for readers of manga, as opposed to anime/manga fans. And not just readers, but readers who are in for the long haul, who are content to see the plot develop through long fight arcs and the small spaces in between them. Of the remaining unlicensed titles, I can see Jumbor being ported here, fueled by any success with Takei Hiroyuki’s collaboration with Stan Lee, UltimoJumbor has very similar character designs, but a slightly more classic sci-fi feel. And I wonder if America would be ready for a Wild West manga like Minagawa Ryouji’s Peace Maker. Viz is still slowly popping out Jojo’s Bizarre Adventure, so there’s at least a chance that, when that finishes, Steel Ball Run, a hyperviolent dystopian tale of the meanest polo game you ever did see, might make it over here. That, or when they hit the lottery and want to throw some of that money away on something people want, but will never buy.

The hyperviolent dystopian magical series Anima Chal Lives (one of my personal faves in the magazine), Grandeek Reel, Heaven’s Prison and Hatsukoi Magical Blitz all have about the same chance of being licensed as Needless, which is to say little, for any number of reasons, from constant, uneditable nudity, to constant, uneditable semi-nudity. (The Needless anime was licensed, I’m still not sure why. never was there a better-named series.)

I’ve seen UJ alternately labeled shounen (for boys, say 12-15) and seinen (for young men, say 16-25.) I’d weigh in on the side of seinen. It’s not that young boys can’t or won’t read and stick with long series – One Piece proves the lie on that pretty quickly – but that the sensibility of the stories, and the crises of identities are more “adult,” if you will. When I began this article, I was surprised, pleasantly, at how many of the series for this magazine have made it over here.  Viz has already resurrected Tenjou Tenge and, damn I’d love to hear that Hayate x Blade will be continued.

Ultra Jump, published monthly by Shueisha.

Erica Friedman write reviews of Yuri Manga, Anime and related media at her blog Okazu .

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  1. I’ve actully been waiting for the Tenjou tenge omnibus since it was announce last year I take a certen amount of pride in myself that I did,nt stoop to reading Scanlations or buying the edited version and as always these articles are always so much fun to read a small request please do Comic High! next.

  2. Hi Aaron – Great to see your comment.

    Comic High is actually pretty low on my list. I’ll get there…eventually. I think next up is Shounen Sunday. ^_^

  3. I really love Hayate x Blade (I think I even started on it based on your praises) but it seems like a seriously odd title for how you described this magazine. Any thoughts on how it fits in?

  4. “No, that audience wants more violence, less focus on teamwork and strangely uncomfortable series that resolve without ending or end without resolving.”

    Sounds like my kind of magazine. ;)

    Looking forward to reading more of your manga magazine reviews. I’ve been reading a bunch of them on the past hour or so.

  5. Thank llj! I’ll be posting new reviews interspersed with the old ones, so it’s not all recycled material, until I catch up.

  6. Jade – I’m so very glad you like HxB, especially as you tried it on my recommendation! (^_^)

    I can’t say for sure, of course, but my best guess is that Hayashiya-sensei moved to a magazine with a much lower manga -to-anime ratio. Dengenki Daioh has a very high manga-to-anime (often short one-season anime) ratio. Since most manga artists are not given any creative control over any anime made of their material (Directors have almost dictatorial powers…and most are male) it’s a best guess that she simply doesn’t want to lose control of the characters or story as she would in an anime. Hayashiya-sensei carved her own way from way at the bottom, building reputation and audience with her own skill and wit. I somehow don’t see her handing control to someone else. UJ has a low Manga-to-anime ratio, and I think she felt pressure at Mediaworks to commit to a short anime.

    Again, this is all guesswork. I have no particular insight here. Just my gut.

  7. I too would really love to see more Hayate X Blade in the states, it’s one of the series that I find the most flat-out fun of, well, any manga I read ^^


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